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kypai

🐾🩇🩒 26. she/they

248 points

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Level 2
My Taste
Monstrilio
The Outsiders
Walking Practice
The Fellowship of the Ring
The Princess Bride
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Dungeon Crawler Carl
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The House Guests
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7w

Yesteryear

Yesteryear

Caro Claire Burke

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

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14w

Watching John

Watching John

Christina Patterson

Dexter meets The Girl with the Dragon Tattoo. A gripping psychological thriller about right and wrong, justice and vengeance—and what happens when the line between them disappears. No one is perfect. Good and evil live in us all. Which acts will define us in the end? Someone needed to stand up for the children. John knows what it costs when no one does. He saw his sister pay the price. And once you’ve seen the trademarks of a monster, you can’t unsee them. John is the man that flies under the radar. He works in home security, silently watching other people’s lives unfold on screens. Their routines become his. Until he notices something: mundane family life that hides the evil lurking just beneath. The pattern is familiar. The air is heavy with secrets. A little girl trapped in a nightmare. A man desperate to reclaim control over a world that makes him feel weak. When the system fails yet another little girl, John steps in. The deeper he goes, the harder it becomes to tell whether he is protecting the innocent—or becoming the very thing he hunts. Another home security video, another man aglow in his computer light, sending nauseating messages to a child in a chatroom. It never ends. Once you’ve seen it, vanquishing monsters isn’t a choice. It’s fate. A psychological thriller built around a single, unsettling question: is it ever right to do wrong for the right reasons?

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17w

A Grief Observed

A Grief Observed

C.S. Lewis

Written with love, humility, and faith, this brief but poignant volume was first published in 1961 and concerns the death of C. S. Lewis's wife, the American-born poet Joy Davidman. In her introduction to this new edition, Madeleine L'Engle writes: "I am grateful to Lewis for having the courage to yell, to doubt, to kick at God in angry violence. This is a part of a healthy grief which is not often encouraged. It is helpful indeed that C. S. Lewis, who has been such a successful apologist for Christianity, should have the courage to admit doubt about what he has so superbly proclaimed. It gives us permission to admit our own doubts, our own angers and anguishes, and to know that they are part of the soul's growth." Written in longhand in notebooks that Lewis found in his home, A Grief Observed probes the "mad midnight moments" of Lewis's mourning and loss, moments in which he questioned what he had previously believed about life and death, marriage, and even God. Indecision and self-pity assailed Lewis. "We are under the harrow and can't escape," he writes. "I know that the thing I want is exactly the thing I can never get. The old life, the jokes, the drinks, the arguments, the lovemaking, the tiny, heartbreaking commonplace." Writing A Grief Observed as "a defense against total collapse, a safety valve," he came to recognize that "bereavement is a universal and integral part of our experience of love." Lewis writes his statement of faith with precision, humor, and grace. Yet neither is Lewis reluctant to confess his continuing doubts and his awareness of his own human frailty. This is precisely the quality which suggests that A Grief Observed may become "among the great devotional books of our age."

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kypai commented...

24w

  • 1984

    1984

    George Orwell

    1984

    And anytime someone says "The government can't do that" Pls do know "THE GOVERNMENT CAN DO THAT"

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    kypai is interested in reading...

    29w

    Dungeon Crawler Carl

    Dungeon Crawler Carl

    Matt Dinniman

    The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

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    29w

    The Adventures of Amina al-Sirafi

    The Adventures of Amina al-Sirafi

    Shannon Chakraborty

    Shannon Chakraborty, the bestselling author of The City of Brass, spins a new trilogy of magic and mayhem on the high seas in this tale of pirates and sorcerers, forbidden artifacts and ancient mysteries, in one woman’s determined quest to seize a final chance at glory—and write her own legend. Amina al-Sirafi should be content. After a storied and scandalous career as one of the Indian Ocean’s most notorious pirates, she’s survived backstabbing rogues, vengeful merchant princes, several husbands, and one actual demon to retire peacefully with her family to a life of piety, motherhood, and absolutely nothing that hints of the supernatural. But when she’s tracked down by the obscenely wealthy mother of a former crewman, she’s offered a job no bandit could refuse: retrieve her comrade’s kidnapped daughter for a kingly sum. The chance to have one last adventure with her crew, do right by an old friend, and win a fortune that will secure her family’s future forever? It seems like such an obvious choice that it must be God’s will. Yet the deeper Amina dives, the more it becomes alarmingly clear there’s more to this job, and the girl’s disappearance, than she was led to believe. For there’s always risk in wanting to become a legend, to seize one last chance at glory, to savor just a bit more power
and the price might be your very soul.

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    kypai commented...

    29w

    Being on PB has been more fun than I originally thought! I’m a very reserved person, I grew up being made fun of for having any opinion/for expressing things (by family & ‘friends’ alike) so it really stunted any urge to
 well, share. But getting this app has been liberating. I don’t personally know literally anyone on here and it doesn’t automatically share my account with “people you may know” or ask to connect my contact list (thank god). So I really feel free to genuinely show up and work on authentically expressing my opinions and reaching out with people since it’s so much simpler when we already have common ground to discuss :) Receiving any interaction when I put something out there always leaves me smiling, so I try to like others posts just to encourage them or comment to put in my own two cents when it’s a book I have read. Being on here feels rewarding, not only in the sense of earning badges, but staying connected in a community and coming back for the sake of expanding my mind instead of doom-scrolling. I hope the creators know they’re doing such a lovely job curating a safe and simultaneously fun space for people!

  • What do you "like"/"heart" on your feed?

    I really enjoy opening up PB and liking all my friends' updates! Even if I haven't even heard of that book before, I'll still like their post to show that I support them and they're doing a great job đŸ«Ą and then I'll comment if I want to know more, or to congratulate them on badges. Often I'll do this with non-mutuals too!

    Do others do the same? Do you mostly engage with books you've read / are interested in reading? Or do you have a "likes are free, give them away freely" mentality? Also, do you engage with posts from people who you aren't currently following?

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