Alternate cover edition: 9780439709101 From internationally acclaimed storyteller Cornelia Funke, this bestselling, magical epic is now out in paperback! One cruel night, Meggie's father reads aloud from a book called INKHEART-- and an evil ruler escapes the boundaries of fiction and lands in their living room. Suddenly, Meggie is smack in the middle of the kind of adventure she has only read about in books. Meggie must learn to harness the magic that has conjured this nightmare. For only she can change the course of the story that has changed her life forever. This is INKHEART--a timeless tale about books, about imagination, about life. Dare to read it aloud.

A chilling literary horror novel about a young couple who purchase and live in a haunted house. Jac Jemc’s The Grip of It tells the eerie story of a young couple haunted by their new home. Julie and James settle into a house in a small town outside the city where they met. The move—prompted by James’s penchant for gambling, his inability to keep his impulses in check—is quick and seamless; both Julie and James are happy to leave behind their usual haunts and start afresh. But this house, which sits between ocean and forest, has plans for the unsuspecting couple. As Julie and James try to settle into their home and their relationship, the house and its surrounding terrain become the locus of increasingly strange happenings. The architecture—claustrophobic, riddled with hidden rooms within rooms—becomes unrecognizable, decaying before their eyes. Stains are animated on the wall—contracting, expanding—and map themselves onto Julie’s body in the form of bruises; mold spores taint the water that James pours from the sink. Together the couple embark on a panicked search for the source of their mutual torment, a journey that mires them in the history of their peculiar neighbors and the mysterious residents who lived in the house before Julia and James. Written in creepy, potent prose, The Grip of It is an enthralling, psychologically intense novel that deals in questions of home: how we make it and how it in turn makes us, mapping itself onto bodies and the relationships we cherish.

The Hacienda by Isabel Cañas meets “Sister Wives” in a deliciously chilling, darkly romantic, historical gothic horror with a feminist slant, as a young Mormon woman is haunted by a malevolent presence in the decrepit Salt Lake City mansion she shares with her new husband and his other wives… Hazel Russon’s life in 1879 Utah territory is defined by three the Mormon church, polygamy, and the men who control both. She knows she’s supposed to suppress her sinful dreams of a monogamous life with her sweetheart, and her desire for the freedom to play her beloved piano. Every Mormon woman’s duty is to live obediently and meekly, devoted to her husband and her calling as a sister wife. Her eternal salvation depends upon it. Commanded to become the fourth wife of a man she’s never met, Hazel is relieved that Jacob Manwaring is attentive and handsome. However, she is shocked to discover that instead of living separately as is custom, all of Jacob’s wives and children live in the same house—a large, dilapidated manor that inexplicably fills Hazel with dread.  Despite Jacob’s tenderness, Hazel senses dark secrets and resentments among her sister wives. She hears strange music, sees blood oozing from the very walls, and glimpses apparitions that grow more terrifying every day. And as her nightmares worsen, Hazel can’t be sure if she has more to fear from the living—including her mysterious husband—or from a sinister presence that seems to animate the house itself . . . Drawing on little-known Mormon folklore and the author’s own polygamous ancestors, this fascinating, suspense-filled historical novel debut is by turns darkly romantic, spine-tingling, and wholly unforgettable.

A colleague's violent death and its apparent cause - a stolen copy of an old, never-released Karloff/Lugosi film - set film editor Sandy Allan on the trail of the film's origins and history. Mystery surrounds the movie, and as Sandy learns of the tragedies which haunted its production, she finds herself threatened by an ancient force protecting secrets deeper than the suppression of a 50-year-old movie.

A young woman’s seasonal job takes a dark, surreal turn in this vivid and surprising debut. When Elise and her boyfriend, Tom, set off for Minnesota, all she knows about harvesting sugar beets (Beta vulgaris) is that her paycheck will cover a few months’ rent on their Brooklyn apartment. She’ll try anything to escape the incessant debt collection calls—and chronic anxieties about her body and her relationship. But as the grueling graveyard shifts set in, Elise notices strange threatening texts, a mysterious rash, a string of disappearances from the workers’ campsite, and snatches of a hypnotic voice coming from the beet pile itself. As crewmembers vanish, Elise obsesses over Tom’s closeness with their charismatic coworker Cee and falls back on self-destructive patterns of disordered eating and dissociation. Against the horrors of her uncertain future, is the siren song of the beet pile almost . . . appealing? Biting and eerie, Beta Vulgaris harnesses an audacious premise to undermine straightforward narratives of class, trauma, consumption, and redemption.

The untimely death of a student at a girls’ boarding school turns out to be the first in a haunting series of escalating supernatural events. A thrilling debut novel about teenage repression, queer desire, and the everyday horror of coming of age. In 1928, Emily Locke’s final year at the isolated Briarley School for Girls is derailed when Violet, the school’s brightest star (and a cunning beauty for whom Emily would do anything), falls to her death on her eighteenth birthday. Emily and her buttoned-up rival Evelyn are, for once, in agreement: Violet’s death was no accident. There’s an obvious culprit, the French schoolmistress with whom Violet was getting a little too close—they only need to prove it. Desperate for answers, Emily and her classmates turn to spiritualism, hoping for a glimpse of wisdom from the great beyond. To their shock, Violet’s spirit appears, choosing pious Evelyn as her unlikely medium. And Violet has a warning for them: the danger has just begun. Something deadly is infecting Briarley. It starts with rotten food and curdled milk, but quickly grows more threatening. As the body count rises and the students race to save themselves, Emily must confront the fatal forces poisoning the school. Emily’s fight for survival forces her to reevaluate everything she knows: about Violet, Evelyn, Briarley, and, ultimately, herself. Avery Curran channels the indelible ambience and intrigue of the classic boarding school novel while turning the beloved genre on its head in this visceral, exuberant debut.

The difference that being female makes to the diagnosis, life and experiences of a person with an Autism Spectrum Disorder (ASD) has largely gone unresearched and unreported until recently. In this book Sarah Hendrickx has collected both academic research and personal stories about girls and women on the autism spectrum to present a picture of their feelings, thoughts and experiences at each stage of their lives. Outlining how autism presents differently and can hide itself in females and what the likely impact will be for them throughout their lifespan, the book looks at how females with ASD experience diagnosis, childhood, education, adolescence, friendships, sexuality, employment, pregnancy and parenting, and aging. It will provide invaluable guidance for the professionals who support these girls and women and it will offer women with autism a guiding light in interpreting and understanding their own life experiences through the experiences of others.

A darkly funny, frightening novel about a young woman learning how to take what she wants from a witch who may be too good to be true, from the author of  The Return .   All her life, Annie has played it nice and safe. After being unceremoniously dumped by her longtime boyfriend, Annie seeks a fresh start. She accepts a teaching position that moves her from Manhattan to a small village upstate. She’s stunned by how perfect and picturesque the town is. The people are all friendly and warm. Her new apartment is dreamy too, minus the oddly persistent spider infestation.     Then Annie meets Sophie. Beautiful, charming, magnetic Sophie, who takes a special interest in Annie, who wants to be her friend. More importantly, she wants Annie to stop apologizing and start living for herself. That’s how Sophie lives. Annie can’t help but gravitate toward the self-possessed Sophie, wanting to spend more and more time with her, despite the fact that the rest of the townsfolk seem…a little afraid of her. And like, okay. There are some things. Sophie’s appearance is uncanny and ageless, her mansion in the middle of the woods feels a little unearthly, and she does seem to wield a certain power…but she couldn’t be…could she?

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an Empire which doesn’t consider you fully human.On Oct 25th, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed over 10 million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture which has occurred for Black, brown, indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the west, and what it means to live in a world run by a small group of countries—America, the UK, France and Germany.  It will be The Fire Next Time for a generation that understands we’re undergoing a shift in the so-called ‘rules-based order,’ a generation that understands the west can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar’s own story as an emigrant who grew up believing in the western project, who was catapulted into journalism by the rupture of 9/11. This book is his heartsick breakup letter with the west. It is a breakup we are watching all over the U.S., on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the west has served up. This is the book for our time.

From award-winning novelist and journalist Omar El Akkad comes a powerful reckoning with what it means to live in the heart of an Empire which doesn’t consider you fully human.On Oct 25th, after just three weeks of the bombardment of Gaza, Omar El Akkad put out a tweet: “One day, when it’s safe, when there’s no personal downside to calling a thing what it is, when it’s too late to hold anyone accountable, everyone will have always been against this.” This tweet was viewed over 10 million times. One Day Everyone Will Have Always Been Against This chronicles the deep fracture which has occurred for Black, brown, indigenous Americans, as well as the upcoming generation, many of whom had clung to a thread of faith in western ideals, in the idea that their countries, or the countries of their adoption, actually attempted to live up to the values they espouse. This book is a reckoning with what it means to live in the west, and what it means to live in a world run by a small group of countries—America, the UK, France and Germany.  It will be The Fire Next Time for a generation that understands we’re undergoing a shift in the so-called ‘rules-based order,’ a generation that understands the west can no longer be trusted to police and guide the world, or its own cities and campuses. It draws on intimate details of Omar’s own story as an emigrant who grew up believing in the western project, who was catapulted into journalism by the rupture of 9/11. This book is his heartsick breakup letter with the west. It is a breakup we are watching all over the U.S., on college campuses, on city streets, and the consequences of this rupture will be felt by all of us. His book is for all the people who want something better than what the west has served up. This is the book for our time.

A darkly funny, frightening novel about a young woman learning how to take what she wants from a witch who may be too good to be true, from the author of  The Return .   All her life, Annie has played it nice and safe. After being unceremoniously dumped by her longtime boyfriend, Annie seeks a fresh start. She accepts a teaching position that moves her from Manhattan to a small village upstate. She’s stunned by how perfect and picturesque the town is. The people are all friendly and warm. Her new apartment is dreamy too, minus the oddly persistent spider infestation.     Then Annie meets Sophie. Beautiful, charming, magnetic Sophie, who takes a special interest in Annie, who wants to be her friend. More importantly, she wants Annie to stop apologizing and start living for herself. That’s how Sophie lives. Annie can’t help but gravitate toward the self-possessed Sophie, wanting to spend more and more time with her, despite the fact that the rest of the townsfolk seem…a little afraid of her. And like, okay. There are some things. Sophie’s appearance is uncanny and ageless, her mansion in the middle of the woods feels a little unearthly, and she does seem to wield a certain power…but she couldn’t be…could she?

Psychological horror meets cyber noir in this delicious one-sitting read — a haunted house story in which the haunting is by AI. Henry is a brilliant engineer who, after untold hours spent in his home lab, has achieved the breakthrough of his career — he’s created an artificially intelligent consciousness. He calls the half-formed robot William. No one knows about William. Henry’s agoraphobia keeps him inside the house, and his fixation on his project keeps him up in the attic, away from everyone, including his pregnant wife, Lily. When Lily’s coworkers show up, wanting to finally meet Henry and see the new house — the smartest of smart homes — Henry decides to introduce them to William, and things go from strange to much worse. Soon Henry and Lily discover the security upgrades intended to keep danger out of the house are even better at locking it in.

Psychological horror meets cyber noir in this delicious one-sitting read — a haunted house story in which the haunting is by AI. Henry is a brilliant engineer who, after untold hours spent in his home lab, has achieved the breakthrough of his career — he’s created an artificially intelligent consciousness. He calls the half-formed robot William. No one knows about William. Henry’s agoraphobia keeps him inside the house, and his fixation on his project keeps him up in the attic, away from everyone, including his pregnant wife, Lily. When Lily’s coworkers show up, wanting to finally meet Henry and see the new house — the smartest of smart homes — Henry decides to introduce them to William, and things go from strange to much worse. Soon Henry and Lily discover the security upgrades intended to keep danger out of the house are even better at locking it in.

From acclaimed author Jonathan Miles (“a writer so virtuosic that readers will feel themselves becoming better, more observant people from reading him"—LA Times) comes a blackly comic literary gem in which a broken man confronts a broken world on an uninhabited Pacific island. Reeling from tragedy, a former jazz musician-turned-schoolteacher named Adi answers a job listing advertising a chance to save the world. The to spend five weeks alone on the tiny, isolated Pacific Island of Santa Flora righting an ecological balance that’s gone severely out of whack, with the aim of preserving countless bird and plant species from certain extinction. What follows, however, is anything but balanced. The threats to the once-Edenic island, Adi soon learns, aren’t exactly what his employers said they were—and, complicating things further, he discovers he’s not alone on the island. Fearful for his own life, and for the fate of the island's, Adi spends his sun-drenched days rooting out the true threat to Santa Flora, and, by extension, to the world it occupies—and the desperate steps he must take to eradicate it. A desert-island meditation on the contours of love and grief and solitude as well as jolt to your emotional core, Eradication is an utterly unforgettable reading experience, a narrative tour de force, and the work of a truly singular imagination. With this fourth work of fiction, Jonathan Miles, “a fluid, confident, and profoundly talented writer” (Dave Eggers) has truly come into his own.

'This is a book about how being a woman gets in the way of people's expectation of what autism should look like and, equally, how being autistic gets in the way of people's expectations of what a woman should look like.' Strong Female Character is a game-changing memoir on sexism and neurodiversity. Fern Brady will use her voice as a neurodivergent, working-class woman from Scotland to bring issues such as sex work, abusive relationships and her time spent in teenage mental health units to the page. It will take a sledgehammer to the Manic Pixie Dream Girl trope which is mistakenly applied to neurodiverse women. It will also look at how her lack of regard for social expectations ultimately meant she surpassed any limitations of what a Scottish working-class woman can do.

'This is a book about how being a woman gets in the way of people's expectation of what autism should look like and, equally, how being autistic gets in the way of people's expectations of what a woman should look like.' Strong Female Character is a game-changing memoir on sexism and neurodiversity. Fern Brady will use her voice as a neurodivergent, working-class woman from Scotland to bring issues such as sex work, abusive relationships and her time spent in teenage mental health units to the page. It will take a sledgehammer to the Manic Pixie Dream Girl trope which is mistakenly applied to neurodiverse women. It will also look at how her lack of regard for social expectations ultimately meant she surpassed any limitations of what a Scottish working-class woman can do.