A brand new twisted thriller that will have you cheering "good for her!" from the #1 New York Times bestselling and global sensation Freida McFadden, author of The Housemaid! Sometimes, enough is enough… Debbie Mullen is losing it. For years, she has compiled all of her best advice into her column, Dear Debbie, where the wives of New England come for sympathy and neighborly advice. Through her work, Debbie has heard from countless women who are ignored, belittled, or even abused by their husbands. And Debbie does her best to guide them in the right direction. Or at least, she did. These days, Debbie’s life seems to be spiraling out of control. She just lost her job. Something strange is happening with her teenage daughters. And her husband is keeping secrets, according to the tracking app she installed on his phone. Now, Debbie’s done being the bigger person. She’s done being reasonable and practical. It’s time to take her own advice. And now it’s time for payback against all the people in her life who deserve it the most. From #1 New York Times and international bestselling author Freida McFadden comes a biting, subversive thriller about what happens when women finally choose to take justice into their own hands – with killer results.

A brand new twisted thriller that will have you cheering "good for her!" from the #1 New York Times bestselling and global sensation Freida McFadden, author of The Housemaid! Sometimes, enough is enough… Debbie Mullen is losing it. For years, she has compiled all of her best advice into her column, Dear Debbie, where the wives of New England come for sympathy and neighborly advice. Through her work, Debbie has heard from countless women who are ignored, belittled, or even abused by their husbands. And Debbie does her best to guide them in the right direction. Or at least, she did. These days, Debbie’s life seems to be spiraling out of control. She just lost her job. Something strange is happening with her teenage daughters. And her husband is keeping secrets, according to the tracking app she installed on his phone. Now, Debbie’s done being the bigger person. She’s done being reasonable and practical. It’s time to take her own advice. And now it’s time for payback against all the people in her life who deserve it the most. From #1 New York Times and international bestselling author Freida McFadden comes a biting, subversive thriller about what happens when women finally choose to take justice into their own hands – with killer results.

'Secrets don't stay secret for long in publishing' Six authors. One private island. Seventy-two hours to write the ending that will change their lives. ‘This is a house of novelists, not murderers. You dream up crimes. You don’t commit them.’ ‘But a writer has. And so, who better than a writer to catch them?’ World famous author Arthur Fletch is dead. His final novel, the most anticipated book in history, remains unfinished. But the ending won’t write itself. Fletch’s publisher, Merriweather Press, has invited six authors to Fletch’s private island in Scotland. Authors whose books have never had the big marketing budgets or publicity opportunities. In other words, midlist. And they’re about to be presented with the opportunity of a lifetime. Whoever writes a worthy ending will receive one million dollars, and a further one million dollars for a new three-book contract. They have just seventy-two hours, with no access to the outside world, just a typewriter and a blank page. All they have to do is write… Starting is often the hardest part. But getting to the end could be murder. ‘Smart, original and completely addictive…The Ending Writes Itself is both a great locked-room thriller and a brilliant satire on the publishing industry. An absolute must-read’ Karin Slaughter

'Secrets don't stay secret for long in publishing' Six authors. One private island. Seventy-two hours to write the ending that will change their lives. ‘This is a house of novelists, not murderers. You dream up crimes. You don’t commit them.’ ‘But a writer has. And so, who better than a writer to catch them?’ World famous author Arthur Fletch is dead. His final novel, the most anticipated book in history, remains unfinished. But the ending won’t write itself. Fletch’s publisher, Merriweather Press, has invited six authors to Fletch’s private island in Scotland. Authors whose books have never had the big marketing budgets or publicity opportunities. In other words, midlist. And they’re about to be presented with the opportunity of a lifetime. Whoever writes a worthy ending will receive one million dollars, and a further one million dollars for a new three-book contract. They have just seventy-two hours, with no access to the outside world, just a typewriter and a blank page. All they have to do is write… Starting is often the hardest part. But getting to the end could be murder. ‘Smart, original and completely addictive…The Ending Writes Itself is both a great locked-room thriller and a brilliant satire on the publishing industry. An absolute must-read’ Karin Slaughter

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

There are two kinds of people no one ever expects to be murderers: little girls and old ladies. Elsie Mabel Fitzpatrick is eighty-one years old. She's lived on her idyllic street for sixty years—longer than anyone else. Aside from being a curmudgeon who minds everyone else's business, few would suspect that Elsie has a past she's worked exceedingly hard at concealing—because when it comes to murder, no one ever suspects little girls or old ladies. And Elsie Mabel Fitzpatrick, once a little girl and now an old lady, has a strange history of people in her life coming to a foul end.

A brand new Miss Marple novel from Lucy Foley, the #1 bestselling author of The Guest List and The Midnight Feast. On a rare holiday abroad, Miss Marple is enjoying the refined luxury of the Grand Alpine a stunning winter playground, high in the Swiss Alps. But when someone is found dead, and a snowstorm descends, it falls to Marple to decipher the most chilling of mysteries... The most famous fictional female detective of all time returns in Lucy Foley’s Murder at the Grand Alpine Hotel.

From national bestselling author Ashley Winstead comes a buzzy, bloody new thriller about success, sisterhood, and demanding justice…by any means necessary. What’s a girl got to do to get some fame, a few million record sales, and justice for murder? Ten years ago, aspiring singer-actress Scout Sage lost the only thing that mattered: her sister, Georgia. Ever since Georgia’s mysterious death at a Hollywood party, Scout’s done her best to honor her memory, clawing her way through the industry and collecting a network of climbers along the way, fellow hot girls in stilettos with cutthroat ambition, a new Hollywood order. But when a slew of targeted murders makes headlines across LA, all pointing to Scout as the killer, she turns overnight from a mid-tier pop star into the world’s most famous (alleged) murderer. Now everything she’s worked to build—including the justice she wants for Georgia—will fall apart unless Scout can prove she’s not guilty. Meanwhile, the young and unusual detective assigned to her case, herself no stranger to tragedy, begins to unearth secrets not even Scout knows, let alone her millions of new fans. Particularly about the ways Georgia’s death connects to an even older pattern of crimes long hushed over in Hollywood—an old reign of terror that, if brought to light, could be the fuel that ignites a reckoning the world over.

There are two kinds of people no one ever expects to be murderers: little girls and old ladies. Elsie Mabel Fitzpatrick is eighty-one years old. She's lived on her idyllic street for sixty years—longer than anyone else. Aside from being a curmudgeon who minds everyone else's business, few would suspect that Elsie has a past she's worked exceedingly hard at concealing—because when it comes to murder, no one ever suspects little girls or old ladies. And Elsie Mabel Fitzpatrick, once a little girl and now an old lady, has a strange history of people in her life coming to a foul end.

Rivalry and romance spark when two bookstore managers who are opposites in every way find themselves competing for the same promotion.Despite managing bookstores on the same Boston street, Josie Klein and Ryan Lawson have never interacted much—Josie’s store focuses on serious literature, and Ryan’s sells romance only. But when the new owner of both stores decides to combine them, the two are thrust into direct competition. Only one manager will be left standing, decided by who turns the most profit over the summer. Efficient and detail-oriented Josie instantly clashes with easygoing and disorganized Ryan. Their competing events and contrasting styles lead to more than just frustration—the sparks between them might just set the whole store on fire. Their only solace during this chaos is the friendship they’ve each struck up with an anonymous friend in an online book forum. Little do they know they’re actually chatting with each other.  As their rivalry heats up in real life, their online relationship grows, and when the walls between their stores come tumbling down, Josie and Ryan realize not all’s fair in love and war. And maybe, if they’re lucky, happily ever afters aren’t just for the books.

Rivalry and romance spark when two bookstore managers who are opposites in every way find themselves competing for the same promotion.Despite managing bookstores on the same Boston street, Josie Klein and Ryan Lawson have never interacted much—Josie’s store focuses on serious literature, and Ryan’s sells romance only. But when the new owner of both stores decides to combine them, the two are thrust into direct competition. Only one manager will be left standing, decided by who turns the most profit over the summer. Efficient and detail-oriented Josie instantly clashes with easygoing and disorganized Ryan. Their competing events and contrasting styles lead to more than just frustration—the sparks between them might just set the whole store on fire. Their only solace during this chaos is the friendship they’ve each struck up with an anonymous friend in an online book forum. Little do they know they’re actually chatting with each other.  As their rivalry heats up in real life, their online relationship grows, and when the walls between their stores come tumbling down, Josie and Ryan realize not all’s fair in love and war. And maybe, if they’re lucky, happily ever afters aren’t just for the books.

A hitmaking songwriter and a bitter musician share a startling and inexplicable connection that they’ll do anything to shake, in the next sparkling, magical book from Ashley Poston. Joni Lark is living the dream. She’s one of the most coveted songwriters in LA…and she can’t seem to write. There’s an emptiness inside her, and nothing seems to fill it. When she returns to her hometown of Vienna Shores, North Carolina, she hopes that the sand, the surf, and the concerts at The Revelry, her family’s music venue, will spark her inspiration. But when she gets there, nothing is how she left it. Her best friend is avoiding her, her mother’s memories are fading fast, and The Revelry is closing. How can she think about writing her next song when everything is changing without her? Until she hears it. A melody in her head, lyric-less and half-formed, and an alluring and addictive voice to go with it—belonging, apparently, to a wry musician with hangups of his own. Surely, he’s a figment of her overworked imagination. But then the very real man attached to the voice shows up in Vienna Shores. He’s aggravating and gruff on the outside—nothing like the sweet, funny voice in Joni’s head—and he has a plan: They’ll finish the song haunting them both, break their connection, and hope they don’t risk their hearts in the process. Because that song stuck in their heads? Maybe it’s there for a reason.