The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

Alejandra is a survivor. So far, she’s lived through abduction, a near drowning, and being lost in an alien forest. She thought things were finally starting to go her way when the most intense, grumpy, and insanely tempting man she’s ever seen rescues her from a monster. But sadly, that’s just when everything gets even more complicated. Auzed has his orders. He is to find the missing human and deliver her to Tremanta. Getting caught trespassing in Sauven territory was not part of the plan. Neither was pretending to be the sexy beauty’s fiancé to protect her from forced marriage to a Sauven stranger…but here they are. Their relationship was supposed to be fake. But it’s not long before they start to wonder if true love and a happily ever after is possible for two star-crossed opposites. And if it is…just how far are they willing to go to claim it?

When Lily is freed from alien captivity, she refuses to wait for rescue—or recapture. She’ll take her chances in the forest. Navigating the exotic terrain won’t be easy, but it beats the alternative. Then, an enormous alien falls into her camp and makes her question everything. He’s rude, grumpy, and annoyingly sexy. Trusting him would be a mistake. And yet…the idea of leaving him behind hurts way more than it should. Verakko was supposed to liberate the kidnapped humans, then return home to fulfill his obligations. Getting dropped into the forest at the feet of the most confounding female he’s ever met was not on the agenda. So, he’ll help her, then they’ll go their separate ways. That’s the plan…until he starts to suspect that Lily is his mate. She doesn’t trust easily. He has secrets and responsibilities he can’t avoid forever. Only one thing is clear. If Lily and Verakko want their happily ever after, they’ll have to fight more than the dangers of the forest to get it.

WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult.) The Story Grid is a tool with many 1. It will tell a writer if a Story "works" or "doesn't work." 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story...the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation. Shawn Coyne is a twenty-five year book-publishing veteran. He's acquired, edited, published or represented works from James Bamford, John Brenkus, James Lee Burke, Barbara Bush, Dick Butkus, Harlan Coben, Nellie Connally, Michael Connelly, Robert Crais, Ben Crenshaw, Catherine Crier, Brett Favre, David Feherty, John Feinstein, Tyler Florence, Jim Gant, Col. David H. Hackworth, Jamie Harrison, Mo Hayder, William Hjortsberg, Stephen Graham Jones, Jon Krakauer, David Leadbetter, Alan Lomax, David Mamet, Troon McAllister, Robert McKee, Matthew Modine, Bill Murray, Joe Namath, John J. Nance, Jack Olsen, Scott Patterson, Steven Pressfield, Matthew Quirk, Anita Raghavan, Ian Rankin, Ruth Rendell, Jerry Rice, Giora Romm, Tim Rosaforte, William Safire, Dava Sobel, Michael Thomas, Nick Tosches, Ann Scott Tyson, Minette Walters, Betty White, Randy Wayne White, Steven White, and Don Winslow among many others. During his years as an editor at the Big Five publishing houses, as an independent publisher, as a literary agent both at a major Hollywood talent agency and as head of Genre Management Inc., and as a bestselling co-writer and ghostwriter, Coyne created a methodology called The Story Grid to teach the editing craft.

Luka has spent his life researching fertility in the hopes of discovering a cure for the Clecanians’ low birth rates. After years of working tirelessly with little progress, he becomes enraged when he uncovers a sinister plot to abduct compatible species from their home planets. But before he can tell anyone what he’s discovered, he’s captured, drugged, and thrown in a cell. It’s just Alice’s luck that when she finally begins to get her life on track, she’s kidnapped by reptilian creatures and forced into a cell with a fierce incoherent alien for some kind of breeding experiment. Even though they aren’t able to communicate, Alice and Luka find solace in each other’s company. As the days drag on, it becomes harder to keep her heart locked away, until she can’t help but wonder what a life with Luka might look like outside their dark prison. When an opportunity to free herself, Luka, and the other human prisoners presents itself, Alice takes it. Once free, can Alice and Luka’s tenuous relationship survive on this planet? Will the evil men that held them prisoner ever see justice? And can they play a part in the rescue of the other women being held captive around this strange new world? Alice knows only one thing for certain—her life will never be the same again.

A professor of literature finds herself caught up in a work of fiction… literally. Eileen Merriweather loves to get lost in a good happily-ever-after. The fictional kind, anyway. Because at least imaginary men don’t leave you at the altar. She feels safe in a book. At home. Which might be why she’s so set on going to her annual book club retreat this year—she needs good friends, cheap wine, and grand romantic gestures—no matter what. But when her car unexpectedly breaks down on the way, she finds herself stranded in a quaint town that feels like it’s right out of a novel… Because it is. This place can’t be real, and yet… she’s here, in Eloraton, the town of her favorite romance series, where the candy store’s honey taffy is always sweet, the local bar’s burgers are always a little burnt, and rain always comes in the afternoon. It feels like home. It’s perfect—and perfectly frozen, trapped in the late author’s last unfinished story. Elsy is sure that’s why she must be here: to help bring the town to its storybook ending. Except there is a character in Eloraton that she can’t place—a grumpy bookstore owner with mint-green eyes, an irritatingly sexy mouth and impeccable taste in novels. And he does not want her finishing this book. Which is a problem because Elsy is beginning to think the town’s happily-ever-after might just be intertwined with her own.

Who is Mister Magic? Former child stars reunite to uncover the tragedy that ended their show—and discover the secret of its enigmatic host—in this dark supernatural thriller from the #1 New York Times bestselling author of Hide. Thirty years after a tragic accident shut down production of the classic children’s program Mister Magic, the five surviving cast members have done their best to move on. But just as generations of cultishly devoted fans still cling to the lessons they learned from the show, the cast, known as the Circle of Friends, have spent their lives searching for the happiness they felt while they were on it. The friendship. The feeling of belonging. And the protection of Mister Magic. But with no surviving video of the show, no evidence of who directed or produced it, and no records of who—or what—the beloved host actually was, memories are all the former Circle of Friends has. Then a twist of fate brings the castmates back together at the remote desert filming compound that feels like it’s been waiting for them all this time. Even though they haven’t seen each other for years, they understand one another better than anyone has since. After all, they’re the only ones who hold the secret of that circle, the mystery of the magic man in his infinitely black cape, and, maybe, the answers to what really happened on that deadly last day. But as the Circle of Friends reclaim parts of their past, they begin to wonder: Are they here by choice, or have they been lured into a trap? Because magic never forgets the taste of your friendship. . . .