Maomao has effectively become Jinshi’s personal physician, but she’s just a simple apothecary. If she’s going to give him proper medical treatment, she’ll need more than her meager surgical skills. When she turns to her father for help, he says he’ll only teach her if she can pass a test he sets for her. Even if she succeeds at his mysterious request, however, the truth behind the practice of surgery at court may be more than she cares to know. And only once she has the knowledge she needs will she be able to accompany Jinshi on what could be his most dangerous journey yet.

Maomao has effectively become Jinshi’s personal physician, but she’s just a simple apothecary. If she’s going to give him proper medical treatment, she’ll need more than her meager surgical skills. When she turns to her father for help, he says he’ll only teach her if she can pass a test he sets for her. Even if she succeeds at his mysterious request, however, the truth behind the practice of surgery at court may be more than she cares to know. And only once she has the knowledge she needs will she be able to accompany Jinshi on what could be his most dangerous journey yet.

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground. Jacqueline Harpman was born in Etterbeek, Belgium, in 1929, and fled to Casablanca with her family during WWII. Informed by her background as a psychoanalyst and her youth in exile, I Who Have Never Known Men is a haunting, heartbreaking post-apocalyptic novel of female friendship and intimacy, and the lengths people will go to maintain their humanity in the face of devastation. Back in print for the first time since 1997, Harpman’s modern classic is an important addition to the growing canon of feminist speculative literature.

"Trước đây tớ không hiểu nổi đám đông người hâm mộ được quay lên ti vi, hoặc là tớ đã được dạy để không thể hiểu được họ. Họ hướng về phía những ca sĩ đang đứng trên sân khấu, gào thét, khóc lóc vật vã đến mức người ta muốn đặt câu hỏi, rốt cuộc là thứ cảm xúc mãnh liệt gì đã khiến họ như vậy. Bất cứ khi nào nhìn thấy các fan cuồng cư xử như thể nếu cần sẽ sẵn sàng rút ruột rút gan ra dâng hiến, bố tớ luôn tặc lưỡi bảo tớ đừng bao giờ làm như họ. Tớ lúc nào cũng đáp lại “vâng, thưa bố”. Nhưng tớ đáp vậy không phải để làm vừa lòng bố, mà quả thực khi ấy, tớ chỉ hiểu và nhìn thế giới như những gì bố tớ nhìn và hiểu mà thôi. Lúc ấy, tớ không thể hiểu được tại sao nhất định phải đi xa như vậy và gào thét như thế, trong khi chỉ cần bật ti vi lên là có thể nhìn được thần tượng gần thế này rồi."Vậy, thế giới mà cô gái này đã tự mình nhìn và hiểu sau khi quên lời bố trở thành một fangirl, theo chân nhóm nhạc yêu thích tới mọi buổi ghi hình và sự kiện, là một thế giới như thế nào?Ảo ảnh thần tượng, với những đúc kết “trúng tim đen fangirl” vừa thực tế, sâu cay lại vừa hài hước cùng những cảm xúc nồng nhiệt không màng che đậy không ngại bóc trần, chính là lời hồi đáp đầy ấn tượng cho câu hỏi ấy.

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

An alternative history of the album, focussing on the format’s turbulent life through the digital music era since 1999 through to today, Body of Work explores why we should still bother to listen to music in 40 minute chunks.The album is a perfect vessel for the art of song. It is the format all artists aspire to, even after nearly three decades of being hammered by the onslaught of digital music. As of 2025, the album is still strong and getting stronger. Jack Antonoff, one of the music world’s most successful producers, collaborators and a substantial music artist in his own right (under the artist name Bleachers) knows this. He recently expressed, in no uncertain terms, that “the album is God.”“The CD bloated and eventually devalued the album. Napster then came along and atomised it. Apple’s iTunes unbundled it (with the music industry’s blessing). The album saw them all off, and then the juggernaut arrived. Spotify decided that the best way to kill the album was to put it on automatic shuffle, until Adele stepped in and had a word. In the end, the album endured. Like a human turned cyborg and then somehow back to human, the album reassembled itself”. Jopling tells music industry insider stories, concisely sums up cultural and commercial trends, retells the album’s history in a fresh and personal way and looks to its future. The book takes on the absurdity of measuring album sales in the subscription market dominated by Spotify (which doesn’t report albums sales). It draws on dozens of in-depth interviews with established music artists about why the album is still, indeed, God, and why it probably always will be.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he’s sure he’ll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won’t have time to starve to death. The damaged machinery, unforgiving environment, or plain-old “human error” are much more likely to kill him first. But Mark isn’t ready to give up yet. Drawing on his ingenuity, his engineering skills — and a relentless, dogged refusal to quit — he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?

First, there were ten—a curious assortment of strangers summoned as weekend guests to a little private island off the coast of Devon. Their host, an eccentric millionaire unknown to all of them, is nowhere to be found. All that the guests have in common is a wicked past they're unwilling to reveal—and a secret that will seal their fate. For each has been marked for murder. A famous nursery rhyme is framed and hung in every room of the mansion: "Ten little boys went out to dine; One choked his little self and then there were nine. Nine little boys sat up very late; One overslept himself and then there were eight. Eight little boys traveling in Devon; One said he'd stay there then there were seven. Seven little boys chopping up sticks; One chopped himself in half and then there were six. Six little boys playing with a hive; A bumblebee stung one and then there were five. Five little boys going in for law; One got in Chancery and then there were four. Four little boys going out to sea; A red herring swallowed one and then there were three. Three little boys walking in the zoo; A big bear hugged one and then there were two. Two little boys sitting in the sun; One got frizzled up and then there was one. One little boy left all alone; He went out and hanged himself and then there were none." When they realize that murders are occurring as described in the rhyme, terror mounts. One by one they fall prey. Before the weekend is out, there will be none. Who has choreographed this dastardly scheme? And who will be left to tell the tale? Only the dead are above suspicion.

Grief is all around us. At the heart of the brightly coloured, vividly characterised, joyful films of Studio Ghibli, they are wracked with loss – of innocence, of love, of the connection to our world and of that world itself. Now Go enters these emotional waters to interrogate not only how Studio Ghibli navigates grief so well, but how that informs our own understanding of grief’s manifold faces.

We live in a world that is now predominantly urban. So how do we define the city as it evolves in the 21st century? Drawing examples from across the globe, Deyan Sudjic decodes the underlying forces that shape our cities, such as resources and land, to the ideas that shape conscious elements of design, whether of buildings or of space. Erudite and entertaining, he considers the differences between capital cities and the rest to understand why it is that we often feel more comfortable in our identities as Londoners, Muscovites, or Mumbaikars than in our national identities.

Welcome to the dreamlike pastel-colored world created by Meyoco. Discover all with Polaris, her first commercial work collection. Meyoco is an illustrator based in Southeast Asia who has gained popularity mainly on social media. Natural elements such as flowers, waves, leaves, stars, and bubbles are suddenly infused with a cute and lovely quality when Meyoco colors them in pastels. Meyoco’s wonderfully dreamlike illustrations have won her an increasing number of fans of her social media accounts; as of April 2020, the number of her followers has exceeded 1.22 million on Instagram and 270K on Twitter. This book contains about 240 illustrations that have been carefully chosen from those she has presented in her social media account. It also includes artworks that have been newly drawn for this book, along with some watercolor paintings from Meyoco’s early published collections: doujinshi, “Foliage”, “REVERIE” and “Bodies of Water”. Meyoco also explains the concept of her artworks in her own words. These cute characters and motifs drawn in lovely colors are sure to appeal to people all over the world.

Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. So she barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies halt operations. The subways squeak to a halt. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost. Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers? A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a quirky coming-of-adulthood tale and satire.

As alluring as it is unsettling, award-winning author CG Drews' debut YA psychological horror will leave readers breathless and hesitant to venture deeper into the woods. Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won't say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew's wicked stories. Desperate to figure out what's wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas's drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator...

From New York Times Bestselling author Brent Weeks... For Durzo Blint, assassination is an art-and he is the city's most accomplished artist. For Azoth, survival is precarious. Something you never take for granted. As a guild rat, he's grown up in the slums, and learned to judge people quickly - and to take risks. Risks like apprenticing himself to Durzo Blint.But to be accepted, Azoth must turn his back on his old life and embrace a new identity and name. As Kylar Stern, he must learn to navigate the assassins' world of dangerous politics and strange magics - and cultivate a flair for death.

The one-pot meal reinvented. It's amazingly convenient : Cook complete meals on one sheet pan (sometimes two). Amazingly tasty : Food actually taste better when cooked on a sheet pan, because it uses three techniques—roasting, baking, or broiling—that intensify flavor. And amazingly versatile : Recipes ranging from easy weeknight dinners to special-occasion meals, plus extras like snacks and sides, ten quick brunch dishes, and irresistible, brilliantly creative desserts. Simply amazing. “An ingenious book. It’s all the convenience of a slow-cooker, but the sophistication and creativity of a fine dining restaurant.” —Zoe François, author of Artisan Bread in Five Minutes a Day  

Eat like your favorite K-Drama TV Stars! If you're a fan of Korean dramas, or simply a fan of Korean food, then this book is for you! Here you'll find 61 delicious recipes for classic Korean dishes, including those you may have seen on your favorite K-Drama shows; In addition to the easy-to-make, fully illustrated recipes for main and side dishes, you'll also find recipes for Korean cocktails and tasty snacks to enjoy while you're watching TV! Features dishes seen Itaewon Class Crash Landing On You One Spring Night Hospital Playlist She Was Pretty What's Wrong with Secretary Kim? It's Okay Not To Be Okay The Eternal Monarch Mystic Pop-up Bar Familiar Wife Start-up Record of Youth Chocolate When the Camellia Blooms Hi Bye, Mama! Something in the Rain Romance is a Bonus Book Was It Love?

Korean Grammar in Use Beginning This is a textbook for foreign language learners who want to study Korean grammar systematically and intensively. Korean Language Teachers Three Korean language teachers who teach Korean language to foreign students are gathered in the educational field. It is a full-scale grammar book that will lead you to easy and fun learning of complicated and difficult grammar of Korean grammar by covering the grammar in the first and second grade of the textbooks taught at Korean university institutions and institutes.

Spark Joy is an in-depth, line illustrated, room-by-room guide to decluttering and organising your home. It covers every room in the house from bedrooms and kitchens to bathrooms and living rooms as well as a wide range of items in different categories, including clothes, photographs, paperwork, books, cutlery, cosmetics, shoes, bags, wallets and valuables. Charming line drawings explain how to properly organise drawers, wardrobes, cupboards and cabinets. The illustrations also show Ms Kondo's unique folding method, clearly showing how to fold anything from shirts, trousers and jackets to skirts, socks and bras. The secret to Marie Kondo's unique and simple KonMari tidying method is to focus on what you want to keep, not what you want to get rid of. Ask yourself if something 'sparks joy' and suddenly it becomes so much easier to understand if you really need it in your home and your life. When you surround yourself with things you love you will find that your whole life begins to change. Marie Kondo's first book, The Life-Changing Magic of Tidying, presents her unique tidying philosophy and introduces readers to the basics of her KonMari method. It has already transformed the homes and lives of millions of people around the world. Spark Joy is Marie Kondo's in-depth tidying masterclass, focusing on the detail of how to declutter and organise your home.