“What I've found does the most good is just to get into a taxi and go to Tiffany's. It calms me down right away, the quietness and the proud look of it; nothing very bad could happen to you there, not with those kind men in their nice suits...” Meet Holly Golightly – a free spirited, lop-sided romantic girl about town. With her tousled blond hair and upturned nose, dark glasses and chic black dresses, Holly is a style sensation wherever she goes. Her apartment rocks to Martini-soaked parties and she plays hostess to millionaires and gangsters alike. Yet Holly never loses sight of her ultimate dream – to find a real-life place like Tiffany's that makes her feel at home. Full of sharp wit and exuberant, larger-than-life characters, which vividly capture the restless, madcap era of 1940s New York, Breakfast at Tiffany's will make you fall in love, perhaps for the first time, with a book.

Conducts a brief survey of Soviet cinema from the 1890s to modern-day "glasnost."

A personal interpretation of the impact of the Chernobyl disaster both in the Soviet Union and the West, examining the environmental consequences, Soviet media coverage, reconstruction of life in the disaster zone (including the city built for Chernobyl workers) and safety changes in the industry.

From the Pulitzer Prize-winning author of Prairie Fires comes a terrifying true-crime history of serial killers in the Pacific Northwest - a gripping investigation of how a new strain of psychopath emerged out of a toxic landscape of deadly industrial violence Caroline Fraser grew up in the shadow of Ted Bundy, the most notorious serial murderer of women in American history, surrounded by his hunting grounds and mountain body dumps, in the brooding landscape of the Pacific Northwest. But in the 1970s and 80s, Bundy was just one perpetrator amid an uncanny explosion of serial rape and murder across the region. Why so many? Why so weirdly and nightmarishly gruesome? Why the senseless rise and then sudden fall of an epidemic of serial killing? As Murderland indelibly maps the lives and careers of Bundy and his infamous peers in mayhem - the Green River Killer, the I-5 Killer, the Night Stalker, the Hillside Strangler, even Charles Manson - Fraser's Northwestern death trip begins to uncover a deeper mystery and an overlapping pattern of environmental destruction. At ground zero in Ted Bundy's Tacoma, stood one of the most poisonous lead, copper, and arsenic smelters in the world, but it was only one among many that dotted the area. As Fraser's investigation inexorably proceeds, evidence mounts that the plumes of western smelters not only sickened and blighted millions of lives, but also warped young minds, spawning a generation of serial killers. A propulsive non-fiction thriller, Murderland transcends true-crime voyeurism and noir mythology, taking readers on a profound quest into the dark heart of the real American berserk.

Documentary films are often celebrated with aural they give “voice” to the “voiceless” and ask the public to “listen.” But when did listening become synonymous with social justice? How exactly do documentaries train audiences to listen when they ask them to right historic wrongs or hold power to account?The Documentary Audit challenges the association of listening with accountability and charts oppositional modes of listening otherwise. Pooja Rangan develops a framework for understanding how documentary practices have, under the mantle of accountability, provided a moral cover for listening habits that are used to profile, exclude, and incarcerate.From the British Crown’s promotional films to Zoom meeting recordings, from disability-informed filmmaking in Japan to forensic efforts to expose anti-Palestinian violence in Hebron, Rangan explores how historical and contemporary practitioners have challenged and refused the lures of normative documentary listening habits in order to listen with an accent, listen in crip time, and listen like an abolitionist. Through an interdisciplinary approach that bridges documentary and sound studies while considering raciolinguistics, disability access, and legal forensics, Rangan demonstrates how the question of listening is central to the study of documentary. Far from being a neutral ethic, The Documentary Audit shows, listening creates the reality it purports to verify—with transformative political possibilities.