This first anthology of women's international thought explores how women transformed the practice of international relations, from the early to middle twentieth century. Revealing a major distortion in current understandings of the history and theory of international relations, this anthology offers an alternative 'archive' of international thought. By including women as international thinkers it demonstrates their centrality to early international relations discourses in and on the Anglo-American world order and how they were excluded from its history and conceptualization. Encompassing 104 selections by 92 different thinkers, including Anna Julia Cooper, Margaret Sanger, Rosa Luxemburg, Judith Shklar, Hannah Arendt, Merze Tate, Susan Strange, Lucy P. Mair and Claudia Jones, it covers the widest possible range of subject matter, genres, ideological and political positions, and professional contexts. Organized into thirteen thematic sections, each with a substantial introductory essay, the anthology provides intellectual, political and biographical context, and original arguments, showing women's significance in international thought.

Sojourning for Freedom portrays pioneering black women activists from the early twentieth century through the 1970s, focusing on their participation in the U.S. Communist Party (CPUSA) between 1919 and 1956. Erik S. McDuffie considers how women from diverse locales and backgrounds became radicalized, joined the CPUSA, and advocated a pathbreaking politics committed to black liberation, women’s rights, decolonization, economic justice, peace, and international solidarity. McDuffie explores the lives of black left feminists, including the bohemian world traveler Louise Thompson Patterson, who wrote about the “triple exploitation” of race, gender, and class; Esther Cooper Jackson, an Alabama-based civil rights activist who chronicled the experiences of black female domestic workers; and Claudia Jones, the Trinidad-born activist who emerged as one of the Communist Party’s leading theorists of black women’s exploitation. Drawing on more than forty oral histories collected from veteran black women radicals and their family members, McDuffie examines how these women negotiated race, gender, class, sexuality, and politics within the CPUSA. In Sojourning for Freedom , he depicts a community of radical black women activist intellectuals who helped to lay the foundation for a transnational modern black feminism.

With the exception of a few iconic moments such as Rosa Parks's 1955 refusal to move to the back of a Montgomery bus, we hear little about what black women activists did prior to 1960. Perhaps this gap is due to the severe repression that radicals of any color in America faced as early as the 1930s, and into the Red Scare of the 1950s. To be radical, "and" black "and" a woman was to be forced to the margins and consequently, these women's stories have been deeply buried and all but forgotten by the general public and historians alike.In this exciting work of historical recovery, Dayo F. Gore unearths and examines a dynamic, extended community of black radical women during the early Cold War, including established Communist Party activists such as Claudia Jones, artists and writers such as Beulah Richardson, and lesser-known organizers such as Vicki Garvin and Thelma Dale. These women were part of a black left that laid much of the groundwork for both the Civil Rights Movement of the 1960s and later strains of black radicalism. Radicalism at the Crossroads offers a sustained and in-depth analysis of the political thought and activism of black women radicals during the Cold War period and adds a new dimension to our understanding of this tumultuous and violent time in United States history.

Black women undertook an energetic and unprecedented engagement with internationalism from the late nineteenth century to the 1970s. In many cases, their work reflected a complex effort to merge internationalism with issues of women's rights and with feminist concerns. To Turn the Whole World Over examines these and other issues with a collection of cutting-edge essays on black women's internationalism in this pivotal era and beyond. Analyzing the contours of gender within black internationalism, scholars examine the range and complexity of black women's global engagements. At the same time, they focus on these women's remarkable experiences in shaping internationalist movements and dialogues. The essays explore the travels and migrations of black women; the internationalist writings of women from Paris to Chicago to Spain; black women advocating for internationalism through art and performance; and the involvement of black women in politics, activism, and global freedom struggles. Nicole Anae, Keisha N. Blain, Brandon R. Byrd, Stephanie Beck Cohen, Anne Donlon, Tiffany N. Florvil, Kim Gallon, Dayo F. Gore, Annette K. Joseph-Gabriel, Grace V. Leslie, Michael O. West, and Julia Erin Wood

Mary Helen Washington recovers the vital role of 1950s leftist politics in the works and lives of modern African American writers and artists. While most histories of McCarthyism focus on the devastation of the blacklist and the intersection of leftist politics and American culture, few include the activities of radical writers and artists from the Black Popular Front. Washington's work incorporates these black intellectuals back into our understanding of mid-twentieth-century African American literature and art and expands our understanding of the creative ferment energizing all of America during this period. Mary Helen Washington reads four representative writers―Lloyd Brown, Frank London Brown, Alice Childress, and Gwendolyn Brooks―and surveys the work of the visual artist Charles White. She traces resonances of leftist ideas and activism in their artistic achievements and follows their balanced critique of the mainstream liberal and conservative political and literary spheres. Her study recounts the targeting of African American as well as white writers during the McCarthy era, reconstructs the events of the 1959 Black Writers' Conference in New York, and argues for the ongoing influence of the Black Popular Front decades after it folded. Defining the contours of a distinctly black modernism and its far-ranging radicalization of American politics and culture, Washington fundamentally reorients scholarship on African American and Cold War literature and life.

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future. Except the discovery of their bond would mean death for each of them. There's still a war going on, after all. And someone has to win that war.

New collection of writings from one of the foremost contemporary critical thinkers on racism, geography and incarceration Gathering together Ruth Wilson Gilmore’s work from over three decades, Abolition Geography presents her singular contribution to the politics of abolition as theorist, researcher, and organizer, offering scholars and activists ways of seeing and doing to help navigate our turbulent present. Abolition Geography moves us away from explanations of mass incarceration and racist violence focused on uninterrupted histories of prejudice or the dull compulsion of neoliberal economics. Instead, Gilmore offers a geographical grasp of how contemporary racial capitalism operates through an “anti-state state” that answers crises with the organized abandonment of people and environments deemed surplus to requirement. Gilmore escapes one-dimensional conceptions of what liberation demands, who demands liberation, or what indeed is to be abolished. Drawing on the lessons of grassroots organizing and internationalist imaginaries, Abolition Geography undoes the identification of abolition with mere decarceration, and reminds us that freedom is not a mere principle but a place. Edited with an introduction by Brenna Bhandar and Alberto Toscano.

This edited book, by Rosalina Díaz, represents a radical form of ethnography, as it presents the voices of academic scholars and scientists side by side with those of grassroots activists, native healers and community herbalists, in addressing issues of cultural and indigenous identity, agroecology, sustainability and self-determination in the Greater Antillean region of the Caribbean. "In Decolonizing Paradise , Rosalina Díaz blends the voices of scientists with local healers and activists to explore a radical ethnography of plants and people in the Caribbean. Through their lived experiences in this crucially important bioregion, herbalists, brujas, and western-trained scientists resurrect and reveal indigenous and diasporic plant wisdom that has long been denigrated. This collection is an important ethnobotanical starting point for the colonized people of the Caribbean to redress centuries of cultural and environmental injustice." --Robert Voeks, Author of The Ethnobotany of Rethinking the Jungle Medicine Narrative "At a time when the world is intensely focused on finding solutions to complex and existential environmental issues, Decolonizing Paradise is an indispensable tool for those wanting to engage in collective action in the Caribbean. This timely anthology of scholars, scientists, farmers, grassroots activists and environmentalists provides both historical context and an agenda for the sustainable environmental future of the region, with a particular emphasis on Puerto Rico. Decolonizing Paradise will quickly become essential reading for those interested in the Caribbean's environmental struggles, particularly as understood and analyzed by those who are currently in the trenches. Decolonizing Paradise also provides hope and inspiration for all those--students, policy makers, activists and scholars--who want to see change happen in the Caribbean." --Felix V Matos Rodriguez, Chancellor of the City University of New York (CUNY), Author of Women and Urban Change in San Juan, Puerto Rico, 1820-1868 " Decolonizing Paradise is a must-read primer for anyone interested in an insider perspective of environmental stewardship in the Caribbean region, as told by the voices of those currently active in the movement. In recognizing the long-standing environmental conflicts, clashes and actions of local activists and community groups, this book rectifies historical omissions and misperceptions, and challenges the still prevailing narrative of inaction and dependence that has wrongly stigmatized this population for centuries." --Alexis Massol-Gonzalez, Founding Director of Casa Pueblo of Adjuntas; Recipient of the Goldman Environmental Prize (2002)

From the National Book Award–winning author of All That She Carried, an intimate and revelatory reckoning with the myth and the truth behind an American everyone knows and few really understand Harriet Tubman is, if surveys are to be trusted, one of the ten most famous Americans ever born and soon to be the face of the twenty-dollar bill. Yet often she’s a figure more out of myth than history, almost a comic-book superhero—the woman who, despite being barely five feet tall, illiterate, and suffering from a brain injury, managed to escape from her own enslavement, return again and again to lead others north to freedom without loss of life, speak out powerfully against slavery, and then become the first American woman in history to lead a military raid, freeing some 750 people. You could almost say she’s America’s Robin Hood, a miraculous vision, often rightly celebrated but seldom understood. Tiya Miles’s extraordinary Night Flyer changes all that. With her characteristic tenderness and imaginative genius, Miles explores beyond the stock historical grid to weave Tubman’s life into the fabric of her world. She probes the ecological reality of Tubman’s surroundings and examines her kinship with other enslaved women who similarly passed through a spiritual wilderness and recorded those travels in profound and moving memoirs. What emerges, uncannily, is a human being whose mysticism becomes the more palpable the more we understand it—a story that offers us powerful inspiration for our own time of troubles. Harriet Tubman traversed many boundaries, inner and outer. Now, thanks to Tiya Miles, she becomes an even clearer and sharper signal from the past, one that can help us to echolocate a more just and sustainable path.

Gucci Mane, one of hip-hop’s most iconic figures and a trailblazer in Atlanta’s rap culture, reveals his struggles with mental health and drug addiction that will provide fans and readers with insights into his career and life.As one of hip-hop’s legendary figures and an indispensable fixture in Atlanta’s vibrant rap culture, Gucci was on an upswing in his career when he sold his debut memoir, The Autobiography of Gucci Mane in 2016. He had just been released from prison, sporting a slimmer physique and health-conscious diet; he announced his ninth album, the platinum-selling Everybody Looking; and became the face of a global campaign with the luxury Italian designer that inspired his name and persona. But underneath all that, he was hiding some of his darkest struggles from the world. Now he is ready to tell his full story. In Episodes, Gucci revisits his life and shares what was really going on for the first time. The mental anguish, the pitfalls, the triggers no one speaks about. Each episode is Gucci experiencing something—something you may remember from the news or even heard in his music—and giving you the background of where he was mentally. He reveals how his fascination with money got the worst of him, why he committed certain crimes, the story behind his ice cream cone tattoo, and how his wife felt watching him overdose. Along the way, he interviews medical professionals and mental health experts to provide insight into mental health awareness. Episodes is Gucci’s way of reaching beyond the “each one, teach one” approach of discussing mental illness behind closed doors, opting instead to cultivate a discourse amongst a culture that, while steadily improving how it regards mental health, still stigmatizes public discussions around the topic. This compelling memoir sheds light on both his inner struggles and his triumphs, offering an unflinching account of a man who defied the odds to leave a lasting legacy on music, culture, and conversations around mental health.

A future classic collection of Puerto Rican feminist writing that spans time, terrain, and phases, invokes voices across generations and fields, and bridges island and diaspora. In her years of scholarship and activism with fellow Puerto Rican feminists, editor Jessica N. Pabón-Colón reached for a feminism to ground her work and validate the women who paved her way—but in her search for a specific tradition of Puerto Rican feminism, what she found were gaps, disappearances, and unanswered questions. Despite the presence of Puerto Ricans in US pop culture and the long history of Boricua resistance to US subjugation, both on the archipelago and in the diaspora, she did not find a feminist lens to link the myriad identities and geographies of Ricanness or to focus critique on Puerto Rico’s status as an American neo-colony. Counteracting such erasure, Porque Estamos Aquí maps Boricua feminisms of the past, the present, and the future, defining what it means to be a “bad subject” of US empire. Engaging in radical collectivity, Pabón-Colón joins forces with Puerto Rican scholars, memoirists, artists, and activists—including feminist legends like Aurora Levins Morales and political trailblazers like Rosa Clemente—to ground this anthology in a tradition of resistance to empire at home. Through essays, roundtables, historiographies, poems, and other cross-genre writing, Porque Estamos Aquí asserts that Puerto Rican feminists are undeniably, irreducibly here and will guide generations of our shared movement for years to come.

For several decades, wealthy states, international development agencies and multinational corporations have encouraged labour migration from the Global South to the Global North. As well as providing essential workers to support the transformation of advanced economies, the remittances that migrants send home have been touted as the most promising means of national development for poor and undeveloped countries. As Immanuel Ness argues in this sharp corrective to conventional wisdom, temporary labour migration represents the most recent form of economic imperialism and global domination. A closer look at the economic and social evidence demonstrates that remittances deepen economic exploitation, unravel societal stability and significantly expand economic inequality between poor and rich societies. The book exposes the damaging political, economic and social effects of migration on origin countries in Africa, Asia and Latin America, and how border and security mechanisms control and marginalize low-wage migrant workers, especially women and youth. Ness asserts that remittances do not bring growth to poor countries but extend national dependence on the export of migrant workers, leading to warped and unequal development on the global periphery. This expert take will be a valuable resource for students and scholars of migration and development across the social sciences.

Set in the contemporary Paris of American  expatraites, liasons, and violence, a young man finds  himself caught between desire and conventional  morality. James Baldwin's brilliant narrative delves  into the mystery of loving with a sharp, probing  imagination, and he creates a moving, highly  controversial story of death and passion that reveals the  unspoken complexities of the heart.

Fearless necessary reporting . . . Klein exposes the 'battle of utopias' that is currently unfolding in storm-ravaged Puerto Rico - a battle that pits a pitilessly neoliberal plutocratic 'paradise' against a community movement with Puerto Rican sovereignty at its center." - Junot Diaz "We are in a fight for our lives. Hurricanes Irma and Maria unmasked the colonialism we face in Puerto Rico, and the inequality it fosters, creating a fierce humanitarian crisis. Now we must find a path forward to equality and sustainability, a path driven by communities, not investors. And this book explains, with careful and unbiased reporting, only the efforts of our community activists can answer the paramount question: What type of society do we want to become and who is Puerto Rico for?" - Yulin Cruz, Mayor of San Juan, Puerto Rico In the rubble of Hurricane Maria, Puerto Ricans and ultrarich "Puertopians" are locked in a pitched struggle over how to remake the island. In this vital and startling investigation, bestselling author and activist Naomi Klein uncovers how the forces of shock politics and disaster capitalism seek to undermine the nation's radical, resilient vision for a "just recovery." All royalties from the sale of this book in English and Spanish go directly to JunteGente, a gathering of Puerto Rican organizations resisting disaster capitalism and advancing a fair and healthy recovery for their island. For more information, visit http://juntegente.org/. Naomi Klein is an award-winning journalist, syndicated columnist, documentary filmmaker and author of the international bestsellers No Logo: Taking Aim at the Brand Bullies, The Shock Doctrine: The Rise of Disaster Capitalism, This Changes Everything: Capitalism vs. the Climate, and No Is Not Enough. " Fearless necessary reporting . . . Klein exposes the 'battle of utopias' that is currently unfolding in storm-ravaged Puerto Rico-a battle that pits a pitilessly neoliberal plutocratic 'paradise' against a community movement with Puerto Rican sovereignty at its center." -Junot Diaz "We are in a fight for our lives. Hurricanes Irma and Maria unmasked the colonialism we face in Puerto Rico, and the inequality it fosters, creating a fierce humanitarian crisis. Now we must find a path forward to equality and sustainability, a path driven by communities, not investors. And this book explains, with careful and unbiased reporting, only the efforts of our community activists can answer the paramount question: What type of society do we want to become and who is Puerto Rico for?" -Carmen Yulin Cruz, Mayor of San Juan, Puerto Rico "A gripping and timely account of classic 'shock doctrine' being perpetrated in Puerto Rico. Naomi Klein chronicles the extraordinary grassroots resistance by the Puerto Rican people against neoliberal privatization and Wall Street greed in the aftermath of the island's financial meltdown, of hurricane devastation, and of Washington's imposition of an outside control board over the most important U.S. colony." -Juan Gonzalez, co-host of Democracy Now! and author of Harvest of Empire: A History of Latinos in America. "Like so many of my generation, I've been a reader of Naomi Klein's since the late 1990s, always finding something to learn from her rigorous reporting and thoughtful analysis. There's no one better to tell the story of Hurricane Maria and its global significance than Naomi. In the face of speculation, exploitation, and climate crisis, this book calls on us to recognize Puerto Rico's struggle for democracy, justice, and human life itself, as our own." -Ada Colau, Mayor of Barcelona, Spain "