Holy Harlots examines the intersections of social marginality, morality, and magic in contemporary Brazil by analyzing the beliefs and religious practices related to the Afro-Brazilian spirit entity Pomba Gira. Said to be the disembodied spirit of an unruly harlot, Pomba Gira is a controversial figure in Brazil. Devotees maintain that Pomba Gira possesses an intimate knowledge of human affairs and the mystical power to intervene in the human world. Others view this entity more ambivalently. Kelly E. Hayes provides an intimate and engaging account of the intricate relationship between Pomba Gira and one of her devotees, Nazaré da Silva. Combining Nazaré’s spiritual biography with analysis of the gender politics and violence that shapes life on the periphery of Rio de Janeiro, Hayes highlights Pomba Gira’s role in the rivalries, relationships, and struggles of everyday life in urban Brazil. The accompanying film  Slaves of the Saints may be viewed online at  .

There is no rawer human experience than sex, and in a city as diverse as New York, sexual experiences come in many forms. In the pre-Giuliani days, temptation flooded Times Square on theater marquees and neon signs. Behind unmarked doors downtown, more adventurous experiences awaited for those in the know. In The Soft City , the ethnographer Terry Williams, with the help of accomplices and informants, ventures deep into the underground world of sex in New York. The book explores different aspects of the “perverse space” of the porn theaters, sex shops, peep shows, restroom cruising, sadomasochism clubs, swingers’ events, and many more. Featuring field notes taken between 1975 and the present, The Soft City documents the ways that New Yorkers on the social periphery have thought about and pursued sex, whether for recreation or to make a living. It also presents an unconventional account of New York City’s many transformations, showing how the soft city―its people and their unique character―evolved in response to official and social pressures. Featuring Williams’s unmistakable portraits of the demimonde as well as the accounts of other ethnographers challenging themselves to dive into the city’s hidden crannies, The Soft City is as irreproducible as it is provocative.

What Pornography Knows offers a new history of pornography based on forgotten bawdy fiction of the eighteenth century, its nineteenth-century republication, and its appearance in 1960s paperbacks. Through close textual study, Lubey shows how these texts were edited across time to become what we think pornography is--a genre focused primarily on sex. Originally, they were far more variable, joining speculative philosophy and feminist theory to sexual description. Lubey's readings show that pornography always had a social consciousness--that it knew, long before anti-pornography feminists said it, that women and nonbinary people are disadvantaged by a society that grants sexual privilege to men. Rather than glorify this inequity, Lubey argues, the genre's central task has historically been to expose its artifice and envision social reform. Centering women's bodies, pornography refuses to divert its focus from genital action, forcing readers to connect sex with its social outcomes. Lubey offers a surprising take on a deeply misunderstood cultural pornography transforms sexual description into feminist commentary, revealing the genre's deep knowledge of how social inequities are perpetuated as well as its plans for how to rectify them.

A worldwide subculture that influences everything from fashion to advertising, sadomasochism has a long and lively history. A Lover’s Pinch tells the story of consensual sadomasochism, from a controversial religious practice to a secretive sexuality branded a perversion. The origins of kink and fetish culture have been shrouded in secrecy and myths, until now. Here, Peter Tupper reveals the true story of sadism and masochism, dominance and submission. From the ancient Christian flagellants to the Fifty Shades trilogy, the history of consensual sadomasochism is a story of fascinating individuals, unlikely connections and strange twists and turns. Meet Arthur Munby, the Victorian gentleman who secretly married Hannah Cullwick, his maid of all work, and called her his slave; and Jack McGeorge, the UN weapons inspector who was outed as a BDSM club leader just before the Iraq war. Explore the links between Robinson Crusoe,Uncle Tom's Cabin and modern BDSM pornography, and between fetish fashion and anti-Catholic propaganda. Learn how the 19th century middle-class household nurtured dominant-submissive sexuality. Discover the secret history of a hidden world. Winner, 2019 Geoff Mains Non-Fiction Book Award, NLA-International

Outsider Classics is Dead Ink's resurrection ground for the strange, the silenced, and the outcasts. This series exhumes lost literary voices that were ahead of their time to restore them to the cult status they always deserved. From forgotten masterpieces to once-censored provocations, each title is a reaction against the canon curated for readers who want to stray into the margins and away from the mainstream. Dick and Reggie are 'leather boys', working-class London teens with an affinity for leather jackets and motorcycles who become friends through their involvement in a gang. For Dick, the money he gets from the gang's thefts helps to support his ailing grandmother; for Reggie, membership in the gang provides relief from an unhappy home life and a loveless marriage. When Reggie decides to leave his unfaithful wife and move in with Dick, the two soon discover their feelings for each other are much stronger than mere friendship. As they make plans for their future together, will they find the happiness they seek, or is their love doomed to end in tragedy? The first novel to offer an authentic portrayal of love between ordinary, working-class young men, Gillian Freeman's The Leather Boys is a groundbreaking classic of gay fiction that remains moving and compelling today. Freeman's novel and its 1964 film adaptation played a vital part in liberalizing British attitudes towards homosexuality.

A raw and deeply moving memoir from the legendary author of The God of Small Things and The Ministry of Utmost Happiness that traces the complex relationship with her mother, Mary Roy, a fierce and formidable force who shaped Arundhati’s life both as a woman and a writer. Mother Mary Comes to Me, Arundhati Roy’s first work of memoir, is a soaring account, both intimate and inspirational, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to the extraordinary, singular mother she describes as “my shelter and my storm.” “Heart-smashed” by her mother Mary’s death in September 2022 yet puzzled and “more than a little ashamed” by the intensity of her response, Roy began to write, to make sense of her feelings about the mother she ran from at age eighteen, “not because I didn’t love her, but in order to be able to continue to love her.” And so begins this astonishing, sometimes disturbing, and surprisingly funny memoir of the author’s journey from her childhood in Kerala, India, where her single mother founded a school, to the writing of her prizewinning novels and essays, through today. With the scale, sweep, and depth of her novels, The God of Small Things and The Ministry of Utmost Happiness, and the passion, political clarity, and warmth of her essays, Mother Mary Comes to Me is an ode to freedom, a tribute to thorny love and savage grace—a memoir like no other.

Taking us back in time to 1960s Bradford, The Mercy Step follows the precocious Mercy, a young child facing a world that is far too big for her small body. Mercy lives with her Windrush generation parents; she craves her mother's attention, which she must share with the Church and her many siblings, while trying to avoid the fists and temper of her father. Mercy struggles to find her place in the world, surrounded by flawed adults and a family she feels like an outsider in, her only joys her loyal doll Dolly and the escapism she finds in books. But Mercy is nothing if not resilient, and she takes up the fight to escape her traumatic upbringing, all while maintaining her humour, style and verve. A raw and tender story of family, isolation and growth.

Megha Majumdar’s electrifying follow-up to her acclaimed New York Times Bestseller A Burning—longlisted for the National Book Award—is set in a near-future Kolkata ravaged by climate change and social disharmony in which the lives of five characters collide and their fates become inextricably linked—a propulsive and shattering tour de force. In a near-future Kolkata beset by flooding and blight, Ma, her two year old daughter Mishti, and her elderly father Dadu are just days from leaving the collapsing city behind to join Ma’s husband in the home he has been building for them in Ann Arbor, Michigan. After procuring long-awaited passports and visas from the consulate, they pack their bags for the flight to America. But in the morning they awaken to discover that Ma’s purse, with all the treasured documents within it, has been stolen. A Guardian and a Thief tells two the story of Ma and her family, their struggle to emigrate to America, and their devastation in the wake of the theft that changes their fate to one of implacable tragedy; and Boomba, the thief, whose hunger and desperation to care for his family drive him to commit a crime whose consequences he cannot fathom. With stunning control and command, Megha Majumdar paints a kaleidoscopic portrait of two families whose destinies become inexorably entangled, wresting compassion from each narrative as the complexities of each character’s circumstances—their helplessness in the face of poverty and corruption, and the need to stave off encroaching catastrophe—are captured with clarity and piercing empathy. A masterful new work from one of the most exciting voices of her generation.

When her cousin and wife fail to return from a walk, this story takes a sinister turn to a quest of survival A woman takes a holiday in the Austrian mountains, spending a few days with her cousin and his wife in their hunting lodge. When the couple fails to return from a walk, the woman sets off to look for them. But her journey reaches a sinister and inexplicable dead end. She discovers only a transparent wall behind which there seems to be no life. Trapped alone behind the mysterious wall she begins the arduous work of survival. This is at once a simple account of potatoes and beans, of hoping for a calf, of counting matches, of forgetting the taste of sugar and the use of one's name, and simultaneously a disturbing dissection of the place of human beings in the natural world. **PERFECT FOR FANS OF THE YELLOW WALLPAPER, STATION ELEVEN AND THE MARTIAN VINTAGE EARTH is a collection of novels to transform our relationship with the natural world. Each one is a work of creative activism, a blast of fresh air, a seed from which change can grow. The books in this series reconnect us to the planet we inhabit - and must protect. Discover great writing on the most urgent story of our times.

We are on the wrong track Seventy percent of Americans (and counting) think so. The inflation-adjusted wage of a US worker today is less than 40 years ago—but there are four times as many multimillionaires. As inequality grows, the infrastructure frays and the politics become more poisonous. Every year, more and more Americans go on shooting sprees, killing strangers and passers-by—and now, increasingly, the representatives of the state. Troubling trends of this kind are endlessly discussed by politicians, public intellectuals, and social scientists. But mostly, they talk about only a small slice of the overall problem. After all, how on earth can yet another murderous rampage have anything to do with polarization in Congress? And is there really a connection between too many multimillionaires and government gridlock? Historical analysis shows that long spells of equitable prosperity and internal peace are succeeded by protracted periods of inequity, increasing misery, and political instability. These crisis periods—“Ages of Discord”—tend to share characteristic features, identifiable in many societies throughout history. Modern Americans, for example, may be disconcerted to learn that the US right now has much in common with the Antebellum 1850s and, even more surprisingly, with ancien régime France on the eve of the French Revolution. Can it really be true that our troubled age is nothing new, and that it arises periodically for similar underlying reasons? It can. Ages of Discord marshals a cohesive theory and detailed historical data to show that this is, indeed, the case. The book takes the reader on a roller-coaster ride through American history, from the Era of Good Feelings of the 1820s to our first Age of Discord, which culminated in the American Civil War, to post-WW2 prosperity and, finally, to our present, second Age of Discord. Unlike societies in the past, however, we are in a unique position to take steps to escape the worst. Societal breakdown and the ensuing wave of violence can be avoided by taking collective, cooperative action. The structural-demographic theory, explained in this book, helps us understand why demographic, social, and political trends changed direction from favorable to unfavorable in America around the 1970s. Such understanding is the key to developing reforms that would reverse these negative trends and move us to a more equitable, prosperous, and peaceful society.

Irina obsessively takes explicit photographs of the average-looking men she persuades to model for her, scouted from the streets of Newcastle. Placed on sabbatical from her dead-end bar job, she is offered an exhibition at a fashionable London gallery, promising to revive her career in the art world and offering an escape from her rut of drugs, alcohol, and extreme cinema. The news triggers a self-destructive tailspin, centred around Irina’s relationship with her obsessive best friend, and a shy young man from her local supermarket who has attracted her attention… Boy Parts is the incendiary debut novel from Eliza Clark, a pitch-black comedy both shocking and hilarious, fearlessly exploring the taboo regions of sexuality and gender roles in the twenty-first century.

In Alissa Nutting’s novel Tampa, Celeste Price, a smoldering 26-year-old middle-school teacher in Florida, unrepentantly recounts her elaborate and sociopathically determined seduction of a 14-year-old student. Celeste has chosen and lured the charmingly modest Jack Patrick into her web. Jack is enthralled and in awe of his eighth-grade teacher, and, most importantly, willing to accept Celeste’s terms for a secret relationship—car rides after dark, rendezvous at Jack’s house while his single father works the late shift, and body-slamming erotic encounters in Celeste’s empty classroom. In slaking her sexual thirst, Celeste Price is remorseless and deviously free of hesitation, a monstress of pure motivation. She deceives everyone, is close to no one, and cares little for anything but her pleasure. Tampa is a sexually explicit, virtuosically satirical, American Psycho–esque rendering of a monstrously misplaced but undeterrable desire. Laced with black humor and crackling sexualized prose, Alissa Nutting’s Tampa is a grand, seriocomic examination of the want behind student / teacher affairs and a scorching literary debut.

From holy cup comes holy light; The faithful hand sets world aright. And in the Seven Martyrs’ sight, Mere man shall end this endless night. It has been twenty-seven long years since the last sunrise. For nearly three decades, vampires have waged war against humanity; building their eternal empire even as they tear down our own. Now, only a few tiny sparks of light endure in a sea of darkness.Gabriel de León is a silversaint: a member of a holy brotherhood dedicated to defending realm and church from the creatures of the night. But even the Silver Order could not stem the tide once daylight failed us, and now, only Gabriel remains.Imprisoned by the very monsters he vowed to destroy, the last silversaint is forced to tell his story. A story of legendary battles and forbidden love, of faith lost and friendships won, of the Wars of the Blood and the Forever King and the quest for humanity’s last remaining hope: The Holy Grail. From author Jay Kristoff comes Empire of the Vampire, the first illustrated volume of an astonishing new dark fantasy saga.

A decade ago the first Waves unleashed humanity's worst impulses and the world plunged into chaos. Now, after being abducted on a supply run, single-father Paxton fights his way back to his family, while his daugher Bec struggles to protect her siblings from a horrifying cult.OUR WORST IMPULSES UNLEASHED. The arrival of Preacher, Maw, and their followers interrupts Ty’s new life with the Congregation, while Bec struggles to protect the family homestead from other hungry visitors. Meanwhile, Paxton's escape from Honcho's island is only the beginning of his long journey back to his family. Collects #6 - 10 of the ten-issue series.

A decade has passed since the first Waves hit, unleashing humanity's darkest impulses and plunging the world into chaos. Paxton, a single father of three, must venture from the secluded haven they've built to restock the medicine his chronically-ill youngest son needs to survive. When the somewhat routine trip goes awry, Paxton and his children—now separated—will battle everything in their path to reunite.

An Instant New York Times Bestseller“Excellent and deeply reported.” —Tim Wu, The New York Times“Startling and intensely researched . . . an essential account of how OpenAI and ChatGPT came to be and the catastrophic places they will likely take us.” —Vulture“Hao’s reporting inside OpenAI is exceptional, and she’s persuasive in her argument that the public should focus less on A.I.’s putative ‘sentience’ and more on its implications for labor and the environment.” —Benjamin Wallace-Wells, New YorkerFrom a brilliant longtime AI insider with intimate access to the world of Sam Altman's OpenAI from the beginning, an eye-opening account of arguably the most fateful tech arms race in history, reshaping the planet in real time, from the cockpit of the company that is driving the frenzyWhen AI expert and investigative journalist Karen Hao first began covering OpenAI in 2019, she thought they were the good guys. Founded as a nonprofit with safety enshrined as its core mission, the organization was meant, its leader Sam Altman told us, to act as a check against more purely mercantile, and potentially dangerous, forces. What could go wrong?Over time, Hao began to wrestle ever more deeply with that question. Increasingly, she realized that the core truth of this massively disruptive sector is that its vision of success requires an almost unprecedented amount of the “compute” power of high-end chips and the processing capacity to create massive large language models, the sheer volume of data that needs to be amassed at scale, the humans “cleaning up” that data for sweatshop wages throughout the Global South, and a truly alarming spike in the usage of energy and water underlying it all. The truth is that we have entered a new and ominous age of only a small handful of globally scaled companies can even enter the field of play. At the head of the pack with its ChatGPT breakthrough, how would OpenAI resist such temptations?Spoiler it didn’t. Armed with Microsoft’s billions, OpenAI is setting a breakneck pace, chased by a small group of the most valuable companies in human history—toward what end, not even they can define. All this time, Hao has maintained her deep sourcing within the company and the industry, and so she was in intimate contact with the story that shocked the entire tech industry—Altman’s sudden firing and triumphant return. The behind-the-scenes story of what happened, told here in full for the first time, is revelatory of who the people controlling this technology really are. But this isn’t just the story of a single company, however fascinating it is. The g forces pressing down on the people of OpenAI are deforming the judgment of everyone else too—as such forces do. Naked power finds the ideology to cloak itself; no one thinks they’re the bad guy. But in the meantime, as Hao shows through intrepid reporting on the ground around the world, the enormous wheels of extraction grind on. By drawing on the viewpoints of Silicon Valley engineers, Kenyan data laborers, and Chilean water activists, Hao presents the fullest picture of AI and its impact we’ve seen to date, alongside a trenchant analysis of where things are headed. An astonishing eyewitness view from both up in the command capsule of the new economy and down where the real suffering happens, Empire of AI pierces the veil of the industry defining our era.