Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

A BBC must-read book of 2026—”Sharp, dark and humorous, it’s a real nail-biter.” Go gay. Go sad. Go dark. A washed-up author will stop at nothing to claw her way back to relevancy—even if it means appropriating a young gay man’s tragic story. Mallory Maddox is buried under seven years of writer’s block. With her status as a literary sensation fizzling, she’ll do anything she can to resurrect her career. Inspiration needs to strike—and fast. Enter Leo. He’s a struggling addict sleeping under bridges and trading sex for survival. He’s vulnerable. He’s enigmatic. He’s exactly what Mallory has been looking for. Mallory needs Leo if she wants another bestseller. The world needs Leo’s story right now, and Mallory believes she deserves to tell it. Really, it’s her story—she’s the one who wrote it, after all. But as secrets threaten to unravel more than just her career, Mallory must decide how far she will go to pen the perfect story. A razor-sharp satirical thriller, Fruit Fly will appeal to fans of R. F. Kuang’s Yellowface and Yomi Adegoke’s The List.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Dexter meets The Girl with the Dragon Tattoo. A gripping psychological thriller about right and wrong, justice and vengeance—and what happens when the line between them disappears. No one is perfect. Good and evil live in us all. Which acts will define us in the end? Someone needed to stand up for the children. John knows what it costs when no one does. He saw his sister pay the price. And once you’ve seen the trademarks of a monster, you can’t unsee them. John is the man that flies under the radar. He works in home security, silently watching other people’s lives unfold on screens. Their routines become his. Until he notices something: mundane family life that hides the evil lurking just beneath. The pattern is familiar. The air is heavy with secrets. A little girl trapped in a nightmare. A man desperate to reclaim control over a world that makes him feel weak. When the system fails yet another little girl, John steps in. The deeper he goes, the harder it becomes to tell whether he is protecting the innocent—or becoming the very thing he hunts. Another home security video, another man aglow in his computer light, sending nauseating messages to a child in a chatroom. It never ends. Once you’ve seen it, vanquishing monsters isn’t a choice. It’s fate. A psychological thriller built around a single, unsettling question: is it ever right to do wrong for the right reasons?

Written with love, humility, and faith, this brief but poignant volume was first published in 1961 and concerns the death of C. S. Lewis's wife, the American-born poet Joy Davidman. In her introduction to this new edition, Madeleine L'Engle writes: "I am grateful to Lewis for having the courage to yell, to doubt, to kick at God in angry violence. This is a part of a healthy grief which is not often encouraged. It is helpful indeed that C. S. Lewis, who has been such a successful apologist for Christianity, should have the courage to admit doubt about what he has so superbly proclaimed. It gives us permission to admit our own doubts, our own angers and anguishes, and to know that they are part of the soul's growth." Written in longhand in notebooks that Lewis found in his home, A Grief Observed probes the "mad midnight moments" of Lewis's mourning and loss, moments in which he questioned what he had previously believed about life and death, marriage, and even God. Indecision and self-pity assailed Lewis. "We are under the harrow and can't escape," he writes. "I know that the thing I want is exactly the thing I can never get. The old life, the jokes, the drinks, the arguments, the lovemaking, the tiny, heartbreaking commonplace." Writing A Grief Observed as "a defense against total collapse, a safety valve," he came to recognize that "bereavement is a universal and integral part of our experience of love." Lewis writes his statement of faith with precision, humor, and grace. Yet neither is Lewis reluctant to confess his continuing doubts and his awareness of his own human frailty. This is precisely the quality which suggests that A Grief Observed may become "among the great devotional books of our age."

Stop the Magician. Steal the book. Save the future. In modern-day New York, magic is all but extinct. The remaining few who have an affinity for magic—the Mageus—live in the shadows, hiding who they are. Any Mageus who enters Manhattan becomes trapped by the Brink, a dark energy barrier that confines them to the island. Crossing it means losing their power—and often their lives. Esta is a talented thief, and she’s been raised to steal magical artifacts from the sinister Order that created the Brink. With her innate ability to manipulate time, Esta can pilfer from the past, collecting these artifacts before the Order even realizes she’s there. And all of Esta’s training has been for one final job: traveling back to 1902 to steal an ancient book containing the secrets of the Order—and the Brink—before the Magician can destroy it and doom the Mageus to a hopeless future. But Old New York is a dangerous world ruled by ruthless gangs and secret societies, a world where the very air crackles with magic. Nothing is as it seems, including the Magician himself. And for Esta to save her future, she may have to betray everyone in the past.

Felicia Day, actress and instant New York Times bestselling author of the “engaging and often hilarious” (USA TODAY) You’re Never Weird on the Internet (Almost), returns with a feminist graphic novel about the lost mythical character of Philonoe—Helen of Troy’s sister. Helen of Troy. Clytemnestra. Timandra. Three sisters, infamously cursed by the goddess Aphrodite to betray their husbands, are known the world over. But few know about the fourth sister: Philonoe. Lost to historical record, all we know from ancient texts is that she avoided the curse placed on her family, and was granted immortality by the goddess Artemis. But why and how did this happen? Now, Felicia Day is determined to bring Philonoe to vivid life and fill in the missing pieces with this graphic novel retelling. Her story is a traditional hero’s journey with a feminist twist. Born as both a Spartan princess and with a wine-stain birthmark on her face, Philonoe is destined for a different fate than her sisters. Her remarkable but overlooked life is finally revealed in this clever and engaging graphic novel that is perfect for fans of The Palace of Eros and Lore Olympus.

When Jackie is released from prison, his boss Pino sends a limo to pick him up. Even fresh out of the joint, ruthless Jackie is ready to work, collecting money for the mob and using his special training to take care of bad accounts—permanently. But when a drunk driver kills Pino’s young son, he gives Jackie a task that goes against every moral code. The drunk driver has a pre-teen daughter, and Pino doesn’t just want vengeance—he wants an eye for an eye. Jackie accepts the job, but once he finds the girl he starts making plans of his own… And the Devil Cried is a dark thriller from Kristopher Triana, the award-winning author of Gone to See the River Man and Full Brutal. It is a vicious, unflinching novel that’s bound to keep you burning.

In the spirit of his debut, Intoxicated Heart, Ben Esqueda returns with a fresh, moving collection of poems. From the crushing pain of loss to the elation of new love to the struggle of forging your own path, the messages in this book are ubiquitous, but also distinctly personal to the reader. Feeling This Way is a tender portrayal of growth and self actualization.

Surreal and gothic, The Iliac Crest is a masterful excavation of forgotten Mexican women writers, illustrating the myriad ways that gendered language can wield destructive power. On a dark and stormy night, two mysterious women invade an unnamed narrator’s house, where they proceed to ruthlessly question their host’s identity. The women are strangely intimate―even inventing together an incomprehensible, fluid language―and harass the narrator by repeatedly claiming that they know his greatest that he is, in fact, a woman. As the increasingly frantic protagonist fails to defend his supposed masculinity, he eventually finds himself in a sanatorium. Published for the first time in English, this Gothic tale is “utterly weird yet deeply resonant in its portrayal of gendered violence” ( The Millions ). Through layered and haunting prose, Cristina Rivera Garza unravels the cultural and political histories of Mexico, probing at the misogyny that fuels the disappearance of women in literature and in real life.

The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

Shannon Chakraborty, the bestselling author of The City of Brass, spins a new trilogy of magic and mayhem on the high seas in this tale of pirates and sorcerers, forbidden artifacts and ancient mysteries, in one woman’s determined quest to seize a final chance at glory—and write her own legend. Amina al-Sirafi should be content. After a storied and scandalous career as one of the Indian Ocean’s most notorious pirates, she’s survived backstabbing rogues, vengeful merchant princes, several husbands, and one actual demon to retire peacefully with her family to a life of piety, motherhood, and absolutely nothing that hints of the supernatural. But when she’s tracked down by the obscenely wealthy mother of a former crewman, she’s offered a job no bandit could refuse: retrieve her comrade’s kidnapped daughter for a kingly sum. The chance to have one last adventure with her crew, do right by an old friend, and win a fortune that will secure her family’s future forever? It seems like such an obvious choice that it must be God’s will. Yet the deeper Amina dives, the more it becomes alarmingly clear there’s more to this job, and the girl’s disappearance, than she was led to believe. For there’s always risk in wanting to become a legend, to seize one last chance at glory, to savor just a bit more power…and the price might be your very soul.

NO ONE’S AROUND FOR MILES… One year ago, Iris’s world turned upside down. Haunted by nightmares of her mother’s traumatic death, Iris has become a sleep-deprived, jittery version of herself who she hardly recognizes anymore. So when she’s given the opportunity to get away from the crushing grind of reality for a relaxing week with her partner and his close-knit group of friends, she jumps at the chance. But after she arrives early to the remote lake house in the Catskills, things take a dark turn. Alone in the cabin in the middle of the night, Iris sees a blood-covered man burying something—or someone—in the mud behind the deck before entering the house. But the daylight reveals nothing, the dirt unturned and the house pristine. As strange and increasingly disturbing discoveries begin to stack up, her fellow house guests refuse to take anything Iris has to say seriously, and she begins to suspect that someone might be gaslighting her. If the stress hasn’t finally gotten to her, that is. Determined to uncover the truth, Iris finds herself drawn into a terrifying game of cat and mouse. Is it all in her head, or is there really a killer among them? Can she trust anyone…even herself?

A magical detective dives into the affairs of Chicago's divine monsters to secure a future with the love of her life. This sapphic period piece will dazzle anyone looking for mystery, intrigue, romance, magic, or all of the above. An exiled auspex who sold her soul to save her brother's life is offered one last job before serving an eternity in hell. When she turns it down, her client sweetens the pot by offering up the one payment she can't resist―the chance to have a future where she grows old with the woman she loves. To succeed, she is given three days to track down the White City Vampire, Chicago's most notorious serial killer. If she fails, only hell and heartbreak await.

Obey the curfew. Never fly past Elysia’s boundaries. Above all — never speak to humans. For twenty-one summers, Sylvia has evaded the ironclad rules set by her village, driven by an insatiable curiosity to know the world beyond the confines of the willow her fellow fairies call home. Her ventures often lead her to the vacant human mansion beyond Elysia’s forest, where ghosts whisper and ancient treasures beckon in the darkness. Her exploration is shattered by a bullet through her wing— courtesy of Jon and Cliff, seasoned monster hunters who suspect her involvement in gruesome disappearances. A harrowing captivity transforms into an unlikely alliance when Sylvia saves Jon’s life by sealing a magical pact with the enigmatic Ancients— fae powers who demand a cryptic price. Sylvia is left with no choice but to stay by Jon’s side while he and Cliff hunt for a ruthless werewolf, determined to free herself from the Ancients’ settlement. As the dangerous hunt unfolds, Sylvia finds that not all legends about hunters are true. She realizes she and Jon may have more in common than she ever could have imagined— and icy hostility melts into forbidden attraction. But it doesn’t matter how he begins to look at her— it can’t matter. If Jon discovers her secret, Sylvia knows her fate is sealed. With the full moon's ominous countdown away, Sylvia and the hunters race against time with the fate of countless lives—including Sylvia's—hanging in the balance. After all, killing a monster is easy compared to falling in love with someone you shouldn’t. Perfect for fans of SUPERNATURAL and R.J. Anderson’s KNIFE, SHOT IN THE DARK is an action-packed urban fantasy novel that explores the courage it takes to embrace our true identity entwined with haunting themes of forbidden love and found family.