Arden has lived in the woods near the deeply religious town of Arrothburg all her life, practising magic and keeping balance with nature. She heals the sick, as her mother did before her. No matter how deeply the people of the village hate witches, they still arrive at Arden's cabin in the dead of night, looking for help that their pastor, mayor, and doctor would never provide. Verity is trapped in a life she doesn't want. Her mother was burned as a witch six years ago, forcing Verity into the role of caretaker for her father and her younger siblings. The Good Book asks her to serve, and so she does. But it also asks her to endure the ungodly, debilitating agony of her monthly bleeding. No medicine, no comfort, no protests. If God is kind, why is she so cursed? When a chance encounter between them leaves both their skin charred at a single touch, Arden and Verity are left with questions that may get them killed. Does something wicked live inside Verity? If Arden is the only true witch for miles, who is burning on the pyres? Will they be next?

From the critically acclaimed author of Bunny, a darkly funny novel about a theater professor suffering chronic pain, who in the process of staging a troubled production of Shakespeare’s most maligned play, suddenly and miraculously recovers. Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers. That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known. With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

Lucy isn’t a normal girl. Ghost. Victim. Killer. She’s a doll on a mission—to find the man who killed her and return the favor. Lucy McQuinn has been murdered, but she’s not about to go quietly. If she doesn’t get to keep breathing, then neither does Kyle, her killer. Possessing the body of an antique doll, she sets out on a quest for revenge. But it’s hard when you’re eighteen inches tall and made of porcelain. For help, she turns to Nicola, a human and fellow outsider with her own reasons to hate Kyle. But in their small idyllic town, no one wants to hear the truth, especially not about such a promising young man. If they can’t expose his crimes, Lucy will have to roll up her lacy little sleeves and teach him a lesson the old-fashioned way—as slowly and painfully as possible. From LA Times bestselling author Barbara Truelove, She’s a Doll is a ghoulish and gleeful tribute to the unstoppable power of female rage and a love letter to the friends who have our back—in this life and the next.

Kitchen juxtaposes two tales about mothers, transsexuality, bereavement, kitchens, love and tragedy in contemporary Japan. It is a startlingly original first work by Japan's brightest young literary star and is now a cult film. When Kitchen was first published in Japan in 1987 it won two of Japan's most prestigious literary prizes, climbed its way to the top of the bestseller lists, then remained there for over a year and sold millions of copies. Banana Yoshimoto was hailed as a young writer of great talent and great passion whose work has quickly earned a place among the best of modern literature, and has been described as 'the voice of young Japan' by the Independent on Sunday.

“It was the happiest moment of my life, though I didn’t know it.” So begins the new novel, his first since winning the Nobel Prize, from the universally acclaimed author of Snow and My Name Is Red. It is 1975, a perfect spring in Istanbul. Kemal, scion of one of the city’s wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie—a world, as he lovingly describes it, with opulent parties and clubs, society gossip, restaurant rituals, picnics, and mansions on the Bosphorus, infused with the melancholy of decay—until finally he breaks off his engagement to Sibel. But his resolve comes too late. For eight years Kemal will find excuses to visit another Istanbul, that of the impoverished backstreets where Füsun, her heart now hardened, lives with her parents, and where Kemal discovers the consolations of middle-class life at a dinner table in front of the television. His obsessive love will also take him to the demimonde of Istanbul film circles (where he promises to make Füsun a star), a scene of seedy bars, run-down cheap hotels, and small men with big dreams doomed to bitter failure. In his feckless pursuit, Kemal becomes a compulsive collector of objects that chronicle his lovelorn progress and his afflicted heart’s reactions: anger and impatience, remorse and humiliation, deluded hopes of recovery, and daydreams that transform Istanbul into a cityscape of signs and specters of his beloved, from whom now he can extract only meaningful glances and stolen kisses in cars, movie houses, and shadowy corners of parks. A last change to realize his dream will come to an awful end before Kemal discovers that all he finally can possess, certainly and eternally, is the museum he has created of his collection, this map of a society’s manners and mores, and of one man’s broken heart. A stirring exploration of the nature of romantic attachment and of the mysterious allure of collecting, The Museum of Innocence also plumbs the depths of an Istanbul half Western and half traditional—its emergent modernity, its vast cultural history. This is Orhan Pamuk’s greatest achievement.

One of multiple covers for ISBN 9780375706868. A spellbinding tale of disparate yearnings – for love, art, power, and God – set in a remote Turkish town, where stirrings of political Islamism threaten to unravel the secular order; by the winner of the 2006 Nobel Prize for Literature. From the acclaimed author of My Name Is Red comes a spellbinding tale of disparate yearnings–for love, art, power, and God–set in a remote Turkish town, where stirrings of political Islamism threaten to unravel the secular order. Following years of lonely political exile in Western Europe, Ka, a middle-aged poet, returns to Istanbul to attend his mother's funeral. Only partly recognizing this place of his cultured, middle-class youth, he is even more disoriented by news of strange events in the wider country: a wave of suicides among girls forbidden to wear their head scarves at school. An apparent thaw of his writer's curiosity–a frozen sea these many years–leads him to Kars, a far-off town near the Russian border and the epicenter of the suicides. No sooner has he arrived, however, than we discover that Ka's motivations are not purely journalistic; for in Kars, once a province of Ottoman and then Russian glory, now a cultural gray-zone of poverty and paralysis, there is also Ipek, a radiant friend of Ka's youth, lately divorced, whom he has never forgotten. As a snowstorm, the fiercest in memory, descends on the town and seals it off from the modern, westernized world that has always been Ka's frame of reference, he finds himself drawn in unexpected directions: not only headlong toward the unknowable Ipek and the desperate hope for love–or at least a wife–that she embodies, but also into the maelstrom of a military coup staged to restrain the local Islamist radicals, and even toward God, whose existence Ka has never before allowed himself to contemplate. In this surreal confluence of emotion and spectacle, Ka begins to tap his dormant creative powers, producing poem after poem in untimely, irresistible bursts of inspiration. But not until the snows have melted and the political violence has run its bloody course will Ka discover the fate of his bid to seize a last chance for happiness. Blending profound sympathy and mischievous wit, Snow illuminates the contradictions gripping the individual and collective heart in many parts of the Muslim world. But even more, by its narrative brilliance and comprehension of the needs and duties

At once a fiendishly devious mystery, a beguiling love story, and a brilliant symposium on the power of art, My Name Is Red is a transporting tale set amid the splendor and religious intrigue of sixteenth-century Istanbul, from one of the most prominent contemporary Turkish writers. The Sultan has commissioned a cadre of the most acclaimed artists in the land to create a great book celebrating the glories of his realm. Their task: to illuminate the work in the European style. But because figurative art can be deemed an affront to Islam, this commission is a dangerous proposition indeed. The ruling elite therefore mustn’t know the full scope or nature of the project, and panic erupts when one of the chosen miniaturists disappears. The only clue to the mystery–or crime? –lies in the half-finished illuminations themselves. Part fantasy and part philosophical puzzle, My Name is Red is a kaleidoscopic journey to the intersection of art, religion, love, sex and power.

In this delightfully cozy and creepy YA romp, a cave monster masquerading as a search-and-recovery guide intends to find and eat a lost wizard—but catches feelings for him instead, perfect for fans of TJ Klune and Andrew Joseph White.Theory has a monstrous secret. He isn’t an ordinary search-and-recovery guide at Fiendworld, the world’s premier magical-sinkhole-turned-amusement-park; he’s a cursed, human-eating mantis. But not to worry—he has an excellent solution for his particular diet. Whenever he’s asked to retrieve the corpse of a lost adventurer, he simply snacks on a finger or two. No harm done. That is, until he’s given his latest recover the body of park management’s missing son. Great. Yet another foolish wizard who got lost adventuring, and this time the direct descendant of the very person who cursed Theory in the first place. Worse, when Theory reluctantly sets off on the search, he’s shocked to find the wizard somehow still alive. Nim—the wizard in question—has no desire to be rescued. He’s on a mission to the bottom of the sinkhole, and refuses to return to the surface before he gets there. He may be a subpar wizard, as his parents constantly remind him, but he’s got a positive attitude, an enchanted backpack, and now a mysterious rescue worker to recruit to his cause! Even though said worker is quite rude and seems to be getting Nim into more danger rather than out of it. To survive, Theory and Nim must brave man-eating fish, walls of tentacles, and devastating both their own, and ones the park desperately tries to keep hidden. Along the way, they may just discover that they’re stronger together than apart.

Like all new students, Sweeney moves with caution at Washington, D.C.'s University of the Archangel and St. John the Divine. It is a strange place of brooding shrines and gleaming towers, guarded by stone angels. For Sweeney, college is a time to experiment with sex, to explore new friendships. It is a time of freedom and discovery--until she makes the wrong discovery.

The Covent Garden Ladies tells the story of Samuel Derrick, Jack Harris, and Charlotte Hayes, whose complicated and colorful lives were brought together by the publication of Harris' List, an infamous guidebook of prostitutes which detailed addresses, physical characteristics and "specialties." The true history of the book is a tragicomedy motivated by poverty, passionate love, aspiration, and shame. Its telling plunges the reader down the dark alleys of 18th-century London's underworld, a realm populated by tavern owners, pimps, punters, card sharps, and of course, a colorful range of prostitutes and brothel-keepers.

From the “masterly” (The New York Times) Jodi McAlister, a charming new romance about two English professors who embark on a fake relationship…only to discover that it may be harder to pretend than they realized. Sadie Shaw and Jonah Fisher have been academic rivals since they first crossed paths as undergraduates in the literature department thirteen years ago. Now that a highly coveted teaching opportunity has come up, their rivalry hits epic proportions. Jonah needs the job to move closer to his recently divorced sister and her children, while Sadie needs the financial security and freedom of a full-time teaching position. When Sadie notices that the job offers partner hire, however, she hatches a plot to get them both the job. All they must do is get legally married. It’s a simple win-win solution but when sparks begin to fly, it becomes clear that despite their education, these two may not have thought this whole thing through. Perfect for fans of Ali Hazelwood, Abby Jimenez, and Kayla Olson, An Academic Affair brings Jodi McAlister’s “smart, scorching, and emotionally resonant” (Freya Marske, author of A Restless Truth) writing to the forefront and demonstrates her talent as one of today’s best rom-com authors.

Diagnosed by her physician husband with a “temporary nervous depression—a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper. In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design. With nothing else to occupy her mind, the woman resolves to unlock the mystery of the wallpaper. Her quest, however, leads not to the truth, but into the darkest depths of madness. A condemnation of the patriarchy, The Yellow Wallpaper explores with terrifying economy the oppression, grave misunderstanding, and willful dismissal of women in late nineteenth-century society. First published in January 1892 in The New England Magazine. Excerpt: Out of another I get a lovely view of the bay and a little private wharf belonging to the estate. There is a beautiful shaded lane that runs down there from the house. I always fancy I see people walking in these numerous paths and arbors, but John has cautioned me not to give way to fancy in the least. He says that with my imaginative power and habit of story-making a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency. So I try.

Which moment has defined your life so far? Whether she likes it or not, Iris’s life has been divided into two: Before the Incident, and After the Incident. Something very private was made very public, and since then life has been about recovering from being shamed, discovering her true friends, and struggling to find a new normal. Two years into this new life and she finally connects with a guy again. He lives in the apartment down the hall, he’s hot, and he doesn’t look at her that way. He doesn’t know what happened. But he also won’t give her his name, not right away—which has to mean he’s got something to hide too. Iris wants to start over. Should she do that with the only person who will understand, or is this the same idiotic decision that got her in trouble in the first place?

Distraction (n): an extreme agitation of the mind or emotions. Ruthie Midona has worked the front desk at the Providence Luxury Retirement Villa for six years, dedicating her entire adult life to caring for the Villa’s residents, maintaining the property (with an assist from DIY YouTube tutorials), and guarding the endangered tortoises that live in the Villa’s gardens. Somewhere along the way, she’s forgotten that she’s young and beautiful, and that there’s a world outside of work—until she meets the son of the property developer who just acquired the retirement center. Teddy Prescott has spent the last few years partying, sleeping in late, tattooing himself when bored, and generally not taking life too seriously—something his father, who dreams of grooming Teddy into his successor, can’t understand. When Teddy needs a place to crash, his father seizes the chance to get him to grow up. He’ll let Teddy stay in one of the on-site cottages at the retirement home, but only if he works to earn his keep. Teddy agrees—he can change a few lightbulbs and clip some hedges, no sweat. But Ruthie has plans for Teddy too. Her two wealthiest and most eccentric residents have just placed an ad (yet another!) seeking a new personal assistant to torment. The women are ninety-year-old, four-foot-tall menaces, and not one of their assistants has lasted a full week. Offering up Teddy seems like a surefire way to get rid of the tall, handsome, unnerving man who won’t stop getting under her skin. Ruthie doesn’t count on the fact that in Teddy Prescott, the Biddies may have finally met their match. He’ll pick up Chanel gowns from the dry cleaner and cut Big Macs into bite-sized bits. He’ll do repairs around the property, make the residents laugh, and charm the entire villa. He might even remind Ruthie what it’s like to be young and fun again. But when she finds out Teddy’s father’s only fixing up the retirement home to sell it, putting everything she cares about in jeopardy, she’s left wondering if Teddy’s magic was all just a façade. From the USA Today  bestselling author of The Hating Game and 99 Percent Mine comes the clever, funny, and unforgettable story of a muscular, tattooed man hired as an assistant to two old women—under the watchful eye of a beautiful retirement home manager.

A young Black British woman who has no interest in love and unexpectedly finds herself caught up in a fake relationship with the man she warned her girls about. Sweet like plantain, hot like pepper. They taste the best when together... Sharp-tongued (and secretly soft-hearted) Kiki Banjo has just made a huge mistake. As an expert in relationship-evasion and the host of the popular student radio show Brown Sugar, she's made it her mission to make sure the women of the African-Caribbean Society at Whitewell University do not fall into the mess of "situationships", players, and heartbreak. But when the Queen of the Unbothered kisses Malakai Korede, the guy she just publicly denounced as "The Wastemen of Whitewell," in front of every Blackwellian on campus, she finds her show on the brink. They're soon embroiled in a fake relationship to try and salvage their reputations and save their futures. Kiki has never surrendered her heart before, and a player like Malakai won't be the one to change that, no matter how charming he is or how electric their connection feels. But surprisingly entertaining study sessions and intimate, late-night talks at old-fashioned diners force Kiki to look beyond her own presumptions. Is she ready to open herself up to something deeper? A gloriously funny and sparkling debut novel, Honey and Spice is full of delicious tension and romantic intrigue that will make you weak at the knees.

Marguerite has been locked in the attic of her family home, a disintegrating Chelsea house overlooking the stench of the Thames. For company she a sewing machine, a copy of Mrs Beeton’s Book of Household Management and trays of congealing food carried up to her with little regularity. Marguerite has been confined by her mother, Cécile, who is concerned about her engagement to an older, near-penniless solicitor, Mr Lewis, and wishes to educate her daughter on ‘proper’ married conduct – lest she drag the family’s good name into disrepute. But why is Marguerite pursuing the aged Mr Lewis in the first place? Why are her mother’s visits seemingly becoming less frequent? And just how much time has passed since the lock closed on the attic’s hatch? Carrion Crow is a transportive and gloriously gothic commentary on the constraints of polite society – and the even greater danger of conformity – that unfurls one family’s festering secrets.