Blackshirts & Reds explores some of the big issues of our time: fascism, capitalism, communism, revolution, democracy, and ecology—terms often bandied about but seldom explored in the original and exciting way that has become Michael Parenti’s trademark. Parenti shows how “rational fascism” renders service to capitalism, how corporate power undermines democracy, and how revolutions are a mass empowerment against the forces of exploitative privilege. He also maps out the external and internal forces that destroyed communism, and the disastrous impact of the “free-market” victory on eastern Europe and the former Soviet Union. He affirms the relevance of taboo ideologies like Marxism, demonstrating the importance of class analysis in understanding political realities and dealing with the ongoing collision between ecology and global corporatism. Written with lucid and compelling style, this book goes beyond truncated modes of thought, inviting us to entertain iconoclastic views, and to ask why things are as they are. It is a bold and entertaining exploration of the epic struggles of yesterday and today. "A penetrating and persuasive writer with an astonishing array of documentation to implement his attacks."—The Catholic Journalist "Blackshirts & Reds discusses the great combat between fascism and socialism that is the defining feature of the Twentieth Century, and takes every official version to task for its substitution of moral analysis for critical analysis, for its selectivity, and for its errata. By portraying the struggle between fascism and Communism in this century as a single conflict, and not a series of discrete encounters, between the insatiable need for new capital on the one hand and the survival of a system under siege on the other, Parenti defines fascism as the weapon of capitalism, not simply an extreme form of it. Fascism is not an aberration, he points out, but a "rational" and integral component of the system."—Stan Goff, The Prism Michael Parenti, PhD Yale, is an internationally known author and lecturer. He is one of the nation's leading progressive political analysts. He is the author of over 275 published articles and twenty books. His writings are published in popular periodicals, scholarly journals, and his op-ed pieces have been in leading newspapers such as The New York Times and The Los Angeles Times. His informative and entertaining books and talks have reached a wide range of audiences in North America and abroad.

For two thousand years the disparate groups that now reside in Zomia (a mountainous region the size of Europe that consists of portions of seven Asian countries) have fled the projects of the organized state societies that surround them—slavery, conscription, taxes, corvée labor, epidemics, and warfare. This book, essentially an “anarchist history,” is the first-ever examination of the huge literature on state-making whose author evaluates why people would deliberately and reactively remain stateless. Among the strategies employed by the people of Zomia to remain stateless are physical dispersion in rugged terrain; agricultural practices that enhance mobility; pliable ethnic identities; devotion to prophetic, millenarian leaders; and maintenance of a largely oral culture that allows them to reinvent their histories and genealogies as they move between and around states. In accessible language, James Scott, recognized worldwide as an eminent authority in Southeast Asian, peasant, and agrarian studies, tells the story of the peoples of Zomia and their unlikely odyssey in search of self-determination. He redefines our views on Asian politics, history, demographics, and even our fundamental ideas about what constitutes civilization, and challenges us with a radically different approach to history that presents events from the perspective of stateless peoples and redefines state-making as a form of “internal colonialism.” This new perspective requires a radical reevaluation of the civilizational narratives of the lowland states. Scott’s work on Zomia represents a new way to think of area studies that will be applicable to other runaway, fugitive, and marooned communities, be they Gypsies, Cossacks, tribes fleeing slave raiders, Marsh Arabs, or San-Bushmen.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena's a cross-genre literary darling, and June didn't even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I. So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree. But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves. With its totally immersive first-person voice, Yellowface takes on questions of diversity, racism, and cultural appropriation not only in the publishing industry but the persistent erasure of Asian-American voices and history by Western white society. R. F. Kuang's novel is timely, razor-sharp, and eminently readable.

While Malatesta was hiding from the police he regularly went to a café in Ancona, Italy. He had shaved off his usual beard but he was still taking a risk. Especially as this wasn't an anarchist café, but had a variety of customers including the local policeman. The conversations he had in this café became the basis for the dialogues that make up this book. For the first time in English, Malatesta, in his usual commonsense and matter-of-fact style, sets out and critically analyses the arguments for and against anarchism. Translated by Paul Nursey-Bray, this is a classic defence of anarchism that anticipates the rise of nationalism, fascism and communism.

One of the most acclaimed novels of the late 20th century is back.When members of the National Book Critics Circle were polled to see which book they would most like to see republished, they chose Speedboat—“by far.” This story of a young female newspaper reporter coming of age in New York City was originally published serially in the New Yorker; it is made out of seemingly unrelated vignettes—tart observations distilled through relentless intellect—which add up to an analysis of our brittle, urban existence. It remains as fresh as when it was first published.

Leonora Carrington (1917–2011), the distinguished British-born Surrealist painter who made her home in Mexico City, was also a writer of extraordinary imagination and charm, and The Hearing Trumpet is perhaps her best loved book. It tells the story of 92-year-old Marian Leatherby, who is given the gift of a hearing trumpet only to discover that her family has been plotting to have her committed to an institution. But this is an institution where the buildings are shaped like birthday cakes and igloos, where the Winking Abbess and the Queen Bee reign, and where the gateway to the underworld is wide open. It is also the scene of a mysterious murder. Occult twin to Alice in Wonderland, The Hearing Trumpet is a classic of fantastic literature that has been translated and celebrated throughout the world.

L.P. Hartley's moving exploration of a young boy's loss of innocence The Go-Between is edited with an introduction and notes by Douglas Brooks-Davies in Penguin Modern Classics.'The past is a foreign country: they do things differently there'When one long, hot summer, young Leo is staying with a school-friend at Brandham Hall, he begins to act as a messenger between Ted, the farmer, and Marian, the beautiful young woman up at the hall. He becomes drawn deeper and deeper into their dangerous game of deceit and desire, until his role brings him to a shocking and premature revelation. The haunting story of a young boy's awakening into the secrets of the adult world, The Go-Between is also an unforgettable evocation of the boundaries of Edwardian society.Leslie Poles Hartley (1895-1972) was born in Whittlesey, Cambridgeshire, and educated at Harrow and Balliol College, Oxford. For more than thirty years from 1923 he was an indefatigable fiction reviewer for periodicals including the Spectator and Saturday Review. His first book, Night Fears (1924) was a collection of short stories; but it was not until the publication of Eustace and Hilda (1947), which won the James Tait Black prize, that Hartley gained widespread recognition as an author. His other novels include The Go-Between (1953), which was adapted into an internationally-successful film starring Julie Christie and Alan Bates, and The Hireling (1957), the film version of which won the Palme d'Or at the Cannes Film Festival.If you enjoyed The Go-Between, you might like Barry Hines's A Kestrel for a Knave, also available in Penguin Modern Classics.'Magical and disturbing'Independent 'On a first reading, it is a beautifully wrought description of a small boy's loss of innocence long ago. But, visited a second time, the knowledge of approaching, unavoidable tragedy makes it far more poignant and painful'Express

*SHORTLISTED FOR THE PEN TRANSLATION PRIZE* An unfulfilled college student hurtles through four parallel realities to explore the what-might've-been and the what-should-never-be in this Groundhog Day meets The Midnight Library–esque novel from one of Japan’s most popular authors. Our protagonist, an unnamed junior at a prestigious university in Kyoto, is on the verge of dropping out. After rebelling against the dictatorial jock president of the film club, he and his worst and only friend, the diabolical creep Ozu, are personas non grata on campus. For two years, our protagonist has made all the wrong decisions, and now he's about to make another mistake. He and Ozu are preparing for revenge—a fireworks attack at the film club's welcoming party for new members. Then, a chance encounter with a self-proclaimed god sets the confused and distraught young man on a new course. Destiny will bring him together with Akashi, the blunt but charming sophomore he has a crush on—if he’s brave enough to make a move. Yet our protagonist cannot get beyond his profound disillusionment and the moment is lost. But what if there's a universe where he did join the club of his dreams, ditched Ozu for good, and was confident enough to get the girl? A realm of possibility opens up for our protagonist as time rewinds, and from the four-and-a-half-mat tatami floor of his dorm room, he is plunged into a series of adventures that will take him to four parallel universes. In each universe, he is given the opportunity to start over as a freshman, in search of a rose-colored campus life. The inspiration behind the much-loved anime series, Tomihiko Morimi's contemporary classic is a fantastic journey through time and space, where a half-eaten castella cake, a photograph from Rome, and a giant cavity in a wisdom tooth hold the keys to self-discovery. A time-traveling romp that speaks to everyone who has wondered what if, The Tatami Galaxy will win readers’ hearts over . . . and over . . . and over again.

A landmark in contemporary Spanish literature, Agustín Fernández Mallo's Nocilla Trilogy - made up of the novels Nocilla Dream , Nocilla Experience and Nocilla Lab - is a project for our time. Reading takes the form of literary channel we flick through an audacious network of chopped-up stories, recycled texts and mixed-media collages, and try to find the signal in the noise, reflecting the dizzying search for meaning that characterizes life in our digital age. The globe-spanning narratives that explode across the trilogy take us from a lone poplar tree in the Nevada desert to a barnacle-covered cliff in Galicia, Spain, through scientific treatises and film-editing manuals, personal journals and comic strips. The books are full of references to indie cinema, theoretical physics, conceptual art, practical architecture, the history of computers and the decadence of the novel. And yet, for all the freewheeling, fragmentary swagger, a startling order emerges and takes hold. Peerless in its daring, Nocilla Trilogy charts a hidden and exhilarating cartography of contemporary experience.

Now hailed as an American classic Tropic of Cancer, Henry Miller’s masterpiece, was banned as obscene in this country for twenty-seven years after its first publication in Paris in 1934. Only a historic court ruling that changed American censorship standards, ushering in a new era of freedom and frankness in modern literature, permitted the publication of this first volume of Miller’s famed mixture of memoir and fiction, which chronicles with unapologetic gusto the bawdy adventures of a young expatriate writer, his friends, and the characters they meet in Paris in the 1930s. Tropic of Cancer is now considered, as Norman Mailer said, "one of the ten or twenty great novels of our century."

Abelard and Heloise are nearly as famous a pair of tragic lovers as the fictional Romeo and Juliet; their shared passion for knowledge, religious faith, and one another sealed their destiny. Abelard was a well-respected, 12th-century Parisian scholar and teacher, and Heloise was his talented young student. The two relate their story through a set of letters to one another and intimate acquaintances. Their ardor is unmistakable; as Abelard writes to his love, "So intense were the fires of lust which bound me to you that I set those wretched, obscene pleasures, which we blush even to name, above God as above myself..." This forbidden lust resulted in a pregnancy and secret marriage, and when their union could no longer withstand the challenges in its path, each lover sought refuge in the church--Abelard became a monk and Heloise an abbess. Their correspondence continued as both achieved success in their new careers but continued to struggle with their feelings for one another; the set of letters powerfully articulates the wide range of emotions they experienced. So timeless is their love story that--after eight centuries--their passion, their devotion, and their struggle still resonate with readers. The letters of Abelard and Heloise were written in Latin about the year 1128, and were first published in Paris in 1616. The 'Letters' appeared first in England in 1728 in their original Latin, but thereafter translations were numerous.

When Mr. Earnshaw, master of Wuthering Heights, returns from a trip with an unkempt orphan in tow, he announces that the child, Heathcliff, is now a member of the family. While young Catherine Earnshaw becomes close with Heathcliff, her older brother, Hindley, sinks into bitter resentment. As Catherine and Heathcliff mature, and their affection blossoms into desire, Hindley’s resentment boils over into hatred, setting the stage for a tragic drama whose aftermath will shake the foundations of their world.

The story of how the East India Company took over large swaths of Asia, and the devastating results of the corporation running a country. In August 1765, the East India Company defeated the young Mughal emperor and set up, in his place, a government run by English traders who collected taxes through means of a private army. The creation of this new government marked the moment that the East India Company ceased to be a conventional company and became something much more unusual: an international corporation transformed into an aggressive colonial power. Over the course of the next 47 years, the company's reach grew until almost all of India south of Delhi was effectively ruled from a boardroom in the city of London.

My sister’s heart broke on the river—and the river took it and bore it away. In the ancient kingdom of Dumnonia, there is old magic to be found in the whisper of the wind, the roots of the trees, and the curl of the grass. King Cador knew this once, but now the land has turned from him, calling instead to his three children. Riva can cure others, but can’t seem to heal her own deep scars. Keyne battles to be accepted for who he truly is—the king’s son. And Sinne dreams of seeing the world, of finding adventure. All three fear a life of confinement within the walls of the hold, their people’s last bastion of strength against the invading Saxons. However, change comes on the day ash falls from the sky. It brings with it Myrdhin, meddler and magician. And Tristan, a warrior whose secrets will tear them apart. Riva, Keyne and Sinne—three siblings entangled in a web of treachery and heartbreak, who must fight to forge their own paths. Their story will shape the destiny of Britain.