Say “algae” and most people think of pond scum. What they don’t know is that without algae, none of us would exist. There are as many algae on Earth as stars in the universe, and they have been essential to life on our planet for eons. Algae created the Earth we know today, with its oxygen-rich atmosphere, abundant oceans, and coral reefs. Crude oil is made of dead algae, and algae are the ancestors of all plants. Today, seaweed production is a multibillion-dollar industry, with algae hard at work to make your sushi, chocolate milk, beer, paint, toothpaste, shampoo, and so much more.   In Slime we’ll meet the algae innovators working toward a sustainable future: from seaweed farmers in South Korea, to scientists using it to clean the dead zones in our waterways, to the entrepreneurs fighting to bring algae fuel and plastics to market.   With a multitude of lively, surprising science and history, Ruth Kassinger takes readers on an around-the-world, behind-the-scenes, and into-the-kitchen tour. Whether you thought algae was just the gunk in your fish tank or you eat seaweed with your oatmeal, Slime will delight and amaze with its stories of the good, the bad, and the up-and-coming.

The Cat Who Saved Books is a heart-warming story about finding courage, caring for others – and the tremendous power of books. Grandpa used to say it all the time: 'books have tremendous power'. But what is that power really? Natsuki Books was a tiny second-hand bookshop on the edge of town. Inside, towering shelves reached the ceiling, every one crammed full of wonderful books. Rintaro Natsuki loved this space that his grandfather had created. He spent many happy hours there, reading whatever he liked. It was the perfect refuge for a boy who tended to be something of a recluse. After the death of his grandfather, Rintaro is devastated and alone. It seems he will have to close the shop. Then, a talking tabby cat called Tiger appears and asks Rintaro for help. The cat needs a book lover to join him on a mission. This odd couple will go on three magical adventures to save books from people who have imprisoned, mistreated and betrayed them. Finally, there is one last rescue that Rintaro must attempt alone . . . Sosuke Natsukawa's international bestseller, translated from Japanese by Louise Heal Kawai, is a story for those for whom books are so much more than words on paper.

Challenging every preconception about storytelling and prose style, mixing wry humor and riveting emotional depth, Kawakami is today one of Japan’s most important and best-selling writers. She exploded onto the cultural scene first as a musician, then as a poet and popular blogger, and is now an award-winning novelist. Breasts and Eggs paints a portrait of contemporary womanhood in Japan and recounts the intimate journeys of three women as they confront oppressive mores and their own uncertainties on the road to finding peace and futures they can truly call their own. It tells the story of three women: the thirty-year-old Natsu, her older sister, Makiko, and Makiko’s daughter, Midoriko. Makiko has traveled to Tokyo in search of an affordable breast enhancement procedure. She is accompanied by Midoriko, who has recently grown silent, finding herself unable to voice the vague yet overwhelming pressures associated with growing up. Her silence proves a catalyst for each woman to confront her fears and frustrations. On another hot summer’s day ten years later, Natsu, on a journey back to her native city, struggles with her own indeterminate identity as she confronts anxieties about growing old alone and childless.

“A Dickensian sweep and a vast cast of characters, Upadhyay created an ancient world saturated with the spirit of our time and shaped by political ambition and dark vision . . . A grand novel indeed.” —Ha Jin, National Book Award–winning author of Waiting An epic tale of love and political violence set in earthquake-ravaged Darkmotherland, a dystopian reimagining of Nepal, from the Whiting Award–winning author of Arresting God in Kathmandu In Darkmotherland, Nepali writer Samrat Upadhyay has created a novel of infinite embrace—filled with lovers and widows, dictators and dissidents, paupers, fundamentalists, and a genderqueer power player with her eyes on the throne—in an earthquake-ravaged dystopian reimagining of Nepal. At its heart are two intertwining narratives: one of Kranti, a revolutionary’s daughter who marries into a plutocratic dynasty and becomes ensnared in the family’s politics. And then there is the tale of Darkmotherland’s new dictator and his mistress, Rozy, who undergoes radical body changes and grows into a figure of immense power. Darkmotherland is a romp through the vast space of a globalized universe where personal ambitions are inextricably tied to political fortunes, where individual identities are shaped by family pressures and social reins, and where the East connects to and collides with the West in brilliant and unsettling ways.

A perilous and fantastical satire of banned books, secret libraries, and the looming eye of an all-powerful government. The new book censor hasn’t slept soundly in weeks. By day he combs through manuscripts at a government office, looking for anything that would make a book unfit to publish―allusions to queerness, unapproved religions, any mention of life before the Revolution. By night the characters of literary classics crowd his dreams, and pilfered novels pile up in the house he shares with his wife and daughter. As the siren song of forbidden reading continues to beckon, he descends into a netherworld of resistance fighters, undercover booksellers, and outlaw librarians trying to save their history and culture. Reckoning with the global threat to free speech and the bleak future it all but guarantees, Bothayna Al-Essa marries the steely dystopia of Orwell’s 1984 with the madcap absurdity of Carroll’s Alice in Wonderland, resulting in a dreadful twist worthy of Kafka. The Book Censor’s Library is a warning call and a love letter to stories and the delicious act of losing oneself in them.

Harry Dresden, Chicago’s only professional wizard, has always managed to save the day—but, in this powerful entry in the Dresden Files, can he save himself? One year. 365 days. Twelve months. Harry Dresden has been through a lot, and so has his city. After Harry and his allies narrowly managed to save Chicago from being razed, everything is different—and it’s not just the current lack of electricity. Harry lost people he cared about in the battle, and that’s the kind of loss that takes a toll. Harry being Harry, he’s doing his best to help the city and his friends recover and rebuild, but it’s a heavy load. He needs time. Time is one thing Harry doesn’t have, however. Ghouls are prowling Chicago and killing innocent civilians. Harry’s brother is dying, and Harry doesn’t know how to help him. And last but certainly not least, the Winter Queen of the Fae has allied with the White Court of vampires—and Harry’s been betrothed to the seductive, deadly vampire Lara Raith to seal the deal. It’s been a tough year. More than ever, the city needs Harry Dresden the wizard—but after loss and grief, is there enough left of him to rise to the challenge?

A spellbinding story about two girls whose friendship is so intense it not only threatens to destroy them, it changes the trajectory of history. Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood. Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly. Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more. Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.

A heady, dark-hued Gothic gem of a debut in nineteenth-century Bulgaria, a self-proclaimed vampire slayer—actually, a traveling con artist—joins forces with a teenage girl to create a monster deadly enough to vanquish their own demons.  We make monsters in order to destroy them. For thousands of years, we’ve named witches and burned them, suspected demons and exorcised them. When crops die and children fall ill, who better to blame than a monster? In nineteenth-century Bulgaria, Yana rides from one desolate town to the next, staging grisly displays while the villagers animal corpses in the public square, eggs filled with blood in the chicken coop. She tells the stricken villagers stories of vampires that stalk the night. Then Yana eliminates the threat, and leaves seeds of hope in her wake. The village of Koprivici, however, is plagued by exceptional illness and misfortune, its children rarely surviving infancy. There, Yana meets a headstrong orphan who the villagers blame for their curse. As Anka approaches womanhood, the village Captain is grooming her for marriage against her will. Anka is powerless against him—that is, until Yana arrives. Together, the orphan and the vampire slayer hatch a to conjure a monster so vile, it might provide cover for Anka to escape. But their plan quickly takes on a horrifying life of its own... Inspired by Slavic folklore, She Made Herself a Monster concocts a clever mix of witchery, ghost stories, heresy, and deception to spin a feminist fable about agency and the power of collective action. It is a haunting and astoundingly cathartic tale of two women who will stop at nothing to take control of their fate. 

A powerful, award-winning novel that follows the lives of two women as democracy starts to crumble in Hong Kong.On a weekend morning, college roommates, Ah Li and Panda, wake up with very different reactions to the night before. They have been chased and tear-gassed in the streets of their city after joining tens of thousands of others to protest a national security law that would effectively spell the end of democracy in Hong Kong. Ah Li couldn’t get out of bed, her heart heavy with the lingering images of the police and the violence on the streets, and her worries about the future of her hometown. Panda, whose resistance is no less ardent, put on a sundress, lines her eyes and urges Ah Li to join her for brunch.While the demonstrations rage, the routine of life also persists for Ah Li, Panda and people in their orbits. They attend family gatherings, fight with their mothers, try and fail to focus at work on Mondays, and make time for dinner dates and app hookups. But the looming political tension and anxiety for the future transform such everyday encounters. In the span of a few months, life as they know it seems to become a the comfort of air-conditioned shopping malls is disrupted by bloodshed; tear gas and sounds of rubber bullets amid neon signs strangely evoke happier memories of summer night fireworks.Leung Lee Chi’s visceral novel Everyday Movement reveals existential questions that interrupt normal belonging, patriotism, the meaningfulness of an electoral democracy as well as the pampering sense of norm created by consumerism. Fiery and tender, Leung’s writing captures the heartbreak, turmoil and rebirth in bearing witness to and engaging with a shattering reality.

From the author of Love at First Set, a hilariously sexy enemies-to-lovers, second-chance rom-com about a reclusive former child star turned florist whose quiet life is turned upside down when her annoyingly hot ex (and former costar) shows up in town, with plans to write a tell-all memoir. Former child star Anderson “Andy” Ducharme is hiding—has been for a long time, if she’s honest with herself, which she isn’t. When she suddenly cut off all ties and left LA six years earlier to work in a flower shop in coastal New England, she wasn’t just running away from toxic relationships, embezzling agents, and all the rest of her Hollywood life; she was running to something… sort of, if you squinted, and if you accepted that what she was running toward was little more than a vacation daydream she had made up with her (in)famous ex, and former costar, Nicole “Nikki” Price. Then Nikki announces her plan to write a tell-all book about growing up in Hollywood and their tumultuous time on the Nik and Andy show, and Andy’s feelings of hurt and betrayal come rushing back. Emboldened by anger (and maybe one too many drinks), Andy does something very she texts her ex for the first time in years. No one’s more shocked than Andy when Nikki actually shows up to her small florist shop, looking for answers. Andy is fully prepared to send Nikki away, but it seems Nikki has some unfinished business as well. Now that she finally knows where Andy’s been hiding, she’s not letting her go so easy. And with each passing encounter, Andy can’t deny the simmering physical attraction that threatens to boil over every time they get close. But can the two of them really reunite without wrecking Andy’s carefully rebuilt life? Or is she setting herself up for a fresh heartbreak? TROPES second-chance celebrity small town fwb former exes

A young woman must shake off a family curse and the widely held belief that she is the reincarnation of her dead cousin in this wickedly funny, brilliantly perceptive novel about love, female rivalry, and superstition from the author of the smash hit My Sister, the Serial Killer (“A bombshell of a book... Sharp, explosive, hilarious'--New York Times) When Ebun gives birth to her daughter, Eniiyi, on the day they bury her cousin Monife, there is no denying the startling resemblance between the child and the dead woman. So begins the belief, fostered and fanned by the entire family, that Eniiyi is the actual reincarnation of Monife, fated to follow in her footsteps in all ways, including that tragic end. There is also the matter of the family curse: “No man will call your house his home. And if they try, they will not have peace...” which has been handed down from generation to generation, breaking hearts and causing three generations of abandoned Falodun women to live under the same roof. When Eniiyi falls in love with the handsome boy she saves from drowning, she can no longer run from her family’s history. As several women in her family have done before, she ill-advisedly seeks answers in older, darker spiritual corners of Lagos, demanding solutions. Is she destined to live out the habitual story of love and heartbreak? Or can she break the pattern once and for all, not only avoiding the spiral that led Monife to her lonely death, but liberating herself from all the family secrets and unspoken traumas that have dogged her steps since before she could remember? Cursed Daughters is a brilliant cocktail of modernity and superstition, vibrant humor and hard-won wisdom, romantic love and familial obligation. With it’s unforgettable cast of characters, it asks us what it means to be given a second chance and how to live both wisely and well with what we’ve been given.