Finalist for the 2016 Epigram Books Fiction Prize Siew Li leaves her husband and children in Tiong Bahru to fight for freedom in the jungles of Malaya. Decades later, a Malaysian journalist returns to her homeland to uncover the truth of a massacre committed during the Emergency. And in Singapore, Siew Li's niece Stella finds herself accused of being a Marxist conspirator. Jeremy Tiang's debut novel dives into the tumultuous days of leftist movements and political detentions in Singapore and Malaysia. It follows an extended family from the 1940s to the present day as they navigate the choppy political currents of the region. What happens when the things that divide us also bind us together?

On May 20, 2024, one day after the inauguration of Taiwan's first Indigenous president, the entire population of the island wakes up to discover they have suddenly switched places with the residents of Cuba. Two multi-ethnic island communities with colonial histories suddenly find themselves facing baffling new questions, as well as the greedy weight of a new "mainland" hegemon. Huang Chong-Kai’s astonishing work of speculative realism opens new conversations on race, marginality, and the (re)telling of history by weaving multiple voices and genres into a single work. We experience the miraculous switch through the eyes of Taiwan’s first Indigenous president, a Cuban painter, a Han Taiwanese who wants to be Indigenous, and a former inmate of Guantanamo Bay. The author transforms these stories into a narrative ecosystem by presenting them through a variety of different media styles, including book reviews, podcast transcripts, and interviews.

Histories and personalities collide in this literary tour-de-force about the Philippines' present and America's past by the PEN Open Book Award–winning author of Gun Dealer's Daughter. Two women, a Filipino translator and an American filmmaker, go on a road trip in Duterte’s Philippines, collaborating and clashing in the writing of a film script about a massacre during the Philippine-American War. Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation American soldiers created “a howling wilderness” of the surrounding countryside. Magsalin reads Chiara’s film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator—one about a white photographer, the other about a Filipino schoolteacher. Within the spiraling voices and narrative layers of Insurrecto are stories of women—artists, lovers, revolutionaries, daughters—finding their way to their own truths and histories. Using interlocking voices and a kaleidoscopic structure, the novel is startlingly innovative, meditative, and playful. Insurrecto masterfully questions and twists narrative in the manner of Italo Calvino’s If on a Winter’s Night a Traveler, Julio Cortázar’s Hopscotch, and Nabokov’s Pale Fire. Apostol pushes up against the limits of fiction in order to recover the atrocity in Balangiga, and in so doing, she shows us the dark heart of an untold and forgotten war that would shape the next century of Philippine and American history.

Poland, 1941. After the Jews in their town are rounded up, Roza and her five-year-old daughter, Shira, spend day and night hidden in a farmer's barn. Forbidden from making a sound, only the yellow bird from her mother's stories can sing the melodies Shira composes in her head. Roza does all she can to take care of Shira and shield her from the horrors of the outside world. They play silent games and invent their own sign language. But then the day comes when their haven is no longer safe, and Roza must face an impossible choice: whether to keep her daughter close by her side, or give her the chance to survive by letting her go . . . The Yellow Bird Sings is a powerfully gripping and deeply moving novel about the unbreakable bond between parent and child and the triumph of humanity and hope in even the darkest circumstances.

THIS IS A LOVE STORY, TOLD BY EVERYONE BUT THE MAIN CHARACTERS. Clara and Seb are about to fall in love. They don't know it yet. But everybody else does.When Clara and Seb meet in a quiet corner of London, it's the start of something. She wants to be a director. He's an actor, unsure what he wants from life.Their connection is magnetic. Everyone can see that falling in love looks something like this. But when Clara casts Seb in the film that will make her name, what should be the happiest time of their lives ends with a gut-wrenching betrayal.Some love stories are bigger than just two people. This one is told through the eyes of friends, flatmates, exes and strangers who see all the sides of Seb and Clara, from their first date to the moment they fell apart. Everyone has their version of events. But only Clara and Seb can decide how their story ends...

An epic, sweeping historical debut novel spanning continents and a century, and how one act of survival can reverberate through generations. At the turn of the twentieth century, Pirbhai, a teenage boy looking for work, is taken from his village in India to labor on the East African Railway for the British. One day Pirbhai commits an act to ensure his survival that will haunt him forever and reverberate across his family's future for years to come. Pirbhai's children are born and raised under the jacaranda trees and searing sun of Kampala during the waning days of British colonial rule. As Uganda moves towards independence and military dictatorship, Pirbhai's granddaughters, Latika, Mayuri, and Kiya, are three sisters coming of age in a divided nation. As they each forge their own path for a future, they must carry the silence of the history they've inherited. In 1972, under Idi Amin's brutal regime and the South Asian expulsion, the family has no choice but to flee, and in the chaos, they leave something devastating behind. As Pirbhai's grandchildren, scattered across the world, find their way back to each other in exile in Toronto, a letter arrives that stokes the flames of the fire that haunts the family. It makes each generation question how far they are willing to go, and who they are willing to defy to secure their own place in the world. A History of Burning is an unforgettable tour de force, an intimate family saga of complicity and resistance, about the stories we share, the ones that remain unspoken, and the eternal search for home.

From the prize-winning author of The Beekeeper of Aleppo, a stunning novel about the disappearance of a Sri Lankan nanny and how the most vulnerable people find their voices. It began with a crunch of leaves and earth. So early, so cold, the branches shone with ice. I'd returned to collect the songbirds. They are worth more than their weight in gold. Yiannis is a poacher, trapping the tiny protected songbirds that stop in Cyprus as they migrate each year from Africa to Europe and selling them on the black market. He dreams of finding a new way of life, and of marrying Nisha, who works on the island as a nanny and maid--having left her native Sri Lanka to try to earn enough to support her daughter, left behind and raised by relatives. But Nisha has vanished; one evening, she steps out on a mysterious errand and doesn't return. The police write off her disappearance as just another runaway domestic worker, so her employer, Petra, undertakes the investigation. Petra's unravelling of Nisha's last days in Cyprus lead her to Nisha's friends--other maids in the neighborhood--and to the darker side of a migrant's life, where impossible choices leave them vulnerable, captive, and worse. Based on the real-life disappearance of domestic workers in Cyprus, Christy Lefteri has crafted a poignant, deeply empathetic narrative of the human stories behind the headlines. With infinite tenderness and skill, Songbirds offers a triumphant story of the fight for truth and justice, and of women reclaiming their lost voices.

THIS IS A LOVE STORY, TOLD BY EVERYONE BUT THE MAIN CHARACTERS. Clara and Seb are about to fall in love. They don't know it yet. But everybody else does.When Clara and Seb meet in a quiet corner of London, it's the start of something. She wants to be a director. He's an actor, unsure what he wants from life.Their connection is magnetic. Everyone can see that falling in love looks something like this. But when Clara casts Seb in the film that will make her name, what should be the happiest time of their lives ends with a gut-wrenching betrayal.Some love stories are bigger than just two people. This one is told through the eyes of friends, flatmates, exes and strangers who see all the sides of Seb and Clara, from their first date to the moment they fell apart. Everyone has their version of events. But only Clara and Seb can decide how their story ends...

Two women meet on the island where they shared a childhood. One is looking for her mother, the other her yaya. One is an Overseas Filipino Worker, the other an heiress. In an old bahay na bato haunted by scandal and tragedy, secrets and ghosts, the women find their lives entangled and face the challenge of refusing their predetermined fates and embracing their open futures.