In the latest jaw-dropping thriller from New York Times bestselling author Riley Sager, a man must contend with the long-ago disappearance of his childhood best friend—and the dark secrets lurking just beyond the safe confines of his picture-perfect neighborhood. The worst thing to ever happen on Hemlock Circle occurred in Ethan Marsh’s backyard. One July night, ten-year-old Ethan and his best friend and neighbor, Billy, fell asleep in a tent set up on a manicured lawn in a quiet, quaint New Jersey cul de sac. In the morning, Ethan woke up alone. During the night, someone had sliced the tent open with a knife and taken Billy. He was never seen again. Thirty years later, Ethan has reluctantly returned to his childhood home. Plagued by bad dreams and insomnia, he begins to notice strange things happening in the middle of the night. Someone seems to be roaming the cul de sac at odd hours, and signs of Billy’s presence keep appearing in Ethan’s backyard. Is someone playing a cruel prank? Or has Billy, long thought to be dead, somehow returned to Hemlock Circle? The mysterious occurrences prompt Ethan to investigate what really happened that night, a quest that reunites him with former friends and neighbors and leads him into the woods that surround Hemlock Circle. Woods where Billy claimed monsters roamed and where a mysterious institute does clandestine research on a crumbling estate. The closer Ethan gets to the truth, the more he realizes that no place—be it quiet forest or suburban street—is completely safe. And that the past has a way of haunting the present.

A romantic cabin getaway doesn’t go exactly as planned. High up on the windswept cliffs of Pale Peak, Faye and Felix celebrate their new engagement. But soon, a chorus of ghastly noises erupts from the nearby the screams of animals, the cries of children, and the mad babble of a hundred mournful voices. A dark figure looms near the windows in the dead of night, whispering to Faye. As the weather turns deadly, Felix discovers that his terrified fiancée isn’t just mumbling in her sleep – she’s whispering back.Originally a contest-winning story on reddit.com’s horror community NoSleep, Stolen Tongues has received widespread acclaim and has been optioned for film.

On a hot summer weekend in San Antonio, Texas, a father and son bond after discovering three impossible corpses buried in their back yard.

On a hot summer night, something enormous screams down from the sky and pierces into the desert not far from the small town of Farchapel. The stories that trickle back from the crater are strange indeed—those who find it and return claim to be forever changed, transformed into the better, ideal versions of themselves they've always wished to achieve. Jamie, recent mysterious visitor in town, is a man on the run, all too eager to escape his current form no matter the cost. Sidney, local drunk, would rather face a hole in the ground than the things he’s done. As the two men venture into the desert canyons in search of their better selves, they soon discover that what hides there is much more terrible—and eager to lure them in.

An alternate cover edition for this ISBN can be found here. NOW A MAJOR MOTION PICTURE FROM IFC MIDNIGHT, STARRING SIERRA MCCORMICK, VINESSA SHAW, AND PAT HEALY. A family on the verge of self-destruction finds themselves isolated in their bathroom during a tornado warning. Includes an introduction from Sean King O'Grady (director of the film adaptation) and a brand-new afterword from Max Booth III.

A crumbling home surrounded by lavender fields. A decades-long curse. A nightmare from Croatian folklore with a thirst for blood. The Lost Apothecary meets The Hacienda in this multigenerational, haunting gothic saga set on the Adriatic Sea. 2026. All Petra has inherited are tales of loss. Which is why, after her mother’s passing, she is shocked to learn that her grandmother is not dead like she’s always believed, but alive and living on Tolba, a small island in Croatia. Desperate to find her last surviving family member, Petra ventures to her ancestral home, famed for its sprawling lavender fields. While she's happy to be reunited with her grandmother, rarely does a night go by that Petra doesn’t lose herself to vivid nightmares and the dizzying sense that something—or someone—is always watching in Lavender House. 1895. Whore. Sinner. Witch. No matter how many people Magdalena heals, the rumors persist. So, when she’s asked to help the matriarch of Lavender House, she seizes the opportunity to rehabilitate her reputation. As Magdalena races against time to heal the ailing woman, she finds herself unexpectedly falling for the son of her greatest enemy, the man responsible for her ostracization. But are true love and acceptance possible for a woman who has always lived on the margins? Back in the present, Petra finds it increasingly difficult to ignore the rumors plaguing her family: that a mora, a spirit from Croatian folklore, haunts Lavender House for revenge. Her grandmother says it’s nothing more than gossip made up by jealous townsfolk. But as her nightmares turn darker, invading her waking hours and threatening her newfound romance, she suspects there’s something more sinister lurking beneath the island’s surface. As the sole heir to Lavender House, Petra must discover the truth of her inheritance—or else fall prey to the same curse that claimed her family. Through the intersecting stories of Petra and Magdalena, Natalie Kikić’s gorgeous debut asks us to consider the lengths to which we go to belong, the cost of choosing love, and what it really means to be a monster.

An accessible, bold new vision for the future of intersectional trans feminism, called "one of the best books in trans studies in recent years" by Susan Stryker Why are trans women the most targeted of LGBT people? Why are they in the crosshairs of a resurgent anti-trans politics around the world? And what is to be done about it by activists, organizers, and allies? A Short History of Transmisogyny is the first book-length study to answer these urgent but long overdue questions. Combining new historical analysis with political and activist accessibility, the book shows why it matters to understand trans misogyny as a specific form of violence with a documentable history. Ironically, it is through attending to the specificity of trans misogyny that trans women are no longer treated as inevitably tragic figures. They emerge instead as embattled but tenacious, locked in a struggle over the meaning and material stakes of gender, labor, race, and freedom. The book travels across bustling port cities like New York, New Orleans, London and Paris, the colonial and military districts of the British Raj, the Philippines, and Hawai'i, and the lively travesti communities of Latin America. The book shows how trans femininity has become legible as a fault line of broader global histories, including colonial government, the sex work industry, the policing of urban public space, and the line between the formal and informal economy. This transnational and intersectional approach reinforces that trans women are not isolated social subjects who appear alone; they are in fact central to the modern social world.

In the age of digital footprints, is it possible to disappear? And how long would it take to notice someone is missing? When his wife May is taken into hospital after a serious fall during a competitive run, Chris Morrison does what anyone would do in a crisis: he phones his family. His son Mikey answers the call, but his daughter Ruth doesn't. She's always been distant, often working abroad for long stretches and communicating via social media. As Chris gets increasingly frustrated by Ruth's lack of response, police investigations into May's fall force him to answer some challenging questions. Why wasn't May on the race route when she fell? Was she running after someone, or running from them? A few uncomfortable certainties emerge: May and Mikey have been keeping things from Chris – and Ruth appears to have been lying to them all. But how many secrets can one family keep? When Chris realises nobody has had direct contact with his daughter in nine months, he faces every parent's nightmare – is Ruth missing, or worse? And with his wife in a coma and his daughter missing, suspicions fall on the family – and Chris himself. Having built a newspaper career investigating incidents and reporting the facts, Chris is well-versed in these kinds of situations. He knows what the outcome might be. But nothing could prepare him for what he finds when searching for traces of his daughter.

An exhilarating, twisted tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961—a powerful exploration of the legacy of WWII and the darker parts of our collective past. A house is a precious thing... It is 1961 and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the war is truly over. Living alone in her late mother’s country home, Isabel knows her life is as it should be—led by routine and discipline. But all is upended when her brother Louis brings his graceless new girlfriend Eva, leaving her at Isabel’s doorstep as a guest, to stay for the season. Eva is Isabel’s antithesis: she sleeps late, walks loudly through the house, and touches things she shouldn’t. In response, Isabel develops a fury-fueled obsession, and when things start disappearing around the house—a spoon, a knife, a bowl—Isabel’s suspicions begin to spiral. In the sweltering peak of summer, Isabel’s paranoia gives way to infatuation—leading to a discovery that unravels all Isabel has ever known. The war might not be well and truly over after all, and neither Eva—nor the house in which they live—are what they seem. Mysterious, sophisticated, sensual, and infused with intrigue, atmosphere, and sex, The Safekeep is a brilliantly plotted and provocative debut novel you won’t soon forget.