The interweaving stories in Recurrence Plot and Other Time Travel Tales present characters whose stories challenge the notion that time flows in only one direction. If you want to understand what is happening at any given point in time, you cannot only look to the past for clues. You must consider the future. A journalist races against time itself to expose the entity preying on young male teens in Philadelphia. A crystal, memory-storing bracelet transports a young mother back to the day of her own mother’s traumatic death. An unknown force of nature causes time to start flowing backwards. . . Using quantum physics as an imaginative landscape, Phillips’ debut speculative collection Recurrence Plot attempts to walk the fine line between fiction and reality, fate and free will, and past, present, and future.

Set in the contemporary Paris of American  expatraites, liasons, and violence, a young man finds  himself caught between desire and conventional  morality. James Baldwin's brilliant narrative delves  into the mystery of loving with a sharp, probing  imagination, and he creates a moving, highly  controversial story of death and passion that reveals the  unspoken complexities of the heart.

When Rin aced the Keju — the Empire-wide test to find the most talented youth to learn at the Academies — it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who believed they’d finally be able to marry her off and further their criminal enterprise; and to Rin herself, who realized she was finally free of the servitude and despair that had made up her daily existence. That she got into Sinegard — the most elite military school in Nikan — was even more surprising. But surprises aren’t always good. Because being a dark-skinned peasant girl from the south is not an easy thing at Sinegard. Targeted from the outset by rival classmates for her color, poverty, and gender, Rin discovers she possesses a lethal, unearthly power — an aptitude for the nearly-mythical art of shamanism. Exploring the depths of her gift with the help of a seemingly insane teacher and psychoactive substances, Rin learns that gods long thought dead are very much alive — and that mastering control over those powers could mean more than just surviving school. For while the Nikara Empire is at peace, the Federation of Mugen still lurks across a narrow sea. The militarily advanced Federation occupied Nikan for decades after the First Poppy War, and only barely lost the continent in the Second. And while most of the people are complacent to go about their lives, a few are aware that a Third Poppy War is just a spark away. Rin’s shamanic powers may be the only way to save her people. But as she finds out more about the god that has chosen her, the vengeful Phoenix, she fears that winning the war may cost her humanity ... and that it may already be too late.

Poems, essays, and prompts to sing a new world into being--Queer & BIPOC perspectives on poetry as an insurgent ritual for manifesting liberation and reclaiming power. Written for poets, spellcasters, and social justice witches, Poetry as Spellcasting reveals the ways poetry and ritual can, together, move us toward justice and transformation. It asks: If ritualized violence upholds white supremacy, what ritualized acts of liberation can be activated to subvert and reclaim power? In essays from a diverse group of contributing poets, organizers, and ritual artists, Poetry as Spellcasting helps readers explore, play, and deepen their creativity and intuition as integral tools for self- and communal healing and social change. Both poetry and occult studies have been historically dominated by white, cishet writers; here, Poetry as Spellcasting reclaims the centrality of queer and BIPOC voices in poetry, magic, and liberatory spellwork.

In Brilliant Imperfection Eli Clare uses memoir, history, and critical analysis to explore cure—the deeply held belief that body-minds considered broken need to be fixed. Cure serves many purposes. It saves lives, manipulates lives, and prioritizes some lives over others. It provides comfort, makes profits, justifies violence, and promises resolution to body-mind loss. Clare grapples with this knot of contradictions, maintaining that neither an anti-cure politics nor a pro-cure worldview can account for the messy, complex relationships we have with our body-minds. The stories he tells range widely, stretching from disability stereotypes to weight loss surgery, gender transition to skin lightening creams. At each turn, Clare weaves race, disability, sexuality, class, and gender together, insisting on the nonnegotiable value of body-mind difference. Into this mix, he adds environmental politics, thinking about ecosystem loss and restoration as a way of delving more deeply into cure. Ultimately Brilliant Imperfection reveals cure to be an ideology grounded in the twin notions of normal and natural, slippery and powerful, necessary and damaging all at the same time.

Kimberly Rodriguez, a first-generation Xicana Indigena artist, poet, and activist, invites readers on a transformative journey of self-discovery and empowerment through her book, Incantations Rituals for empowerment, reclamation, and resistance , serving as a catalyst for reclaiming our stories, truth, and power. In Incantations Rituals for Empowerment, Reclamation, and Resistance , author Kimberly Rodriuguez takes readers on a profound and transformative journey towards self-discovery and empowerment. Within its pages lies a poignant exploration of the human experience, interwoven with elements of spirituality, healing, and personal growth. At its core, Incantations Embodied serves as a triumphant homecoming—a return to the essence of one's being. It invites readers to embark on a sacred journey, emboldening them to embrace their true selves with unwavering honesty and compassion. Through Rodriguez's captivating stories, enlightening prose, and enchanting rituals, this book becomes a powerful catalyst for reclaiming our stories, our bodies, our identities, our voices, and ultimately, our power. In a world where societal norms and expectations often stifle individuality and self-expression, Incantations Embodied stands as a resounding call to break free from these chains. It seeks to dismantle the oppressive narrative that has been ingrained in our collective consciousness, urging us to question and challenge the colonized structures that have kept us disconnected from our own truth. The book serves as a powerful guide for self-realization, urging individuals to transcend their limitations and embrace their innate potential. With each turn of the page, a profound shift occurs—a blossoming of self-awareness, strength, and resilience. "Incantations are our liberation. With the power of words, we become conjurers, bringing our wildest dreams to life." - Kimberly Rodriguez

The Artist’s Way is the seminal book on the subject of creativity. An international bestseller, millions of readers have found it to be an invaluable guide to living the artist’s life. Still as vital today—or perhaps even more so—than it was when it was first published one decade ago, it is a powerfully provocative and inspiring work. In a new introduction to the book, Julia Cameron reflects upon the impact of The Artist’s Way and describes the work she has done during the last decade and the new insights into the creative process that she has gained. Updated and expanded, this anniversary edition reframes The Artist’s Way for a new century.

In Care at the End of the World, Jina B. Kim develops what she calls crip-of-color critique, bringing a disability lens to bear on feminist- and queer-of-color literature in the aftermath of 1996 US welfare reform and the subsequent evisceration of social safety nets. She examines literature by contemporary feminist, queer, and disabled writers of color such as Jesmyn Ward, Octavia Butler, Karen Tei Yamashita, Samuel Delany, and Aurora Levins Morales, who each bring disability and dependency to the forefront of their literary freedom dreaming. Kim shows that in their writing, liberation does not take the shape of the unfettered individual or hinge on achieving independence. Instead, liberation emerges by recuperating dependency, cultivating radical interdependency, and recognizing the numerous support systems upon which survival depends. At the same time, Kim demonstrates how theories and narratives of disability can intervene into state-authored myths of resource parasitism, such as the welfare queen. In so doing, she highlights the alternate structures of care these writers envision and their dreams of life organized around reciprocity and mutual support.Duke University Press Scholars of Color First Book Award

The Artist’s Way is the seminal book on the subject of creativity. An international bestseller, millions of readers have found it to be an invaluable guide to living the artist’s life. Still as vital today—or perhaps even more so—than it was when it was first published one decade ago, it is a powerfully provocative and inspiring work. In a new introduction to the book, Julia Cameron reflects upon the impact of The Artist’s Way and describes the work she has done during the last decade and the new insights into the creative process that she has gained. Updated and expanded, this anniversary edition reframes The Artist’s Way for a new century.

131 Stunning and Evocative Voices Come Together in  Nonwhite and 131 Micro Essays on Being in the World Editors Darien Hsu Gee and Carla Crujido bring together 131 personal narratives written by established and emerging women of color. In 300 words or less, these true stories speak to otherness, familial relationships, impossible beauty standards, ancestral heritage, coming of age, and owning one's place in the world. This singular collection, inspired by Lucille Clifton's luminous poem, won't you celebrate with me , sings to the beauty of how these women live and thrive in the world, and how they make their lives their own. Includes author commentaries, discussion questions for further exploration, resources for additional reading, and a guide to writing micro essays. Recommended for personal or classroom use; downloadable book club and teaching guides available.   With micro essays and poetry  

From the author of For Brown Girls with Sharp Edges and Tender Hearts, a celebration of the women at the heart of Latine families   Born into a large, close-knit family in Nicaragua, Prisca Dorcas Mojica Rodríguez grew up surrounded by strong, kind, funny, sensitive, resilient, judgmental, messy, beautiful women. Whether blood relatives or chosen family, these tias and primas fundamentally shaped her view of the world—and so did the labels that were used to talk about them. The tia loca who is shunned for defying gender roles. The pretty prima put on a pedestal for her European features. The matriarch who is the core of her community but hides all her pain.  In Tias and Primas, the follow-up to her acclaimed debut For Brown Girls with Sharp Edges and Tender Hearts, Mojica Rodríguez explores these archetypes. Fearlessly grappling with the effects of intergenerational trauma, centuries of colonization, and sexism, she attempts to heal the pain that is so often embodied in female family lines.   Tias and Primas is a deeply felt love letter to family, community, and Latinas everywhere. 

National Bestseller A stunning new volume from the first Native American Poet Laureate of the United States, informed by her tribal history and connection to the land. In the early 1800s, the Mvskoke people were forcibly removed from their original lands east of the Mississippi to Indian Territory, which is now part of Oklahoma. Two hundred years later, Joy Harjo returns to her family’s lands and opens a dialogue with history. In An American Sunrise , Harjo finds blessings in the abundance of her homeland and confronts the site where her people, and other indigenous families, essentially disappeared. From her memory of her mother’s death, to her beginnings in the native rights movement, to the fresh road with her beloved, Harjo’s personal life intertwines with tribal histories to create a space for renewed beginnings. Her poems sing of beauty and survival, illuminating a spirituality that connects her to her ancestors and thrums with the quiet anger of living in the ruins of injustice. A descendent of storytellers and “one of our finest―and most complicated―poets” ( Los Angeles Review of Books ), Joy Harjo continues her legacy with this latest powerful collection.

Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book AwardPostcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

One of America’s most celebrated poets challenges us with this powerful and deeply personal collection of verse that speaks to the injustices of society while illuminating the depths of her own heart. For more than thirty years, Nikki Giovanni’s poetry has inspired, enlightened, and dazzled readers. As sharp and outspoken as ever, this artist long hailed as a healer and a sage returns with this profound book of poetry in which she continues to call attention to injustice and give readers an unfiltered look into the most private parts of herself. In Make Me Rain, she celebrates her loved ones and unapologetically declares her pride in her black heritage, while exploring the enduring impact of the twin sins of racism and white nationalism. Giovanni reaffirms her place as a uniquely vibrant and relevant American voice with poems such as “I Come from Athletes” and “Rainy Days”—calling out segregation and Donald Trump; as well as “Unloved (for Aunt Cleota)” and “”When I Could No Longer”—her personal elegy for the relatives who saved her from an abusive home life.  Stirring, provocative, and resonant, the poems in Make Me Rain pierce the heart and nourish the soul. 

From a fearless, internationally acclaimed activist, We Will Be Jaguars is an impassioned memoir about an indigenous childhood, a clash of cultures, and the fight to save the Amazon rainforest and protect her people. Born into the Waorani tribe of Ecuador’s Amazon rainforest—one of the last to be contacted by missionaries in the 1950s—Nemonte Nenquimo had a singular upbringing. She was taught about plant medicines, foraging, oral storytelling, and shamanism by her elders. She played barefoot in the forest and didn’t walk on pavement, or see a car, until she was a teenager and left to study with an evangelical missionary group in the city. But after Nemonte’s ancestors began appearing in her dreams, pleading with her to return and embrace her own culture, she listened. Nemonte returned to the forest and traditional ways of life and became one of the most forceful voices in climate change activism. She spearheaded an alliance of Indigenous nations across the Upper Amazon and led her people to a landmark victory against Big Oil, protecting over a half million acres of primary rainforest. We Will Be Jaguars is an astonishing memoir by an equally astonishing woman. Nemonte digs into generations of oral history, uprooting centuries of conquest, and hacking away at racist notions of Indigenous peoples. Ultimately, she reveals a life story as rich, harsh, and vital as the Amazon rainforest herself.

Eduardo Duran―a psychologist working in Indian country―draws on his own clinical experience to provide guidance to counselors working with Native Peoples. Translating theory into actual day-to-day practice, Duran presents case materials that illustrate effective intervention strategies for prevalent problems, including substance abuse, intergenerational trauma, and internalized oppression. Offering a culture-specific approach that has profound implications for all counseling and therapy, this groundbreaking