The landscape from Renaissance to Pop The landscape has been, for many centuries, one of the most important genres in painting. This book examines the landscape from the late Middle Ages to modern times, comprising a synopsis of the genre and covering a selection of the most important landscapes in the history of art. From Titian to Warhol, readers will discover the evolution of this popular genre. Featured artists Jean, Paul and Herman von Limburg, Titian, Joachim Patinir, Albrecht Altdorfer, Veronese, Pieter Brueghel, El Greco, Adam Elsheimer, Rembrandt van Rijn, Claude Gellée, gen. Lorrain, Jacob van Ruisdael, Caspar David Friedrich, John Constable, William Turner, Eugène Delacroix, Albert Bierstadt, Jean-Baptiste Camille Corot, James Abbot McNeill Whistler, Arnold Böcklin, Claude Monet, Vincent van Gogh, Edvard Munch, Paul Cézanne, Georges Braque, Paul Klee, Ernst Ludwig Kirchner, Yves Tanguy, Andy Warhol About the Each book in TASCHEN's Basic Genre Series

As the autumn nights draw in, join PollyAtkin in a nocturnal love song to the owlsthat surround her Lake District home – astunning meditation on learning to listenin a world full of noise

Who is the biggest villain in your office? A gripping and incisive psychological drama from the internationally bestselling author of DallerGut Dream Department Store. Eight unsuspecting people receive an invitation to participate in a mysterious new reality show called Break Room. But what starts as an opportunity for fame is quickly revealed to be something far more unsettling when they learn how they were chosen - voted in by their own co-workers as the people they'd least like to share a break room with. But there's another twist. Among them is an imposter - a mole planted by the show's producers. The only way to win the prize money is to uncover the saboteur before time runs out. Labelled as "villains", the participants are left to grapple with the alarming realisation that their actions might be perceived differently by others. As alliances shift and paranoia festers, the contestants begin to realise that the true challenge isn't surviving the show - it's facing their own selves. Welcome . . . Step into the world of the reality show, Break Room, where every smile hides suspicion, and every word could be a clue.

In December 1972, Jean McConville, a thirty-eight-year-old mother of ten, was dragged from her Belfast home by masked intruders, her children clinging to her legs. They never saw her again. Her abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. Patrick Radden Keefe writes an intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions.

A searing investigation into the child influencer industry and the perils of childhood internet fame, Like, Follow, Subscribe is essential reading for anyone seeking to understand the costs of internet fame, and the ethics of online content.What is it like to grow up with a camera in your face 24/7? To have your childhood moments sold as “content” to millions online? What happens when someone who works in a largely unregulated multi-billion-dollar industry sells away their childhood and has no financial safety net as an adult? What does it feel like to have your private moments—your medical diagnoses, your first period, your first break up, your tantrums, potty-training, and breastfeeding-weaning—broadcast to an audience of millions? Like, Follow, Subscribe shines a spotlight on the deeply troubling world of the child influencer industry. Journalist Fortesa Latifi dives into the lives of children whose parents mine their everyday activities for monetizable content, exposing issues like privacy violations, financial abuse, and the absence of child labor protections. Through expert interviews with psychologists, labor scientists, and even former child influencers and family vloggers, she uncovers the pressures, trauma, and consequences for children thrust into the spotlight. This timely and eye-opening book doesn’t just reveal the harm of toxic social media it also provides a roadmap to better regulating influencer families, safeguarding children, and questioning the role of audiences in perpetuating these cycles of exploitation.

The landscape from Renaissance to Pop The landscape has been, for many centuries, one of the most important genres in painting. This book examines the landscape from the late Middle Ages to modern times, comprising a synopsis of the genre and covering a selection of the most important landscapes in the history of art. From Titian to Warhol, readers will discover the evolution of this popular genre. Featured artists Jean, Paul and Herman von Limburg, Titian, Joachim Patinir, Albrecht Altdorfer, Veronese, Pieter Brueghel, El Greco, Adam Elsheimer, Rembrandt van Rijn, Claude Gellée, gen. Lorrain, Jacob van Ruisdael, Caspar David Friedrich, John Constable, William Turner, Eugène Delacroix, Albert Bierstadt, Jean-Baptiste Camille Corot, James Abbot McNeill Whistler, Arnold Böcklin, Claude Monet, Vincent van Gogh, Edvard Munch, Paul Cézanne, Georges Braque, Paul Klee, Ernst Ludwig Kirchner, Yves Tanguy, Andy Warhol About the Each book in TASCHEN's Basic Genre Series

With her disarming, intimate, completely accessible voice, and dry sense of humor, Nora Ephron shares with us her ups and downs in "I Feel Bad About My Neck," a candid, hilarious look at women who are getting older and dealing with the tribulations of maintenance, menopause, empty nests, and life itself. The woman who brought us "When Harry Met Sally"..., "Sleepless in Seattle", "You've Got Mail", and "Bewitched," and the author of best sellers "Heartburn," "Scribble Scribble," and "Crazy Salad," discusses everything -from how much she hates her purse to how much time she spends attempting to stop the clock: the hair dye, the treadmill, the lotions and creams that promise to slow the aging process but never do. Oh, and she can't stand the way her neck looks. But her dermatologist tells her there's no quick fix for that. Ephron chronicles her life as an obsessed cook, passionate city dweller, and hapless parent. She recounts her anything-but-glamorous days as a White House intern during the JFK years ("I am probably the only young woman who ever worked in the Kennedy White House that the President did not make a pass at") and shares how she fell in and out of love with Bill Clinton - from a distance, of course. But mostly she speaks frankly and uproariously about life as a woman of a certain age. Utterly courageous, wickedly funny, and unexpectedly moving in its truth telling, "I Feel Bad About My Neck" is a book of wisdom, advice, and laugh-out-loud moments, a scrumptious, irresistible treat.

An unnerving, sinister, and brilliant dystopian novel about the choices we make at the end of the world, posing the question: Who can you trust when there’s almost no one left?Years after complete antibiotic resistance has brought about global devastation, Kit ekes out an existence on a remote island alongside the taciturn Crevan, who has more recently fled the mainland. With once-curable diseases running riot, desperate measures are in place there: Those not yet infected are given experimental vaccines, and those for whom it’s already too late are culled. But Kit and Crevan are safe, protected on their island by a collapsing castle that holds a greenhouse and a well-stocked bunker within its ruins.When a woman washes ashore—near drowned but clinging to life—the question of her fate threatens the fragile balance of Kit and Crevan’s isolated world. While Crevan wants to keep her alive, Kit isn’t so sure. And there’s more to wrestle with: Kit and Crevan each have secrets—secrets they have been keeping both from each other and from themselves. As the crisis brought about by the drowned woman’s appearance consumes them, the fictions of their shared existence crumble, and the truth begins to emerge.Whether Violent or Natural is a startlingly original and thrilling novel for readers of Susanna Clarke’s Piranesi, Shirley Jackson’s We Have Always Lived in the Castle, and Emily St. John Mandel’s Station Eleven. In the tenseness of its plotting, the gradual unfolding of truth, and in the strange and gripping intensity of its narrator’s voice, Whether Violent or Natural is an intelligent, unputdownable novel that welcomes a huge new talent to the genre.