A bank of clouds was assembling on the not-so-distant horizon, but journalist-mountaineer Jon Krakauer, standing on the summit of Mt. Everest, saw nothing that "suggested that a murderous storm was bearing down." He was wrong. The storm, which claimed five lives and left countless more--including Krakauer's--in guilt-ridden disarray, would also provide the impetus for Into Thin Air, Krakauer's epic account of the May 1996 disaster. By writing Into Thin Air, Krakauer may have hoped to exorcise some of his own demons and lay to rest some of the painful questions that still surround the event. He takes great pains to provide a balanced picture of the people and events he witnessed and gives due credit to the tireless and dedicated Sherpas. He also avoids blasting easy targets such as Sandy Pittman, the wealthy socialite who brought an espresso maker along on the expedition. Krakauer's highly personal inquiry into the catastrophe provides a great deal of insight into what went wrong. But for Krakauer himself, further interviews and investigations only lead him to the conclusion that his perceived failures were directly responsible for a fellow climber's death. Clearly, Krakauer remains haunted by the disaster, and although he relates a number of incidents in which he acted selflessly and even heroically, he seems unable to view those instances objectively. In the end, despite his evenhanded and even generous assessment of others' actions, he reserves a full measure of vitriol for himself. This updated trade paperback edition of Into Thin Air includes an extensive new postscript that sheds fascinating light on the acrimonious debate that flared between Krakauer and Everest guide Anatoli Boukreev in the wake of the tragedy. "I have no doubt that Boukreev's intentions were good on summit day," writes Krakauer in the postscript, dated August 1999. "What disturbs me, though, was Boukreev's refusal to acknowledge the possibility that he made even a single poor decision. Never did he indicate that perhaps it wasn't the best choice to climb without gas or go down ahead of his clients." As usual, Krakauer supports his points with dogged research and a good dose of humility. But rather than continue the heated discourse that has raged since Into Thin Air's denouncement of guide Boukreev, Krakauer's tone is conciliatory; he points most of his criticism at G. Weston De Walt, who coauthored The Climb, Boukreev's version of events. And in a touching conclusion, Krakauer recounts his last conversation with the late Boukreev, in which the two weathered climbers agreed to disagree about certain points. Krakauer had great hopes to patch things up with Boukreev, but the Russian later died in an avalanche on another Himalayan peak, Annapurna I.

A deluxe, annotated edition of Kitchen Confidential to celebrate the life of Anthony Bourdain, featuring new photo inserts Over two decades ago, the New Yorker published a now infamous article, “Don’t Eat Before Reading This,” by then little-known chef Anthony Bourdain. Bourdain spared no one’s appetite as he revealed what happens behind the kitchen door. The article was a sensation, and the book it spawned, the now iconic Kitchen Confidential, became an even bigger sensation and megabestseller. Frankly confessional, addictively acerbic, and utterly unsparing, Bourdain pulls no punches in this memoir of his years in the restaurant business. Fans will love to return to this deliciously funny, delectably shocking banquet of wild-but-true tales of life in the culinary trade, laying out Bourdain’s more than a quarter-century of drugs, sex, and haute cuisine. Including a handwritten introduction and annotations done by Bourdain about a decade after the book was originally published, this edition also features previously unpublished photos to accompany the now-classic text.

It’s the summer before college and eighteen-year-old Blake Brenner and her girlfriend, Ella, have one goal: join the mysterious and exclusive Serena Society. The sorority promises status and lifelong connections to a network of powerful, trailblazing women of color. Ella’s acceptance is a sure thing—she’s the daughter of a Serena alum. Blake, however, has a lot more to prove. As a former loner from a working-class background, Blake lacks Ella’s pedigree and confidence. Luckily, she finds courage at the bottom of a liquor bottle. When she drinks, she’s bold, funny, and unstoppable—and the Serenas love it. But as pledging intensifies, so does Blake’s drinking, until it’s seeping into every corner of her life. Ella assures Blake that she’s fine; partying hard is what it takes to make the cut. But success has never felt so much like drowning. With her future hanging in the balance and her past dragging her down, Blake must decide how far she’s willing to go to achieve her glittering dreams of success—and how much of herself she’s willing to lose in the process.

Five young women eager for success rely on the unspeakable to make their dreams come true in a chilling novel about martyrdom, ritual, and obsession by the author of We Ate the Dark. Art student Jo Kozak and her fellow classmates and best friends, Caroline, Finch, Amrita, and Saz, are one another’s muses—so close they have their own language and so devoted to the craft that they’ll do anything to keep their inspiration alive. Even if it means naively resorting to the occult to unlock their creativity and to curse their esteemed, if notoriously creepy, professor. They soon learn the horrible price to be paid for such a transgressive ritual. In its violent aftermath, things are changing. Jo is feeling unnervingly haunted by something inexplicable. Their paintings, once prodigious and full of life, are growing dark and unhealthy. And their journey together—as women, students, and artists—is starting to crumble. To right the wrong they’ve done, these five desperate friends will take their obsession a step too far. When that happens, there may be no turning back.

15th July 1988: Emma and Dexter meet for the first time on the night of their graduation. Tomorrow they must go their separate ways. So where will they be on this one day next year? And the year after that? And every year that follows? --back cover

Follow the river Liss to the small town of Thistleford, on the edge of Faerie, and meet two sisters who cannot be separated, even in death. “Oh what is stronger than a death? Two sisters singing with one breath.” In the small town of Thistleford, on the edge of Faerie, dwells the mysterious Hawthorn family. There, they tend and harvest the enchanted willows and honour an ancient compact to sing to them in thanks for their magic. None more devotedly than the family’s latest daughters, Esther and Ysabel, who cherish each other as much as they cherish the ancient trees. But when Esther rejects a forceful suitor in favor of a lover from the land of Faerie, not only the sisters’ bond but also their lives will be at risk…

Shortlisted for the Weatherglass Novella Prize 2024 The Secret History meets Stranger Things Ali Smith says: “Some teenage girls have – yes – performed a spell and hexed the moon. Now the moon, smooth-skinned, street-smart, dryly witty, seductive, powerful beyond belief, is literally hanging out in one of their bedrooms. Pitch Perfect gone cosmic: in stylish sleight of hand and with pleasurable bravado this pop song of a novella reveals the huge issues, importances, losses, survivals, impotence and potencies in the everyday existence of a group of best friends and their families. Full of young-adult wisdom, braiding dark and light together, it’s a charmer.”

From the Sunday Times bestselling author of Starling House, Alix E. Harrow, comes a moving and genre-defying adventure through time – as a reluctant lady knight and a not-so-heroic-historian will fight through time and space to rewrite their tragic fates . . . and finally reveal the truths hidden beneath the greatest legend ever told. It begins where it ends: beneath the yew tree – a girl not yet a knight, and a boy without a story. It is where she pulls a sword from the heartwood and becomes a legend. And it is where, more than a thousand years later, he will find her – and lose her – and find her – and lose her again. It is where a new story will be written – but whose will it be?

There is a Wild Man who lives in the deep quiet of Greenhollow, and he listens to the wood. Tobias, tethered to the forest, does not dwell on his past life, but he lives a perfectly unremarkable existence with his cottage, his cat, and his dryads. When Greenhollow Hall acquires a handsome, intensely curious new owner in Henry Silver, everything changes. Old secrets better left buried are dug up, and Tobias is forced to reckon with his troubled past—both the green magic of the woods, and the dark things that rest in its heart.

Follow a motley crew on an exciting journey through space-and one adventurous young explorer who discovers the meaning of family in the far reaches of the universe-in this light-hearted debut space opera from a rising sci-fi star. Rosemary Harper doesn’t expect much when she joins the crew of the aging Wayfarer. While the patched-up ship has seen better days, it offers her a bed, a chance to explore the far-off corners of the galaxy, and most importantly, some distance from her past. An introspective young woman who learned early to keep to herself, she’s never met anyone remotely like the ship’s diverse crew, including Sissix, the exotic reptilian pilot, chatty engineers Kizzy and Jenks who keep the ship running, and Ashby, their noble captain. Life aboard the Wayfarer is chaotic and crazy—exactly what Rosemary wants. It’s also about to get extremely dangerous when the crew is offered the job of a lifetime. Tunneling wormholes through space to a distant planet is definitely lucrative and will keep them comfortable for years. But risking her life wasn’t part of the plan. In the far reaches of deep space, the tiny Wayfarer crew will confront a host of unexpected mishaps and thrilling adventures that force them to depend on each other. To survive, Rosemary’s got to learn how to rely on this assortment of oddballs—an experience that teaches her about love and trust, and that having a family isn’t necessarily the worst thing in the universe.

A trans artist explores how masculinity was imposed on her as a boy and continues to haunt her as a girl--and how we might re-imagine gender for the twenty-first century. Vivek Shraya has reason to be afraid. Throughout her life she's endured acts of cruelty and aggression for being too feminine as a boy and not feminine enough as a girl. In order to survive childhood, she had to learn to convincingly perform masculinity. As an adult, she makes daily compromises to steel herself against everything from verbal attacks to heartbreak. With raw honesty, Shraya delivers an important record of the cumulative damage caused by misogyny, homophobia, and transphobia, releasing trauma from a body that has always refused to assimilate. I'm Afraid of Men is a journey from camouflage to a riot of color and a blueprint for how we might cherish all that makes us different and conquer all that makes us afraid.

An inspiring and intersectional re-imagining of the path to liberation in Palestine 'An inspiring call to action that deconstructs the many oppressive systems we currently find ourselves struggling against' - Adam Horowitz, Mondoweiss How is the struggle for Palestinian freedom bound up in other freedom struggles, and how are activists coming together globally to achieve justice and liberation for all? In this bold book, Palestinian activist Nada Elia unpacks Zionism, from its hyper militarism to incarceration, its environmental devastation, and gendered violence. She insists that Palestine's fate is linked through bonds of solidarity with other communities crossing racial and gender lines, weaving an intersectional feminist understanding of Israeli apartheid throughout her analysis. She also looks deeper into the interconnectedness of Palestine with Black, migrant, and queer movements, and with other indigenous struggles against settler colonialism, including that of Native Americans. Greater than the Sum of Our Parts is a powerful and hopeful account, highlighting the role of the Palestinian diaspora, youth, and women, and inspired by activists across the world.

Honestly, sometimes I think it’s the only recourse. Killing men in times like these.Joan has spent a lifetime enduring the cruel acts of men. But when one of them commits a shocking act of violence in front of her, she flees New York City in search of Alice, the only person alive who can help her make sense of her past. In the sweltering hills above Los Angeles, Joan unravels the horrific event she witnessed as a child—that has haunted her every waking moment—while forging the power to finally strike back. Here is the electrifying debut novel from Lisa Taddeo, author of the #1 New York Times bestseller and international phenomenon Three Women, which was named to more than thirty best-of-the-year lists and hailed as “a dazzling achievement” (Los Angeles Times) and “a heartbreaking, gripping, astonishing masterpiece” (Esquire). Animal is a depiction of female rage at its rawest, and a visceral exploration of the fallout from a male-dominated society. With writing that scorches and mesmerizes, Taddeo illustrates one woman’s exhilarating transformation from prey into predator.

Exploring the psychological dynamics of the relationship between a precocious yet naïve teenage girl and her magnetic and manipulative teacher, a brilliant, all-consuming read that marks the explosive debut of an extraordinary new writer. 2000. Bright, ambitious, and yearning for adulthood, fifteen-year-old Vanessa Wye becomes entangled in an affair with Jacob Strane, her magnetic and guileful forty-two-year-old English teacher. 2017. Amid the rising wave of allegations against powerful men, a reckoning is coming due. Strane has been accused of sexual abuse by a former student, who reaches out to Vanessa, and now Vanessa suddenly finds herself facing an impossible choice: remain silent, firm in the belief that her teenage self willingly engaged in this relationship, or redefine herself and the events of her past. But how can Vanessa reject her first love, the man who fundamentally transformed her and has been a persistent presence in her life? Is it possible that the man she loved as a teenager—and who professed to worship only her—may be far different from what she has always believed? Alternating between Vanessa’s present and her past, My Dark Vanessa juxtaposes memory and trauma with the breathless excitement of a teenage girl discovering the power her own body can wield. Thought-provoking and impossible to put down, this is a masterful portrayal of troubled adolescence and its repercussions that raises vital questions about agency, consent, complicity, and victimhood. Written with the haunting intimacy of The Girls and the creeping intensity of Room, My Dark Vanessa is an era-defining novel that brilliantly captures and reflects the shifting cultural mores transforming our relationships and society itself.

This page-turning, harrowing debut is the story of a girl trying to fit in, whose obsessive new friends and desperation to belong leads her to places she'd never imagined...dark, dangerous, and possibly even violent. In 1998, a sixteen-year-old girl is found dead. She's posed on a swing on her boarding school's property, dressed all in white, with no known cause of death. Whispers and rumors swirl, with no answers. But there are a few who know what happened; there is one girl who will never forget. One year earlier: a new student, Violet, steps on the campus of Elm Hollow Academy, an all-girl's boarding school on the outskirts of a sleepy coastal town. This is her fresh start, her chance to begin again in the wake of tragedy, leave her demons behind. Bright but a little strange, uncertain and desperate to fit in, she soon finds herself invited to an advanced study group, led by her alluring and mysterious art teacher, Annabel. There, with three other girls--Alex, Grace, and Robin--the five of them delve into the school's long-buried grim history: of Greek and Celtic legends; of the school founder's "academic" interest in the occult; of gruesome 17th century witch trials. Annabel does her best to convince the girls that her classes aren't related to ancient rites and rituals, and that they are just history and mythology. But the more she tries to warn the girls off the topic, the more they drawn to it, and the possibility that they can harness magic for themselves. Violet quickly finds herself wrapped up in this heady new world of lawless power--except she is needled by the disappearance of a former member of the group, one with whom Violet shares an uncanny resemblance. As her friends' actions take a turn for the darker and spiral out of control, she begins to wonder who she can trust, all the while becoming more deeply entangled. How far will these young girls go to protect one another...or to destroy one another?

A subversive literary horror novel that disrupts the tropes of women’s historical fiction with delusions, wild beasts, and the uncontainable power of female rage. The year is 1901, and Ada Byrd ― spinster, schoolmarm, amateur naturalist ― accepts a teaching post in isolated Lowry Bridge, grateful for the chance to re-establish herself where no one knows her secrets. She develops friendships with her neighbors, explores the woods with her students, and begins to see a future in this tiny farming community. Her past ― riddled with grief and shame ― has never seemed so far away. But then, Ada begins to witness strange and grisly a swarm of dying crickets, a self-mutilating rabbit, a malformed faun. She soon believes that something ancient and beastly ― which she calls the grey dog ― is behind these visceral offerings, which both beckon and repel her. As her confusion deepens, her grip on what is real, what is delusion, and what is traumatic memory begins to fail. Ada takes on the wildness of the woods, and begins to wonder which is more dangerous: the grey dog, or herself.