Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future. Except the discovery of their bond would mean death for each of them. There's still a war going on, after all. And someone has to win that war.

Persuasion is Jane Austen's last completed novel. She began it soon after she had finished Emma, completing it in August 1816. She died, aged 41, in 1817; Persuasion was published in December that year (but dated 1818). Persuasion is linked to Northanger Abbey not only by the fact that the two books were originally bound up in one volume and published together, but also because both stories are set partly in Bath, a fashionable city with which Austen was well acquainted, having lived there from 1801 to 1805. Besides the theme of persuasion, the novel evokes other topics, such as the Royal Navy, in which two of Jane Austen's brothers ultimately rose to the rank of admiral. As in Northanger Abbey, the superficial social life of Bath-well known to Austen, who spent several relatively unhappy and unproductive years there-is portrayed extensively and serves as a setting for the second half of the book. In many respects Persuasion marks a break with Austen's previous works, both in the more biting, even irritable satire directed at some of the novel's characters and in the regretful, resigned outlook of its otherwise admirable heroine, Anne Elliot, in the first part of the story. Against this is set the energy and appeal of the Royal Navy, which symbolises for Anne and the reader the possibility of a more outgoing, engaged, and fulfilling life, and it is this worldview which triumphs for the most part at the end of the novel.

SciFi’s favorite antisocial A.I. is again on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah’s SecUnit is. And Murderbot would rather those questions went away. For good.

It has a dark past--one in which a number of humans were killed. A past that caused it to christen itself “Murderbot." But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks. Alternate cover of ISBN 9781250186928. Another cover edition can be found here

It has a dark past--one in which a number of humans were killed. A past that caused it to christen itself “Murderbot." But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks. Alternate cover of ISBN 9781250186928. Another cover edition can be found here

A multiverse novel about two women who fall in love despite living in worlds that are five months apart, as they try to find a timeline that doesn’t end in disaster, in this debut novel by Annie Mare.Tressa Fay Robeson has never been shy, which is how she’s made a name for herself as an in-demand hairstylist and social media star. So she can admit that spending her days at her hair salon and her nights with her tight-knit group of friends (and one grumpy cat) is not the kind of exciting life she’d hoped for.When a misdirected text from a stranger leads to a flirty exchange, she surprises herself by suggesting an impulsive meetup. But the woman, Meryl, never shows. Tressa Fay brushes it off—until Meryl’s sister and friend show up at the salon demanding to know what’s going on. Because, you see, there’s no way Meryl could have texted her. Meryl has been missing for a month.Tressa Fay and her tight-knit group of friends soon discover they aren’t dealing with a catfish, but a temporal paradox. As they come to terms with the idea of parallel universes, they realize how many times their paths have crossed like this before. But even as they understand the multiverse more and more, nothing keeps Meryl from vanishing.As it draws closer to the moment of Meryl’s disappearance, there’s only one question Have they done enough to change the outcome, or have they done so much that none of them will make it past that fateful day in September?

Dear Wendy's Sophie and Jo, two aromantic and asexual students at Wellesley College, engage in an online feud while unknowingly becoming friends in real life, in this dual POV Young Adult contemporary debut from Ann Zhao Sophie Chi is in her first year at Wellesley College (despite her parents’ wishes that she attend a “real” university, rather than a liberal arts school) and has long accepted her aromantic and asexual identities. Despite knowing she’ll never fall in love, she enjoys running an Instagram account that offers relationship advice to students at Wellesley. No one except her roommate knows that she’s behind the incredibly popular "Dear Wendy" account. When Joanna “Jo” Ephron―also a first-year student at Wellesley―created their “Sincerely Wanda” account, it wasn't at all meant to be serious or take off like it does―not like Dear Wendy’s. But now they might have a rivalry of sorts with Dear Wendy? Oops . As if Jo’s not busy enough having existential crises over gender, the fact that she’ll never truly be loved or be enough, or her few friends finding The One and forgetting her! While tensions are rising online, Sophie and Jo are getting closer in real life, bonding over their shared aroace identities. As their friendship develops and they work together to start a campus organization for other a-spec students, can their growing bond survive if they learn just who’s behind the Wendy and Wanda accounts? With its exploration of a-spec identities, college life, and more, this platonic comedy, perfect for fans of Netflix’s The Half of It and Alice Oseman’s Loveless , is ultimately a love story about two people who are not―and will not―be in love!

Following the enormous success of 2004 bestseller and critics' favorite "Jonathan Strange & Mr Norrell", Susanna Clarke delivers a delicious collection of ten stories set in the same fairy-crossed world of 19th-century England. With Clarke's characteristic historical detail and diction, these dark, enchanting tales unfold in a slightly distorted version of our own world, where people are bedeviled by mischievous interventions from the fairies. With appearances from beloved characters from her novel, including Jonathan Strange and Childermass, and an entirely new spin on certain historical figures, including Mary, Queen of Scots, this is a must-have for fans of Susanna Clarke's and an enticing introduction to her work for new readers. Some of these stories have never before been published; others have appeared in the "New York Times" or in highly regarded anthologies. In this collection, they come together to expand the reach of Clarke's land of enchantment.

An addictive forbidden romance between a fake princess and her bodyguard…After losing everything ten years ago, Sir Galeon has dedicated her life to serving her kingdom as a knight. When the prince entrusts her with guarding his soon-to-be bride in his arranged marriage, Galeon does not expect to have her heart captured by the confounding princess.Della has more than one deadly secret. Not only is she pretending to be Princess Cordelia, but she is also a witch in a world where magic is as dangerous as it is illegal. Her ability to manipulate death is the reason she is here, and her only way out. The last thing she wants is an overly loyal knight following her everywhere.Della knows that Galeon can never learn her secrets. And Galeon knows the prince’s bride is entirely off-limits.As reluctant proximity turns to tentative trust, initial attraction becomes burning desire. What should have been simple becomes terribly complicated.Yet nothing will stop Della from fulfilling the bargain she made to save her sister. Not even an inconveniently timed baby phoenix or rumors of false identity. Not even murdered corpses in the library or a jealous prince.Not even a pretty knight.The first in a series of stand-alone stories set in the same world, this slow burn steamy queer romantasy is inspired by classic fairy tales and Arthurian legend, where the shining knight is a scarred woman, the princess is also the witch, and the prince is anything but charming.This story contains grief, violence, explicit language, and a guaranteed HEA.