Formerly titled Brooke: Wagers Gone Awry An angry earl. A desperate spinster. A reckless wager. For five years, Brooke Culpepper has focused her energy on two things: keeping the struggling dairy farm that’s her home operating and preventing her younger sister and cousins from starving. Then one day, a stern-faced stranger arrives at their doorstep and announces he’s the dairy’s new owner and plans on selling the farm. Though she’s outraged, Brooke can’t deny the Earl of Ravensdale makes her pulse race in the most disturbing way. Heath is incensed to discover five women call the land he won at the gaming tables their home. He detests everything about the country and has no desire to own a smelly farm, even if one of the occupants is the most intelligent, entrancing woman he’s ever met. Desperate, pauper poor, and with nowhere to take her family, Brooke rashly proposes a wager. Heath's stakes? The farm. Hers? Her virtue. The land holds no interest for Heath, but he finds Brooke irresistible, and ignoring prudence as well as his sense of honor, he just as recklessly accepts her challenge. In a winner-takes-all bet, will they both come to regret their impulsiveness, especially when love is at stake? Though this book can easily be read as a stand-alone, most readers prefer to read the series in order.

In a faraway land where members of the royal family are named for the virtues they embody, one young boy will become a walking enigma. Born on the wrong side of the sheets, Fitz, son of Chivalry Farseer, is a royal bastard, cast out into the world, friendless and lonely. Only his magical link with animals - the old art known as the Wit - gives him solace and companionship. But the Wit, if used too often, is a perilous magic, and one abhorred by the nobility. So when Fitz is finally adopted into the royal household, he must give up his old ways and embrace a new life of weaponry, scribing, courtly manners; and how to kill a man secretly, as he trains to become a royal assassin.

Set in thirteenth-century Bruges, this debut novel follows a young woman’s explorations of faith, agency, and love among a community of fiercely independent women.Aleys is sixteen years old and serious, stubborn, prone to religious visions. She and her only friend, a young scholar, have been learning Latin together in secret—but just as she thinks their connection might become something more, he abandons her for the monastery. When her family falls on hard financial times, her father promises her in marriage to the unctuous head of the weavers’ guild, and in desperation she runs away from home, eventually finding shelter within a community of religious women who do not answer to the church.Among the hardworking and strong-willed Beguines, Aleys glimpses for the first time the joys of a life of song, friendship, and time spent in the markets and along the canals of Bruges. But forces both mystical and political are afoot. Illegal translations of scripture, the women’s independence, and a sudden rash of miracles all draw the attention of an ambitious bishop—and bring Aleys and those around her into ever-increasing danger, a danger that will push Aleys to a new understanding of love and sacrifice.Introducing a spirited, indelible heroine and a major new talent, Canticle is a luminous work of historical fiction, vividly evoking a world on the verge of transformation.

A reimagining of Lady Macbeth, Shakespeare’s most famous villainess, giving her a voice, a past, and a power that transforms the story men have written for her. The Lady knows the stories: how her eyes induce madness in men. The Lady knows she will be wed to the Scottish brute, who does not leave his warrior ways behind when he comes to the marriage bed. The Lady knows his hostile, suspicious court will be a game of strategy, requiring all of her wiles and hidden witchcraft to survive. But the Lady does not know her husband has occult secrets of his own. She does not know that prophecy girds him like armor. She does not know that her magic is greater and more dangerous, and that it will threaten the order of the world. She does not know this yet. But she will.

A sweeping historical novel in the vein of Hilary Mantel and Maggie O’Farrell set during the time of the Tudors’ ascent. The Pretender tells the story of Lambert Simnel, who was raised in obscurity as a peasant boy to protect his safety, believed to be the heir to the throne occupied by Richard III, and briefly crowned, at the age of ten, as King Edward the Sixth, one of the last of the Plantagenets. In 1480 John Collan’s greatest anxiety is how to circumvent the village’s devil goat on the way to collect water. But the arrival of a well-dressed stranger from London upends his life forever: John is not John Collan, not the son of Will Collan, but the son of the long-deceased Duke of Clarence, hidden in the countryside after a brotherly rift over the crown, and because Richard III has a habit of disappearing his nephews. Removed from his humble origins, sent to Oxford to be educated in a manner befitting the throne’s rightful heir, John is put into play by his masters, learning the rules of etiquette in Burgundy and the machinations of the court in Ireland, where he encounters the intractable Joan, the delightfully strong-willed and manipulative daughter of his Irish patrons, a girl imbued with both extraordinary political savvy and occasional murderous tendencies. Joan has two paths available her—marry, or become a nun. Lambert’s choices are similarly stark: he will either become King, or die in battle. Together they form an alliance that will change the fate of the English monarchy. Inspired by a footnote to history—the true story of the little known Simnel, who was a figurehead of the 1487 Yorkist rebellion and ended up working as a spy in the court of King Henry VII— The Pretender is historical fiction at its finest, a gripping, exuberant, rollicking portrait of British monarchy and life within the court, with a cast of unforgettable heroes and villains drawn from 15th century England. A masterful new work from a major new author.