She is a beautiful, affluent, self-involved and mildly neurotic London socialite. He is Britain's most photographed bad-boy lothario who broke her heart. But Magnolia Parks and BJ Ballentine are meant to be, and everyone knows it. They're in the stars... just suspended in a strange kind of love that looks like hurting each other a lot of the time: She dates other people to keep him at bay; he sleeps with other girls to get back at her for it. But at the end of their every sad endeavour to get over one another, it's still each other they crawl back to. But their dysfunction is catching up with them, pulling at their seams and fraying the world they've built; a world where neither has to ever let the other go completely. As the cracks start to show and secrets begin to surface, Magnolia and BJ are finally forced to face the formidable question they've been avoiding all their lives: how many loves do you really get in a lifetime?

She spun around and saw a shape, a form, a presence. In shadow. Dark on dark. With gleaming eyes and teeth, and an old dank smell of gravesites and death. Then a sudden glint of metal – a flash of steel – a sword. A sword she’d seen before. It jolted her with fear. The moonlight shifted and glanced his face. Lily gasped and stepped back from the Fallen Priest. He was holding the Soul Cutter. To prepare herself for the final climactic battle between dark and light, Lily goes to a remote region of Japan to study under a legendary ninja grand master. But she returns as the Golden Order is about to unleash Ganglia, a disturbance designed to kill thousands and wreak global havoc. Can Lily’s own powers of witchcraft pass the ultimate test in the final deadly confrontation with the Beast, son of Satan come to earth?

Disguised by years in exile and a name she found on a gravestone, an unconventional young woman returns to her childhood home in rural 1967 Arkansas in this hauntingly visceral Southern tale of desperate choices, found family, folk magic and noisy ghosts. Genevieve Charbonneau talks to ghosts and has a special relationship with rattlesnakes. In her travels, she’s wandered throughout the South, working in a Louisiana circus and as a hootchy kootch dancer in Texas. Now for the first time in a decade, she’s allowed her winding path to bring her to the site of her grandmother’s Arkansas farmhouse, a place hallowed in her memory. Disguised by years in exile and a name she found on a gravestone, Genevieve intends only to visit briefly and leave. But a chance meeting with a guilt-ridden young Vietnam veteran draws her into more unexpected connections. Her hard-won independence inspires an abused woman and her daughters to find their own path to empowerment, and a hypocritical preacher is brought to a long-deserved reckoning. With undertones of magical realism and dark humor, here is a powerful story of discovering—and sometimes rediscovering—one’s place in the world, and the unexpected challenges and gifts that present themselves along the way.  

With the heat of a kiss, the walls between Alizeh, the long-lost heir to an ancient Jinn kingdom, and Kamran, the crown prince of the Ardunian empire, have crumbled. And so have both of their lives. Alizeh, the heir to the Jinn throne, is destined to free her people from the half-lives they’ve been forced to live under human rule. When Kamran, the heir to the human throne, falls in love with her, he’s forced to question everything he’s been taught about Jinn. Kamran’s grandfather lays dead at the hand of Cyrus, ruler of the neighboring kingdom of Tulan. Cyrus has stolen Alizeh away to his homeland and plans to marry her there, giving her everything she needs to become the Jinn queen—and when she assumes the throne he will have fulfilled his own bargain with the devil. Alizeh wants nothing to do with Cyrus’s deal or the devil. But without a way to escape Tulan, and with the fulfillment of her own destiny tantalizingly close, she’ll have to decide whether she can set aside her emotions to become the queen her people need. Kamran, meanwhile, is picking up the pieces in Ardunia. Facing betrayal at every turn, all he knows is that he must go to Tulan to avenge his grandfather. He can only hope that Alizeh will be waiting for him there—and that she hasn’t yet become the queen of Tulan. Full of explosive magic, searing romance, and heartbreaking betrayal, this breathtaking sequel to This Woven Kingdom is from the award-winning and bestselling author of the Shatter Me series and is perfect for fans of Leigh Bardugo, Sabaa Tahir, and Tomi Adeyemi.

From the celebrated author of Inward comes a new collection of poetry and short prose focused on understanding how past wounds impact our present relationships.  In The Love Between Us, Yung Pueblo describes how intense emotions accumulate in our subconscious and condition us to act and react in certain ways. In his characteristically spare, poetic style, he guides readers through the excavation and release of the past that’s required for growth. 

The #1 New York Times bestselling poet returns with his most inspiring collection yet. In this third and final installment of his poetic trilogy, Yung Pueblo expands upon favorite themes while guiding readers further, toward a life lived authentically, intuitively, and in harmony with others. In these rapidly changing times, it is more important than ever to know ourselves well and fully, even and especially in the face of turmoil. The Way Forward encourages readers to connect more deeply to their intuition, using it to remain focused and grounded amidst a world in constant flux. In his latest collection of poetry and short prose, Yung Pueblo offers clear strategies for managing the unknown, inhabiting your personal power, and bringing your truest, healthiest self to relationships. Progressing naturally from both Inward and Clarity & Connection , The Way Forward is exactly that­­—an inspired beginning.

Shortlisted for the Brighton Fringe Emerging Talent Award 2013 at the Edinburgh Fringe. Maggie is just in from Sainsbury’s Local to make a quick sandwich for Jamie. He likes his cheese and pickle. With the crusts off. A good heart, that lad. Not like those other boys around here. You know what boys are like. Laws unto themselves once they reach that age. But it’s those other boys, really. Not Jamie. A boy with a Batman lunch box? What harm is he to anybody? Co-written by AJ Taudevin and Kieran Hurley, Chalk Farm explores love, responsibility, and the culture of blame and retribution surrounding the 2011 English riots.

Zagreb, summer of 1991. Ten-year-old Ana Jurić is a carefree tomboy who runs the streets of Croatia's capital with her best friend, Luka, takes care of her baby sister, Rahela, and idolizes her father. But as civil war breaks out across Yugoslavia, soccer games and school lessons are supplanted by sniper fire and air raid drills. When tragedy suddenly strikes, Ana is lost to a world of guerilla warfare and child soldiers; a daring escape plan to America becomes her only chance for survival. Ten years later Ana is a college student in New York. She's been hiding her past from her boyfriend, her friends, and most especially herself. Haunted by the events that forever changed her family, she returns alone to Croatia, where she must rediscover the place that was once her home and search for the ghosts of those she's lost.

At the turn of the twentieth century, newly arrived to the countryside, William Heath, his wife, and two daughters appear the picture of a devoted family. But when accusations of embezzlement spur William to commit an unthinkable crime, those who witnessed this affectionate, attentive father go about his routine of work and family must reconcile action with character. A doctor who cared for the young Lillian searches for clues that might penetrate the mystery of the father’s motivation. Meanwhile Rachel’s teacher grapples with guilt over a moment when fate wove her into a succession of events that will haunt her dreams. In beautifully crafted prose, Mary Swan examines the intricate and unexpected connections between the people in this close-knit community that continue to echo in the future. In her nuanced, evocative descriptions, a locket contains immeasurable sorrow, trees provide sanctuary and refuge to lost souls, and grief clicks into place when a man cocks the cold steel barrel of a revolver. A supreme literary achievement, The Boys in the Trees offers a chilling story that swells with acutely observed emotion and humanity.

In But I Don't Feel Empowered , poet and artist Suri Chan harnesses the power of beautiful language and whimsical illustrations to speak on both the lighthearted and heartbreaking experiences that bind us. But I Don’t Feel Empowered is Suri Chan’s debut collection of honest, free-verse and whimsically illustrated poems. She explores themes of heartbreak, womanhood, and trauma from the lens of a queer Asian woman coming of age.   This collection is earnest in its belief that healing is about accepting your emotions as they are. And in a world that asks you to be empowered at all times, it asks you to just be.   Deeply moving and thought-provoking, But I Don’t Feel Empowered solidifies Suri as an artist to watch and a voice to root for.

In But I Don't Feel Empowered , poet and artist Suri Chan harnesses the power of beautiful language and whimsical illustrations to speak on both the lighthearted and heartbreaking experiences that bind us. But I Don’t Feel Empowered is Suri Chan’s debut collection of honest, free-verse and whimsically illustrated poems. She explores themes of heartbreak, womanhood, and trauma from the lens of a queer Asian woman coming of age.   This collection is earnest in its belief that healing is about accepting your emotions as they are. And in a world that asks you to be empowered at all times, it asks you to just be.   Deeply moving and thought-provoking, But I Don’t Feel Empowered solidifies Suri as an artist to watch and a voice to root for.