You won’t find a more hardcore eighties-slasher-film fan than high school senior Jade Daniels. And you won’t find a place less supportive of girls who wear torn T-shirts and too much eyeliner than Proofrock, nestled eight thousand feet up a mountain in Idaho, alongside Indian Lake, home to both Camp Blood – site of a massacre fifty years ago – and, as of this summer, Terra Nova, a second-home celebrity Camelot being carved out of a national forest. That’s not the only thing that’s getting carved up, though – this, Jade knows, is the start of a slasher. But what kind? Who’s wearing the mask? Jade’s got an encyclopedic recall of every horror movie on the shelf, but… will that help her survive? Can she get a final girl trained enough to stop all this from happening? Does she even want to? Isn’t a slasher exactly what her hometown deserves? This new novel by the New York Times bestselling author of The Only Good Indians, Stephen Graham Jones, called “one of our most talented living writers” by Tommy Orange, explores the changing landscape of the West through his distinct voice of sharp humor and prophetic violence. Go up the mountain to Proofrock. See if you’ve got what it takes – see if your heart, too, might be a chainsaw.

Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won’t say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew’s wicked stories. Desperate to figure out what’s wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas’s drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator…

A compelling and compassionate exploration of the death industry and the people—embalmers, detectives, crime scene cleaners, executioners—who work in it and what led them there. Embarking on a three-year trip across the US and the UK, journalist Hayley Campbell—inspired by her longtime fascination with death, thanks to a childhood surrounded by her father’s Jack the Ripper cartoons—met with a variety of professionals in the death industry to see how they work. Along the way, Campbell encountered funeral directors, embalmers, a man who dissects cadavers for anatomy students, and a former executioner who is responsible for ending 62 lives. She sat in a van with old gravediggers who have already dug their own graves. She raked out bones and ash with a man who works in a crematorium. She dressed a dead man for his coffin, held a brain at an autopsy, visited a cryonics facility in Michigan, and went for late-night Chinese with a homicide detective. Through Campbell’s prodding, reverent interviews with these people who see death every day, Campbell pieces together the psychic jigsaw to ask: Why would someone choose a life of working with the dead? Does being so near to lifeless bodies alter your perspective? Does an antidote to the fear of death exist? A dazzling work of cultural criticism, All the Living and the Dead weaves together reportage with memoir, history, and philosophy, to offer readers a fascinating look into the psychology of Western death. And in the vein of Caitlin Doughty and Mary Roach, Campbell sharply investigates her—and our—own fascinations and fears through her encounters with this series of extraordinary people.

The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain. When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through the psychic link between pilots and emerges from the cockpit unscathed. She is labeled an Iron Widow, a much-feared and much-silenced kind of female pilot who can sacrifice boys to power up Chrysalises instead.​ To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia​. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and infamy to survive attempt after attempt on her life, until she can figure out exactly why the pilot system works in its misogynist way—and stop more girls from being sacrificed.

Five New Yorkers must come together in order to defend their city. Every city has a soul. Some are as ancient as myths, and others are as new and destructive as children. New York City? She's got five. But every city also has a dark side. A roiling, ancient evil stirs beneath the earth, threatening to destroy the city and her five protectors unless they can come together and stop it once and for all.

Linus Baker is a by-the-book case worker in the Department in Charge of Magical Youth. He's tasked with determining whether six dangerous magical children are likely to bring about the end of the world. Arthur Parnassus is the master of the orphanage. He would do anything to keep the children safe, even if it means the world will burn. And his secrets will come to light. The House in the Cerulean Sea is an enchanting love story, masterfully told, about the profound experience of discovering an unlikely family in an unexpected place—and realizing that family is yours.

You won’t find a more hardcore eighties-slasher-film fan than high school senior Jade Daniels. And you won’t find a place less supportive of girls who wear torn T-shirts and too much eyeliner than Proofrock, nestled eight thousand feet up a mountain in Idaho, alongside Indian Lake, home to both Camp Blood – site of a massacre fifty years ago – and, as of this summer, Terra Nova, a second-home celebrity Camelot being carved out of a national forest. That’s not the only thing that’s getting carved up, though – this, Jade knows, is the start of a slasher. But what kind? Who’s wearing the mask? Jade’s got an encyclopedic recall of every horror movie on the shelf, but… will that help her survive? Can she get a final girl trained enough to stop all this from happening? Does she even want to? Isn’t a slasher exactly what her hometown deserves? This new novel by the New York Times bestselling author of The Only Good Indians, Stephen Graham Jones, called “one of our most talented living writers” by Tommy Orange, explores the changing landscape of the West through his distinct voice of sharp humor and prophetic violence. Go up the mountain to Proofrock. See if you’ve got what it takes – see if your heart, too, might be a chainsaw.