Anne Rice brings to life the exquisite and otherworldly society of the eighteenth-century castrati, the delicate and alluring male sopranos whose graceful bodies and glorious voices brought them the adulation of the royal courts and grand opera houses of Europe, men who lived as idols, concealing their pain as they were adored as angels, yet shunned as half-men.As we are drawn into their dark and luminous story, as the crowds of Venetians, Neopolitans, and Romans, noblemen and peasants, musicians, prelates, princes, saints, and intriguers swirl around them, Anne Rice brings us into the sweep of eighteenth-century Italian life, into the decadence beneath the shimmering surface of Venice, the wild frivolity of Naples, and the magnetic terror of its shadow, Vesuvius.

Now a Netflix original movie, this deeply scary and intensely unnerving novel follows a couple in the midst of a twisted unraveling of the darkest unease. You will be scared. But you won’t know why…I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always. Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.” And here’s what I’m thinking: I don’t want to be here. In this smart and intense literary suspense novel, Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Tense, gripping, and atmospheric, I’m Thinking of Ending Things pulls you in from the very first page…and never lets you go.

By the acclaimed author of Moxie, a funny, bighearted adult debut that is at once an ode to educators, a timely glimpse at today’s pressing school issues, and a tender character study, following a sprawling cast of teachers, administrators, and staff at a Texas high school With its ensemble of warm and unforgettable characters, The Faculty Lounge shows readers a different side of school life. It all starts when an elderly substitute teacher at Baldwin High School is found dead in the faculty lounge. After a bit of a stir, life quickly returns to normal—it’s not like it’s the worst (or even most interesting) thing that has happened within the building’s walls. But when, a week later, the spontaneous scattering of his ashes on the school grounds catches the attention of some busybody parents, it sets in motion a year that can only be described as wild, bizarre, tragic, mundane, beautiful, and humorous all at once. In the midst of the ensuing hysteria and threats of disciplinary action, the novel peeks into the lives of the implicated adults who, it turns out, actually have first names and continue to exist when the school day is done. We a former punk band front man, now a middle-aged principal who must battle it out with the schoolboard to keep his job; a no-nonsense school nurse willing to break the rules, despite the close watch on their campus, when a student arrives at her office with a dilemma; and a disgruntled English instructor who finds himself embroiled in even more controversy when he misfires a snarky email. Oh, and there’s also a teacher make-out session in a supply closet during a lockdown. As these people continue to manage the messiness of this school year, there is the looming threat of what will become of their beloved Baldwin High. Ultimately, at the heart of this unconventional workplace novel is a story of the power of human connection and of the joy of finding purpose in what it is we do every day.

Twenty-one-year-old Tanner Quimby needs a place to live. Preferably one where she can continue sitting around in sweatpants and playing video games nineteen hours a day. Since she has no credit or money to speak of, her options are limited, so when an opportunity to work as a live-in caregiver for an elderly woman falls into her lap, she takes it. One slip on the rug. That’s all it took for Louise Wilt’s daughter to demand that Louise have a full-time nanny living with her. Never mind that she can still walk fine, finish her daily crossword puzzle, and pour the two fingers of vodka she drinks every afternoon. Bottom line -- Louise wants a caretaker even less than Tanner wants to be one. The two start off their living arrangement happily ignoring each other until Tanner starts to notice things—weird things. Like, why does Louise keep her garden shed locked up tighter than a prison? And why is the local news fixated on the suspect of one of the biggest jewelry heists in American history who looks eerily like Louise? And why does Louise suddenly appear in her room, with a packed bag at 1 a.m. insisting that they leave town immediately? Thus begins the story of a not-to-be-underestimated elderly woman and an aimless young woman who—if they can outrun the mistakes of their past—might just have the greatest adventure of their lives.

First comes love, then comes murder.In a London slowly recovering from World War II, two very different women join forces to launch a business venture in the heart of Mayfair--The Right Sort Marriage Bureau. Miss Iris Sparks, quick-witted and impulsive, and Mrs. Gwendolyn Bainbridge, practical and widowed with a young son, are determined to achieve some independence and do some good in a rapidly changing world. But the promising start to their marriage bureau is threatened when their newest client, Tillie La Salle, is found murdered and the man arrested for the crime is the prospective husband they matched her with. While the police are convinced they have their man, Miss Sparks and Mrs. Bainbridge are not. To clear his name--and to rescue their fledging operation's reputation--Sparks and Bainbridge decide to investigate on their own, using the skills and contacts they've each acquired through life and their individual adventures during the recent war. Little do they know that this will put their very lives at risk.

Allison Montclair returns with the fourth Sparks & Bainbridge mystery, The Unkept Woman : London, 1946, Miss Iris Sparks--currently co-proprietor of the Right Sort Marriage Bureau--has to deal with aspects of her past exploits during the recent war that have come back around to haunt her. The Right Sort Marriage Bureau was founded in 1946 by two disparate individuals - Mrs. Gwendolyn Bainbridge (whose husband was killed in the recent World War) and Miss Iris Sparks who worked as an intelligence agent during the recent conflict, though this is not discussed. While the agency flourishes in the post-war climate, both founders have to deal with some of the fallout that conflict created in their personal lives. Miss Sparks finds herself followed, then approached, by a young woman who has a very personal connection to a former paramour of Sparks. But something is amiss and it seems that Iris's past may well cause something far more deadly than mere disruption in her personal life. Meanwhile, Gwendolyn is struggling to regain full legal control of her life, her finances, and her son - a legal path strewn with traps and pitfalls. Together these indomitable two are determined and capable and not just of making the perfect marriage match.

Anne Rice brings to life the exquisite and otherworldly society of the eighteenth-century castrati, the delicate and alluring male sopranos whose graceful bodies and glorious voices brought them the adulation of the royal courts and grand opera houses of Europe, men who lived as idols, concealing their pain as they were adored as angels, yet shunned as half-men.As we are drawn into their dark and luminous story, as the crowds of Venetians, Neopolitans, and Romans, noblemen and peasants, musicians, prelates, princes, saints, and intriguers swirl around them, Anne Rice brings us into the sweep of eighteenth-century Italian life, into the decadence beneath the shimmering surface of Venice, the wild frivolity of Naples, and the magnetic terror of its shadow, Vesuvius.