In The Carrier Bag Theory of Fiction, visionary author Ursula K. Le Guin retells the story of human origin by redefining technology as a cultural carrier bag rather than a weapon of domination. Hacking the linear, progressive mode of the Techno-Heroic, the Carrier Bag Theory of human evolution proposes: 'before the tool that forces energy outward, we made the tool that brings energy home.' Prior to the preeminence of sticks, swords and the Hero's long, hard, killing tools, our ancestors' greatest invention was the container: the basket of wild oats, the medicine bundle, the net made of your own hair, the home, the shrine, the place that contains whatever is sacred. The recipient, the holder, the story. The bag of stars. This influential essay opens a portal to terra ignota: unknown lands where the possibilities of human experience and knowledge can be discovered anew. With a new introduction by Donna Haraway, the eminent cyberfeminist, author of the revolutionary A Cyborg Manifesto and most recently, Staying with the Trouble and Manifestly Haraway. With images by Lee Bul, a leading South Korean feminist artist who had a retrospective at London's Hayward Gallery in 2018.

It’s the most wonderful time of the year, Hogswatchnight, when the Hogfather himself dons his red suit and climbs in his sleigh pulled by—of course—eight hogs, to shower gifts across Discworld. But when the fat man goes missing, someone has to sit in. It’s up to Death to take up the reigns—otherwise the sun won’t shine tomorrow . . . or ever again. Who would want to harm Discworld's most beloved icon? Very few things are held sacred in this twisted, corrupt, heartless—and oddly familiar—universe, but the Hogfather is one of them. Yet here it is, Hogswatchnight, that most joyous and acquisitive of times, and the jolly, old, red-suited gift-giver has vanished without a trace. And there's something shady going on involving an uncommonly psychotic member of the Assassins' Guild and certain representatives of Ankh-Morpork's rather extensive criminal element. Suddenly Discworld's entire myth system is unraveling at an alarming rate. Drastic measures must be taken, which is why Death himself is taking up the reins of the fat man's vacated sleigh . . . which, in turn, has Death's level-headed granddaughter, Susan, racing to unravel the nasty, humbuggian mess before the holiday season goes straight to hell and takes everyone along with it.

Witches are not by nature gregarious, and they certainly don't have leaders. Granny Weatherwax was the most highly-regarded of the leaders they didn't have. But even she found that meddling in royal politics was a lot more difficult than certain playwrights would have you believe...

Samah Sabawi shares the story of her parents and many like them who were born as their parents were being forced to leave their homelands.Filled with love for land, history, peoples it is more than anything else a family story and a love story told with enormous humanity and feeling. How the son (one of six), born at the height of the displacements to a disabled father and illiterate mother, a believer in peaceful resistance, became a leading poet and writer in Palestine, before being forced, with his own young family in tow, to flee and start a new life in Australia.One of the gifts of Samah Sabawi's Baba is to remain open-hearted and optimistic.

Set against the backdrop of developing modern China, this mesmerizing literary debut is part coming-of-age tale, part family and social drama, as it follows two generations searching for belonging and opportunity in a rapidly changing world. Shanghai, 2007: Fourteen-year-old Alva has always longed for more. Raised by her American expat mother, she’s never known her Chinese father, and she is certain a better life awaits them in America. But when her mother announces her engagement to their wealthy Chinese landlord, Lu Fang, Alva’s hopes are dashed. She plots for the next best thing: the American School in Shanghai. Upon admission, though, Alva is surprised to discover an institution run by an exclusive community of expats and the ever-wilder thrills of a city where foreigners can ostensibly act as they please. 1985: In the seaside city of Qingdao, Lu Fang is a young married man and a lowly clerk in a shipping yard. Although he once dreamed of a bright future, he is now one of many casualties in his country’s harsh political reforms. So when China opens its doors to the first wave of foreigners in decades, Lu Fang’s world is split wide open after he meets an American woman who makes him confront difficult questions about his current status in life and how much will ever be enough. In a stunning reversal of the east-to-west immigrant narrative and set against China’s political history and economic rise, River East, River West is an intimate family drama and a sharp social novel. Alternating between Alva and Lu Fang’s points of view, this is a profoundly moving exploration of race and class, cultural identity and belonging, and the often-false promise of the American Dream.

Witches are not by nature gregarious, and they certainly don't have leaders. Granny Weatherwax was the most highly-regarded of the leaders they didn't have. But even she found that meddling in royal politics was a lot more difficult than certain playwrights would have you believe...

Samah Sabawi shares the story of her parents and many like them who were born as their parents were being forced to leave their homelands.Filled with love for land, history, peoples it is more than anything else a family story and a love story told with enormous humanity and feeling. How the son (one of six), born at the height of the displacements to a disabled father and illiterate mother, a believer in peaceful resistance, became a leading poet and writer in Palestine, before being forced, with his own young family in tow, to flee and start a new life in Australia.One of the gifts of Samah Sabawi's Baba is to remain open-hearted and optimistic.

Set against the backdrop of developing modern China, this mesmerizing literary debut is part coming-of-age tale, part family and social drama, as it follows two generations searching for belonging and opportunity in a rapidly changing world. Shanghai, 2007: Fourteen-year-old Alva has always longed for more. Raised by her American expat mother, she’s never known her Chinese father, and she is certain a better life awaits them in America. But when her mother announces her engagement to their wealthy Chinese landlord, Lu Fang, Alva’s hopes are dashed. She plots for the next best thing: the American School in Shanghai. Upon admission, though, Alva is surprised to discover an institution run by an exclusive community of expats and the ever-wilder thrills of a city where foreigners can ostensibly act as they please. 1985: In the seaside city of Qingdao, Lu Fang is a young married man and a lowly clerk in a shipping yard. Although he once dreamed of a bright future, he is now one of many casualties in his country’s harsh political reforms. So when China opens its doors to the first wave of foreigners in decades, Lu Fang’s world is split wide open after he meets an American woman who makes him confront difficult questions about his current status in life and how much will ever be enough. In a stunning reversal of the east-to-west immigrant narrative and set against China’s political history and economic rise, River East, River West is an intimate family drama and a sharp social novel. Alternating between Alva and Lu Fang’s points of view, this is a profoundly moving exploration of race and class, cultural identity and belonging, and the often-false promise of the American Dream.

From #1 New York Times bestselling author Brandon Sanderson, Warbreaker is the story of two sisters, who happen to be princesses, the God King one of them has to marry, the lesser god who doesn't like his job, and the immortal who's still trying to undo the mistakes he made hundreds of years ago. Their world is one in which those who die in glory return as gods to live confined to a pantheon in Hallandren's capital city and where a power known as BioChromatic magic is based on an essence known as breath that can only be collected one unit at a time from individual people. By using breath and drawing upon the color in everyday objects, all manner of miracles and mischief can be accomplished. It will take considerable quantities of each to resolve all the challenges facing Vivenna and Siri, princesses of Idris; Susebron the God King; Lightsong, reluctant god of bravery, and mysterious Vasher, the Warbreaker.