Growing up in the suburban hell of Misery Saga (a.k.a. Mississauga), Lizzie has never liked the way she looks—even though her best friend Mel says she’s the pretty one. She starts dating guys online, but she’s afraid to send pictures, even when her skinny friend China does her makeup: she knows no one would want her if they could really see her. So she starts to lose. With punishing drive, she counts almonds consumed, miles logged, pounds dropped. She fights her way into coveted dresses. She grows up and gets thin, navigating double-edged validation from her mother, her friends, her husband, her reflection in the mirror. But no matter how much she loses, will she ever see herself as anything other than a fat girl? In her brilliant, hilarious, and at times shocking debut, Mona Awad simultaneously skewers the body image-obsessed culture that tells women they have no value outside their physical appearance, and delivers a tender and moving depiction of a lovably difficult young woman whose life is hijacked by her struggle to conform. As caustically funny as it is heartbreaking, 13 Ways of Looking at a Fat Girl introduces a vital new voice in fiction.

In this electrifyingly fierce and funny social satire-- a gender-flipped reboot of the iconic 1970's film "Taxi Driver"--a ride share driver is barely holding it together on the hunt for love, dignity and financial security . . . until she decides she's done waiting. "A ferocious new voice. A fierce and immersive debut."--Weike Wang Damani is tired. Her father just died on the job at a fast food joint, and now she lives paycheck to paycheck in a basement, caring for her mom and driving for an app that is constantly cutting her take. The city is roiling in protests --everybody's in solidarity with somebody-- but while she keeps hearing that they're fighting for change on behalf of people like her, she literally can't afford to pay attention. Then she gives a ride to Jolene (5 stars, obviously). Jolene seems like she could be the perfect girlfriend - attentive, attractive, an ally - and their chemistry is off the charts. Jolene's done the reading, she goes to every protest, and she says all the right things. So maybe Damani can look past the one thing that's holding her back: She's never dated anyone with money before, not to mention a white girl with money. But just as their romance intensifies and Damani finally lets her guard down, Jolene does something unforgivable, setting off an explosive chain of events. A wild, one-sitting read brimming with dark comedy, and piercing social commentary and announcing Priya Guns' feverishly original voice, Your Driver Is Waiting is a crackling send-up of our culture of modern alienation.

‘The best case I've read for putting an upper limit on the accumulation of wealth’ Richard WilkinsonNo-one deserves to be a millionaire. Not even you. We all notice when the poor get when there are more rough sleepers and food bank queues start to grow. But if the rich become richer, there is nothing much to see in public and, for most of us, daily life doesn't change. Or at least, not immediately.In this astonishing, eye-opening intervention, world-leading philosopher and economist Ingrid Robeyns exposes the true extent of our wealth problem, which has spent the past fifty years silently spiralling out of control. In moral, political, economic, social, environmental and psychological terms, she shows, extreme wealth is not only unjustifiable but harmful to us all - the rich included.In place of our current system, Robeyns offers a breathtakingly clear limitarianism. The answer to so many of the problems posed by neoliberal capitalism - and the opportunity for a vastly better world - lies in placing a hard limit on the wealth that any one person can accumulate. Because nobody deserves to be a millionaire. Not even you.

A brilliant, action-packed reimagining of The Adventures of Huckleberry Finn , both harrowing and ferociously funny, told from the enslaved Jim's point of view. When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of The Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light.

Nahri has never believed in magic. Certainly, she has power; on the streets of 18th century Cairo, she’s a con woman of unsurpassed talent. But she knows better than anyone that the trade she uses to get by—palm readings, zars, healings—are all tricks, sleights of hand, learned skills; a means to the delightful end of swindling Ottoman nobles. But when Nahri accidentally summons an equally sly, darkly mysterious djinn warrior to her side during one of her cons, she’s forced to accept that the magical world she thought only existed in childhood stories is real. For the warrior tells her a new tale: across hot, windswept sands teeming with creatures of fire, and rivers where the mythical marid sleep; past ruins of once-magnificent human metropolises, and mountains where the circling hawks are not what they seem, lies Daevabad, the legendary city of brass, a city to which Nahri is irrevocably bound. In that city, behind gilded brass walls laced with enchantments, behind the six gates of the six djinn tribes, old resentments are simmering. And when Nahri decides to enter this world, she learns that true power is fierce and brutal. That magic cannot shield her from the dangerous web of court politics. That even the cleverest of schemes can have deadly consequences. After all, there is a reason they say be careful what you wish for...

JADE CITY is a gripping Godfather-esque saga of intergenerational blood feuds, vicious politics, magic, and kungfu. The Kaul family is one of two crime syndicates that control the island of Kekon. It's the only place in the world that produces rare magical jade, which grants those with the right training and heritage superhuman abilities. The Green Bone clans of honorable jade-wearing warriors once protected the island from foreign invasion--but nowadays, in a bustling post-war metropolis full of fast cars and foreign money, Green Bone families like the Kauls are primarily involved in commerce, construction, and the everyday upkeep of the districts under their protection. When the simmering tension between the Kauls and their greatest rivals erupts into open violence in the streets, the outcome of this clan war will determine the fate of all Green Bones and the future of Kekon itself.