In post-climate disaster Alberta, a woman infected with a mysterious parasite must choose whether to pursue a rare opportunity far from home or stay and help rebuild her community. The world is nothing like it once was: climate disasters have wracked the continent, causing food shortages, ending industry, and leaving little behind. Then came Cad, mysterious mind-altering fungi that invade the bodies of the now scattered citizenry. Reid, a young woman who carries this parasite, has been given a chance to get away - to move to one of the last remnants of pre-disaster society - but she can't bring herself to abandon her mother and the community that relies on her. When she's offered a coveted place on a dangerous and profitable mission, she jumps at the opportunity to set her family up for life, but how can Reid ask people to put their trust in her when she can't even trust her own mind?

A world-weary woman races against the clock to rescue the children of a wrathful tyrant from a dangerous, otherworldly forest. At the northern edge of a land ruled by a monstrous, foreign tyrant lies the wild forest known as the Elmever. The villagers know better than to let their children go near—once someone goes in, they never come back out. No one knows the strange and terrifying traps of the Elmever better than Veris Thorn, the only person to ever rescue a child from the forest many years ago. When the Tyrant’s two young children go missing, Veris is commanded to enter the forest once more and bring them home safe. If Veris fails, the Tyrant will kill her; if she remains in the forest for longer than a day, she will be trapped forevermore. So Veris will travel deep into the Elmever to face traps, riddles, and monsters at the behest of another monster. One misstep will cost everything.

A new Queer, Asian-inspired fantasy novella about a renowned dragon slayer who never takes her armor off in public, Brighter than Scale, Swifter than Flame reads like She Who Became the Sun meets The Mandalorian, with dragons!The fiercely independent nation of Quanbao is isolated, reclusive, and something of a mystery to the rest of the world. It is rumored that there, dragons are not feared as is right and proper but instead loved and worshiped.Yeva is perhaps a strange emissary to these people. Not only because their face has never been seen in public, but because they are a hero born to a birthright that makes them suited for their task—hunting dragons.And so the dragon hunter must woo Quanbao's queen—the Lady Sookhee—to understand what secrets she is hiding. A woman reasonably suspicious of Yeva's intentions, and the imperial might of the throne she represents, Sookhee bears the burden of the safety of her entire people. How can she trust this stranger newly arrived to her court, a weapon forged in blood and fire, to understand what her people need and how best to safeguard their future?At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In the gripping first novel in the Daughters of the Empty Throne trilogy, author Margaret Killjoy spins a tale of earth magic, power struggle, and self-invention in an own-voices story of trans witchcraft. Lorel has always dreamed of becoming a witch: learning magic, fighting monsters, and exploring the world beyond the small town where she and her mother run the stables. Even though a strange plague is killing the trees in the Kingdom of Cekon and witches are being blamed for it, Lorel wants nothing more than to join them. There’s only one problem: all witches are women, and she was born a boy. When the coven comes to claim her best friend, Lorel disguises herself in a dress and joins in her friend’s place, leaving home and her old self behind. She soon discovers the dark powers threatening the kingdom: a magical blight scars the land, and the power-mad Duchess Helte is crushing everything between her and the crown. In spite of these dangers, Lorel makes friends and begins learning magic from the powerful witches in her coven. However, she fears that her new friends and mentors will find out her secret and kick her out of the coven, or worse.

Two boys, alone in space. After the first settler on Titan trips her distress signal, neither remaining country on Earth can afford to scramble a rescue of its own, and so two sworn enemies are installed in the same spaceship. Ambrose wakes up on the Coordinated Endeavor, with no memory of a launch. There’s more that doesn’t add up: Evidence indicates strangers have been on board, the ship’s operating system is voiced by his mother, and his handsome, brooding shipmate has barricaded himself away. But nothing will stop Ambrose from making his mission succeed—not when he’s rescuing his own sister. In order to survive the ship’s secrets, Ambrose and Kodiak will need to work together and learn to trust one another… especially once they discover what they are truly up against. Love might be the only way to survive.

A Voodoo witch must navigate a magically and racially divided nineteenth century New Orleans to save her mother—and the soul of the city itself—in this lush debut novel inspired by the life of Marie Laveau. In 1843 New Orleans, the reigning Voodoo queen is Marie Laveau, feared by her enemies and followers alike. Her daughter, Marie "Ree" Laveau the Second, is everything her cutthroat and principled mother is not—spoiled and entitled, with a wickedly rebellious streak—and defies her mother at every turn. But Ree’s world is turned upside down when she finds Marie comatose in the bayou, cursed by exiled Voodoo king Jon the Conjurer—Marie’s former teacher, lover, and greatest enemy. As Marie hovers on the brink of death, Ree races to uncover the secrets of her mother’s life in search of a cure and gradually uncovers a web of alliances, dangers, and deception. What’s worse, Henryk Broussard, Ree’s long-missing childhood best friend, returns as a witch hunter of the Church, tasked with investigating her. With so many enemies circling, including a puritanical-minded Brotherhood of alchemists and the slave-holding mayor of the city, Ree must confront the past and face her mother’s demons that have now become her own—or die trying. Told in alternating timelines between Ree in the present and Marie’s rise to power twenty-five years earlier, The Quarter Queen is an intimate yet epic portrait of a mother and daughter who have struggled all their lives to understand one another, and a captivating exploration of racism, family, and womanhood.

With all the fire and fury fans have come to expect from internationally bestselling author George R. R. Martin, this is the first volume of the definitive two-part history of the Targaryens in Westeros. Centuries before the events of A Game of Thrones, House Targaryen—the only family of dragonlords to survive the Doom of Valyria—took up residence on Dragonstone. Fire and Blood begins their tale with the legendary Aegon the Conqueror, creator of the Iron Throne, and goes on to recount the generations of Targaryens who fought to hold that iconic seat, all the way up to the civil war that nearly tore their dynasty apart. What really happened during the Dance of the Dragons? Why did it become so deadly to visit Valyria after the Doom? What is the origin of Daenerys’s three dragon eggs? These are but a few of the questions answered in this essential chronicle, as related by a learned maester of the Citadel and featuring more than eighty all-new black-and-white illustrations by artist Doug Wheatley. Readers have glimpsed small parts of this narrative in such volumes as The World of Ice & Fire, but now, for the first time, the full tapestry of Targaryen history is revealed. With all the scope and grandeur of Gibbon’s The History of the Decline and Fall of the Roman Empire, Fire and Blood is the ultimate game of thrones, giving readers a whole new appreciation for the dynamic, often bloody, and always fascinating history of Westeros.

Get ready to be blown away by this searing standalone space opera where corporate samurai fight beneath merciless stars, and death is always a mere breath away. Isako is a legendary swordswoman, but every legend has to come to an end. When her long-time client unexpectedly retires, she plans to follow--to walk out into the frozen wasteland of their planet with her head held high and her family enriched by her legacy. But when a competitor offers her a final mission, it's one she can't refuse. Soon, she's thrust deep into a world of corporate espionage, duty-bound duels, and shadowy secrets. What she uncovers will change humanity's existence in the stars forever. The Last Contract of Isako is the space opera you didn't know you needed: corporate samurai... in space. This is the first adult science fiction novel from the award-winning author of Jade City.

What if your sense of duty required you to betray the man you love? One woman struggles to choose between her honor and her heart in this enthralling espionage drama that deftly hops between New York and West Africa. It's 1986, the heart of the Cold War, and Marie Mitchell is an intelligence officer with the FBI. She's brilliant, but she's also a young black woman working in an old boys' club. Her career has stalled out, she's overlooked for every high-profile squad, and her days are filled with monotonous paperwork. So when she's given the opportunity to join a shadowy task force aimed at undermining Thomas Sankara, the charismatic, revolutionary president of Burkina Faso whose Communist ideology has made him a target for American intervention, she says yes. Yes, even though she secretly admires the work Thomas is doing for his country. Yes, even though she is still grieving over the mysterious death of her sister, whose example led Marie to this career path in the first place. Yes, even though a furious part of her suspects she's being offered the job because of her appearance and not her talent. In the year that follows, Marie will observe Thomas, seduce him, and ultimately have a hand in the coup that will bring him down. But doing so will change everything she believes about what it means to be a spy, a lover, a sister, and a good American. Inspired by true events -- Thomas Sankara is known as “Africa's Che Guevara” -- this novel knits together a gripping spy thriller, a heartbreaking family drama, and a passionate romance. This is a face of the Cold War you've never seen before, and it introduces a powerful new literary voice.

In these poems, the joys and struggles of the everyday are played against the grinding politics of being human. Beginning in a hotel room in the dark of a distant city, we travel through history and follow the memory of the Trail of Tears from the bend in the Tallapoosa River to a place near the Arkansas River. Stomp dance songs, blues, and jazz ballads echo throughout. Lost ancestors are recalled. Resilient songs are born, even as they grieve the loss of their country. Called a "magician and a master" (San Francisco Chronicle), Joy Harjo is at the top of her form in Conflict Resolution for Holy Beings.

There Are More Beautiful Things Than Beyoncé uses political and pop-cultural references as a framework to explore 21st century black American womanhood and its complexities: performance, depression, isolation, exoticism, racism, femininity, and politics. The poems weave between personal narrative and pop-cultural criticism, examining and confronting modern media, consumption, feminism, and Blackness. This collection explores femininity and race in the contemporary American political climate, folding in references from jazz standards, visual art, personal family history, and Hip Hop. The voice of this book is a multifarious one: writing and rewriting bodies, stories, and histories of the past, as well as uttering and bearing witness to the truth of the present, and actively probing toward a new self, an actualized self. This is a book at the intersections of mythology and sorrow, of vulnerability and posturing, of desire and disgust, of tragedy and excellence.

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality the dangers experienced in skin and body and blood and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, some of us all at once. Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America--"Dear White America"--where every day is too often a funeral and not often enough a miracle.

Set in a brand-new, Norse-inspired world, and packed with myth, magic and bloody vengeance, The Shadow of the Gods begins an epic new fantasy saga from bestselling author John Gwynne. After the gods warred and drove themselves to extinction, the cataclysm of their fall shattered the land of Vigrið. Now a new world is rising, where power-hungry jarls feud and monsters stalk the woods and mountains. A world where the bones of the dead gods still hold great power for those brave - or desperate - enough to seek them out. Now, as whispers of war echo across the mountains and fjords, fate follows in the footsteps of three people: a huntress on a dangerous quest, a noblewoman who has rejected privilege in pursuit of battle fame, and a thrall who seeks vengeance among the famed mercenaries known as the Bloodsworn. All three will shape the fate of the world as it once more falls under the shadow of the gods . . .