The year was 2014. We had cured cancer. We had beaten the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: FEED. Now, twenty years after the Rising, bloggers Georgia and Shaun Mason are on the trail of the biggest story of their lives—the dark conspiracy behind the infected. The truth will get out, even if it kills them.

One pet crow fights to save humanity from an apocalypse in this uniquely hilarious debut from a genre-bending literary author.S.T., a domesticated crow, is a bird of simple pleasures: hanging out with his owner Big Jim, trading insults with Seattle's wild crows (those idiots), and enjoying the finest food humankind has to offer: Cheetos ®.Then Big Jim's eyeball falls out of his head, and S.T. starts to feel like something isn't quite right. His most tried-and-true remedies--from beak-delivered beer to the slobbering affection of Big Jim's loyal but dim-witted dog, Dennis--fail to cure Big Jim's debilitating malady. S.T. is left with no choice but to abandon his old life and venture out into a wild and frightening new world with his trusty steed Dennis, where he discovers that the neighbors are devouring each other and the local wildlife is abuzz with rumors of dangerous new predators roaming Seattle. Humanity's extinction has seemingly arrived, and the only one determined to save it is a foul-mouthed crow whose knowledge of the world around him comes from his TV-watching education.Hollow Kingdom is a humorous, big-hearted, and boundlessly beautiful romp through the apocalypse and the world that comes after, where even a cowardly crow can become a hero.

Visceral, gritty, and unforgiving, GRIEF EATER is a zombie story like you’ve never read before. When Kristina rises from her violent death, she’s not the same fragile woman her family once abandoned. She’s rageful, powerful, and hungry—for the blood of the ones who were supposed to love her. With a newfound craving to see vengeance and grief served, she launches into a once-in-an-undead-lifetime journey across blood-slicked highways to the scorched Australian bush and her hometown. As her body fails and her mind fractures, she’s left with one final question: Is she here to forgive, or to feed? A transgressive, gory examination of queer identity and found family, GRIEF EATER sinks its teeth into trauma and what it means to be devoured by grief. Advance Praise for Grief Eater “Grief Eater is a scathing rebuke. And yet it has so much heart. Every line of Osborne’s gorgeous prose is a knife that cuts like a balm. Lyrical, constantly surprising, essential—Grief Eater takes a familiar genre and transforms it into something entirely new.” —Cadwell Turnbull, award-winning author of the Convergence Saga “This story will not spare you. It will reach into your chest and eat your heart. Osborne writes with brutal clarity about abuse and betrayal, about the queer joy and chosen family that will help you survive it. About how love and a quest for vengeance can be strong enough to move the dead. I’ve never read anything like it.” —K Tidbeck, author of Amatka and Jagannath. “Grief Eater is an embodied, sensory experience: screaming, snarling grief; monstrous hunger; the desire for answers that can only be found in blood. Horror at its finest, as glorious, gory relief and release.” —Angela Meyer, author of Moon Sugar “Soaked in blood and loss, Grief Eater is a bittersweet tale that is redolent with the transformative closure that comes after confronting painful trauma. A visceral and unflinching read!” —Suzan Palumbo, author of Skin Thief: Stories and Countess

Blessed by the gods with unparalleled beauty, Andromeda lives a life of ease within her Aethiopian palace walls. Content with her sanctuary, the young princess has no concerns other than the royal expectations her parents have for her – until a single, fateful proclamation changes everything. When the queen defies the gods with a blasphemous claim, Poseidon, fearsome God of the Seas, delivers a deadly ultimatum that puts the queen’s life in Andromeda’s hands. Poseidon sends his loyal servant, the shape-shifting Ceto, to seal the princess’s fate. But Ceto is not just a servant. With a sharp tongue and hardened heart, she has little interest in the princess’s appearance – and even less in the games of gods. Yet an undeniable tension begins to bloom between them, and both quickly realise Andromeda’s beauty is not only a gift, but a weapon to wield. As Poseidon’s judgement draws ever closer, the two women find themselves pulled into something far more passionate – and dangerous – than either could have predicted...

Ten years ago, Calamity came. It was a burst in the sky that gave ordinary men and women extraordinary powers. The awed public started calling them Epics. But Epics are no friend of man. With incredible gifts came the desire to rule. And to rule man you must crush his will. Nobody fights the Epics...nobody but the Reckoners. A shadowy group of ordinary humans, they spend their lives studying Epics, finding their weaknesses, and then assassinating them. And David wants in. He wants Steelheart — the Epic who is said to be invincible. The Epic who killed David's father. For years, like the Reckoners, David's been studying, and planning — and he has something they need. Not an object, but an experience. He's seen Steelheart bleed. And he wants revenge.

This is the unusual and compelling story of Diana, a tantalizingly beautiful woman who sought love in the strange by-paths of Lesbos. Fearless and outspoken, it dares to reveal that hidden world where perfumed caresses and half-whispered endearments constitute the forbidden fruits in a Garden of Eden where men are never accepted. This is how A Strange Autobiography was described when it was published in paperback in 1952. The original 1939 hardcover edition carried with it a Publisher's This is the autobiography of a woman who tried to be normal. In the book, Diana is presented as the unexceptional daughter of an unexceptional plutocratic family. During adolescence, she finds herself drawn with mysterious intensity to a girl friend. The narrative follows Diana's progress through college; a trial marriage that proves she is incapable of heterosexuality; intellectual and sexual education in Europe; and a series of lesbian relationships culminating in a final tormented triangular struggle with two other women for the individual salvation to be found in a happy couple. In her introduction, Julie Abraham argues that Diana is not really an autobiography at all, but a deliberate synthesis of different archetypes of this confessional genre, echoing, as it does, more than a half-dozen novels. Hitting all the high and low points of the lesbian novel, the book, Abraham illustrates, offers a defense of lesbian relationships that was unprecedented in 1939 and radical for decades afterwards.

For the teens at The Haven, the outside world, just beyond the towering stone wall that surrounds the premises, is a dangerous unknown. It has always been this way, ever since the hospital was established in the year 2020. But The Haven is more than just a hospital; it is their home. It is all they know. Everything is strictly monitored: education, exercise, food, and rest. The rules must be followed to keep the children healthy, to help control the Disease that has cast them as Terminals, the Disease that claims limbs and lungs—and memories. But Shiloh is different; she remembers everything. Gideon is different, too. He dreams of a cure, of rebellion against the status quo. What if everything they’ve been told is a lie? What if The Haven is not the safe place it claims to be? And what will happen if Shiloh starts asking dangerous questions?

People lived because she killed. People died because he lived. Zafira is the Hunter, disguising herself as a man when she braves the cursed forest of the Arz to feed her people. Nasir is the Prince of Death, assassinating those foolish enough to defy his autocratic father, the sultan. If Zafira was exposed as a girl, all of her achievements would be rejected; if Nasir displayed his compassion, his father would punish him in the most brutal of ways. Both Zafira and Nasir are legends in the kingdom of Arawiya--but neither wants to be. War is brewing, and the Arz sweeps closer with each passing day, engulfing the land in shadow. When Zafira embarks on a quest to uncover a lost artifact that can restore magic to her suffering world and stop the Arz, Nasir is sent by the sultan on a similar mission: retrieve the artifact and kill the Hunter. But an ancient evil stirs as their journey unfolds--and the prize they seek may pose a threat greater than either can imagine.

People lived because she killed. People died because he lived. Zafira is the Hunter, disguising herself as a man when she braves the cursed forest of the Arz to feed her people. Nasir is the Prince of Death, assassinating those foolish enough to defy his autocratic father, the sultan. If Zafira was exposed as a girl, all of her achievements would be rejected; if Nasir displayed his compassion, his father would punish him in the most brutal of ways. Both Zafira and Nasir are legends in the kingdom of Arawiya--but neither wants to be. War is brewing, and the Arz sweeps closer with each passing day, engulfing the land in shadow. When Zafira embarks on a quest to uncover a lost artifact that can restore magic to her suffering world and stop the Arz, Nasir is sent by the sultan on a similar mission: retrieve the artifact and kill the Hunter. But an ancient evil stirs as their journey unfolds--and the prize they seek may pose a threat greater than either can imagine.

In the luscious, dark sequel to One Dark Window, Elspeth must face the consequences of what she's wrought - perfect for readers of Hannah Whitten's For the Wolf and Alexis Henderson's The Year of the Witching. Elspeth and Ravyn have gathered most of the twelve Providence Cards, but the last, and most important one remains to be found: The Twin Alders. If they are going to find it before the Solstice and cure the kingdom of the dark magic infecting it, they will need to journey beyond the dangerous mist-cloaked forest that surrounds their kingdom. And the only one who can lead them there is the monster that shares Elspeth's head. The Nightmare. And he's not eager to share any longer.

For nearly a century, the original version of Upton Sinclair's classic novel has remained almost entirely unknown. When it was published in serial form in 1905, it was a full third longer than the censored, commercial edition published in book form the following year. That expurgated commercial edition edited out much of the ethnic flavor of the original, as well as some of the goriest descriptions of the meat-packing industry and much of Sinclair's most pointed social and political commentary. The text of this new edition is as it appeared in the original uncensored edition of 1905. It contains the full 36 chapters as originally published, rather than the 31 of the expurgated edition. A new foreword describes the discovery in the 1980s of the original edition and its subsequent suppression, and a new introduction places the novel in historical context by explaining the pattern of censorship in the shorter commercial edition.

Spinning Silver draws readers deeper into a glittering realm of fantasy, where the boundary between wonder and terror is thinner than a breath, and safety can be stolen as quickly as a kiss. Miryem is the daughter and granddaughter of moneylenders, but her father’s inability to collect his debts has left his family on the edge of poverty—until Miryem takes matters into her own hands. Hardening her heart, the young woman sets out to claim what is owed and soon gains a reputation for being able to turn silver into gold. When an ill-advised boast draws the attention of the king of the Staryk—grim fey creatures who seem more ice than flesh—Miryem’s fate, and that of two kingdoms, will be forever altered. Set an impossible challenge by the nameless king, Miryem unwittingly spins a web that draws in a peasant girl, Wanda, and the unhappy daughter of a local lord who plots to wed his child to the dashing young tsar. But Tsar Mirnatius is not what he seems. And the secret he hides threatens to consume the lands of humans and Staryk alike. Torn between deadly choices, Miryem and her two unlikely allies embark on a desperate quest that will take them to the limits of sacrifice, power, and love. Channeling the vibrant heart of myth and fairy tale, Spinning Silver weaves a multilayered, magical tapestry that readers will want to return to again and again.

Set in a brand-new, Norse-inspired world, and packed with myth, magic and bloody vengeance, The Shadow of the Gods begins an epic new fantasy saga from bestselling author John Gwynne. After the gods warred and drove themselves to extinction, the cataclysm of their fall shattered the land of Vigrið. Now a new world is rising, where power-hungry jarls feud and monsters stalk the woods and mountains. A world where the bones of the dead gods still hold great power for those brave - or desperate - enough to seek them out. Now, as whispers of war echo across the mountains and fjords, fate follows in the footsteps of three people: a huntress on a dangerous quest, a noblewoman who has rejected privilege in pursuit of battle fame, and a thrall who seeks vengeance among the famed mercenaries known as the Bloodsworn. All three will shape the fate of the world as it once more falls under the shadow of the gods . . .

Of course I want to be like them. They’re beautiful as blades forged in some divine fire. They will live forever. And Cardan is even more beautiful than the rest. I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe. Jude was seven when her parents were murdered and she and her two sisters were stolen away to live in the treacherous High Court of Faerie. Ten years later, Jude wants nothing more than to belong there, despite her mortality. But many of the fey despise humans. Especially Prince Cardan, the youngest and wickedest son of the High King. To win a place at the Court, she must defy him–and face the consequences. As Jude becomes more deeply embroiled in palace intrigues and deceptions, she discovers her own capacity for trickery and bloodshed. But as betrayal threatens to drown the Courts of Faerie in violence, Jude will need to risk her life in a dangerous alliance to save her sisters, and Faerie itself.

Prepare for the jaw-dropping finale to the beloved New York Times bestselling series. The long-imprisoned jinn are on the attack, wreaking bloody havoc in villages and cities alike. But for the Nightbringer, vengeance on his human foes is just the beginning. By his side, Commandant Keris Veturia declares herself Empress and calls for the heads of any and all who defy her rule. At the top of the list? The Blood Shrike and her remaining family. Laia of Serra, now allied with the Blood Shrike, struggles to recover from the loss of the two people most important to her. Determined to stop the approaching apocalypse, she throws herself into the destruction of the Nightbringer. In the process, she awakens an ancient power that could lead her to victory—or to an unimaginable doom. And deep in the Waiting Place, the Soul Catcher seeks only to forget the life—and love—he left behind. Yet doing so means ignoring the trail of murder left by the Nightbringer and his jinn. To uphold his oath and protect the human world from the supernatural, the Soul Catcher must look beyond the borders of his own land. He must take on a mission that could save—or destroy—all that he knows.