It has a dark past--one in which a number of humans were killed. A past that caused it to christen itself “Murderbot." But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks. Alternate cover of ISBN 9781250186928. Another cover edition can be found here

It has a dark past--one in which a number of humans were killed. A past that caused it to christen itself “Murderbot." But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks. Alternate cover of ISBN 9781250186928. Another cover edition can be found here

A multiverse novel about two women who fall in love despite living in worlds that are five months apart, as they try to find a timeline that doesn’t end in disaster, in this debut novel by Annie Mare.Tressa Fay Robeson has never been shy, which is how she’s made a name for herself as an in-demand hairstylist and social media star. So she can admit that spending her days at her hair salon and her nights with her tight-knit group of friends (and one grumpy cat) is not the kind of exciting life she’d hoped for.When a misdirected text from a stranger leads to a flirty exchange, she surprises herself by suggesting an impulsive meetup. But the woman, Meryl, never shows. Tressa Fay brushes it off—until Meryl’s sister and friend show up at the salon demanding to know what’s going on. Because, you see, there’s no way Meryl could have texted her. Meryl has been missing for a month.Tressa Fay and her tight-knit group of friends soon discover they aren’t dealing with a catfish, but a temporal paradox. As they come to terms with the idea of parallel universes, they realize how many times their paths have crossed like this before. But even as they understand the multiverse more and more, nothing keeps Meryl from vanishing.As it draws closer to the moment of Meryl’s disappearance, there’s only one question Have they done enough to change the outcome, or have they done so much that none of them will make it past that fateful day in September?

Dear Wendy's Sophie and Jo, two aromantic and asexual students at Wellesley College, engage in an online feud while unknowingly becoming friends in real life, in this dual POV Young Adult contemporary debut from Ann Zhao Sophie Chi is in her first year at Wellesley College (despite her parents’ wishes that she attend a “real” university, rather than a liberal arts school) and has long accepted her aromantic and asexual identities. Despite knowing she’ll never fall in love, she enjoys running an Instagram account that offers relationship advice to students at Wellesley. No one except her roommate knows that she’s behind the incredibly popular "Dear Wendy" account. When Joanna “Jo” Ephron―also a first-year student at Wellesley―created their “Sincerely Wanda” account, it wasn't at all meant to be serious or take off like it does―not like Dear Wendy’s. But now they might have a rivalry of sorts with Dear Wendy? Oops . As if Jo’s not busy enough having existential crises over gender, the fact that she’ll never truly be loved or be enough, or her few friends finding The One and forgetting her! While tensions are rising online, Sophie and Jo are getting closer in real life, bonding over their shared aroace identities. As their friendship develops and they work together to start a campus organization for other a-spec students, can their growing bond survive if they learn just who’s behind the Wendy and Wanda accounts? With its exploration of a-spec identities, college life, and more, this platonic comedy, perfect for fans of Netflix’s The Half of It and Alice Oseman’s Loveless , is ultimately a love story about two people who are not―and will not―be in love!

Following the enormous success of 2004 bestseller and critics' favorite "Jonathan Strange & Mr Norrell", Susanna Clarke delivers a delicious collection of ten stories set in the same fairy-crossed world of 19th-century England. With Clarke's characteristic historical detail and diction, these dark, enchanting tales unfold in a slightly distorted version of our own world, where people are bedeviled by mischievous interventions from the fairies. With appearances from beloved characters from her novel, including Jonathan Strange and Childermass, and an entirely new spin on certain historical figures, including Mary, Queen of Scots, this is a must-have for fans of Susanna Clarke's and an enticing introduction to her work for new readers. Some of these stories have never before been published; others have appeared in the "New York Times" or in highly regarded anthologies. In this collection, they come together to expand the reach of Clarke's land of enchantment.

An addictive forbidden romance between a fake princess and her bodyguard…After losing everything ten years ago, Sir Galeon has dedicated her life to serving her kingdom as a knight. When the prince entrusts her with guarding his soon-to-be bride in his arranged marriage, Galeon does not expect to have her heart captured by the confounding princess.Della has more than one deadly secret. Not only is she pretending to be Princess Cordelia, but she is also a witch in a world where magic is as dangerous as it is illegal. Her ability to manipulate death is the reason she is here, and her only way out. The last thing she wants is an overly loyal knight following her everywhere.Della knows that Galeon can never learn her secrets. And Galeon knows the prince’s bride is entirely off-limits.As reluctant proximity turns to tentative trust, initial attraction becomes burning desire. What should have been simple becomes terribly complicated.Yet nothing will stop Della from fulfilling the bargain she made to save her sister. Not even an inconveniently timed baby phoenix or rumors of false identity. Not even murdered corpses in the library or a jealous prince.Not even a pretty knight.The first in a series of stand-alone stories set in the same world, this slow burn steamy queer romantasy is inspired by classic fairy tales and Arthurian legend, where the shining knight is a scarred woman, the princess is also the witch, and the prince is anything but charming.This story contains grief, violence, explicit language, and a guaranteed HEA.

Alternate cover edition of ISBN 9780141439662 'The more I know of the world, the more am I convinced that I shall never see a man whom I can really love. I require so much!' Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love—and its threatened loss—the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love. This edition includes explanatory notes, textual variants between the first and second editions, and Tony Tanner's introduction to the original Penguin Classic edition.

Nomoto-san and Kasuga-san have decided to live together, but apartment hunting as a same-sex couple has been quite the stormy voyage. Luckily, Yako-san connects them with a realtor that may be able to help—and slowly but surely, the pair move toward their new life together. Meanwhile, Nagumo-san has taken a good look at herself, and she decides to pay a visit to the hospital… 

Gilbert Markham is deeply intrigued by Helen Graham, a beautiful and secretive young woman who has moved into nearby Wildfell Hall with her young son. He is quick to offer Helen his friendship, but when her reclusive behaviour becomes the subject of local gossip and speculation, Gilbert begins to wonder whether his trust in her has been misplaced. It is only when she allows Gilbert to read her diary that the truth is revealed and the shocking details of the disastrous marriage she has left behind emerge. Told with great immediacy, combined with wit and irony, The Tenant of Wildfell Hall is a powerful depiction of a woman's fight for domestic independence and creative freedom.

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid — a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is. But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth.