‘A stimulating, elegant yet pugnacious essay’—Observer In this highly acclaimed seminal work, Edward Said surveys the history and nature of Western attitudes towards the East, considering Orientalism as a powerful European ideological creation—a way for writers, philosophers and colonial administrators to deal with the ‘otherness’ of Eastern culture, customs and beliefs. He traces this view through the writings of Homer, Nerval and Flaubert, Disraeli and Kipling, whose imaginative depictions have greatly contributed to the West’s romantic and exotic picture of the Orient. In the Afterword, Said examines the effect of continuing Western imperialism.

A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?” Featuring stories by: Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce Young Wolf • Mathilda Zeller Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home. These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

In Teaching to Transgress, bell hooks—writer, teacher, and insurgent black intellectual—writes about a new kind of education, educations as the practice of freedom. Teaching students to "transgress" against racial, sexual, and class boundaries in order to achieve the gift of freedom is, for hooks, the teacher's most important goal. Bell hooks speaks to the heart of education today: how can we rethink teaching practices in the age of multiculturalism? What do we do about teachers who do not want to teach, and students who do not want to learn? How should we deal with racism and sexism in the classroom? Full of passion and politics, Teaching to Transgress combines practical knowledge of the classroom with a deeply felt connection to the world of emotions and feelings. This is the rare book about teachers and students that dares to raise critical questions about eros and rage, grief and reconciliation, and the future of teaching itself. "To educate as the practice of freedom," writes bell hooks, "is a way of teaching that any one can learn." Teaching to Transgress is the record of one gifted teacher's struggle to make classrooms work. –from the back of the book

Tapping into the political power of magic and astrology for social, community, and personal transformation. In a cross-cultural approach to understanding astrology as a magical language, Alice Sparkly Kat unmasks the political power of astrology, showing how it can be channeled as a force for collective healing and liberation. Too often, magic and astrology are divorced from their potency and cultural contexts: co-opted by neoliberalism, used as a force of oppression, or distilled beyond recognition into applications that belie their individual and collective power. By looking at the symbolic and etymological histories of the sun, moon, Saturn, Venus, Mercury, Mars, and Jupiter, we can trace and understand the politics of magic–and challenge our own practices, interrogate our truths, and reshape our institutions to build better frameworks for communities of care. Fearless, radical, and fresh, Sparkly Kat’s Postcolonial Astrology ushers in a new wave of astrology revival, refusing to apologize for its magickism and connecting its power to the spirituality and politics we need now. Intersectional, inclusive, and geared towards queer and POC communities, it uses our historical and collective constructs of the planets, sun, and moon to re-chart our subconscious history, redefine the body in the world, and assert our politics of the personal, in astrology and all things.

June, 1852.A preacher’s daughter with a secret. An outlaw running from the gallows. A love story spanning oceans and deserts and years. When Abby Proctor is kidnapped from a train in the middle of the desert halfway to her new life in California, she makes a promise to herself—she will escape. Because there’s a reason Abby is leaving Iowa and all its oppressions behind, and she refuses to be someone’s prisoner again. Especially when that someone is the infamous female outlaw Joey ‘JT London’ Taylor, Abby's brash, brooding, and inconveniently beautiful captor.But as Abby plots her escape, she stumbles upon a larger conspiracy at play behind her kidnapping—a complicated revelation considering the feelings she’s been having for Joey, who might not be the ruthless criminal everyone believes her to be. And when Abby realizes it’s all connected—her kidnapping, the secrets she left behind in Iowa, even her plans in California—she has to decide between returning to a life of obedience and unhappiness, or trusting an enigmatic outlaw who is bound for the gallows.

June, 1852.A preacher’s daughter with a secret. An outlaw running from the gallows. A love story spanning oceans and deserts and years. When Abby Proctor is kidnapped from a train in the middle of the desert halfway to her new life in California, she makes a promise to herself—she will escape. Because there’s a reason Abby is leaving Iowa and all its oppressions behind, and she refuses to be someone’s prisoner again. Especially when that someone is the infamous female outlaw Joey ‘JT London’ Taylor, Abby's brash, brooding, and inconveniently beautiful captor.But as Abby plots her escape, she stumbles upon a larger conspiracy at play behind her kidnapping—a complicated revelation considering the feelings she’s been having for Joey, who might not be the ruthless criminal everyone believes her to be. And when Abby realizes it’s all connected—her kidnapping, the secrets she left behind in Iowa, even her plans in California—she has to decide between returning to a life of obedience and unhappiness, or trusting an enigmatic outlaw who is bound for the gallows.

The wunderkind chef of an acclaimed restaurant is reunited with “the one that got away” when she’s hired to cater her wedding in this charming, full-cast queer rom-com, perfect for fans of Alison Cochrun and Casey McQuiston, by TV writer and former BuzzFeed personality Ash Perez.What would you do for a second chance at your first love? Alex Perez is a culinary she’s on the verge of becoming the youngest ever head chef at the famed Sempervirens restaurant, a fine dining treasure tucked away in a boutique hotel in the majestic Big Sur mountains. Her demanding schedule and perfectionist tendencies leave little room to think about romance. That is, until her ex-best friend Genevieve shows up at her restaurant—and gets engaged. Twelve years ago, Alex was just a quiet transfer student with no friends until she met Genevieve Jones, an effervescent extrovert who took Alex under her wing. They remained inseparable through the rest of high school, until a fateful road trip changed everything, and they haven’t seen or spoken to each other since. Now Genevieve’s longtime boyfriend Derek, a real estate mogul in the making, has brought her here not only to propose, but to offer sizable investment in the hotel…if they can host and cater the perfect fairytale wedding. Leaving Alex in an impossible cater the wedding for the only woman she’s ever loved, or give up her dream job as a head chef. Speak Now is a charming and laugh-out-loud funny story of self-discovery and second chances from an exciting new voice in queer fiction, performed by a full cast led by Jena Malone (The Hunger Games, Pride & Prejudice) and Arienne Mandi (The L Generation Q, Chicago PD).

In Teaching to Transgress, bell hooks—writer, teacher, and insurgent black intellectual—writes about a new kind of education, educations as the practice of freedom. Teaching students to "transgress" against racial, sexual, and class boundaries in order to achieve the gift of freedom is, for hooks, the teacher's most important goal. Bell hooks speaks to the heart of education today: how can we rethink teaching practices in the age of multiculturalism? What do we do about teachers who do not want to teach, and students who do not want to learn? How should we deal with racism and sexism in the classroom? Full of passion and politics, Teaching to Transgress combines practical knowledge of the classroom with a deeply felt connection to the world of emotions and feelings. This is the rare book about teachers and students that dares to raise critical questions about eros and rage, grief and reconciliation, and the future of teaching itself. "To educate as the practice of freedom," writes bell hooks, "is a way of teaching that any one can learn." Teaching to Transgress is the record of one gifted teacher's struggle to make classrooms work. –from the back of the book