A slender novel of epic power, Orbital  deftly snapshots one day in the lives of six women and men hurtling through space—not towards the moon or the vast unknown, but around our planet. Selected for one of the last space station missions of its kind before the program is dismantled, these astronauts and cosmonauts—from America, Russia, Italy, Britain, and Japan—have left their lives behind to travel at a speed of over seventeen thousand miles an hour as the earth reels below. We glimpse moments of their earthly lives through brief communications with family, their photos and talismans; we watch them whip up dehydrated meals, float in gravity-free sleep, and exercise in regimented routines to prevent atrophying muscles; we witness them form bonds that will stand between them and utter solitude. Most of all, we are with them as they behold and record their silent blue planet. Their experiences of sixteen sunrises and sunsets and the bright, blinking constellations of the galaxy are at once breathtakingly awesome and surprisingly intimate. So are the marks of civilization far below, encrusted on the planet on which we live.  Profound, contemplative and gorgeous, Orbital is an eloquent meditation on space and a moving elegy to our humanity, environment, and planet.

‘Everything everybody does is so—I don’t know—not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and—sad-making. And the worst part is, if you go bohemian or something crazy like that, you’re conforming just as much only in a different way.’ First published in The New Yorker as two sequential stories, ‘Franny’ and ‘Zooey’ offer a dual portrait of the two youngest members of J. D. Salinger’s fictional Glass family. Franny Glass is a pretty, effervescent college student on a date with her intellectually confident boyfriend, Lane. They appear to be the perfect couple, but as they struggle to communicate with each other about the things they really care about, slowly their true feelings come to the surface. The second story in this book, ‘Zooey’, plunges us into the world of her ethereal, sophisticated family. When Franny’s emotional and spiritual doubts reach new heights, her older brother Zooey, a misanthropic former child genius, offers her consolation and brotherly advice. Written in Salinger’s typically irreverent style, these two stories offer a touching snapshot of the distraught mindset of early adulthood and are full of the insightful emotional observations and witty turns of phrase that have helped make Salinger’s reputation what it is today.

John Green, the #1 bestselling author of The Anthropocene Reviewed and a passionate advocate for global healthcare reform, tells a deeply human story illuminating the fight against the world’s deadliest disease. Tuberculosis has been entwined with humanity for millennia. Once romanticized as a malady of poets, today tuberculosis is a disease of poverty that walks the trails of injustice and inequity we blazed for it. In 2019, John Green met Henry, a young tuberculosis patient at Lakka Government Hospital in Sierra Leone while traveling with Partners in Health. John became fast friends with Henry, a boy with spindly legs and a big, goofy smile. In the years since that first visit to Lakka, Green has become a vocal and dynamic advocate for increased access to treatment and wider awareness of the healthcare inequities that allow this curable, treatable infectious disease to also be the deadliest, killing 1.5 million people every year. In Everything is Tuberculosis, John tells Henry’s story, woven through with the scientific and social histories of how tuberculosis has shaped our world and how our choices will shape the future of tuberculosis.

A wickedly funny and audacious debut novel following an academic who flees from heartbreak and lands in Iraq with an insane job offer—only to be forced to do the work of confronting herself.When Dr. Nadia Amin, a long-suffering academic, publishes an article on the possibility of rehabilitating ISIS brides, the United Nations comes calling, offering an opportunity to lead a deradicalization program for the ISIS-affiliated women held in Iraqi refugee camps. Looking for a way out of London after a painful, unexpected breakup, Nadia leaps at the chance.In Iraq, Nadia quickly realizes she’s in over her head. Her direct reports are hostile and unenthused about taking orders from an obvious UN novice, and the murmurs of deradicalization being inherently unethical and possibly illegal threaten to end Nadia’s UN career before it even begins.Frustrated by her situation and the unrelenting heat, Nadia decides to visit the camp with her sullen team, composed of Goody Two-shoes Sherri who never passes up an opportunity to remind Nadia of her objections; and Pierre, a snippy Frenchman who has no qualms about perpetually scrolling through Grindr.At the camp, after a clumsy introductory session with the ISIS women, Nadia meets Sara, one of the younger refugees, whose accent immediately gives her away as a fellow East Londoner. From their first interaction, Nadia feels inexplicably drawn to the rude girl in the diamanté headscarf. She leaves the camp determined to get Sara home.But the system Nadia finds herself trapped in is a quagmire of inaction and corruption. One accomplishment barely makes a dent in Nadia’s ultimate goal of freeing Sara . . . and the other women, too, of course. And so, Nadia makes an impossible decision leading to ramifications she could have never imagined.A triumph of dark humor, Fundamentally asks bold questions: Who can tell someone what to believe? And how do you save someone who doesn’t want to be saved?

New York Times bestselling author Sarah Beth Durst invites you to her new standalone novel nestled on a far-away island brimming with singing flowers, honey cakes, and honeyed love. The hardcover edition features beautiful sprayed edges. Terlu Perna broke the law because she was lonely. She cast a spell and created a magically sentient spider plant. As punishment, she was turned into a wooden statue and tucked away into an alcove in the North Reading Room of the Great Library of Alyssium. This should have been the end of her story . . . Yet one day, Terlu wakes in the cold of winter on a nearly-deserted island full of hundreds of magical greenhouses. She’s starving and freezing, and the only other human on the island is a grumpy gardener. To her surprise, he offers Terlu a place to sleep, clean clothes, and freshly baked honey cakes—at least until she’s ready to sail home. But Terlu can’t return home and doesn’t want to—the greenhouses are a dream come true, each more wondrous than the next. When she learns that the magic that sustains them is failing—causing the death of everything within them—Terlu knows she must help. Even if that means breaking the law again. This time, though, she isn’t alone. Assisted by the gardener and a sentient rose, Terlu must unravel the secrets of a long-dead sorcerer if she wants to save the island—and have a fresh chance at happiness and love. Funny, kind, and forgiving, The Enchanted Greenhouse is a story about giving second chances—to others and to yourself.

A publishing event ten years in the making—a searing, exquisite new novel by the best-selling and award-winning author of Americanah and We Should All Be Feminists—the story of four women and their loves, longings, and desires. Chiamaka is a Nigerian travel writer living in America. Alone in the midst of the pandemic, she recalls her past lovers and grapples with her choices and regrets. Zikora, her best friend, is a lawyer who has been successful at everything until — betrayed and brokenhearted — she must turn to the person she thought she needed least. Omelogor, Chiamaka’s bold, outspoken cousin, is a financial powerhouse in Nigeria who begins to question how well she knows herself. And Kadiatou, Chiamaka’s housekeeper, is proudly raising her daughter in America – but faces an unthinkable hardship that threatens all she has worked to achieve. In Dream Count, Adichie trains her fierce eye on these women in a sparkling, transcendent novel that takes up the very nature of love itself. Is true happiness ever attainable or is it just a fleeting state? And how honest must we be with ourselves in order to love, and to be loved? A trenchant reflection on the choices we make and those made for us, on daughters and mothers, on our interconnected world, Dream Count pulses with emotional urgency and poignant, unflinching observations on the human heart, in language that soars with beauty and power. It confirms Adichie’s status as one of the most exciting and dynamic writers on the literary landscape.

A wickedly funny and audacious debut novel following an academic who flees from heartbreak and lands in Iraq with an insane job offer—only to be forced to do the work of confronting herself.When Dr. Nadia Amin, a long-suffering academic, publishes an article on the possibility of rehabilitating ISIS brides, the United Nations comes calling, offering an opportunity to lead a deradicalization program for the ISIS-affiliated women held in Iraqi refugee camps. Looking for a way out of London after a painful, unexpected breakup, Nadia leaps at the chance.In Iraq, Nadia quickly realizes she’s in over her head. Her direct reports are hostile and unenthused about taking orders from an obvious UN novice, and the murmurs of deradicalization being inherently unethical and possibly illegal threaten to end Nadia’s UN career before it even begins.Frustrated by her situation and the unrelenting heat, Nadia decides to visit the camp with her sullen team, composed of Goody Two-shoes Sherri who never passes up an opportunity to remind Nadia of her objections; and Pierre, a snippy Frenchman who has no qualms about perpetually scrolling through Grindr.At the camp, after a clumsy introductory session with the ISIS women, Nadia meets Sara, one of the younger refugees, whose accent immediately gives her away as a fellow East Londoner. From their first interaction, Nadia feels inexplicably drawn to the rude girl in the diamanté headscarf. She leaves the camp determined to get Sara home.But the system Nadia finds herself trapped in is a quagmire of inaction and corruption. One accomplishment barely makes a dent in Nadia’s ultimate goal of freeing Sara . . . and the other women, too, of course. And so, Nadia makes an impossible decision leading to ramifications she could have never imagined.A triumph of dark humor, Fundamentally asks bold questions: Who can tell someone what to believe? And how do you save someone who doesn’t want to be saved?

A slender novel of epic power, Orbital  deftly snapshots one day in the lives of six women and men hurtling through space—not towards the moon or the vast unknown, but around our planet. Selected for one of the last space station missions of its kind before the program is dismantled, these astronauts and cosmonauts—from America, Russia, Italy, Britain, and Japan—have left their lives behind to travel at a speed of over seventeen thousand miles an hour as the earth reels below. We glimpse moments of their earthly lives through brief communications with family, their photos and talismans; we watch them whip up dehydrated meals, float in gravity-free sleep, and exercise in regimented routines to prevent atrophying muscles; we witness them form bonds that will stand between them and utter solitude. Most of all, we are with them as they behold and record their silent blue planet. Their experiences of sixteen sunrises and sunsets and the bright, blinking constellations of the galaxy are at once breathtakingly awesome and surprisingly intimate. So are the marks of civilization far below, encrusted on the planet on which we live.  Profound, contemplative and gorgeous, Orbital is an eloquent meditation on space and a moving elegy to our humanity, environment, and planet.

From highly acclaimed, bestselling author Ava Reid comes a gothic horror retelling of The Juniper Tree, set in another time and place within the world of The Wolf and the Woodsman, where a young witch seeks to discover her identity and escape the domination of her abusive wizard father, perfect for fans of Shirley Jackson and Catherynne M. Valente. A gruesome curse. A city in upheaval. A monster with unquenchable appetites. Marlinchen and her two sisters live with their wizard father in a city shifting from magic to industry. As Oblya’s last true witches, she and her sisters are little more than a tourist trap as they treat their clients with archaic remedies and beguile them with nostalgic charm. Marlinchen spends her days divining secrets in exchange for rubles and trying to placate her tyrannical, xenophobic father, who keeps his daughters sequestered from the outside world. But at night, Marlinchen and her sisters sneak out to enjoy the city’s amenities and revel in its thrills, particularly the recently established ballet theater, where Marlinchen meets a dancer who quickly captures her heart. As Marlinchen’s late-night trysts grow more fervent and frequent, so does the threat of her father’s rage and magic. And while Oblya flourishes with culture and bustles with enterprise, a monster lurks in its midst, borne of intolerance and resentment and suffused with old-world power. Caught between history and progress and blood and desire, Marlinchen must draw upon her own magic to keep her city safe and find her place within it.

A body in a graveyard shouldn’t be a problem, except when it’s found above ground… with a knife sticking out of it. To make things even more complicated? The only clue in the murder is a comment left on a local neighborhood app that was deleted six minutes later, and the only person who knows it exists is the creator of said application. Enter our fearless sleuth, Queenie. Okay, okay. Actually, only one of those three things describes her. it’s her name. More fitting descriptors for Queenie Beane? Failed theater manager. Town pariah. Certified black cat. But either Queenie figures out who killed the woman in the graveyard herself or she has to come clean about being the creator behind Everything’s Brine, a neighborhood app that has the potential to finally show the town that she’s worth more than they’ve always—wrongly—assumed. So, it’s her, and her cat, against the graveyard killer. And what the two dig up is bound to make anyone a little screamish.This series is for everyone who normally doesn’t read scary books because they’re just too—well, scary. I’m a proud member of the scaredy cat club. I still love reading eerie stories about creepy happenings. I just don’t want the gore and nightmares that usually come with those stories. So I wrote a cozy mystery series that has all the chills, but none of the gory kills. You’ll get a tingle down your spine, but after that, you’ll be fine. (Okay, you can tell this isn’t going to be too scary because I’m rhyming.) It’s the coziest creepy series you’ll ever read. I hope you enjoy!

In this inspiring culmination of Diana Beresford-Kroeger’s life’s work as botanist, biochemist, biologist and poet of the global forest, she delivers a challenge to us all to dig deeper into the science of forests and the ways they will save us from climate breakdown—and then do our part to plant and protect them.As the last child in Ireland to receive a full Druidic education, Diana Beresford-Kroeger has brought an unusual and ancient holistic attitude to the science of trees, which has led her to many fresh insights into how closely we are tied to one another and to the natural world. Her influential message is to pay rapt attention to trees, because they are the green heart of the living world. Forests are our lungs, our medicine, our oxygen and the renewal of our soil. Planting the right trees in the right places, protecting the last virgin forests and working to create new ones is our best means to ensure a future for our children and grandchildren on this burning earth.Each of the essays gathered in Our Green Heart show us a slice of the natural world through Diana’s unique lens, illuminating the way our health, individually and as a species, is tied to the health of the forest—a tie we ignore at our peril. She maps the science that still needs to be done—there is so much we don’t know about the ways trees and forests work—but also, eloquently, shows us the path to survival that her own science has revealed, the “bioplan” or blueprint for the connectivity of life in nature. If we realize that even the flowerpot on our doorstep is a natural habitat, and plant it according to its bioplan, we will be aiding and abetting life rather than destroying it.

La protagonista d'aquesta novel·la és una dona atreta per la solitud com per un imant. Es guanya la vida en un buc, la situació perfecta: una cabina, l'oceà, moltes hores per encara el buit i algún port per conèixer dones. Fins que una la reté, se l'emporta entre les quatre parets d'una casa i l'embarca en la gestació assistida d'una criatura. ¿Què en farà, la maternitat, de l'amant coneguda en un bar?

A body in a graveyard shouldn’t be a problem, except when it’s found above ground… with a knife sticking out of it. To make things even more complicated? The only clue in the murder is a comment left on a local neighborhood app that was deleted six minutes later, and the only person who knows it exists is the creator of said application. Enter our fearless sleuth, Queenie. Okay, okay. Actually, only one of those three things describes her. it’s her name. More fitting descriptors for Queenie Beane? Failed theater manager. Town pariah. Certified black cat. But either Queenie figures out who killed the woman in the graveyard herself or she has to come clean about being the creator behind Everything’s Brine, a neighborhood app that has the potential to finally show the town that she’s worth more than they’ve always—wrongly—assumed. So, it’s her, and her cat, against the graveyard killer. And what the two dig up is bound to make anyone a little screamish.This series is for everyone who normally doesn’t read scary books because they’re just too—well, scary. I’m a proud member of the scaredy cat club. I still love reading eerie stories about creepy happenings. I just don’t want the gore and nightmares that usually come with those stories. So I wrote a cozy mystery series that has all the chills, but none of the gory kills. You’ll get a tingle down your spine, but after that, you’ll be fine. (Okay, you can tell this isn’t going to be too scary because I’m rhyming.) It’s the coziest creepy series you’ll ever read. I hope you enjoy!

La protagonista d'aquesta novel·la és una dona atreta per la solitud com per un imant. Es guanya la vida en un buc, la situació perfecta: una cabina, l'oceà, moltes hores per encara el buit i algún port per conèixer dones. Fins que una la reté, se l'emporta entre les quatre parets d'una casa i l'embarca en la gestació assistida d'una criatura. ¿Què en farà, la maternitat, de l'amant coneguda en un bar?