Pulitzer Prize–winning, #1 New York Times bestselling author Elizabeth Strout’s new novel tells the story of a chance incident that sparks a powerful realization in a beloved teacher’s life—a poignant meditation on loneliness, friendship, parenthood, and the importance of truth in a capsizing world.Artie Dam is living a double life. He spends his days teaching history to eleventh graders, expanding their young minds, correcting their casual cruelties, and lending a kind word to those who need it most. He goes to holiday parties with his wife of three decades, makes small talk with neighbors, and, on weekends, takes his sailboat out on the beautiful Massachusetts Bay. He is, by all appearances, present and alive. But inside, Artie is plagued by feelings of isolation. He looks out at a world gone mad—at himself and the people around him—and turns a question over and over in his How is it that we know so little about one another, even those closest to us?And then, one day, Artie learns that life has been keeping a secret from him, one that threatens to upend his entire world. Once he learns it, he is forced to chart a new course, to reconsider the relationships he holds most dear—and to make peace with the mysteries at the heart of our existence.Elizabeth Strout, as we have come to expect, delivers a moving exploration of the human condition—one that brims with compassion for each and every one of her indelible characters. With exquisite prose and profound insight, The Things We Never Say takes one man’s fears and loneliness and makes them universal. And in the same breath, captures the abiding love that sustains and holds us all.

An utterly transporting debut novel about the unexpected relationship between an artist and the 130-year-old woman she cares for—two of the last people living in a flooded San Francisco of the future, the home neither is ready to leave.“An astonishing work of art…This is the kind of book that changes you, that leaves you seeing more vividly, and living more fully, in its wake.” —Rachel Khong, author of Real AmericansBo knows she should go. Years of rain have drowned the city and almost everyone else has fled. Her mother was carried away in a storm surge and ever since, Bo has been alone. She is stalled: an artist unable to make art, a daughter unable to give up the hope that her mother may still be alive. Half-heartedly, she allows her cousin to plan for her escape—but as the departure day approaches, she finds a note slipped under her door from Mia, an elderly woman who lives in her building and wants to hire Bo to be her caregiver. Suddenly, Bo has a reason to stay. Mia can be prickly, and yet still she and Bo forge a connection deeper than any Bo has had with a client. Mia shares stories of her life that pull Bo back toward art, toward the practice she thought she’d abandoned. Listening to Mia, allowing her memories to become entangled with Bo’s own, she’s struck by how much history will be lost as the city gives way to water. Then Mia’s health turns, and Bo determines to honor their disappearing world and this woman who’s brought her back to it, a project that teaches her the lessons that matter most: how to care, how to be present, how to commemorate a life and a place, soon to be lost forever.

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.As indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.” As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

The new novel from Kit de Waal, creator of MY NAME IS perfect for readers of A TERRIBLE KINDNESS or WE ALL WANT IMPOSSIBLE THINGS.She's the last person who would call herself a heroine.But she's given him a whole new reason to live.Paulette's the kind of woman who likes the future all mapped the wedding to Denton, the Caribbean honeymoon, the gingham quilt on the baby's crib. Until one morning Garfield, Denton's friend, arrives at her door with news she just can't take that Denton won't be coming around anymore, that there won't be time for her to say goodbye.Somehow Garfield finds his way into her bed, if not her heart, and sooner than anyone can believe there is a baby, and suddenly giving Bird, her son, the best of everything is what gives Paulette's life meaning. So why is it another little boy, Nellie, who keeps Paulette awake at night? Nellie who is being raised a few streets away with no sign of a mum, with a grandfather who is obviously struggling. Surely Paulette is the last person who should be getting tangled up in any of that?THE BEST OF EVERYTHING is a novel about what it means to care, to learn to live in the aftermath of loss, and the love that can steal into our lives - in spite of the best laid plans.

The new novel from Kit de Waal, creator of MY NAME IS perfect for readers of A TERRIBLE KINDNESS or WE ALL WANT IMPOSSIBLE THINGS.She's the last person who would call herself a heroine.But she's given him a whole new reason to live.Paulette's the kind of woman who likes the future all mapped the wedding to Denton, the Caribbean honeymoon, the gingham quilt on the baby's crib. Until one morning Garfield, Denton's friend, arrives at her door with news she just can't take that Denton won't be coming around anymore, that there won't be time for her to say goodbye.Somehow Garfield finds his way into her bed, if not her heart, and sooner than anyone can believe there is a baby, and suddenly giving Bird, her son, the best of everything is what gives Paulette's life meaning. So why is it another little boy, Nellie, who keeps Paulette awake at night? Nellie who is being raised a few streets away with no sign of a mum, with a grandfather who is obviously struggling. Surely Paulette is the last person who should be getting tangled up in any of that?THE BEST OF EVERYTHING is a novel about what it means to care, to learn to live in the aftermath of loss, and the love that can steal into our lives - in spite of the best laid plans.