India, 1947. In un villaggio rurale del Bengala vivono tre sorelle, figlie di uno stimato medico. Priya, intelligente e idealista, è decisa a seguire le orme del padre, nonostante la società la disapprovi. Deepa, la bella, è determinata a fare un matrimonio che porti alla sua famiglia felicità e prestigio. Jamini, devota e acuta, con passioni più profonde di quello che rivela, è una talentuosa artista del kantha, un tipo di ricamo tradizionale. La loro è una casa di amore e sicurezza, un rifugio dagli eventi violenti che stanno prendendo forma nella nazione. Ma quando il padre viene ucciso durante una rivolta e i vicini si ribellano contro di loro, gli eventi della Storia entrano anche nella loro casa. Mentre Priya persegue con determinazione il suo obiettivo di carriera, Deepa si innamora di un musulmano, provocando la rottura con la sua famiglia. E Jamini cerca di tenere unite le persone che ha più care al mondo, anche se in segreto desidera il fidanzato della sorella. Ma la spartizione dell'India viene ufficialmente decisa, e un drastico e pericoloso cambiamento prende forma. L'India è ora per gli indù, il Pakistan per i musulmani. Le sorelle si ritrovano separate l'una dall'altra, ognuna su strade diverse… La pluripremiata autrice Chitra Banerjee Divakaruni supera se stessa con questa storia ambientata in un'epoca in cui i vicini erano contrapposti ai vicini e le famiglie erano divise, dando vita al racconto travolgente di tre sorelle coinvolte in eventi che sfuggono al loro controllo, al loro legame indissolubile e alla loro incredibile lotta contro le avversità.

The year is 1969. In the state of Kerala, on the southernmost tip of India, a skyblue Plymouth with chrome tailfins is stranded on the highway amid a Marxist workers' demonstration. Inside the car sit two-egg twins Rahel and Esthappen, and so begins their tale. . . . Armed only with the invincible innocence of children, they fashion a childhood for themselves in the shade of the wreck that is their family—their lonely, lovely mother, Ammu (who loves by night the man her children love by day), their blind grandmother, Mammachi (who plays Handel on her violin), their beloved uncle Chacko (Rhodes scholar, pickle baron, radical Marxist, bottom-pincher), their enemy, Baby Kochamma (ex-nun and incumbent grandaunt), and the ghost of an imperial entomologist's moth (with unusually dense dorsal tufts). When their English cousin, Sophie Mol, and her mother, Margaret Kochamma, arrive on a Christmas visit, Esthappen and Rahel learn that Things Can Change in a Day. That lives can twist into new, ugly shapes, even cease forever, beside their river "graygreen." With fish in it. With the sky and trees in it. And at night, the broken yellow moon in it. The brilliantly plotted story uncoils with an agonizing sense of foreboding and inevitability. Yet nothing prepares you for what lies at the heart of it. The God of Small Things takes on the Big Themes—Love. Madness. Hope. Infinite Joy. Here is a writer who dares to break the rules. To dislocate received rhythms and create the language she requires, a language that is at once classical and unprecedented. Arundhati Roy has given us a book that is anchored to anguish, but fueled by wit and magic.

A timeless love story from the master storyteller of Bengal Set in early twentieth century Kolkata, Parineeta (Espoused) is the unforgettable story of a child-woman s intense and bittersweet romance. Lalita, an orphaned girl who lives with her uncle, considers herself betrothed to Shekhar, her benefactor and guardian. After several failed attempts, Lalita finally gets the egotistical Shekhar to admit that he reciprocates her feelings. However, tensions erupt between Shekhar s prosperous father and Lalita s poor but principled uncle, and the situation is further complicated by the arrival on the scene of Girin, a mild-mannered and eligible bachelor, who is attracted to Lalita. The lovers world is turned upside down, and Shekhar and Lalita find themselves estranged. Years later, they meet again, and the story takes another unexpected turn... Parineeta is a classic that has captured the imagination of generations of readers. This new translation, published to coincide with Vidhu Vinod Chopra s film, will delight Saratchandra s fans, as well as those who are not familiar with the writer s works.

Saratchandra Chattopadhyay's tragic tale of Devdas has become synonymous with a passionate, intense love that does not find consummation. It is the story of Devdas and Paro, childhood sweethearts who are torn apart when Devdas is sent away to Calcutta by his father, the local zamindar. When Devdas returns to his village, now a handsome lad of nineteen, Paro asks him to marry her. But Devdas is unable to stand up to parental opposition to the match and rejects the proposition. Stunned, Paro agrees to marry an elderly widower. Devdas returns to Calcutta, but every waking hour of his is now filled with thoughts of Paro and his unfulfilled love for her. Desperate to resolve the situation somehow, he runs to Paro who is now married and asks her to elope with him, but she refuses. Heartbroken, he seeks solace in alcohol and in the company of the courtesan Chandramukhi. Chandramukhi falls in love with Devdas, but even when he is with her he can only think of Paro. It is now his destiny to hurtle on relentlessly on the path to self-destruction. Devdas’s tortured life ends when, dying of a liver ailment brought on by alcoholism, he journeys to Paro’s house to see her one last time. Arriving in the middle of the night, he dies unknown, untended, on her doorstep. Paro comes to know of his death only the following morning. Devdas has enthralled readers and filmgoing audiences alike for the better part of a century. This new translation brings the classic tale of star-crossed lovers alive for a new generation of readers.

The story oscillates from history to mythology, from occult to religion, from exorcism to gunfights, from taantrics to warriors, from love to ambition. It knits 3,700 years, powerful ancient and modern-day characters and a nail-biting conspiracy - all in one literary thriller. Harappa is the first among a series of four books. 2017, Delhi – Vidyut’s dying ancestor summons him to Banaras. The old Brahmin chieftain of the Dev-Raakshasa Matth, or the God-Demon Clan, bears a chilling secret. Their bloodline carries an ancient curse that will plague mankind - towards its own violent extinction. 1700 BCE, Harappa – Harappa is a magnificent city on the banks of the mighty Saraswati river. The darkness of treachery, taantric exorcism and bloodshed unleashes itself on the last devta, paving the way for his devastating revenge…and the horrifying truth behind the fall of the glorious civilisation. 2017, Paris – The world’s most powerful religious institution is rattled. Europe’s dreaded crime lord meets a mysterious man in Paris. A lethal assassin boards a train, as Rome fears the worst. The prophesied devta has returned. What connects Banaras, Harappa and Rome? What was the ancient curse and who was the last devta? What is the terrible secret behind the fall of the colossal Indus Valley? Read on as you travel through a saga of violence and deceit, gods and demons, love and ambition.

A chilling twist on the “cursed film” genre from the bestselling author of The Pallbearers Club and The Cabin at the End of the World. In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick. The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot. The man who played “The Thin Kid” is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy. As memories flood back in, the boundaries between reality and film, past and present start to blur. But he’s going to help remake the film, even if it means navigating a world of cynical producers, egomaniacal directors, and surreal fan conventions — demons of the past be damned. But at what cost?  Horror Movie is an obsessive, psychologically chilling, and suspenseful twist on the “cursed film” that breathlessly builds to an unforgettable, mind-bending conclusion.

Family Drama(40 percent), Love Story( 30 percent), Heart Warming( 100 percent) It is 1995. Tara Taneja lives in the small town of Siyaka, running Ultimate Mathematics Tuition Centre and working for Lalaji, her grandfather, at Lallan Sweets, his famous sweet shop. The laddoos sold at the shop are made using a secret family recipe that contains a magic ingredient known only to Lalaji. When Lalaji chooses to retire, he decides that Lallan Sweets will not be inherited but earned. He devises a quest for his three grandchildren-Tara, Rohit and Mohit-to discover the magic ingredient. Whoever finds it first will get to run the shop. It helps that Tara's long-time crush and neighbour, fun-loving and good-natured Nikku Sabharwal, returns to Siyaka after years. He joins Tara in her pursuit to outsmart her cousins. As the quest takes them from Mathura to Ludhiana, they must battle old secrets, family legacies and unexpected dangers. Yet, the toughest part will be acknowledging their feelings for each other. Will this journey bring them together or lead to a bittersweet end?

Working at the local processing plant, Marcos is in the business of slaughtering humans —though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

The seductive and stunning #1 New York Times bestselling sequel to Sarah J. Maas's spellbinding A Court of Thorns and Roses . Feyre has undergone more trials than one human woman can carry in her heart. Though she's now been granted the powers and lifespan of the High Fae, she is haunted by her time Under the Mountain and the terrible deeds she performed to save the lives of Tamlin and his people. As her marriage to Tamlin approaches, Feyre's hollowness and nightmares consume her. She finds herself split into two different one who upholds her bargain with Rhysand, High Lord of the feared Night Court, and one who lives out her life in the Spring Court with Tamlin. While Feyre navigates a dark web of politics, passion, and dazzling power, a greater evil looms. She might just be the key to stopping it, but only if she can harness her harrowing gifts, heal her fractured soul, and decide how she wishes to shape her future-and the future of a world in turmoil. Bestselling author Sarah J. Maas's masterful storytelling brings this second book in her dazzling, sexy, action-packed series to new heights.