A tour of an ancient library transports readers to Mesopotamia, introducing us to its people, their ideas, and their humanity. The library of Ashurbanipal, Assyria’s last great king, held more than thirty thousand documents, an astonishing collection at the forefront of knowledge in its day, from ancient traditions in religion and literature to the latest developments in magic and medicine. When the Assyrian empire fell, the library burned to the ground, and its contents, cuneiform tablets impressed in clay, lay buried for thousands of years until a team of Victorian archaeologists discovered the remnants in modern-day Iraq. The clay had baked and hardened; the very fire that consumed the library had helped its texts to survive for millennia. In The Library of Ancient Wisdom, scholar Selena Wisnom, one of only a few hundred experts able to read cuneiform script today, guides us inside this important collection and, through its contents, brings ancient Mesopotamia and its people to life. Introducing us to Ashurbanipal and his family, scribes, astrologers, physicians, and more, Wisnom explores the library’s tablets and the details they divulge about how these ancient people thought about the world. Like us, they had concerns about job security, jealous rivalries, and profound friendships, and questions about the meaning of life. Wisnom ushers us into a world where magic was commonplace, where the gods spoke to you in dreams, and where the secrets of the universe were revealed through puns—a tour that takes us to the heart of what it means to be human. Offering a close look at a major historical landmark as well as a readable account of the world’s earliest civilizations, The Library of Ancient Wisdom lays bare the ideas, hopes, fears, and desires that survive on humble clay.

'I regret to see that my book has turned out un fiasco solenne.' James Joyce's disillusion with the publication of Dubliners in 1914 was the result of ten years battling with publishers, resisting their demands to remove swear words, real place names and much else, including two entire stories. Although only 24 when he signed his first publishing contract for the book, Joyce already knew its worth: to alter it in any way would 'retard the course of civilisation in Ireland'. Joyce's aim was to tell the truth — to create a work of art that would reflect life in Ireland at the turn of the last century and by rejecting euphemism, reveal to the Irish the unromantic reality the recognition of which would lead to the spiritual liberation of the country. Each of the fifteen stories offers a glimpse of the lives of ordinary Dubliners — a death, an encounter, an opportunity not taken, a memory rekindled — and collectively they paint a portrait of a nation.

This genre-defying, Shirley Jackson and Bram Stoker award-winning thriller follows a father desperate to salvage what's left of his family—even if it means a descent into violence. Buried in debt due to his young daughter’s illness, his marriage at the brink, Mario reluctantly takes a job as a hitman, surprising himself with his proclivity for violence. After tragedy destroys the life he knew, Mario agrees to one final job: hijack a cartel’s cash shipment before it reaches Mexico. Along with an old friend and a cartel-insider named Juanca, Mario sets off on the near-suicidal mission, which will leave him with either a cool $200,000 or a bullet in the skull. But the path to reward or ruin is never as straight as it seems. As the three complicated men travel through the endless landscape of Texas, across the border and back, their hidden motivations are laid bare alongside nightmarish encounters that defy explanation. One thing is certain: even if Mario makes it out alive, he won’t return the same. The Devil Takes You Home is a panoramic odyssey for fans of S.A. Cosby’s southern noir, Blacktop Wasteland, by way of the boundary-defying storytelling of Stephen Graham Jones and Silvia Moreno-Garcia. NAMED A BEST BOOK OF THE YEAR BY: NPR, Harper's Bazaar, Chicago Tribune, Vulture, Oprah Daily, CrimeReads, The Millions, and many more! An Edgar Award Finalist • A Bram Stoker Award Winner • A Shirley Jackson Award Winner • A Book of the Month Club Pick • An August Indie Next List Selection • An ABA Indie Bestseller

Published in 1936, Absalom, Absalom! is considered by many to be William Faulkner's masterpiece. Although the novel's complex and fragmented structure poses considerable difficulty to readers, the book's literary merits place it squarely in the ranks of America's finest novels. The story concerns Thomas Sutpen, a poor man who finds wealth and then marries into a respectable family. His ambition and extreme need for control bring about his ruin and the ruin of his family. Sutpen's story is told by several narrators, allowing the reader to observe variations in the saga as it is recounted by different speakers. This unusual technique spotlights one of the novel's central questions: To what extent can people know the truth about the past?