When a nameless, struggling actor in 1970's New York gets the call that an enigmatic director wants him for an art film set in the Amazon, he flies to South America, no questions asked. He quickly realizes he’s made a mistake when it becomes clear that he's replacing another actor who quit after seeing the script—a script the director now claims doesn’t exist. The movie is over budget. The production team seems headed for a breakdown. The air is so wet that the celluloid film disintegrates. But what the actor doesn’t realize is that the greatest threat might be the town itself, and the mysterious shadow economy that powers this remote jungle outpost. Entrepreneurial Americans, international drug traffickers, and M-19 guerrillas are all fighting for South America’s future—and the groups aren’t as distinct as one might think. The actor thought this would be a role that would change his life. Now he’s worried he won't survive it. Inspired by a true story from the annals of 1970's Italian horror film, We Eat Our Own is a journey behind the scenes of a shocking film and a thoughtful commentary on violence and its repercussions.

A chilling twist on the “cursed film” genre from the bestselling author of The Pallbearers Club and The Cabin at the End of the World. In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick. The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot. The man who played “The Thin Kid” is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy. As memories flood back in, the boundaries between reality and film, past and present start to blur. But he’s going to help remake the film, even if it means navigating a world of cynical producers, egomaniacal directors, and surreal fan conventions — demons of the past be damned. But at what cost?  Horror Movie is an obsessive, psychologically chilling, and suspenseful twist on the “cursed film” that breathlessly builds to an unforgettable, mind-bending conclusion.

From the New York Times bestselling author of The Daughter of Doctor Moreau and Mexican Gothic comes a fabulous meld of Mexican horror movies and Nazi occultism: a dark thriller about the curse that haunts a legendary lost film--and awakens one woman's hidden powers. Montserrat has always been overlooked. She’s a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she’s been in love with him since childhood. Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives—even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy. The magic film was never finished, which is why, Urueta swears, his career vanished overnight. He is cursed. Now the director wants Montserrat and Tristán to help him shoot the missing scene and lift the curse . . . but Montserrat soon notices a dark presence following her, and Tristán begins seeing the ghost of his ex-girlfriend. As they work together to unravel the mystery of the film and the obscure occultist who once roamed their city, Montserrat and Tristán may find that sorcerers and magic are not only the stuff of movies.

A quiet alien cowboy, a human woman on the run, and one very messy marriage of convenience. What could possibly go wrong?In debt and on the run from a crime lord whose nose I may or may not have broken, I take the first ticket off-world that comes my way. It's an all-expenses-paid, one-way trip to an isolated ranching outpost.The only catch?I have to marry an alien cowboy.My plan is simple enough. Shack up with my groom Silar and convince him to keep me during the first month of our marriage. As long as he doesn't decide to send me packing after the thirty-day trial period, I'll be safe.But maybe my plan isn’t so great after all. Silar talks more to his animals than he does to me, seems perplexed by every wifely duty I try to perform for him, and goes to offensively great lengths to avoid touching me.Other than his eyes glowing bright white every time he looks at me, I have no idea what's going on in my new husband’s head. Meanwhile, he shows me in subtle, wordless ways just how good a man he can be when he thinks that no one's watching.Yup. My plan officially sucks. Because now, it's not just my life at risk if Silar sends me away after thirty days…It’s my stupid human heart.Welcome to the cowboy colony planet, where men outnumber women ten to one and cattle outnumber them all...

Banyak yang berubah di Banda Aceh, selepas tsunami 2004. Termasuk kehidupan si Jagoan Kembar—Hasan dan Husein. Kehilangan Ayah dan Mamak, mengungsi sementara bersama Om Jack di Medan, sekaligus menghadapi perubahan-perubahan sosial di kotanya. Termasuk menyaksikan sebuah Kedai Mieso H. Idris harus berhadapan dengan seorang Bernama Putroe Faradiba—yang mengaku sebagai keturunan Sultan Sulaiman Syah, yang makamnya muncul selepas tsunami. Semua orang mengimani itu adalah sebuah makam keramat dari seorang yang namanya dihapus dari sejarah Aceh. Lebih dari itu, ada banyak yang mempertanyakan sekaligus ingin mencari simpul mana yang benar. Perkara Keramat novel perdana Raisa Kamila ini dengan gaya satir menelanjangi bagaimana sebuah masyarakat yang mudah silau oleh simbol agama; bagaimana perseteruan hadir di lapisan masyarakat oleh hal-hal yang kadang sepele.

The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.