The full account of the Watergate scandal from the two Washington Post reporters who broke the story. This is “the work that brought down a presidency— perhaps the most influential piece of journalism in history” (Time, All-Time 100 Best Nonfiction Books). This is the book that changed America. Published just two months before President Nixon’s resignation, All the President’s Men revealed the full scope of the Watergate scandal and introduced for the first time the mysterious “Deep Throat.” Beginning with the story of a simple burglary at Democratic headquarters and then continuing through headline after headline, Bernstein and Woodward deliver the stunning revelations and pieces in the Watergate puzzle that brought about Nixon’s shocking downfall. Their explosive reports won a Pulitzer Prize for The Washington Post, toppled the president, and have since inspired generations of reporters. All the President’s Men is a riveting detective story, capturing the exhilarating rush of the biggest presidential scandal in U.S. history as it unfolded in real time. It is, as former New York Times managing editor Gene Roberts has called it, “maybe the single greatest reporting effort of all time.”

The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

The Faggots and Their Friends Between Revolutions is a beloved queer utopian text written by Larry Mitchell with lush illustrations by Ned Asta, published by Calamus Press in 1977. Part-fable, part-manifesto, the book takes place in Ramrod, an empire in decline, and introduces us to the communities of the faggots, the women, the queens, the queer men, and the women who love women who are surviving the ways and world of men. Cherished by many over the four decades since its publication, The Faggots and Their Friends Between Revolutions offers a trenchant critique of capitalism, assimilation, and patriarchy that is deeply relevant today. This new edition will feature essays from performance artist Morgan Bassichis, who adapted the book to music with TM Davy in 2017 for a performance at the New Museum, and activist filmmaker Tourmaline.

It’s 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco—a journey through the deep queer archives of struggle and pleasure.

A small-town waitress and a Hollywood star’s worlds collide in this new romance by Ashley Herring Blake, USA Today bestselling author of Iris Kelly Doesn’t Date. Once upon a time, Ramona Riley was a student at a prestigious art school, with dreams of landing in Hollywood as a costume designer to the stars. But after her father’s car accident, she had to quit and return to her small New Hampshire town, Clover Lake, to help take care of her younger sister. Twelve years later, Ramona is still working at the town’s café, all but given up on her dream. But when a big-budget romantic comedy comes to Clover Lake to film, she wonders if this could be her chance. There’s only one problem—Dylan Monroe, her first kiss and Hollywood’s favorite wild child—is the star. Dylan Monroe has always lived an unconventional life, having famous rock icons for parents. But she wants to prove that she’s not some chaotic, talentless nepo baby, that she has actual skills, that she’s just a normal person. To do that, Dylan takes on a project at a charming lake town—she even works at the town’s café (very quaint), shadowing a local waitress there (very cute), and asks her to take Dylan around to do Normal People Things. But Dylan soon realizes it’s not just some small-town waitress she’s getting to know—Ramona Riley is someone she’s met before, someone who remembers her even more vividly. Before long, however, reality hits them, and both women must decide if the spark between them can fan the flames of their individual dreams, or if it will extinguish their light.

An unforgettable novel of love and belonging, set in the indie music world of the early 2000s. The only thing Susan loves more than music is Eliza, and both keep breaking her heart. The first time Susan and Eliza meet, it's 2005, and Susan is barreling down the Long Island Expressway driving a group of friends to an indie rock show. Eliza is a surprise addition to the backseat, and she doesn't quite fit in; she's a little too pretty, and she doesn't know anything about music, but Susan is drawn to her anyway. Their flying sparks lead to combustion when Susan recognizes Eliza as the girl from a nude photo boys have been sending around. They part ways, and Susan assumes that’s the end of it. Susan goes off to college and onto a career in Brooklyn's indie music scene, where she navigates a toxic job at a small record label and learns hard lessons about who exactly has the privilege of making art under late-stage capitalism. In 2015, in her twenties, Susan has a chance run-in with Eliza on a dating app, and they finally embark on a relationship. But Eliza is plagued by her traumatic past, which involves people Susan is still involved with, and that's where it all falls apart again. Over the next few years, Susan's career takes off, she helps dismantle a predatory work environment, and meets someone new who might actually be good for her. Yet she can't stop thinking about Eliza. What might have been, if things had gone differently? And who might Susan become if she could only let Eliza go? At once a hilarious-yet-tender coming of age story, a steamy, complicated romance, and an authentic celebration of queer joy, Long Island Girls is for anyone who has ever struggled to stop getting caught up in "what-ifs" and start appreciating what is.

Cat St. Clair is ready for her messy love triangle era now that she’s in an open relationship. But she didn’t foresee a forbidden love triangle with the only two people who are her boyfriend’s best friend and his girlfriend. Being a twenty-something writer who lives for plot, she falls for them anyway, with deliciously disastrous consequences, in this electric literary debut for fans of Xochitl Gonzalez, Coco Mellors, Lily King, and Raven Leilani.It’s the fall of 2024, and twenty-four-year-old Cat isn’t asking for too all she wants is three boyfriends, to write her little novels, and to survive another chaotic presidential election. She’s in an open relationship with her college sweetheart Jay, but nonmonogamy isn’t just a hot trend she’s trying. It’s her sliver of freedom in a world eager to wrestle it from her for being a Black woman going after what she wants with reckless abandon. While political tensions roil the campus where Cat is slowly earning her creative writing degree, she finds herself drawn Jay’s best friend, Tristan, who’s smart, super hot, and…in a monogamous relationship. And then she meets Tristan’s girlfriend, Nia, a captivating art student with her own gravitational pull. Friends and family urge her to just be happy with Jay, but Cat is determined to have it all—or blow up her life trying. As she falls for all the wrong people, racking up lies, betrayals, and terrible drafts of her novel, she tries to write her way to a happy ending. But in art, politics, and love, true liberation may take more than rewriting the old scripts. It may mean inventing something entirely new.

Alternate cover edition for 9780802135162 This is the story of Jeanette, adopted and brought up by her mother as one of God's elect. Zealous and passionate, she seems destined for life as a missionary, but then she falls for one of her converts. At sixteen, Jeanette decides to leave the church, her home and her family, for the young woman she loves. Innovative, punchy and tender, Oranges Are Not the Only Fruit is a few days ride into the bizarre outposts of religious excess and human obsession.

Too many popular histories seek to establish heroes, pioneers and martyrs but as Huw Lemmey and Ben Miller argue, the past is filled with queer people whose sexualities and dastardly deeds have been overlooked. We all remember Oscar Wilde, but who speaks for Bosie? What about those ‘bad gays’ whose unexemplary lives reveals more than we might expect? Part revisionist history, part historical biography and based on the hugely popular podcast series, Bad Gays subverts the notion of gay icons and queer heroes and asks what we can learn about LGBTQ history, sexuality and identity through its villains and baddies. From the Emperor Hadrian to notorious gangster Ronnie Kray, the authors excavate the buried history of queer lives. This includes fascist thugs, famous artists, austere puritans and debauched bon viveurs, imperialists, G-men and architects. Together these amazing life stories expand and challenge the mainstream assumptions of sexual identity. They show that homosexuality itself was an idea that emerged in the nineteenth century and that its interpretation has been central to major historical moments of conflict from the ruptures of Weimar Republic to red-baiting in Cold War America. Amusing, disturbing and fascinating, Bad Gays puts centre stage the queer villains and evil twinks in history.

The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten alive. A little black girl opens her eyes in 1930s Harlem. Around her, a heady swirl of passers-by, car horns, kerosene lamps, the stock market falling, fried bananas, tales of her parents' native Grenada. She trudges to public school along snowy sidewalks, and finds she is tongue-tied, legally blind, left behind by her older sisters. On she stumbles through teenage hardships -- suicide, abortion, hunger, a Christmas spent alone -- until she emerges into happiness: an oasis of friendship in Washington Heights, an affair in a dirty factory in Connecticut, and, finally, a journey down to the heat of Mexico, discovering sex, tenderness, and suppers of hot tamales and cold milk. This is Audre Lorde's story. It is a rapturous, life-affirming tale of independence, love, work, strength, sexuality and change, rich with poetry and fierce emotional power.

The full account of the Watergate scandal from the two Washington Post reporters who broke the story. This is “the work that brought down a presidency— perhaps the most influential piece of journalism in history” (Time, All-Time 100 Best Nonfiction Books). This is the book that changed America. Published just two months before President Nixon’s resignation, All the President’s Men revealed the full scope of the Watergate scandal and introduced for the first time the mysterious “Deep Throat.” Beginning with the story of a simple burglary at Democratic headquarters and then continuing through headline after headline, Bernstein and Woodward deliver the stunning revelations and pieces in the Watergate puzzle that brought about Nixon’s shocking downfall. Their explosive reports won a Pulitzer Prize for The Washington Post, toppled the president, and have since inspired generations of reporters. All the President’s Men is a riveting detective story, capturing the exhilarating rush of the biggest presidential scandal in U.S. history as it unfolded in real time. It is, as former New York Times managing editor Gene Roberts has called it, “maybe the single greatest reporting effort of all time.”

Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a portrayal of the intersections of identity and a moving, hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class.

In celebration of its highly anticipated Broadway revival, Ntozake Shange’s classic, award-winning play centering the wide-ranging experiences of Black women, now with introductions by two-time National Book Award winner Jesmyn Ward and Broadway director Camille A. Brown. From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country for nearly fifty years. Passionate and fearless, Shange’s words reveal what it meant to be a woman of color in the 20th century. First published in 1975, when it was praised by The New Yorker for “encompassing…every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Now with new introductions by Jesmyn Ward and Broadway director Camille A. Brown, and one poem not included in the original, here is the complete text of a groundbreaking dramatic prose poem that resonates with unusual beauty in its fierce message to the world.

Poems of migration, womanhood, trauma, and resilience from the celebrated collaborator on Beyoncé's Lemonade and Black Is King, award-winning Somali British poet Warsan Shire. Mama, I made itout of your home, alive, raised by thevoices in my head. With her first full-length poetry collection, Warsan Shire introduces us to a young girl, who, in the absence of a nurturing guide, makes her own stumbling way towards womanhood. Drawing from her own life and the lives of loved ones, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women, and teenage girls. In Shire's hands, lives spring into fullness. This is noisy life: full of music and weeping and surahs and sirens and birds. This is fragrant life: full of blood and perfume and shisha smoke and jasmine and incense. This is polychrome life: full of henna and moonlight and lipstick and turmeric and kohl. The long-awaited collection from one of our most exciting contemporary poets, this book is a blessing, an incantatory celebration of resilience and survival. Each reader will come away changed.

If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten alive. A little black girl opens her eyes in 1930s Harlem. Around her, a heady swirl of passers-by, car horns, kerosene lamps, the stock market falling, fried bananas, tales of her parents' native Grenada. She trudges to public school along snowy sidewalks, and finds she is tongue-tied, legally blind, left behind by her older sisters. On she stumbles through teenage hardships -- suicide, abortion, hunger, a Christmas spent alone -- until she emerges into happiness: an oasis of friendship in Washington Heights, an affair in a dirty factory in Connecticut, and, finally, a journey down to the heat of Mexico, discovering sex, tenderness, and suppers of hot tamales and cold milk. This is Audre Lorde's story. It is a rapturous, life-affirming tale of independence, love, work, strength, sexuality and change, rich with poetry and fierce emotional power.

The Pulitzer Prize-winning author of Beloved and Jazz now gives us a learned, stylish, and immensely persuasive work of literary criticism that promises to change the way we read American literature even as it opens a new chapter in the American dialogue on race. Toni Morrison's brilliant discussions of the "Africanist" presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition. She shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires. Written with the artistic vision that has earned Toni Morrison a pre-eminent place in modern letters, Playing in the Dark will be avidly read by Morrison admirers as well as by students, critics, and scholars of American literature.

Celebrated designer, writer, activist, and educator Cheryl D. Holmes-Miller's memoir of a life in advocacy and her journey to answer the question "Where are the Black designers?"Cheryl D. Holmes-Miller is one of the design field's most respected figures. She is legendary for her decades of scholarship and activism and is known as a touchstone and conscience for the design profession. This long-awaited book documents the history of the question she has been asking for “Where are the Black designers?” along with related questions that are urgent to the design Where did they originate? Where have they been? Why haven't they been represented in design histories and canons?Holmes-Miller traces her development as a designer and leader, beginning with her own family and its rich multiethnic history. She narrates her experiences as a design student at Rhode Island School of Design, Maryland Institute College of Art, and Pratt, leading up to her oft-cited Pratt thesis examining barriers to success for Black designers. Holmes-Miller describes the work of her eponymous studio for noted clients that included NASA, Time Inc., and the nascent Black Entertainment Television, as well as the story of her later critiques of the industry in the design press, most notably in Print magazine. Miller also recounts the parallel history of collective efforts by fellow scholars and advocates over the past fifty years to identify and celebrate Black designers.Enhanced with a foreword by Crystal Williams, president of Rhode Island School of Design, award-winning poet, and noted advocate for equity and justice in the fields of art and education, HERE is part memoir, part investigation, and part urgent call for justice and recognition for Black designers, making it an invaluable resource for graphic design professionals, teachers, and students.

A kaleidoscopic account of the crack cocaine era and a community’s ultimate resilience, told through a cast of characters whose lives illuminate the dramatic rise and fall of the epidemic   The crack epidemic of the 1980s and 1990s is arguably the least examined crisis in American history. Beginning with the myths inspired by Reagan’s war on drugs, journalist Donovan X. Ramsey’s exacting analysis traces the path from the last triumphs of the Civil Rights Movement to the devastating realities we live with a racist criminal justice system, continued mass incarceration and gentrification, and increased police brutality.   When Crack Was King follows four individuals to give us a startling portrait of crack’s destruction and devastating Elgin Swift, an archetype of American industry and ambition and the son of a crack-addicted father who turned their home into a “crack house”; Lennie Woodley, a former crack addict and sex worker; Kurt Schmoke, the longtime mayor of Baltimore and an early advocate of decriminalization; and Shawn McCray, community activist, basketball prodigy, and a founding member of the Zoo Crew, Newark’s most legendary group of drug traffickers.   Weaving together riveting research with the voices of survivors, When Crack Was King is a crucial reevaluation of the era and a powerful argument for providing historically violated communities with the resources they deserve.