A masterpiece of rebellion and imprisonment where war is peace freedom is slavery and Big Brother is watching Thought Police Big Brother Orwellian These words have entered our vocabulary because of George Orwell s classic dystopian novel 1984 The story of one man s nightmare odyssey as he pursues a forbidden love affair through a world ruled by warring states and a power structure that controls not only information but also individual thought and memory 1984 is a prophetic haunting tale More relevant than ever before 1984 exposes the worst crimes imaginable the destruction of truth freedom and individuality With a foreword by Thomas Pynchon With a foreword by Thomas Pynchon A masterpiece of rebellion and imprisonment where war is peace freedom is slavery and Big Brother is watching View our feature on George Orwell s 1984 Thought Police Big Brother Orwellian These words have entered our vocabulary because of George Orwell s classic dystopian novel 1984 The story of one man s nightmare odyssey as he pursues a forbidden love affair through a world ruled by warring states and a power structure that controls not only information but also individual thought and memory 1984 is a prophetic haunting tale More relevant than ever before 1984 exposes the worst crimes imaginable the destruction of truth freedom and individuality This beautiful paperback edition features deckled edges and french flaps a perfect gift for any occasion Alternate cover edition can be found here.

The adventures of Christopher Robin and his friends in which Pooh Bear uses a balloon to get honey, Piglet meets a Heffalump, and Eeyore has a birthday.

In this widely praised follow-up to her National Book Award-winning first volume of memoirs, An Unfinished Woman, the legendary playwright Lillian Hellman looks back at some of the people who, wittingly or unwittingly, exerted profound influence on her development as a woman and a writer. The portraits include Hellman's recollection of a lifelong friendship that began in childhood, reminiscences that formed the basis of the Academy Award-winning film Julia.

An enquiry into the nature or eroticism, an unflinching exploration of the physical and psychological aspects of love bordering on sexual mysticism, Out of Oneself is a collection of two novellas that explore two different epochs in Hungarian history through the sexual relationships of its characters. One, an agonizing love triangle between an extraordinarily beautiful stage actress, a young Catholic priest, and a Jewish engineer in the 1930s, the other, the ecstatic union of an auto mechanic-cum-screenwriter and a young movie actress who promises redemption through pure sensuality in Budapest of the 1980s, these form the central constellations for the author's exploration of carnality's relationship to spirituality. Though chronologically separated by half a century, one story resonates with the other through what Pályi calls the "language of the body." Pályi's characters are passionately searching for a way out of their hapless and sinful world. Each story revolves around a seductive, alluring actress, whose erotic attraction is turned into mythic proportion by the aura of the stage or the screen in scenes of obsessive sexual explicitness. But beyond the focus on carnal relationships, Pályi's writing give us a vivid portrayal of their times: the swan song of the Hungarian "Christian regime" on the eve of World War II, with the specter of the Holocaust looming menacingly, and the disintegration of "goulash Communism" just prior to the changes of the late 1980s. According to Péter Nádas, Pályi "is among those few who see clearly the chaos of the realignment of Hungarian society, a process that has been going on for fifty years ..." The historical milieu, however, is secondary. Like with most of Pályi's work, his meditation on carnal pleasure places sensuality as the substitute for a transcendence that is absent. The thirst for redemption and transubstantiation exhibited by his characters is quenched only by sex and death. The current volume introduces to the English-speaking world the "otherness" of a writer — considered to be one of Hungary's leading, though he has managed to avoid becoming fashionable — capable of creating extraordinary atmospheres.

Published in 1942 by French author Albert Camus, The Stranger has long been considered a classic of twentieth-century literature. Le Monde ranks it as number one on its "100 Books of the Century" list. Through this story of an ordinary man unwittingly drawn into a senseless murder on a sundrenched Algerian beach, Camus explores what he termed "the nakedness of man faced with the absurd."

Since its immediate success in 1813, Pride and Prejudice has remained one of the most popular novels in the English language. Jane Austen called this brilliant work "her own darling child" and its vivacious heroine, Elizabeth Bennet, "as delightful a creature as ever appeared in print." The romantic clash between the opinionated Elizabeth and her proud beau, Mr. Darcy, is a splendid performance of civilized sparring. And Jane Austen's radiant wit sparkles as her characters dance a delicate quadrille of flirtation and intrigue, making this book the most superb comedy of manners of Regency England. Alternate cover edition of ISBN 9780679783268

Alan Conway is a bestselling crime writer. His editor, Susan Ryeland, has worked with him for years, and she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. Alan's traditional formula pays homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers. It's proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job. When Susan receives Alan's latest manuscript, in which Atticus Pünd investigates a murder at Pye Hall, an English manor house, she has no reason to think it will be any different from the others. There will be dead bodies, a cast of intriguing suspects, and plenty of red herrings and clues. But the more Susan reads, the more she realizes that there's another story hidden in the pages of the manuscript—one of ambition, jealousy, and greed—and that soon it will lead to murder. Masterful, clever, and ruthlessly suspenseful, Magpie Murders is a deviously dark take on vintage crime fiction.

EVERYONE HAS SOMETHING TO HIDE - ESPECIALLY HIGH SCHOOL JUNIORS SPENCER, ARIA, EMILY, AND HANNASpencer covets her sister's boyfriend. Aria's fantasizing about her English teacher. Emily's crushing on the new girl at school. Hanna uses some ugly tricks to stay beautiful. But they've all kept an even bigger secret since their friend Alison vanished.How do I know? Because I know everything about the bad girls they were, the naughty girls they are, and the dirty secrets they've kept. And guess what? I'm telling.

No one speaks of the grace year. It’s forbidden. In Garner County, girls are told they have the power to lure grown men from their beds, to drive women mad with jealousy. They believe their very skin emits a powerful aphrodisiac, the potent essence of youth, of a girl on the edge of womanhood. That’s why they’re banished for their sixteenth year, to release their magic into the wild so they can return purified and ready for marriage. But not all of them will make it home alive. Sixteen-year-old Tierney James dreams of a better life—a society that doesn’t pit friend against friend or woman against woman, but as her own grace year draws near, she quickly realizes that it’s not just the brutal elements they must fear. It’s not even the poachers in the woods, men who are waiting for a chance to grab one of the girls in order to make a fortune on the black market. Their greatest threat may very well be each other. With sharp prose and gritty realism, The Grace Year examines the complex and sometimes twisted relationships between girls, the women they eventually become, and the difficult decisions they make in-between.

Henry Jame's chilling ghost story begins when a governess arrives at an English country estate to look two young children, Miles and Flora. At first, everything appears normal then one night a ghost appears before the governess. It is the dead lover of Miss Jessel, the former governess. Later, the ghost of Miss Jessel herself appears before the governess and the little girl. The children, however, adamantly refuse to acknowledge the presence of the two spirits, although there are indications that there is some evil communication between the children and the ghosts.

A romance writer who no longer believes in love and a literary writer stuck in a rut engage in a summer-long challenge that may just upend everything they believe about happily ever afters. Augustus Everett is an acclaimed author of literary fiction. January Andrews writes bestselling romance. When she pens a happily ever after, he kills off his entire cast. They’re polar opposites. In fact, the only thing they have in common is that for the next three months, they’re living in neighboring beach houses, broke, and bogged down with writer’s block. Until, one hazy evening, one thing leads to another and they strike a deal designed to force them out of their creative ruts: Augustus will spend the summer writing something happy, and January will pen the next Great American Novel. She’ll take him on field trips worthy of any rom-com montage, and he’ll take her to interview surviving members of a backwoods death cult (obviously). Everyone will finish a book and no-one will fall in love. Really.