For readers of Frying Plantain and Scarborough, a luminous, mesmerizing collection of linked stories about the lives of woman and girls in The Bahamas, from rising literary star and Governor General's Award-finalist Janice Lynn Mather. Set against the vivid backdrop of The Bahamas, these eighteen beautiful and haunting stories introduce us to women and girls searching for identity and belonging during moments of profound upheaval. These women are bold and big-hearted, complex and intimately familiar. They grapple with the bonds of kinship and the responsibilities of parenthood, with grief, longing, betrayal, coming of age and what it means to be a woman. In Mango Summer, little girls begin disappearing from their beds during one lush, steaming August. In Morning Swim, a jogger, newly diagnosed with cancer, makes a sinister discovery on the beach. Nassau wakes up to blood-red water pouring from its taps after a pastor decries witchcraft in Drinking Water. In Boyo, a woman new to Vancouver struggles to plant roots in a city that doesn't seem to want her or her young son. These stories are at once deeply grounded and tinged with folkoric and surreal elements--and all speak to the beauty and brutality of being alive.

Part activist memoir, part crash course in Jewish and Palestinian history, Genocide Bad dismantles Zionist propaganda and maps a course towards collective liberation in ten unapologetic essays. Part activist memoir, part crash course in Jewish and Palestinian history, Genocide Bad dismantles Zionist propaganda in ten unapologetic essays. Drawing connections between Biblical promises and exploding pagers, medieval dress codes and modern-day apartheid, Kern sketches a sweeping history of imperialism with their characteristic blend of far-ranging research, pop-culture insights, and scathing humor.Kern, a former teacher, journalist, novelist, and book influencer, gained international recognition as an anti-Zionist Jewish activist in the days after October 7th, 2023. At a time when social media was flooded with “I Stand with Israel” posts, Kern started sharing content encouraging their followers to read Palestinian books, learn Palestinian history, and question Western reporting on Palestine—videos which went viral into tens of millions of views.Despite facing hate messages, death threats, and exile from the Zionist Jewish community, Kern has remained steadfast in their advocacy over the past year. They’ve posted daily videos on Palestinian, Jewish, and colonial history, and they’ve raised over $500,000 in direct aid for families in Gaza—all while navigating the challenges of pregnancy, childbirth, and parenting a newborn. In Genocide Bad, Kern reflects on the life experiences that led them to anti-Zionist activism, while capturing and expanding upon their online educational content.Kern doesn’t flinch when confronting the horrors of genocides past and present, but there is also tremendous hope contained in these pages—hope that springs from examples of courage and resilience in the face of extreme violence, and from the kinds of resistance that might just lead to our collective liberation.

From the Academy award winning screenplay writer of Burnt by the Sun, Solar Plexus is a compelling saga of family and friendship, love and betrayal, set against the backdrop of Azerbaijan’s rapidly-changing capital, Baku, as the country struggles with the transition into a post-Soviet world... Spanning three generations and stretching from the 1940s to the 1990s, the four distinct parts that make up Solar Plexus intertwine to tell the tale of a group of friends who grew-up around the same courtyard in Baku. Each section is told from a different perspective as the friends’ passions, deceits, rivalries and disappointments play out against the shifting turmoil of those decades: from the Great Patriotic War and Stalin’s Purges, to the industrial institutes and Russification of the ’50s and ’60s, through to the struggle for independence and violence of the early ’90s. The lives of Alik, Marat, Lucky, Eldar and Seidzade are realised with rare insight and a superb eye for the bigger picture, but also with humour, and a recognition of life’s absurdity that recalls writers from Bulgakov to Kundera. Ibragimbekov evokes a world of passion and honour, of proud men and hot-headed women, of great tenderness and complex humanity, where “the truth is always just one of many truths.” The novel is equally a paean to the multiculturalism of Baku, and a time when a person’s worth was measured by their qualities, not whether they had been born an Azeri, Russian, Jew or Armenian – a time brought to a violent end by the war with Armenia, when friends and neighbours were suddenly turned against one another, and broad-minded inclusion gave way to an exclusive and crude nationalism.

From the #1 New York Times bestselling author of The Seven Husbands of Evelyn Hugo and Daisy Jones & The Six comes an epic new novel set against the backdrop of the 1980s space shuttle program and the extraordinary lengths we go to live and love beyond our limits. Joan Goodwin has been obsessed with the stars for as long as she can remember. Thoughtful and reserved, Joan is content with her life as a professor of physics and astronomy at Rice University and as aunt to her precocious niece, Frances. That is, until she comes across an advertisement seeking the first women scientists to join NASA’s Space Shuttle Program. Suddenly, Joan burns to be one of the few people to go to space. Selected from a pool of thousands of applicants in the summer of 1980, Joan begins training at Houston’s Johnson Space Center, alongside an exceptional group of fellow candidates: Top Gun pilots Hank Redmond and John Griffin, who are kind and easy-going even when the stakes are highest; mission specialist Lydia Danes, who has worked too hard to play nice; warm-hearted Donna Fitzgerald, who is navigating her own secrets; and Vanessa Ford, the magnetic and mysterious aeronautical engineer, who can fix any engine and fly any plane. As the new astronauts become unlikely friends and prepare for their first flights, Joan finds a passion and a love she never imagined. In this new light, Joan begins to question everything she thinks she knows about her place in the observable universe. Then, in December of 1984, on mission STS-LR9, everything changes in an instant. Fast-paced, thrilling, and emotional, Atmosphere is Taylor Jenkins Reid at her best: transporting readers to iconic times and places, with complex protagonists, telling a passionate and soaring story about the transformative power of love, this time among the stars.

The first vampire short story and novella, which came before Dracula, together in one Penguin Classics hardcover, a Penguin Speculative Fiction Special, with a foreword by #1 New York Times–bestselling author V. E. SchwabA Penguin Classic HardcoverIn the summer of 1816, a group of friends—Lord Byron, his physician, John Polidori, Byron’s lover, Claire Clairmont, Claire’s step-sister, Mary Wollstonecraft Godwin, and Mary’s partner, Percy Bysshe Shelley—held a ghost story contest to pass the time at gloomy Villa Diodati, near Lake Geneva. The famous writing challenge led to both Mary Shelley’s Frankenstein and John Polidori’s The Vampyre (1818). Featuring Lord Ruthven, a deathly pale and handsome nobleman who preys on women of high society, The Vampyre is generally identified as the first full-length vampire story in English literature and the progenitor of the romantic vampire genre of fantasy fiction.Carmilla (1872) by Joseph Sheridan Le Fanu is a nineteenth-century Gothic novella featuring a protagonist who became the original prototype for a long line of female and lesbian vampires in literature, movies, television series, and more. In a castle deep in the Austrian forest, Laura, a young woman, leads an isolated life with her ailing father. A horse-drawn carriage crashes and an unexpected guest, the mysterious and seductive Carmilla, enters their lives. The original vampire novel of modern Europe, Carmilla predates Dracula by more than twenty-five years and the film Nosferatu by more than fifty.

The first vampire short story and novella, which came before Dracula, together in one Penguin Classics hardcover, a Penguin Speculative Fiction Special, with a foreword by #1 New York Times–bestselling author V. E. SchwabA Penguin Classic HardcoverIn the summer of 1816, a group of friends—Lord Byron, his physician, John Polidori, Byron’s lover, Claire Clairmont, Claire’s step-sister, Mary Wollstonecraft Godwin, and Mary’s partner, Percy Bysshe Shelley—held a ghost story contest to pass the time at gloomy Villa Diodati, near Lake Geneva. The famous writing challenge led to both Mary Shelley’s Frankenstein and John Polidori’s The Vampyre (1818). Featuring Lord Ruthven, a deathly pale and handsome nobleman who preys on women of high society, The Vampyre is generally identified as the first full-length vampire story in English literature and the progenitor of the romantic vampire genre of fantasy fiction.Carmilla (1872) by Joseph Sheridan Le Fanu is a nineteenth-century Gothic novella featuring a protagonist who became the original prototype for a long line of female and lesbian vampires in literature, movies, television series, and more. In a castle deep in the Austrian forest, Laura, a young woman, leads an isolated life with her ailing father. A horse-drawn carriage crashes and an unexpected guest, the mysterious and seductive Carmilla, enters their lives. The original vampire novel of modern Europe, Carmilla predates Dracula by more than twenty-five years and the film Nosferatu by more than fifty.

From the #1 New York Times bestselling author of The Seven Husbands of Evelyn Hugo and Daisy Jones & The Six comes an epic new novel set against the backdrop of the 1980s space shuttle program and the extraordinary lengths we go to live and love beyond our limits. Joan Goodwin has been obsessed with the stars for as long as she can remember. Thoughtful and reserved, Joan is content with her life as a professor of physics and astronomy at Rice University and as aunt to her precocious niece, Frances. That is, until she comes across an advertisement seeking the first women scientists to join NASA’s Space Shuttle Program. Suddenly, Joan burns to be one of the few people to go to space. Selected from a pool of thousands of applicants in the summer of 1980, Joan begins training at Houston’s Johnson Space Center, alongside an exceptional group of fellow candidates: Top Gun pilots Hank Redmond and John Griffin, who are kind and easy-going even when the stakes are highest; mission specialist Lydia Danes, who has worked too hard to play nice; warm-hearted Donna Fitzgerald, who is navigating her own secrets; and Vanessa Ford, the magnetic and mysterious aeronautical engineer, who can fix any engine and fly any plane. As the new astronauts become unlikely friends and prepare for their first flights, Joan finds a passion and a love she never imagined. In this new light, Joan begins to question everything she thinks she knows about her place in the observable universe. Then, in December of 1984, on mission STS-LR9, everything changes in an instant. Fast-paced, thrilling, and emotional, Atmosphere is Taylor Jenkins Reid at her best: transporting readers to iconic times and places, with complex protagonists, telling a passionate and soaring story about the transformative power of love, this time among the stars.

A fascinating but shadowy figure of Romanticism, John Polidori was the sensitive but fierce writer behind one of literature's most notorious characters—the vampyre. This short story reveals the seductive figure of evil, who continues to exert a powerful influence over popular culture and who cemented Polidori's status within the Gothic tradition. This collection also makes available many of Polidori's lesser-known and hard-to-find works, including a medical thesis on nightmares, an essay on the source of pleasures, poetry and personal diaries, and the novel Modern Oedipus . These works combine to help illuminate and deepen the reader's understanding of Romanticism and the Gothic.

“A riveting wilderness suspense novel by a novelist at the height of her powers” (Jennifer Egan, Pulitzer Prize–winning author of The Candy House), Heartwood takes you on a gripping journey as a search and rescue team race against time when an experienced hiker mysteriously disappears on the Appalachian Trail in Maine. In the heart of the Maine woods, an experienced Appalachian Trail hiker goes missing. She is forty-two-year-old Valerie Gillis, who has vanished 200 miles from her final destination. Alone in the wilderness, Valerie pours her thoughts into fractured, poetic letters to her mother as she battles the elements and struggles to keep hoping. At the heart of the investigation is Beverly, the determined Maine State Game Warden tasked with finding Valerie, who leads the search on the ground. Meanwhile, Lena, a seventy-six-year-old birdwatcher in a Connecticut retirement community, becomes an unexpected armchair detective. Roving between these compelling narratives, a puzzle emerges, intensifying the frantic search, as Valerie’s disappearance may not be accidental. Heartwood is a “gem of a thousand facets—suspenseful, transporting, tender, and ultimately soul-mending,” (Megan Majumdar, New York Times bestselling author of A Burning) that tells the story of a lost hiker’s odyssey and is a moving rendering of each character’s interior journey. The mystery inspires larger questions about the many ways in which we get lost, and how we are found. At its core, Heartwood is a redemptive novel, written with both enormous literary ambition and love.

A prize-winning, boundary-breaking debut exploring family, class, history, and the true idea of the self. A glorious, tender, unsparing exploration of language, family, history, class, and the very idea of the self and the human, Sea, Mothers, Swallow, Tongues begins with the loss of memory. As their grandmother falls into dementia, the narrator begins to ask questions—to fill in the silences and the gaps. Childhood memories resurface, revealing a path into the past. The matrilineal line leads toward nature, witchcraft, freedom, and power. Could this be where they belong?A quest toward understanding, a story of liberation—from generational trauma, gender constructs, class identity, the limits of language—Sea, Mothers, Swallow, Tongues invents its own forms, words, and bodies to conjure and cast out the very idea of the unspeakable. It searches for other kinds of knowledge and traditions, other ways of becoming, and reaches for wisdom beyond the human. In Sea, Mothers, Kim de l’Horizon recasts family narratives, abandoning the linear in favor of a fluid, incantatory, expansive search into who we are.