The first book in the Shady Hollow series, in which we are introduced to the village of Shady Hollow, a place where woodland creatures live together in harmony--until a curmudgeonly toad turns up dead and the local reporter has to solve the case. Reporter Vera Vixen is a relative newcomer to Shady Hollow. The fox has a nose for news, so when she catches wind that the death might be a murder, she resolves to get to the bottom of the case, no matter where it leads. As she stirs up still waters, the fox exposes more than one mystery, and discovers that additional lives are in jeopardy. Vera finds more to this town than she ever suspected. It seems someone in the Hollow will do anything to keep her from solving the murder, and soon it will take all of Vera's cunning and quickness to crack the case.

An epic, sweeping historical debut novel spanning continents and a century, and how one act of survival can reverberate through generations. At the turn of the twentieth century, Pirbhai, a teenage boy looking for work, is taken from his village in India to labor on the East African Railway for the British. One day Pirbhai commits an act to ensure his survival that will haunt him forever and reverberate across his family's future for years to come. Pirbhai's children are born and raised under the jacaranda trees and searing sun of Kampala during the waning days of British colonial rule. As Uganda moves towards independence and military dictatorship, Pirbhai's granddaughters, Latika, Mayuri, and Kiya, are three sisters coming of age in a divided nation. As they each forge their own path for a future, they must carry the silence of the history they've inherited. In 1972, under Idi Amin's brutal regime and the South Asian expulsion, the family has no choice but to flee, and in the chaos, they leave something devastating behind. As Pirbhai's grandchildren, scattered across the world, find their way back to each other in exile in Toronto, a letter arrives that stokes the flames of the fire that haunts the family. It makes each generation question how far they are willing to go, and who they are willing to defy to secure their own place in the world. A History of Burning is an unforgettable tour de force, an intimate family saga of complicity and resistance, about the stories we share, the ones that remain unspoken, and the eternal search for home.

Set in the aftermath of Typhoon Yolanda, Broken Islands is about two women—Luna and Alba—whose lives become entangled through their occupation of a house and their relationships with each other and with the Cimafranca paterfamilias Manoy, who is uncle to one and amo to the other. In this beautifully written and realized novel, the characters are as vividly rendered as the Borbon (Cebu ca. 2015) they inhabit, and as complex. The novel, particularly the sections on Typhoon Yolanda and the bungled rescue and reconstruction efforts in its wake, is notable for marrying literary sensibility and expression with journalism's fidelity to facts and on-the-ground observation. Exploring issues of class and gender hierarchy and inequality, the novel refuses easy (re)solutions, offering instead a subtle, dark-tinged vision of our broken islands. - CAROLINE S. HAU

Set in the aftermath of Typhoon Yolanda, Broken Islands is about two women—Luna and Alba—whose lives become entangled through their occupation of a house and their relationships with each other and with the Cimafranca paterfamilias Manoy, who is uncle to one and amo to the other. In this beautifully written and realized novel, the characters are as vividly rendered as the Borbon (Cebu ca. 2015) they inhabit, and as complex. The novel, particularly the sections on Typhoon Yolanda and the bungled rescue and reconstruction efforts in its wake, is notable for marrying literary sensibility and expression with journalism's fidelity to facts and on-the-ground observation. Exploring issues of class and gender hierarchy and inequality, the novel refuses easy (re)solutions, offering instead a subtle, dark-tinged vision of our broken islands. - CAROLINE S. HAU

THIS IS A LOVE STORY, TOLD BY EVERYONE BUT THE MAIN CHARACTERS. Clara and Seb are about to fall in love. They don't know it yet. But everybody else does.When Clara and Seb meet in a quiet corner of London, it's the start of something. She wants to be a director. He's an actor, unsure what he wants from life.Their connection is magnetic. Everyone can see that falling in love looks something like this. But when Clara casts Seb in the film that will make her name, what should be the happiest time of their lives ends with a gut-wrenching betrayal.Some love stories are bigger than just two people. This one is told through the eyes of friends, flatmates, exes and strangers who see all the sides of Seb and Clara, from their first date to the moment they fell apart. Everyone has their version of events. But only Clara and Seb can decide how their story ends...

Histories and personalities collide in this literary tour-de-force about the Philippines' present and America's past by the PEN Open Book Award–winning author of Gun Dealer's Daughter. Two women, a Filipino translator and an American filmmaker, go on a road trip in Duterte’s Philippines, collaborating and clashing in the writing of a film script about a massacre during the Philippine-American War. Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation American soldiers created “a howling wilderness” of the surrounding countryside. Magsalin reads Chiara’s film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator—one about a white photographer, the other about a Filipino schoolteacher. Within the spiraling voices and narrative layers of Insurrecto are stories of women—artists, lovers, revolutionaries, daughters—finding their way to their own truths and histories. Using interlocking voices and a kaleidoscopic structure, the novel is startlingly innovative, meditative, and playful. Insurrecto masterfully questions and twists narrative in the manner of Italo Calvino’s If on a Winter’s Night a Traveler, Julio Cortázar’s Hopscotch, and Nabokov’s Pale Fire. Apostol pushes up against the limits of fiction in order to recover the atrocity in Balangiga, and in so doing, she shows us the dark heart of an untold and forgotten war that would shape the next century of Philippine and American history.