A spellbinding story about two girls whose friendship is so intense it not only threatens to destroy them, it changes the trajectory of history. Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood. Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly. Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more. Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.

A powerful reimagining of the story of Ganga, goddess of the river, and her doomed mortal son, from Vaishnavi Patel, author of the instant New York Times bestseller Kaikeyi . A mother and a son. A goddess and a prince. A curse and an oath. A river whose course will change the fate of the world. Ganga, joyful goddess of the river, serves as caretaker to the mischievous godlings who roam her banks. But when their antics incur the wrath of a powerful sage, Ganga is cursed to become mortal, bound to her human form until she fulfills the obligations of the curse. Though she knows nothing of mortal life, Ganga weds King Shantanu and becomes a queen, determined to regain her freedom no matter the cost. But in a cruel turn of fate, just as she is freed of her binding, she is forced to leave her infant son behind. Her son, prince Devavrata, unwittingly carries the legacy of Ganga’s curse. And when he makes an oath that he will never claim his father’s throne, he sets in motion a chain of events that will end in a terrible and tragic war. As the years unfold, Ganga and Devavrata are drawn together again and again, each confluence another step on a path that has been written in the stars, in this deeply moving and masterful tale of duty, destiny, and the unwavering bond between mother and son.

The lonely, rockbound island of Tsunojima is notorious as the site of a series of bloody unsolved murders. Some even say it’s haunted. One thing’s for sure: it’s the perfect destination for the K-University Mystery Club’s annual trip. But when the first club member turns up dead, the remaining amateur sleuths realise they will need all of their murder-mystery expertise to get off the island alive. As the party are picked off one by one, the survivors grow desperate and paranoid, turning on each other. Will anyone be able to untangle the murderer’s fiendish plan before it’s too late?

Kara Davis is a girl caught in the middle — of her Canadian nationality and her desire to be a “true” Jamaican, of her mother and grandmother’s rages and life lessons, of having to avoid being thought of as too “faas” or too “quiet” or too “bold” or too “soft.” Set in “Little Jamaica,” Toronto’s Eglinton West neighbourhood, Kara moves from girlhood to the threshold of adulthood, from elementary school to high school graduation, in these twelve interconnected stories. We see her on a visit to Jamaica, startled by the sight of a severed pig’s head in her great aunt’s freezer; in junior high, the victim of a devastating prank by her closest friends; and as a teenager in and out of her grandmother’s house, trying to cope with the ongoing battles between her unyielding grandparents. A rich and unforgettable portrait of growing up between worlds, Frying Plantain shows how, in one charged moment, friendship and love can turn to enmity and hate, well-meaning protection can become control, and teasing play can turn to something much darker. In her brilliantly incisive debut, Zalika Reid-Benta artfully depicts the tensions between mothers and daughters, second-generation Canadians and first-generation cultural expectations, and Black identity and predominately white society.

International Booker–nominated virtuoso Hwang Sok-yong is back with another powerful story — an epic, multi-generational tale that threads together a century of Korean history. Centred on three generations of a family of rail workers and a laid-off factory worker staging a high-altitude sit-in, MATER 2-10 vividly depicts the lives of ordinary working Koreans, starting from the Japanese colonial era, continuing through Liberation, and right up to the twenty-first century. It is at once a powerful account that captures a nation’s longing for a rail line to reconnect North and South, a magical-realist novel that depicts reflect the lives of modern industrial workers, and a culmination of Hwang’s career — a masterpiece thirty years in the making. A true voice of a generation, Hwang shows again why he is unmatched when it comes to depicting the grief of a divided nation and bringing to life the cultural identity and trials and tribulations of the Korean people.

A heart-stirring novel about a mother's love, in all its forms, as a woman searches for the daughter she gave up for adoption when she was a teenager growing up in the Caribbean, from the prize-winning author of Golden ChildFor much of her life, Dawn has felt as if something had been missing. Now, at the age of fifty-eight, with a divorce behind her and her two grown-up sons busy with their own lives, she should be trying to settle into a new future for herself. But she keeps returning to the past and to the secret she’s kept all these years. At just sixteen, Dawn found herself pregnant, and—as was common in Trinidad back then—her parents sent her away to have the baby and give her up for adoption.More than forty years later, Dawn yearns to reconnect with her lost daughter. But tracking down her child is not as easy as she had thought. It’s an emotional journey that leads Dawn to retrace her steps back home and to question not only that fateful decision she’d made as a teenager but every turn in the road of her life since.Love Forms is a powerfully moving story of a woman in search of herself—a novel that rings with heartfelt empathy through the passages of a mother’s life, depicting the enduring bonds of love, family, and home.

Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination.