“I was born on the full moon under an auspicious constellation, the holiest of positions—much good it did me.” So begins Kaikeyi’s story. The only daughter of the kingdom of Kekaya, she is raised on tales about the might and benevolence of the gods: how they churned the vast ocean to obtain the nectar of immortality, how they vanquish evil and ensure the land of Bharat prospers, and how they offer powerful boons to the worthy. Yet she watches as her father unceremoniously banishes her mother, listens as her own worth is reduced to the marriage alliance she can secure. And when she calls upon the gods for help, they never seem to hear. Desperate for independence, she turns to the texts she once read with her mother and discovers a magic that is hers alone. With it, Kaikeyi transforms herself from an overlooked princess into a warrior, diplomat, and most favored queen. But as the evil from her childhood stories threatens the cosmic order, the path she has forged clashes with the destiny the gods have chosen for her family. And Kaikeyi must decide if resistance is worth the destruction it will wreak—and what legacy she intends to leave behind. The unforgettable tale of a woman determined to leave her mark in a world gods and men dictate the shape of things to come. "Patel's mesmerizing debut shines a brilliant light on the vilified queen from the Ramayana" (Publishers Weekly, starred review).

In his journal, Nobel Prize winner John Steinbeck called East of Eden “the first book,” and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California’s Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Adam Trask came to California from the East to farm and raise his family on the new rich land. But the birth of his twins, Cal and Aaron, brings his wife to the brink of madness, and Adam is left alone to raise his boys to manhood. One boy thrives nurtured by the love of all those around him; the other grows up in loneliness enveloped by a mysterious darkness. First published in 1952, East of Eden is the work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. A masterpiece of Steinbeck's later years, East of Eden is a powerful and vastly ambitious novel that is at once a family saga and a modern retelling of the Book of Genesis.

From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah’s writing will grab you, haunt you, enrage and invigorate you. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that Black men and women contend with every day in this country. These stories explore urgent instances of racism and cultural unrest, and the ways we fight for humanity in an unforgiving world. In “The Finkelstein Five,” Adjei-Brenyah reckons with the brutal prejudice of our justice system. In “Zimmer Land,” we see a far-too-easy-to-believe imagining of racism as sport. And “Friday Black” and “How to Sell a Jacket as Told by IceKing” show the horrors of consumerism and the toll it takes on us all. Entirely fresh in its style and perspective, and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts readers with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.

For fans of Cloud Atlas and The Power, a hauntingly beautiful and profoundly prescient debut set in a future where China is the sole global superpower and citizens can record and transfer memories between minds. When I was a boy, my mother used to tell me stories of a world before memories could be shared between strangers… Decades from now, the world is run by an authoritarian state called Qin. In Qin, every citizen is fitted with a Mindbank, an intracranial device capable of not only recording but transferring memories between minds. The technology gives birth to a new economy, referred to as Memory Capitalism, where anyone with means can relive the life experiences of others. It also unleashes opportunities for manipulation—memories can be edited, marketed, and even corrupted for personal gain. When a man inherits his deceased mother’s Mindbank—a collection of memories from before, during, and after the global war that landed Qin atop the international food chain—he’s unsure what he’ll find inside, or whether the Party has gotten to her memories first, altering the experiences she left for him. Either way, he is adamant that he must share them with the world before they are destroyed forever, even if the cost of doing so is his own life. Powerful and provocative, These Memories Do Not Belong to Us is a kaleidoscopic look into the ways in which governments and media manipulate history and control our collective imagination. It encourages us to see beyond the sheen of convenient truths to unearth real stories of struggle, sacrifice, and love that, despite all odds, refuse to be eradicated. 

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. The bloody messes don't bother her, not when she's already witnessed the most horrific thing possible: her sister being pushed in front of a train. Before fleeing the scene, the murderer whispered two words: bat eater. Months pass, the killer is never caught, and Cora can barely keep herself together. She pushes away all feelings, disregards the bite marks that appear on her coffee table, and won't take her aunt's advice to prepare for the Hungry Ghost Festival, when the gates of hell open. Cora tries to ignore the rising dread in her stomach, even when she and her weird co-workers begin finding bat carcasses at their crime scene clean-ups. But Cora can't ignore the fact that all their recent clean-ups have been the bodies of East Asian women. Soon Cora will learn: you can't just ignore hungry ghosts.

Sorrowland meets Manhunt in this literary horror debut in which an isolated newlywed—covered in mushroom growths like all the other wives in her community—strikes a precarious balance between following her husband’s strict rules and pursuing an intense connection with a woman who makes her question everything.Forbidden from leaving her house from girlhood until marriage, Nicole has only her mother's lessons and what she can see from her bedroom window to draw on in forming her view of the world, and of herself. Taught that the mushrooms which cover the women in her village are repulsive and dangerous, she conforms to a rigid set of rules to protect herself and those around her. When her wedding day arrives, Nicole moves from one prison to another—an empty mansion on the very outskirts of town belonging to the husband she’s been promised to since birth. As she haunts the edges of Silas's unknowable life and decaying home, maintaining control over her own transforming body becomes increasingly impossible. And when another wife with rebellious tendencies pays Nicole an unexpected visit, something within her cracks open. Their furtive explorations yield confusing answers, unearthing the long-buried secrets of the generations of resentful brides that came before. Unmoored, angry, and at last awakened, Nicole must reckon with who she really is, and perhaps, give in to what she truly wants. Raw, visceral, and relentless, Wife Shaped Bodies is an exploration of gender, power, and community through the lens of mycological body horror and an ode to the unsettling beauty of the natural world.

Manhunt meets Lord of the Flies in this blistering horror debut following a young trans woman after she arrives at the all-trans girl commune founded by her toxic ex-girlfriend, only to discover that demons, both literal and figurative, haunt her fellow comrades—and she's their next prey! Herculine’s narrator has demons. Sure, her life includes several hallmarks of the typical trans girl sob story—conversion therapy, a string of shitty low-paying jobs, and even shittier exes—but she also regularly debates sleep paralysis demons that turn to mist soon after she wakes and carries vials of holy oil in her purse. Nothing, though, prepares her for the new malevolent force stalking her through the streets of New York City, more powerful than any she’s ever encountered. Desperate to escape this ancient evil, she flees to rural Indiana, where her ex-girlfriend started an all-trans girl commune in the middle of the woods. The secluded camp, named after 19th-century intersex memoirist Herculine Barbin, is a scrappy operation, but the shared sense of community among the girls is a welcome balm to the narrator’s growing isolation and paranoia. Still, something isn’t quite right at Herculine. Girls stop talking as soon as she enters the room, everyone seems to share a common secret, and the books lining the walls of the library harbor strange cryptograms. Soon what once looked like an escape becomes a trap all its own. While trying to untangle the commune’s many mysteries, the narrator contends with disemboweled pigs, cultlike psychosexual rituals, and the horrors of communal breakfast. And before long, she discovers that her demons have followed her. And this time, they won’t be letting her go.