She thought she had her life back. She was wrong. It was a mistake to trust him. Shivering and bruised, a teen wakes up on the side of a dirt road with no memory of how she got there―or who she is. A passing officer takes her to the police station, and not long after, a frantic man arrives. He's been searching for her for hours. He has her school ID, her birth certificate, and even family photos. He is her father. Her name is Mary. Or so he says. When Lola slammed the car door and stormed off into the night, Drew thought they just needed some time to cool off. Except Lola disappeared, and the sheriff, his friends, and the whole town are convinced Drew murdered his girlfriend. Forget proving his innocence, he needs to find her before it's too late. The longer Lola is missing, the fewer leads there are to follow…and the more danger they both are in.

A spiritual companion to Strange Pictures and a bestselling horror phenomenon in Japan —mysterious spaces, trap doors, windowless children's rooms . . . something is wrong with this house. Can you solve the "mystery" of its floor plan? A writer fascinated by the macabre is approached by an acquaintance who is considering purchasing a second-hand house in Tokyo. With its bright and spacious interior, the home seems perfect. But looking closer, the building’s floor plan reveals a mysterious "dead space” hidden between the walls. Seeking a second opinion, the writer shares the floor plan with an architect friend only to discover more “strange spaces” dotted across the house. What are these mysterious “strange spaces” and why do they exist—are they really there, or is there something off with the floor plan? Who is the home’s former resident who suddenly disappeared? The freelance writer and his architect friend can’t resist the challenge of solving the riddle of these puzzling floor plans . . . and the terrifying plot behind it all.

Alternate cover edition of ISBN-13: ‎978-0141439471 / ISBN-10: 0141439475 'Now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart ...' Obsessed with creating life itself, Victor Frankenstein plunders graveyards for the material to fashion a new being, which he shocks into life with electricity. But his botched creature, rejected by Frankenstein and denied human companionship, sets out to destroy his maker and all that he holds dear. Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley near Byron's villa on Lake Geneva. It would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third edition of 1831, this volume contains all the revisions Mary Shelley made to her story, as well as her 1831 introduction and Percy Bysshe Shelley's preface to the first edition. This revised edition includes as appendices a select collation of the texts of 1818 and 1831 together with 'A Fragment' by Lord Byron and Dr John Polidori's 'The Vampyre: A Tale'.

Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now… Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.

CG Drews, acclaimed author of Don't Let the Forest In, returns with another deeply unsettling and yet hauntingly beautiful tale of murder and botanical body horror, perfect for fans of Andrew Joseph White and We Have Always Lived in the Castle. Evander has lived like a ghost in the forgotten corners of the Hazelthorn estate ever since he was taken in by his reclusive billionaire guardian, Byron Lennox-Hall, when he was a child. For his safety, Evander has been given three ironclad rules to follow: He can never leave the estate. He can never go into the gardens. And most importantly, he can never again be left alone with Byron's charming, underachieving grandson, Laurie. That last rule has been in place ever since Laurie tried to kill Evander seven years ago, and yet somehow Evander is still obsessed with him. But when Byron suddenly dies, Evander inherits Hazelthorn’s immense gothic mansion and acres of sprawling grounds, along with the entirety of the Lennox-Hall family's vast wealth. There’s just one caveat: He must choose a new guardian from amongst Laurie's scheming, backstabbing relatives to help manage the estate until he turns eighteen. Except Evander's sure his guardian was murdered, and Laurie may be the only one who can help him find the killer before they come for Evander next. Perhaps even more concerning is how the overgrown garden is refusing to stay behind its walls, slipping its vines and spores deeper into the house with each passing day. As the family’s dark secrets unravel alongside the growing horror of their terribly alive, bloodthirsty garden, Evander needs to find out what he’s really inheriting before the garden demands to be fed once more.

All Stevie Bell wanted was to find the key to the Ellingham mystery, but instead she found her classmate dead. And while she solved that murder, the crimes of the past are still waiting in the dark. Just as Stevie feels she’s on the cusp of putting it together, her parents pull her out of Ellingham academy. For her own safety they say. She must move past this obsession with crime. Now that Stevie’s away from the school of topiaries and secret tunnels, and her strange and endearing friends, she begins to feel disconnected from the rest of the world. At least she won’t have to see David anymore. David, who she kissed. David, who lied to her about his identity—son of despised politician Edward King. Then King himself arrives at her house to offer a deal: He will bring Stevie back to Ellingham immediately. In return, she must play nice with David. King is in the midst of a campaign and can’t afford his son stirring up trouble. If Stevie’s at school, David will stay put. The tantalizing riddles behind the Ellingham murders are still waiting to be unraveled, and Stevie knows she’s so close. But the path to the truth has more twists and turns than she can imagine—and moving forward involves hurting someone she cares for. In New York Times bestselling author Maureen Johnson’s second novel of the Truly Devious series, nothing is free, and someone will pay for the truth with their life.

Ellingham Academy is a famous private school in Vermont for the brightest thinkers, inventors, and artists. It was founded by Albert Ellingham, an early twentieth century tycoon, who wanted to make a wonderful place full of riddles, twisting pathways, and gardens. “A place,” he said, “where learning is a game.” Shortly after the school opened, his wife and daughter were kidnapped. The only real clue was a mocking riddle listing methods of murder, signed with the frightening pseudonym “Truly, Devious.” It became one of the great unsolved crimes of American history. True-crime aficionado Stevie Bell is set to begin her first year at Ellingham Academy, and she has an ambitious plan: She will solve this cold case. That is, she will solve the case when she gets a grip on her demanding new school life and her housemates: the inventor, the novelist, the actor, the artist, and the jokester. But something strange is happening. Truly Devious makes a surprise return, and death revisits Ellingham Academy. The past has crawled out of its grave. Someone has gotten away with murder.  The two interwoven mysteries of this first book in the Truly Devious series dovetail brilliantly, and Stevie Bell will continue her relentless quest for the murderers in books two and three. New York Times bestselling author Maureen Johnson weaves a delicate tale of murder and mystery in the first book of a striking new series, perfect for fans of Agatha Christie and E. Lockhart.

Everyone in my family has killed someone. Some of us, the high achievers, have killed more than once. I'm not trying to be dramatic, but it is the truth. Some of us are good, others are bad, and some just unfortunate. I'm Ernest Cunningham. Call me Ern or Ernie. I wish I'd killed whoever decided our family reunion should be at a ski resort, but it's a little more complicated than that. Have I killed someone? Yes. I have. Who was it? Let's get started. EVERYONE IN MY FAMILY HAS KILLED SOMEONE My brother My stepsister My wife My father My mother My sister-in-law My uncle My stepfather My aunt Me