The stories in this collection span characters, towns, decades, even centuries, but Florida—its landscape, climate, history, and state of mind—becomes its gravitational center: an energy, a mood, as much as a place of residence. Groff transports the reader, then jolts us alert with a crackle of wit, a wave of sadness, a flash of cruelty, as she writes about loneliness, rage, family, and the passage of time. With shocking accuracy and effect, she pinpoints the moments and decisions and connections behind human pleasure and pain, hope and despair, love and fury—the moments that make us alive.

A heart-racing fun house of uncanniness hidden in Florida’s underbelly, from a reality-warping storyteller. Along with her husband, a ghostwriter for a famous thriller author returns to her mother's house in the Florida town where she grew up. As the summer heat sets in, she wrestles with family secrets and memories of her own troubled youth. Her mercurial sister, who lives next door, spends a growing amount of time using MIND’S EYE, a virtual reality device provided to citizens of the town by ELECTRA, a tech company in South Florida, during the doldrums of a recent pandemic. But it’s not just the ominous cats, her mother’s burgeoning cult, or the fact that her belly button has become an increasingly deep cavern―something is off in the town, and it probably has to do with the posters of missing citizens spread throughout the streets. During a violent rainstorm, the writer’s sister goes missing for several days. When she returns, sprawled on their mother’s lawn and speaking of another dimension, the writer is forced to investigate not only what happened to her sister and the other missing people but also the uncanny connections between ELECTRA, the famous author, and reality itself. A sticky, rain-soaked reckoning with the elusive nature of storytelling, Laura van den Berg’s Florida Diary is an interlocking and page-turning whirlwind. With inimitable control and thrilling style, she reaches deep into the void and returns with a story far stranger than either reality or fiction.

A highly anticipated, sweeping debut set in a unified Korea that tells the story of three estranged siblings—two human, one robot—as they collide against the backdrop of a murder investigation to settle old scores and make sense of their shattered childhood, perfect for fans of Klara and the Sun and We Are All Completely Beside Ourselves.In a reunified Korea of the future, robots have been integrated into society as surrogates, servants, children, and even lovers. Though boundaries between bionic and organic frequently blur, these robots are decidedly second-class citizens. Jun and Morgan, two siblings estranged for many years, are haunted by the memory of their lost brother, Yoyo, who was warm, sensitive, and very nearly human. Jun, a war veteran turned detective of the lowly Robot Crimes Unit in Seoul, becomes consumed by an investigation that reconnects him with his sister Morgan, now a prominent robot designer working for a top firm, who is, embarrassingly, dating one of her creations in secret. On the other side of Seoul in a junkyard filled with abandoned robots, eleven-year-old Ruijie sifts through scraps looking for robotic parts that might support her failing body. When she discovers a robot boy named Yoyo among the piles of trash, an unlikely bond is formed since Yoyo is so lifelike, he’s unlike anything she’s seen before. While Morgan prepares to launch the most advanced robot-boy of her career, Jun’s investigation sparks a journey through the underbelly of Seoul, unearthing deeper mysteries about the history of their country and their family. The three siblings must find their way back to each other to reckon with their pasts and the future ahead of them in this poignant and remarkable exploration of what it really means to be human.

Odd-mannered, obsessive, withdrawn, Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, as they accuse, she'd be powerful enough to tear down the walls around her until nothing remained of her world, save for stories told around the cookfire. Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human. When the autopsy of Matilda's sovereign reveals a surprising link between his death and her mother's suicide some quarter-century before, Aster retraces her mother's footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she's willing to fight for it.

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.As indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.” As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”