From Alix E. Harrow, the New York Times bestselling author of Starling House, comes a moving and genre-defying quest about the lady-knight whose legend built a nation, and the cowardly historian sent back through time to make sure she plays her part–even if it breaks his heart. Sir Una Everlasting was Dominion’s greatest hero: the orphaned girl who became a knight, who died for queen and country. Her legend lives on in songs and stories, in children’s books and recruiting posters—but her life as it truly happened has been forgotten. Centuries later, Owen Mallory—failed soldier, struggling scholar—falls in love with the tale of Una Everlasting. Her story takes him to war, to the archives—and then into the past itself. Una and Owen are tangled together in time, bound to retell the same story over and over again, no matter what it costs. But that story always ends the same way. If they want to rewrite Una’s legend—if they want to tell a different story--they’ll have to rewrite history itself.

Here, archaeologically documented,is the story of the religion of the Goddess. Under her, women’s roles were far more prominent than in patriarchal Judeo-Christian cultures. Stone describes this ancient system and, with its disintegration, the decline in women’s status.

'A vital read, not just for parents but anyone who values the next generation' Psychologies'A provocative new book which challenges every aspect of modern parenting' Daily MailSociety is making great strides in increasing awareness of oppression and injustice, but one group remains children. Commonly recommended parenting and discipline methods treat children in ways that would cause uproar if adults were treated similarly. Children's needs and feelings are frequently dismissed and ignored by adults. Children are taught to blindly obey adults in the name of 'respect', although respect is so rarely shown to them. We are a society that is afraid of treating children kindly, as evidenced by the almost constant uproar and ridicule of the 'gentle parenting' movement. In this timely book, bestselling author and parenting expert Sarah Ockwell-Smith blends childcare history, sociology, psychology and current affairs to raise awareness of childism - the unconscious discrimination of children in our world - and why it impacts everybody. Essential for parents, carers, teachers and anybody who works with children, Because I Said So! is both a thought-provoking guide and an urgent call to action. It will help you to understand your own upbringing and how this has shaped your beliefs and behaviour; prompt you to consider the prevalence of childism in society today, so that you can change the way you look after the children in your care or reinforce the approach you are already taking; and consider how we can transform the way our society treats children to create positive, lasting change for generations to come. Childism is an issue that has been ignored and avoided for far too long. If we want to change the world for the better, we must start with treating our children better.

New York Times bestselling author Alix E. Harrow weaves a dystopian fairy tale that follows the town storyteller as she struggles to protect a local demon from the knight hired to kill it. In this gritty, haunting tale about doing whatever it takes for love, a small-town storyteller resolves to keep the local monster—and her own secrets—safe from a legendary knight. Nestled deep in the steep hills, valleys, and surrounding woodlands lies Iron Hollow, a rural community beset by demons. Such horrors are common in the outlands, where most folks die young, if they don’t turn into monsters first. But what’s causing these transformations? No one has the answer, not even the town’s oral historian, seventeen-year-old Shrike. And when a legendary knight is summoned to hunt down the latest beast to haunt their woods, Shrike has more reason than most to be concerned. Because that demon was her wife. And while Shrike is certain that May still recognizes her—that May is still human, somewhere beneath it all—she can’t prove it. Determined to keep May safe, Shrike stalks the knight and his demon-hunting hawk through the recesses of the forest. But as they creep through toxic creeks and overgrown kudzu, Shrike realizes the knight has a secret of his own. And he’ll do anything to protect it.

The Saint of War spares the life of a servant girl so she can fulfill her destiny as the kingdom’s greatest warrior in this short story of love and loyalty by New York Times bestselling author Alix E. Harrow. Always mindful of the debt she owes, the girl finds her worth as a weapon in the hand of the Prince. Her victories make him a king, then an emperor. The bards sing her name and her enemies fear it. But the war never ends and the cost keeps rising—how many times will she repeat her own story?

Oscar Wilde’s only novel is the dreamlike story of a young man who sells his soul for eternal youth and beauty. In this celebrated work Wilde forged a devastating portrait of the effects of evil and debauchery on a young aesthete in late-19th-century England. Combining elements of the Gothic horror novel and decadent French fiction, the book centers on a striking premise: As Dorian Gray sinks into a life of crime and gross sensuality, his body retains perfect youth and vigor while his recently painted portrait grows day by day into a hideous record of evil, which he must keep hidden from the world. For over a century, this mesmerizing tale of horror and suspense has enjoyed wide popularity. It ranks as one of Wilde's most important creations and among the classic achievements of its kind.

A celebration of healing ways of women offers a philosophical and practical approach to wellness that integrates body, mind, and spirit and uses stories, myths, and parables to teach women to connect with the inherent strength and knowledge of their bodies.

Examining cultures as diverse as long-house dwellers in North Borneo, African farmers, Welsh housewives, and postindustrial American workers, this volume dramatically redefines the anthropological study of menstrual customs. It challenges the widespread image of a universal "menstrual taboo" as well as the common assumption of universal female subordination which underlies it. Contributing important new material and perspectives to our understanding of comparative gender politics and symbolism, it is of particular importance to those interested in anthropology, women's studies, religion, and comparative health systems.

There is a Wild Man who lives in the deep quiet of Greenhollow, and he listens to the wood. Tobias, tethered to the forest, does not dwell on his past life, but he lives a perfectly unremarkable existence with his cottage, his cat, and his dryads. When Greenhollow Hall acquires a handsome, intensely curious new owner in Henry Silver, everything changes. Old secrets better left buried are dug up, and Tobias is forced to reckon with his troubled past—both the green magic of the woods, and the dark things that rest in its heart.

In the late 1800s, three sisters use witchcraft to change the course of history in Alix E. Harrow's powerful novel of magic and the suffragette movement. In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box. But when the Eastwood sisters -- James Juniper, Agnes Amaranth, and Beatrice Belladonna -- join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement. Stalked by shadows and sickness, hunted by forces who will not suffer a witch to vote -- and perhaps not even to live -- the sisters will need to delve into the oldest magics, draw new alliances, and heal the bond between them if they want to survive. There's no such thing as witches. But there will be. An homage to the indomitable power and persistence of women, The Once and Future Witches reimagines stories of revolution, sapphic love, motherhood, and women's suffrage--the lost ways are calling.

Mistress Gideon is a witch. The locals of Edda's Meadow, if they suspect it of her, say nary a word—Gideon has been good to them, and it's always better to keep on her good side. Just in case. When a foolish young shapeshifter goes against the wishes of her pack, and gets herself very publicly caught, the authorities find it impossible to deny the existence of the supernatural in their midst any longer; Gideon and her like are captured, bound for torture and a fiery end. Should Gideon give up her sisters in return for a quick death? Or can she turn the situation to her advantage?