From the internationally bestselling author of Welcome to the Hyunam-dong Bookshop comes a warm and reflective collection of essays inviting us to reflect on our relationship with reading. Why do we read? What is it that we hope to take away from the intimate, personal experience of reading for pleasure? Rarely do we ask these profound, expansive questions of ourselves and of our relationship to the joy of reading. In each of the essays in Every Day I Read, Hwang Bo-reum contemplates what living a life immersed in reading means. She goes beyond the usual questions of what to read and how often, exploring the relationship between reading and writing, when to turn to a bestseller vs. browse the corners of a bookstore, the value of reading outside of your favorite genre, falling in love with book characters, and more. Every Day I Read provides many quiet moments for introspection and reflection, encouraging book-lovers to explore what reading means to each of us. While this is a book about books, at its heart is an attitude to life, one outside capitalism and climbing the corporate ladder. Lifelong and new readers will take away something from it, including a treasure trove of book recommendations blended seamlessly within.

Love. Loyalty. Sacrifice.Grey Flynn has dedicated her life to her mage, Kier.She will be his blade on the battlefield, his healer and protector. The deep well of raw power inside her is Kier's to use. Grey would do anything for Kier - be anything for him - if he would only ask.When a quest to protect the child of an enemy kingdom pulls them into the dangerous heart of their nation's war, Grey and Kier will need to decide what they are willing to sacrifice to protect their secret. For Grey is no ordinary magical well, but heir to the lost island of Locke - the root of all power. If she dies, all magic dies with her.The Second Death of Locke is a devastatingly romantic epic fantasy and about the undying bond between a knight and their mage, perfect for fans of Gideon the Ninth and The Six Deaths of the Saint.

Love. Loyalty. Sacrifice.Grey Flynn has dedicated her life to her mage, Kier.She will be his blade on the battlefield, his healer and protector. The deep well of raw power inside her is Kier's to use. Grey would do anything for Kier - be anything for him - if he would only ask.When a quest to protect the child of an enemy kingdom pulls them into the dangerous heart of their nation's war, Grey and Kier will need to decide what they are willing to sacrifice to protect their secret. For Grey is no ordinary magical well, but heir to the lost island of Locke - the root of all power. If she dies, all magic dies with her.The Second Death of Locke is a devastatingly romantic epic fantasy and about the undying bond between a knight and their mage, perfect for fans of Gideon the Ninth and The Six Deaths of the Saint.

The Creators did not expect their beloved dragons to sail skyward upon their end. To curl into balls just beyond gravity’s grip, littering the sky with tombstones. With moons. They certainly did not expect them to fall. As a valued Elding Blade of the rebellion group Fíur du Ath, Raeve’s job is to kill. To complete orders and never get caught. When a renowned bounty hunter is employed by The Crown to capture a member of the Ath, Raeve’s world is turned upside down. Blood spills, hearts break, and Raeve finds herself at the mercy of the Guild of Nobles—a group of dual-beaded elementals who intend to turn her into a political statement. Only death will set her free. Crushed beneath a mourning weight, Kaan Vaegor took the head of a king and donned his melted crown. Now on a tireless quest to assuage the never-ebbing ache in his chest, his hunt for a moonshard lures him into the belly of Gore’s notorious prison where he stumbles upon something that rips apart his perception of reality. A shackled miracle with eyes full of rage and blood on her hands. The echo of the past sings louder than the Creators themselves, and even Raeve can’t ignore the truths blaring at her from a warmer, happier time. However. There’s more to this song than meets the eye, and some truths … They’re too poisonous to swallow. When the Moon Hatched is a fast-paced fantasy romance for fans of witty banter and strong, sassy protagonists. Beneath the cover is an immersive, vibrant world with mysterious creatures, a unique magic system, and a love that blazes through the ages.

PAPERBACK ORIGINAL An introduction to Eastern storytelling that opens readers’ minds to radically different ways of telling a satisfying story. Discussions in the West around diversity in the arts often focus on the identities of characters and creators. Writing instructor and speculative fiction author Henry Lien makes the pathbreaking argument that diversity is about more than just plopping different faces into stories that are 100 percent Western in spirit; it can—and should—encompass diverse structures, themes, and values. Using examples ranging from Parasite to The 1,001 Nights to the Mario video game franchise, Lien shows how storytelling staples in the West, such as the three-act structure and themes of empowerment and change, are far from universal. He introduces the East Asian four-act structure (kishotenketsu), as well as circular and nested structures, and explains how Eastern value systems such as collectivism can dictate form. Spring, Summer, Asteroid, Bird is essential reading for any writer or reader who wants to broaden their understanding of how to tell a satisfying story.

A sweeping historical novel in the vein of Hilary Mantel and Maggie O’Farrell set during the time of the Tudors’ ascent. The Pretender tells the story of Lambert Simnel, who was raised in obscurity as a peasant boy to protect his safety, believed to be the heir to the throne occupied by Richard III, and briefly crowned, at the age of ten, as King Edward the Sixth, one of the last of the Plantagenets. In 1480 John Collan’s greatest anxiety is how to circumvent the village’s devil goat on the way to collect water. But the arrival of a well-dressed stranger from London upends his life forever: John is not John Collan, not the son of Will Collan, but the son of the long-deceased Duke of Clarence, hidden in the countryside after a brotherly rift over the crown, and because Richard III has a habit of disappearing his nephews. Removed from his humble origins, sent to Oxford to be educated in a manner befitting the throne’s rightful heir, John is put into play by his masters, learning the rules of etiquette in Burgundy and the machinations of the court in Ireland, where he encounters the intractable Joan, the delightfully strong-willed and manipulative daughter of his Irish patrons, a girl imbued with both extraordinary political savvy and occasional murderous tendencies. Joan has two paths available her—marry, or become a nun. Lambert’s choices are similarly stark: he will either become King, or die in battle. Together they form an alliance that will change the fate of the English monarchy. Inspired by a footnote to history—the true story of the little known Simnel, who was a figurehead of the 1487 Yorkist rebellion and ended up working as a spy in the court of King Henry VII— The Pretender is historical fiction at its finest, a gripping, exuberant, rollicking portrait of British monarchy and life within the court, with a cast of unforgettable heroes and villains drawn from 15th century England. A masterful new work from a major new author.

From the critically acclaimed author of Bunny, a darkly funny novel about a theater professor suffering chronic pain, who in the process of staging a troubled production of Shakespeare’s most maligned play, suddenly and miraculously recovers. Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers. That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known. With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

The Creators did not expect their beloved dragons to sail skyward upon their end. To curl into balls just beyond gravity’s grip, littering the sky with tombstones. With moons. They certainly did not expect them to fall. As a valued Elding Blade of the rebellion group Fíur du Ath, Raeve’s job is to kill. To complete orders and never get caught. When a renowned bounty hunter is employed by The Crown to capture a member of the Ath, Raeve’s world is turned upside down. Blood spills, hearts break, and Raeve finds herself at the mercy of the Guild of Nobles—a group of dual-beaded elementals who intend to turn her into a political statement. Only death will set her free. Crushed beneath a mourning weight, Kaan Vaegor took the head of a king and donned his melted crown. Now on a tireless quest to assuage the never-ebbing ache in his chest, his hunt for a moonshard lures him into the belly of Gore’s notorious prison where he stumbles upon something that rips apart his perception of reality. A shackled miracle with eyes full of rage and blood on her hands. The echo of the past sings louder than the Creators themselves, and even Raeve can’t ignore the truths blaring at her from a warmer, happier time. However. There’s more to this song than meets the eye, and some truths … They’re too poisonous to swallow. When the Moon Hatched is a fast-paced fantasy romance for fans of witty banter and strong, sassy protagonists. Beneath the cover is an immersive, vibrant world with mysterious creatures, a unique magic system, and a love that blazes through the ages.

Lindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery.From the moment the first machine gun rang out over the Western Front, one thing was clear: humankind’s military technology had wildly surpassed its medical capabilities. Bodies were battered, gouged, hacked, and gassed. The First World War claimed millions of lives and left millions more wounded and disfigured. In the midst of this brutality, however, there were also those who strove to alleviate suffering. The Facemaker tells the extraordinary story of such an individual: the pioneering plastic surgeon Harold Gillies, who dedicated himself to reconstructing the burned and broken faces of the injured soldiers under his care.Gillies, a Cambridge-educated New Zealander, became interested in the nascent field of plastic surgery after encountering the human wreckage on the front. Returning to Britain, he established one of the world’s first hospitals dedicated entirely to facial reconstruction. There, Gillies assembled a unique group of practitioners whose task was to rebuild what had been torn apart, to re-create what had been destroyed. At a time when losing a limb made a soldier a hero, but losing a face made him a monster to a society largely intolerant of disfigurement, Gillies restored not just the faces of the wounded but also their spirits.The Facemaker places Gillies’s ingenious surgical innovations alongside the dramatic stories of soldiers whose lives were wrecked and repaired. The result is a vivid account of how medicine can be an art, and of what courage and imagination can accomplish in the presence of relentless horror.