A Room of One's Own is an extended essay by Virginia Woolf. First published on the 24th of October, 1929, the essay was based on a series of lectures she delivered at Newnham College and Girton College, two women's colleges at Cambridge University in October 1928. While this extended essay in fact employs a fictional narrator and narrative to explore women both as writers and characters in fiction, the manuscript for the delivery of the series of lectures, titled Women and Fiction, and hence the essay, are considered nonfiction. The essay is seen as a feminist text, and is noted in its argument for both a literal and figural space for women writers within a literary tradition dominated by patriarchy.

From August Wilson, author of 'The Piano Lesson' and the 1984-85 Broadway season's best play, 'Ma Rainey's Black Bottom', is another powerful, stunning dramatic work that has won him numerous critical acclaim including the 1987 Tony Award for Best Play and the Pulitzer Prize. The protagonist of 'Fences' (part of Wilson's ten-part Pittsburgh Cycle plays), Troy Maxson, is a strong man, a hard man. He has had to be to survive. Troy Maxson has gone through life in an America where to be proud and black is to face pressures that could crush a man, body and soul. But the 1950s are yielding to the new spirit of liberation in the 1960s, a spirit that is changing the world Troy Maxson has learned to deal with the only way he can, a spirit that is making him a stranger, angry and afraid, in a world he never knew and to a wife and son he understands less and less.

From the author of Abolish the Family, a provocative compendium of the feminisms we love to dismiss and making the case for the bold, liberatory feminist politics we’ll need to stand against fascism, nationalism, femmephobia, and cisness.In recent years, “white feminism” and girlboss feminism have taken a justified beating. We know that leaning in won’t make our jobs any more tolerable and that white women have proven to be, at best, unreliable allies. But in a time of rising fascism, ceaseless attacks on reproductive justice, and violent transphobia, we need to reckon with what Western feminism has wrought if we have any hope of building the feminist world we need.Sophie Lewis offers an unflinching tour of enemy feminisms, from 19th century imperial feminists and police officers to 20th century KKK feminists and pornophobes to today’s anti-abortion and TERF feminists. Enemy feminisms exist. Feminism is not an inherent political good. Only when we acknowledge that can we finally reckon with the ways these feminisms have pushed us toward counterproductive and even violent ends. And only then can we finally engage in feminist strategizing that is truly antifascist.At once a left transfeminist battlecry against cisness, a decolonial takedown of nationalist womanhoods, and a sex-radical retort to femmephobia in all its guises, Enemy Feminisms /em> is above all a fierce, brilliant love letter to feminism.

From one of our most important scholars and civil rights activist icon, a powerful study of the women’s liberation movement and the tangled knot of oppression facing Black women. "Angela Davis is herself a woman of undeniable courage. She should be heard." —The New York Times Angela Davis provides a powerful history of the social and political influence of whiteness and elitism in feminism, from abolitionist days to the present, and demonstrates how the racist and classist biases of its leaders inevitably hampered any collective ambitions. While Black women were aided by some activists like Sarah and Angelina Grimke and the suffrage cause found unwavering support in Frederick Douglass, many women played on the fears of white supremacists for political gain rather than take an intersectional approach to liberation. Here, Davis not only contextualizes the legacy and pitfalls of civil and women's rights activists, but also discusses Communist women, the murder of Emmitt Till, and Margaret Sanger's racism. Davis shows readers how the inequalities between Black and white women influence the contemporary issues of rape, reproductive freedom, housework and child care in this bold and indispensable work.

“Lily King is one of our great literary treasures.”—Madeline Miller From the New York Times bestselling author of Writers & Lovers comes a magnificent and intimate new novel of desire, friendship, loss, and the lasting impact of first love You knew I’d write a book about you someday. Our narrator understands good love stories—their secrets and subtext, their highs and their free falls. But her greatest love story, the one she lived, never followed the simple rules. In the fall of her senior year of college, she meets two star students from her 17th-Century Lit Sam and Yash. Best friends living off-campus in the elegant house of a professor on sabbatical, the boys invite her into their intoxicating world of academic fervor, rapid-fire banter and raucous card games. They nickname her Jordan, and she quickly discovers the pleasures of friendship, love and her own intellectual ambition. Youthful passion is unpredictable though, and she soon finds herself at the center of a charged and intricate triangle. As graduation comes and goes, choices made will alter these three lives forever. Decades later, Jordan is living the life she dreamed of, and the vulnerable days of her youth seem comfortably behind her. But when a surprise visit and unexpected news brings the past crashing into the present, Jordan returns to a world she left behind and is forced to confront the decisions and deceptions of her younger self. Written with the superb wit and emotional sensitivity fans and critics of Lily King have come to adore, Heart the Lover is a deeply moving story that celebrates love, friendship, and the transformative nature of forgiveness. Wise, unforgettable, and with a delightful connective thread to Writers & Lovers, this is King at her very best, affirming her as a masterful chronicler of the human experience and one of the finest novelists at work today.

Set in the contemporary Paris of American  expatraites, liasons, and violence, a young man finds  himself caught between desire and conventional  morality. James Baldwin's brilliant narrative delves  into the mystery of loving with a sharp, probing  imagination, and he creates a moving, highly  controversial story of death and passion that reveals the  unspoken complexities of the heart.

A new collection—about loss, alienation, aging, and the strangeness of contemporary life—by the award-winning, and inimitable, author of The Book of Goose. A grieving mother makes a spreadsheet of everyone she’s lost. Elsewhere, a professor develops a troubled intimacy with her hairdresser. And every year, a restless woman receives an email from a strange man twice her age and several states away. In Yiyun Li’s stories, people strive for an ordinary existence until doing so becomes unsustainable, until the surface cracks and the grand mysterious forces—death, violence, estrangement—come to light. And even everyday life is laden with meaning, studded with indelible details: a filched jar of honey, a mound of wounded ants, a photograph kept hidden for many years, until it must be seen. Li is a truly original writer, an alchemist of opposites: tender and unsentimental, metaphysical and blunt, funny and horrifying, omniscient and unusually aware of just how much we cannot know. Beloved for her novels and memoirs, she returns here to her earliest form, gathering pieces that have appeared in The New Yorker, Zoetrope, and elsewhere. Taken together, the stories in Wednesday's Child, written over the span of a decade, articulate the cost, both material and emotional, of living—exile, assimilation, loss, love—with her trademark unnerving beauty and wisdom.

From August Wilson, author of 'The Piano Lesson' and the 1984-85 Broadway season's best play, 'Ma Rainey's Black Bottom', is another powerful, stunning dramatic work that has won him numerous critical acclaim including the 1987 Tony Award for Best Play and the Pulitzer Prize. The protagonist of 'Fences' (part of Wilson's ten-part Pittsburgh Cycle plays), Troy Maxson, is a strong man, a hard man. He has had to be to survive. Troy Maxson has gone through life in an America where to be proud and black is to face pressures that could crush a man, body and soul. But the 1950s are yielding to the new spirit of liberation in the 1960s, a spirit that is changing the world Troy Maxson has learned to deal with the only way he can, a spirit that is making him a stranger, angry and afraid, in a world he never knew and to a wife and son he understands less and less.