From the award-winning and New York Times bestselling author of The Everlasting and Starling House comes a new fantastical collection of stories about tricksters and ghosts, magics ordinary and spectacular. Alix E. Harrow spins tales never-told and seen just outside the periphery of reality--in the tradition of Angela Carter, Anne Sexton, and Carmen Maria Machado, these hauntingly resonant and defiant stories leap from the page and dance in and out of a history that never was (but could have been) and into a future startingly like our own. Before I was a liar I was a historian, which is a kind of storyteller who doesn’t make any money and likes footnotes. These are stories about the past as it wasn’t quite, but might have been, from ancient battlefields all the way up through roadside attractions off I-70. They’re about the people caught in the mean jaws of history: the women and workers, the soldiers and mothers, everyone shoved into the margins of the world. But these aren’t singular tragedies―these are the stories of the ones that got away. The ones who defected and dissented, who broke the rules, who ran and tossed a match behind them. SLANTWISE HISTORIES AND OTHER STORIES collects the best known short fiction of Alix. E. Harrow, including the Hugo-award winning "A Witch's Guide to Escape: A Practical Compendium of Portal Fantasies" and for the first time in print, Amazon original titles "The Six Deaths of the Saint" and "The Knight and the Butcherbird". Updated to reflect the author's preferred editions, Slantwise Histories also includes "The Long Way Up", "Roadside Attraction", "Mr. Death", "The Ransom of Miss Coraline Connelly", "The Sycamore and the Sybil", "Do Not Look Back, My Lion", "The Whisper in the Weld", "Dustbaby", and four all-new short stories.

Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. A breakout, genre-blurring novel from one of the most exciting new voices of Latin America’s feminist Gothic. It is the twilight of Europe’s bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet. In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women—and they cross a threshold from which there’s no turning back. With echoes of Mary Shelley’s Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.

Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. A breakout, genre-blurring novel from one of the most exciting new voices of Latin America’s feminist Gothic. It is the twilight of Europe’s bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet. In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women—and they cross a threshold from which there’s no turning back. With echoes of Mary Shelley’s Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.