A prizewinning, thrillingly subversive debut novel about a woman in Japan who avoids harassment at work by perpetuating, for nine months and beyond, the lie that she's pregnant When thirty-four-year-old Ms. Shibata gets a new job in Tokyo to escape sexual harassment at her old one, she finds that, as the only woman at her new workplace--a company that manufactures cardboard tubes--she is expected to do all the menial tasks. One day she announces that she can't clear away her colleagues' dirty cups--because she's pregnant and the smell nauseates her. The only thing is . . . Ms. Shibata is not pregnant. Pregnant Ms. Shibata doesn't have to serve coffee to anyone. Pregnant Ms. Shibata isn't forced to work overtime. Pregnant Ms. Shibata rests, watches TV, takes long baths, and even joins an aerobics class for expectant mothers. But pregnant Ms. Shibata also has a nine-month ruse to keep up. Helped along by towel-stuffed shirts and a diary app on which she can log every stage of her "pregnancy," she feels prepared to play the game for the long haul. Before long, though, the hoax becomes all-absorbing, and the boundary between her lie and her life begins to dissolve. A surreal and wryly humorous cultural critique, Diary of a Void is bound to become a landmark in feminist world literature.

Part elegy, part true crime story, this memoir-in-verse from the author of the award-winning The Argonauts expands the notion of how we tell stories and what form those stories take through the story of a murdered woman and the mystery surrounding her last hours. Jane tells the spectral story of the life and death of Maggie Nelson’s aunt Jane, who was murdered in 1969 while a first-year law student at the University of Michigan. Though officially unsolved, Jane’s murder was apparently the third in a series of seven brutal rape-murders in the area between 1967 and 1969. Nelson was born a few years after Jane’s death, and the narrative is suffused with the long shadow her murder cast over both the family and her psyche. Exploring the nature of this haunting incident via a collage of poetry, prose, dream-accounts, and documentary sources, including local and national newspapers, related “true crime” books such as The Michigan Murders and Killer Among Us , and fragments from Jane’s own diaries written when she was 13 and 21, its eight sections cover Jane’s childhood and early adulthood, her murder and its investigation, the direct and diffuse effect of her death on Nelson’s girlhood and sisterhood, and a trip to Michigan Nelson took with her mother (Jane’s sister) to retrace the path of Jane’s final hours. Each piece in Jane has its own form, and the movement from each piece to the next―along with the white space that surrounds each fragment―serve as important fissures, disrupting the tabloid, “page-turner” quality of the story, and eventually returning the reader to deeper questions about girlhood, empathy, identification, and the essentially unknowable aspects of another’s life and death. Equal parts a elegy, memoir, detective story, meditation on violence (and serial, sexual violence in particular), and conversation between the living and the dead, Jane ’s powerful and disturbing subject matter, combined with its innovations in genre, shows its readers what poetry is capable of―what kind of stories it can tell, and how it can tell them.

Han Kang meets Maggie Nelson in these devastating twin novellas offering a rare depiction of the nonbinary experience in contemporary Korean society di is a uniquely sensitive person living in quiet, romantic bliss with their partner, dd. But when dd suddenly dies in a bus crash, di is catapulted into a melancholy, aimless existence. As di struggles with their personal grief, the country around them grapples with a catastrophic event and its political the death of 304 ferry passengers, including 250 high-school students, in the sinking of MV Sewol . Meanwhile, an inquisitive writer whose small world encompasses her same-sex partner, her sister, and her nephew researches a book she may never write. Gradually, the texts she reads—ranging from Nietzsche to Antoine de Saint-Exupéry to Murasaki Shikibu—help her build a theoretical framework solid enough to harbor the lives of other overlooked people like queer families, impoverished gig workers, the disabled, and the elderly. As residents across the country come together to protest the government’s handling of the Sewol ferry disaster, and to impeach the right-wing president in office, the writer Is true change possible? Just as di and dd form a corroborating couplet, dd’s Umbrella is elegantly comprised of twin novellas that bear witness to the lives of those whom mainstream society would not otherwise care to miss. dd’s Umbrella depicts the little-known underside of a society that can be viciously superficial, complicating the shiny, ultra-modern face that South Korea presents to the world. A delicate stylist and a conceptual artist with an unflinching social gaze, Hwang Jungeun’s spare prose is illuminated by arresting imagery, transformative anger, and moments of great lyricism, crafting characters of perfectly calibrated emotional restraint. dd’s Umbrella marks a deeply moving and landmark contribution to contemporary working-class literature.

A sensational new novel from the best-selling author of Less Than Zero and Imperial Bedrooms that tracks a group of privileged Los Angeles high school friends as a serial killer strikes across the city. Bret Easton Ellis's masterful new novel is a story about the end of innocence, and the perilous passage from adolescence into adulthood, set in a vibrantly fictionalized Los Angeles in 1981 as a serial killer begins targeting teenagers throughout the city. 17-year-old Bret is a senior at the exclusive Buckley prep school when a new student arrives with a mysterious past. Robert Mallory is bright, handsome, charismatic, and shielding a secret from Bret and his friends even as he becomes a part of their tightly knit circle. Bret's obsession with Mallory is equaled only by his increasingly unsettling pre-occupation with The Trawler, a serial killer on the loose who seems to be drawing ever closer to Bret and his friends, taunting them--and Bret in particular--with grotesque threats and horrific, sharply local acts of violence. The coincidences are uncanny, but they are also filtered through the imagination of a teenager whose gifts for constructing narrative from the filaments of his own life are about to make him one of the most explosive literary sensations of his generation. Can he trust his friends--or his own mind--to make sense of the danger they appear to be in? Thwarted by the world and by his own innate desires, buffeted by unhealthy fixations, he spirals into paranoia and isolation as the relationship between The Trawler and Robert Mallory hurtles inexorably toward a collision. Set against the intensely vivid and nostalgic backdrop of pre-Less Than Zero LA, The Shards is a mesmerizing fusing of fact and fiction, the real and the imagined, that brilliantly explores the emotional fabric of Bret's life at 17-sex and jealousy, obsession and murderous rage. Gripping, sly, suspenseful, deeply haunting and often darkly funny, The Shards is Ellis at his inimitable best.

A prizewinning, thrillingly subversive debut novel about a woman in Japan who avoids harassment at work by perpetuating, for nine months and beyond, the lie that she's pregnant When thirty-four-year-old Ms. Shibata gets a new job in Tokyo to escape sexual harassment at her old one, she finds that, as the only woman at her new workplace--a company that manufactures cardboard tubes--she is expected to do all the menial tasks. One day she announces that she can't clear away her colleagues' dirty cups--because she's pregnant and the smell nauseates her. The only thing is . . . Ms. Shibata is not pregnant. Pregnant Ms. Shibata doesn't have to serve coffee to anyone. Pregnant Ms. Shibata isn't forced to work overtime. Pregnant Ms. Shibata rests, watches TV, takes long baths, and even joins an aerobics class for expectant mothers. But pregnant Ms. Shibata also has a nine-month ruse to keep up. Helped along by towel-stuffed shirts and a diary app on which she can log every stage of her "pregnancy," she feels prepared to play the game for the long haul. Before long, though, the hoax becomes all-absorbing, and the boundary between her lie and her life begins to dissolve. A surreal and wryly humorous cultural critique, Diary of a Void is bound to become a landmark in feminist world literature.

At once a fiendishly devious mystery, a beguiling love story, and a brilliant symposium on the power of art, My Name Is Red is a transporting tale set amid the splendor and religious intrigue of sixteenth-century Istanbul, from one of the most prominent contemporary Turkish writers. The Sultan has commissioned a cadre of the most acclaimed artists in the land to create a great book celebrating the glories of his realm. Their task: to illuminate the work in the European style. But because figurative art can be deemed an affront to Islam, this commission is a dangerous proposition indeed. The ruling elite therefore mustn’t know the full scope or nature of the project, and panic erupts when one of the chosen miniaturists disappears. The only clue to the mystery–or crime? –lies in the half-finished illuminations themselves. Part fantasy and part philosophical puzzle, My Name is Red is a kaleidoscopic journey to the intersection of art, religion, love, sex and power.

'I was reaping social and valuable financial advice before I'd even finished the first chapter.her experience as a journalist on the money desk for The Times, The Sunday Times and the Guardian allows her to do something that I'd never experienced she explains money clearly. STYLIST; 'Essential reading for all working parents. Read it and take the plunge' GUARDIAN; 'Of course, you need a guide to get started and this is that book. Laura Whateley understands her subject and knows how to explain it in such a way that you will be able to make informed choices about your finances, rather than feeling confused and patronised' THE TIMES About the Laura Whateley is an award-winning journalist and The Times' consumer champion writing the agony aunt column, 'Troubleshooter', and 'Millennial Money' in the Saturday Money section. She also specialises in affordable travel, property, and interiors for The Times and has written for The Sunday Times, the Guardian, the Observer, Dow Jones and Moneywise magazine. She grew up in the West Country and studied PPE at the University of Warwick before moving to East London.

Sophia was made for him. Her perfect husband. She can feel it in her bones. He is perfect. Their home together in Arcadia Gardens is perfect. Everything is perfect. It's just that he's away so much. So often. He works so hard. She misses him. And he misses her. He says he does, so it must be true. He is the perfect husband and everything is perfect. But sometimes Sophia wonders about things. Strange things. Dark things. The look on her husband's face when he comes back from a long business trip. The questions he will not answer. The locked basement she is never allowed to enter. And whenever she asks the neighbors, they can't quite meet her gaze... But everything is perfect. Isn't it?

Did I have a grievance? Most of us, without looking far, could find something that had harmed us, and oppressed us, and unfairly held us back. I tried not to dwell on it, thought it healthier not to, though I’d lived my short life so far in a chaos of privilege and prejudice. Dave Win is thirteen years old when he first goes to stay with the Hadlows, the sponsors of his scholarship at a local boarding school where their son Giles is his contemporary. For Dave this weekend, with its games and challenges and surprising encounters, will open up heady new possibilities, even as it exposes him to Giles’s envy and violence. As Our Evenings unfolds over half a century, the two boys’ careers will diverge dramatically, Dave a gifted actor struggling with convention and discrimination, Giles an increasingly powerful and dangerous politician. Our Evenings is Dave Win’s own account of his life as a schoolboy and student, his first love affairs, in London, and on the road with an experimental theatre company, and of a late-life affair, which transforms his sixties with a new sense of happiness and a perilous security; but it is also, very movingly, the story of his hard-working widowed mother, whose own life takes an unexpected new turn after her son leaves home. Both dark and luminous, poignant and wickedly funny, Alan Hollinghurst’s new novel gives us a portrait of modern England through the lens of one man’s acutely observed and often unnerving experience. It is a story of race and class, theatre and sexuality, love and the cruel shock of violence, from the finest writer of our age.

It is just before New Year’s. Frank, an overweight American tourist, has hired Kenji to take him on a guided tour of Tokyo’s sleazy nightlife. But Frank’s behavior is so strange that Kenji begins to entertain a horrible suspicion – that his new client is in fact the serial killer currently terrorizing the city. It is not until later, however, that Kenji learns exactly how much he has to fear and how irrevocably his encounter with this great white whale of an American will change his life.From postmodern Renaissance man Ryu Murakami, master of the psycho-thriller and director of Tokyo Decadence, comes this shocking, hair-raising, roller-coaster ride through the nefarious neon-lit world of Tokyo’s sex industry.

After spending sixteen years in prison for a crime of the heart, Shiro Kikutani is released into a world he no longer recognizes. He must readjust to the bright and vigorous stimulus of Tokyo while fending off his own dark memories. In a spare yet powerful style, Akira Yoshimura paints the psychology of a quiet man navigating his way through the unsuspected traumas of freedom-finding a job, finding a home, even something as simple as buying an alarm clock. Kikutani takes comfort in the numbing repetition of his new daily life, only to be drawn inexorably back to the scene of his crime. A subtly powerful story, On Parole explores the fragile life of a murderer and the conditions of freedom in an unforgiving society. Yoshimura's startling novel raises provocative questions of guilt and redemption.

A clear and concise guide to the politics of post-Roe America, for readers eager to understand the attacks on our bodies and freedom—and to do something about it In this, her most urgent book yet, New York Times–bestselling author Jessica Valenti dispels misinformation and cuts through the headline overwhelm to illuminate the full-scale assault conservative lawmakers have launched on women’s freedom—and fundamental human rights. Valenti provides the language to talk about abortion with confidence and the facts to convince. American voters overwhelmingly support abortion rights and have for decades. In the years since Roe v. Wade was overturned, that support has been growing, as nearly seventy-percent of Americans want abortion to be legal in the first three months of pregnancy, and sixty-three percent want abortion medication to be legal. Abortion is among the key tools conservatives use to roll back decades of advances for women, but here Valenti arms readers with the truth needed to fight back and win, not only at the dinner table but at the polling station and all the way to the Supreme Court.