During the 30s, Nazi Germany's rise to totalitarian power was well under way. Warning signs of the terror to come was being felt by increasing numbers of people. Among them was a young woman of great courage & insight. Charlotte Beradt recorded & collected people's dreams about the Nazi government's domination of their lives; dreams telling of the painful political realities of the emerging Nazi State. In his essay at the conclusion of the volume, published in 1966, Bruno Bettelheim remarked it was a shocking experience reading this book of dreams & seeing how effectively the Nazis murdered sleep, "forcing its enemies to dream dreams that showed that resistance was impossible & safety lay only in compliance. The Third Reich of dreams: how it began Private lives remodeled: "life without walls" Bureaucratic fairy tales: "nothing gives me pleasure anymore" The everyday world by night: "so that I'll not even understand myself" The non-hero: "& say not a word" The chorus: "there's not a thing one can do" When doctrines come alive: the dark in the Reich of the blond Those who act: "you've just got to want to" Disguised wishes: "destination heil Hitler" Undisguised wishes: "this one we want" And the dreams of Jews: "I make room for trash if need be" An Essay by Bruno Bettelheim Index

From the New York Times bestselling author of The Daughter of Doctor Moreau and Mexican Gothic comes a fabulous meld of Mexican horror movies and Nazi occultism: a dark thriller about the curse that haunts a legendary lost film--and awakens one woman's hidden powers. Montserrat has always been overlooked. She’s a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she’s been in love with him since childhood. Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives—even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy. The magic film was never finished, which is why, Urueta swears, his career vanished overnight. He is cursed. Now the director wants Montserrat and Tristán to help him shoot the missing scene and lift the curse . . . but Montserrat soon notices a dark presence following her, and Tristán begins seeing the ghost of his ex-girlfriend. As they work together to unravel the mystery of the film and the obscure occultist who once roamed their city, Montserrat and Tristán may find that sorcerers and magic are not only the stuff of movies.

Odd-mannered, obsessive, withdrawn, Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, as they accuse, she'd be powerful enough to tear down the walls around her until nothing remained of her world, save for stories told around the cookfire. Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human. When the autopsy of Matilda's sovereign reveals a surprising link between his death and her mother's suicide some quarter-century before, Aster retraces her mother's footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she's willing to fight for it.

A feral shut-in discovers a disturbing internet porn video of what seems to be herself. A seance of coked-up artists summons unearthly forces in a studio apartment. The staircase of an exurban marketing company descends endlessly beneath the earth. In Aoife Josie Clements’ electric, nightmarish, intricately layered novel, the impossibility of goodness crowds in upon two young trans women barely surviving on sex work and zero-hours contracts. Below the familiar evils of capitalism and the bottomless depths of internet culture, a darker horror awaits. What curse follows these women? What are they escaping? What are they running towards?

Claire Luchette's debut, Agatha of Little Neon, is a novel about yearning and sisterhood, figuring out how you fit in (or don't), and the unexpected friends who help you find your truest self. Agatha has lived every day of the last nine years with her sisters: they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life. But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a former mill town now dotted with wind turbines. They head up a halfway house, where they live alongside castoffs like the jawless Tim Gary and the headstrong Lawnmower Jill. Agatha is forced to venture out into the world alone, to teach math at a local all-girls high school, where for the first time in years she will have to reckon with what she sees and feels all on her own. Who will she be if she isn't with her sisters? These women, the church, have been her home--or has she just been hiding? Disarming, delightfully deadpan, and full of searching, Claire Luchette's Agatha of Little Neon offers a view into the lives of women and the choices they make. It is a novel about female friendship and devotion, the roles made available to us, and how we become ourselves.