From the New York Times bestselling author of Empire of Pain and Say Nothing - a stunning story of corruption and tragedy in one of the world's great London."A new book by Keefe means drop everything and close the blinds; you'll be turning pages for hours" Los Angeles Times'Patrick Radden Keefe [is] one of the top narrative nonfiction authors of his generation' TIMEIn 2019, a London teenager, Zac Brettler, mysteriously fell to his death from a luxury apartment building on the banks of the Thames. When his grieving parents began their desperate quest to understand how their son had died, they made a terrible Zac had been leading a fantasy life, posing as the son of a wealthy Russian oligarch.In his inimitably gripping and forensic prose, Baillie Gifford Prize winner and New Yorker writer Patrick Radden Keefe follows Zac's parents on a dark journey to find out what brought Zac to the balcony that night - and how a teenager's world of make-believe drew him into the city's terrifying underworld.London Falling is at once a devastating family tragedy, a riveting story of greed, power and deception, and an indictment of the culture that has transformed London into a haven for the malignant forces that have come to influence us all.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

In "Watching The English" anthropologist Kate Fox takes a revealing look at the quirks, habits and foibles of the English people. She puts the English national character under her anthropological microscope, and finds a strange and fascinating culture, governed by complex sets of unspoken rules and byzantine codes of behaviour. The rules of weather-speak. The ironic-gnome rule. The reflex apology rule. The paranoid-pantomime rule. Class indicators and class anxiety tests. The money-talk taboo and many more ... Through a mixture of anthropological analysis and her own unorthodox experiments (using herself as a reluctant guinea-pig), Kate Fox discovers what these unwritten behaviour codes tell us about Englishness.

Irina obsessively takes explicit photographs of the average-looking men she persuades to model for her, scouted from the streets of Newcastle. Placed on sabbatical from her dead-end bar job, she is offered an exhibition at a fashionable London gallery, promising to revive her career in the art world and offering an escape from her rut of drugs, alcohol, and extreme cinema. The news triggers a self-destructive tailspin, centred around Irina’s relationship with her obsessive best friend, and a shy young man from her local supermarket who has attracted her attention… Boy Parts is the incendiary debut novel from Eliza Clark, a pitch-black comedy both shocking and hilarious, fearlessly exploring the taboo regions of sexuality and gender roles in the twenty-first century.

A love letter to pop music, American Spirits charts an icon’s fall—and an obsessive fangirl’s rise.Thirty-eight-year-old Blue Velour has finally achieved the critical acclaim she’s long been chasing. Over the last decade, she’s released six studio albums to mixed reviews, landing her somewhere between performance artist and niche legend. But her latest album, Blue’s Beard—a cheeky reference to the subreddit fanatically dedicated to her suspected secret relationship with longtime producer Sasha Harlow—has rocket-launched her reputation. Blue hires nerdy superfan Rose Lutz as her assistant to handle the pressures of the upcoming tour. When the pandemic shuts down the tour, however, Blue decides to hole up in the redwoods with Sasha to make another album. An aspiring singer herself, Rose is frothing at the mouth to be isolated in a cabin with these two legends, but what begins as a creative retreat spirals into a flurry of chaos and betrayal—culminating in a tragic act that changes their lives forever. Smart, entertaining, and edgy, American Spirits is a compelling exploration of the dark side of fame.

Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality.