A delightfully insightful exploration of our obsession with gossip that weaves together journalism, cultural criticism, and memoir, from the host of the massively popular Normal Gossip podcast. Can you keep a secret? As the pandemic forced us to socialize at a distance, Kelsey McKinney was mourning the juicy updates, jaw-dropping stories, and idle chatter that she’d typically collect over drinks with friends. She realized she wasn’t the only one missing these little morsels and her hunger for this aspect of normalcy took on a life of its own and the blockbuster Normal Gossip podcast was born. With listenership in the millions and gossip quickly becoming her day job, Kelsey found herself with the urge to think more critically about gossip as a form, to better understand the role that it plays in our culture. In YOU DIDN'T HEAR THIS FROM ME, McKinney explores the murkiness of everyday storytelling. Why is gossip considered a sin and how can we better recognize when gossip is being weaponized against the oppressed? Why do we think we’re entitled to every detail of a celebrity’s personal life because they are a public figure? And how do we even define “gossip,” anyway? She dishes on the art of eavesdropping and dives deep into how pop culture has changed the way that we look at hearsay. But as much as the book aims to treat gossip as a subject worthy of rigor, it also hopes to capture the heart of how enchanting and fun it can be to lean over and whisper something a little salacious into your friend’s ear. With wit and honesty, McKinney unmasks what we're actually searching for when we demand to know the truth – and how much the truth really matters in the first place.  

One in five people in the United States lives with a disability. Some disabilities are visible, others less apparent—but all are underrepresented in media and popular culture. Now, just in time for the thirtieth anniversary of the Americans with Disabilities Act, activist Alice Wong brings together this urgent, galvanizing collection of contemporary essays by disabled people. From Harriet McBryde Johnson’s account of her debate with Peter Singer over her own personhood to original pieces by authors like Keah Brown and Haben Girma; from blog posts, manifestos, and eulogies to Congressional testimonies, and beyond: this anthology gives a glimpse into the rich complexity of the disabled experience, highlighting the passions, talents, and everyday lives of this community. It invites readers to question their own understandings. It celebrates and documents disability culture in the now. It looks to the future and the past with hope and love.

In her first book, sociologist Strings (sociology, Univ. of California, Irvine) explores the historical development of prothin, antifat ideologies deployed in support of Western, patriarchal white supremacy. Beginning in the aesthetic ideals circulated by Renaissance thinkers and artists and bringing her narrative up into the 1990s, Strings charts how white Europeans and Anglo-Americans developed ideals of race and beauty that both explicitly and figuratively juxtaposed slim, desirable white women against corpulent, seemingly monstrous black women. The work is divided into three sections. The two chapters in the first part consider how Renaissance white women and women of color were depicted as plump and feminine, separated by class, yet belonging to the same gender. The second part of the work charts the rise of modern racial ideologies that yoked feminine beauty to Protestant, Anglo-Saxon whiteness. Later chapters and the epilogue consider how Americans normalized the "scientific management" of white women's bodies for the purpose of racial uplift, a project that continued to situate black women as the embodied Other. The author does not address fat from the angle of health or previous attitudes white Europeans held towards corpulence.

A nationally recognized activist's 21st century guide to liberation through a Black queer feminist lens. Appearing on The Roots' annual list, in 2017, as one of the most influential young African Americans, Carruthers--at age 32--is among a handful of high profile activists. Her debut book upends mainstream ideas about race, class and gender and sets forth a radically inclusive path to collective liberation. Her inclusive story about Black struggle draws on Black intellectual and grassroots organizing traditions including the Haitian Revolution, U.S. Civil Rights, and Black and LGBTQ Feminist Movements. Bold and honest, Unapologetic is an inside look from an on-the-ground activist and movement leader about how to move people from the margins to the center of political strategy and practice.

The Western Museum is an ideological, political, and economic disunity battleground. Calls for its decolonization have washed like great breakers over the institution; almost everyone today wants to "rethink the museum." But how many dare to question the very presuppositions of the universal museum itself? In  A Programme of Absolute Disorder , Françoise Vergès puts the museum in its place. With a specific focus on the history of the Louvre, she centers the context in which the universal museum as a product of the Enlightenment and colonialism, of a Europe that presents itself as the guardian of the heritage of all humanity. Discussing the impasses in the representation of slavery and examining unsuccessful attempts to subvert the museum institution, Vergès outlines a radical to decolonize the museum truly is to implement a 'programme of absolute disorder,' inventing other ways of apprehending the human and non-human world that nourish collective creativity and bring justice and dignity to populations who have been dispossessed of it.

From the frontlines of one of the greatest human struggles of our time comes this powerful and moving tale. Both an important cultural history of the AIDS crisis and an intimate personal memoir, Stitching a Revolution is the story of a man who, besieged by discrimination, death, and despair, found the courage and strength of spirit to conceive and create a unique healing vision-the AIDS Memorial Quilt. Against the turbulent backdrop of politics and sexual liberation in San Francisco during the seventies, Jones recounts his coming-of-age alongside friend and mentor Harvey Milk -- and, later, Milk's assassination and the ensuing riots that threatened to tear down all they had accomplished. But Jones's political aspirations were put on hold after the emergence of an insidious, unexplainable "gay cancer" that would soon become known throughout the world as AIDS. Demoralized by the tide of death and despair sweeping his community, brutally assaulted by gay-bashing thugs, and faced with the specter of his own positive diagnosis, Jones sought a way to restore hope to a world falling apart beneath his feet. What started out as a simple panel of fabric stitched for his best friend now covers a space larger than twenty-five football fields and contains over eighty thousand names. The Quilt has affected the lives of many people, bridging racial, sexual, and religious barriers to unite millions in the fight against AIDS. Stitching a Revolution is a compelling, dramatic tale with a cast of memorable characters from all walks of life. At times uplifting, at times heartwrenching, this inspiring story reveals what it means to be human and how the power of love conquers all -- even death.

"Destined to become a new classic . . . Elkin shatters the truisms that have evolved around feminist thought.” ―Chris Kraus, author of I Love Dick and After Kathy A Literary Biography One of Lit Hub's most anticipated books of 2023 What kind of art does a monster make? And what if monster is a verb? Noun or a verb, the idea is a to overwhelm limits, to invent our own definitions of beauty. In this dazzlingly original reassessment of women’s stories, bodies, and art, Lauren Elkin―the celebrated author of Flâneuse ―explores the ways in which feminist artists have taken up the challenge of their work and how they not only react against the patriarchy but redefine their own aesthetic aims. How do we tell the truth about our experiences as bodies? What is the language, what are the materials, that we need to transcribe them? And what are the unique questions facing those engaged with female bodies, queer bodies, sick bodies, racialized bodies? Encompassing with a rich genealogy of work across the literary and artistic landscape, Elkin makes daring links between disparate points of reference― among them Julia Margaret Cameron’s photography, Kara Walker’s silhouettes, Vanessa Bell’s portraits, Eva Hesse’s rope sculptures, Carolee Schneemann’s body art, Theresa Hak Kyung Cha’s trilingual masterpiece DICTEE ―and steps into the tradition of cultural criticism established by Susan Sontag, Hélène Cixous, and Maggie Nelson. An erudite, potent examination of beauty and excess, sentiment and touch, the personal and the political, the ambiguous and the opaque, Art Monsters is a radical intervention that forces us to consider how the idea of the art monster might transform the way we imagine―and enact―our lives.

A daringly observant memoir about intergenerational trauma, fine art, and compartmentalization from a returning Soft Skull author and Lambda Literary Award winner A mixture of memoir, biography, criticism, and social history, Touching the Art is queer icon and activist Mattilda Bernstein Sycamore’s interrogation of the possibilities of artistic striving, the limits of the middle-class mindset, the legacy of familial abandonment, and what art can and cannot do. As she sorts through her grandmother Gladys’s paintings and handmade paperworks, Sycamore examines the creative impulse itself. In fragments evoking the movements of memory, she searches for Gladys’s place within the trajectories of midcentury modernism and Abstract Expressionism, Jewish assimilation and white flight, intergenerational trauma and class striving. Sycamore writes, “Art is never just art, it is a history of feeling, a gap between sensations, a safety valve, an escape hatch, a sudden shift in the body, a clipboard full of flowers, a welcome mat flipped over and back, over and back, welcome.” Refusing easy answers in search of an embodied truth, Sycamore upends propriety to touch the art and feel everything that comes through.

Bring LGBTQ+ artistic history to life with artwork and cultural landmarks celebrating the community. The twentieth century saw landmark shifts for LGBTQ+ rights and recognition across the western from the Stonewall uprising, to the first pride parades and homosexuality law reforms. The years following these milestone moments have seen queer life face new challenges, celebrations, injustices and liberations.   As ever, this journey has been closely mapped by art and culture. Artists working across all mediums – from painting, performance, digital and beyond – have captured key moments impacting the LGBTQ+ community , from the HIV/AIDS crisis and the rise of drag, to marriage equality and the fight for trans liberation.   With a heady curation of artworks selected by leading LGBTQ+ curator Gemma Rolls-Bentley , this book mixes the high-brow with the low, gallery stalwarts with Instagram stars, and the racy with the fabulous. With over 170 works across thematic chapters covering Queer Spaces, Queer Bodies and Queer Power this is a unique celebration of queer life – a landmark book for art lovers and anyone interested in the visual culture surrounding queer identity.

A rich and intimate exploration of how women have used textile work to create meaningful lives, from ancient mythology to our current moment. In this captivating work, psychologist and knitter Nicole Nehrig delves into the myriad ways that art forms such as knitting, sewing, and embroidery were and continue to be liberating for women. Spanning continents and centuries, Nehrig brings together remarkable stories of women, from an eighteenth-century Quaker boarding school that used embroidered samples to teach girls math and geography to the Quechua weavers working to preserve and revive Incan traditions today, and from the Miao women of southern China who, in the absence of a written language, pass down their histories in elaborate “story cloths” to a midcentury British women’s postal art exchange. Throughout history, textiles have been a way for women to explore their intellectual capacities, seek economic independence, create community, process traumas, and convey powerful messages of self-expression and political protest. With Her Own Hands is a celebration of women who have woven their own stories and created objects of beauty and significance to bring them through hardships.

Shortlisted for the Weatherglass Novella Prize 2024 The Secret History meets Stranger Things Ali Smith says: “Some teenage girls have – yes – performed a spell and hexed the moon. Now the moon, smooth-skinned, street-smart, dryly witty, seductive, powerful beyond belief, is literally hanging out in one of their bedrooms. Pitch Perfect gone cosmic: in stylish sleight of hand and with pleasurable bravado this pop song of a novella reveals the huge issues, importances, losses, survivals, impotence and potencies in the everyday existence of a group of best friends and their families. Full of young-adult wisdom, braiding dark and light together, it’s a charmer.”

By the acclaimed author of The Copenhagen Trilogy, a startling and darkly funny volume of selected poetry, the first to be translated into English. It was a meaningless daylike what you callloveIt was a ThursdayIn parentheses. The brackets around itHave already fadedLife tastes of ashAnd is bearable. From one of Denmark’s most celebrated twentieth-century writers, the author of the acclaimed Copenhagen Trilogy, comes There Lives a Young Girl in Me Who Will Not Die, a major volume of selected poetry written throughout Tove Ditlevsen’s life. Infused with the same wry nihilism, quiet intensity, dark humor, and crystalline genius that readers savor in her prose, these are heartbreak poems, childhood poems, self-portraits, death poems, wounded poems, confessional poems, and love poems—poems that stare into the surfaces that seduce and deceive us. They describe childhood, longing, loss, and memory, obsessively tracing their imprints and intrusions upon everyday life. With morbid curiosity, Ditlevsen’s poems turn toward the uncanny and the abject, approaching gingerly. They stitch the gray scale of daily disappointment with vivid, unsparing detail, a degree of precision that renders loneliness psychedelic. Speaking across generations to both the passions of youth and the agonies of adulthood, There Lives a Young Girl in Me Who Will Not Die reveals everyday life stripped of its excesses, exposing its bones and bare the normal and the strange, the meaningful and the meaningless. These startling, resonant poems are both canonical and contemporary, and demand to be shared with friends, loved ones, nemeses, and strangers alike.

Stephen is an ideal child of aristocratic parents—a fencer, a horse rider and a keen scholar. Stephen grows to be a war hero, a bestselling writer and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions. The Well of Loneliness was banned for obscenity when published in 1928. It became an international bestseller, and for decades was the single most famous lesbian novel. It has influenced how love between women is understood, for the twentieth century and beyond.