How did America cease to be the land of opportunity?We take it for granted that good neighborhoods—with good schools and good housing—are only accessible to the wealthy. But in America, this wasn’t always the case.Though for most of world history, your prospects were tied to where you were born, Americans came up with a revolutionary If you didn’t like your lot in life, you could find a better location and reinvent yourself there. Americans moved to new places with unprecedented frequency, and, for two hundred years, that remarkable mobility was the linchpin of American economic and social opportunity.  In this illuminating debut, Yoni Appelbaum, historian and journalist for The Atlantic, shows us that this idea has been under attack since reformers first developed zoning laws to ghettoize Chinese Americans in nineteenth-century Modesto, California. The century of legal segregation that ensued—from the zoning laws enacted to force Jewish workers back into New York’s Lower East Side to the private-sector discrimination and racist public policy that trapped Black families in Flint, Michigan to Jane Jacobs’ efforts to protect her vision of the West Village—has raised housing prices, deepened political divides, emboldened bigots, and trapped generations of people in poverty. Appelbaum shows us that these problems have a common people can’t move as readily as they used to. They are, in a word, stuck.Cutting through more than a century of mythmaking, Stuck tells a vivid, surprising story of the people and ideas that caused our economic and social sclerosis and lays out common-sense ways to get Americans moving again.

A whip-smart family dramedy about estranged siblings competing to inherit their father’s Vietnamese sandwich franchise and unravel family mysteries. Duc Tran, the eccentric founder of the national Vietnamese sandwich chain Duc’s Sandwiches, has decided to retire. With the help of the shady family lawyer, he informs his five estranged adult children that to get their inheritance, they must revitalize run-down shops in undesirable, old-school Little Saigon locations across Houston, San Jose, New Orleans, and Philadelphia—within a year. The only one without a shop is the bachelor son, but if he gets married before the year’s up, the inheritance goes to him. Each daughter is stuck in a new city they don’t want to be in, battling gentrification, declining ethnic enclaves, messy love lives, and struggling to modernize their father’s American dream. The son wonders if he wants to marry for love or for money. As Duc’s children continue to work, family mysteries begin to unravel along the way as they learn the real intention behind the inheritance scheme. The Family Recipe is about rediscovering one’s roots, different types of fatherly love, familial legacy, and finding one’s place in a divided country where the only commonality among your neighbors is the universal love of sandwiches.

A Young People's History of the United States brings to U.S. history the viewpoints of workers, slaves, immigrants, women, Native Americans, and others whose stories, and their impact, are rarely included in books for young people. Volume 1 begins with a look at Christopher Columbus’s arrival through the eyes of the Arawak Indians, then leads the reader through the earliest struggles for workers’ rights, women’s rights, and civil rights during the 18th and 19th centuries. Zinn presents a radical new way of understanding America’s history. In so doing, he reminds readers that America’s true greatness is shaped by our dissident voices, not our military generals.

In 2024, with the world descending into madness and anarchy, one woman begins a fateful journey toward a better future. Lauren Olamina and her family live in one of the only safe neighborhoods remaining on the outskirts of Los Angeles. Behind the walls of their defended enclave, Lauren’s father, a preacher, and a handful of other citizens try to salvage what remains of a culture that has been destroyed by drugs, disease, war, and chronic water shortages. While her father tries to lead people on the righteous path, Lauren struggles with hyperempathy, a condition that makes her extraordinarily sensitive to the pain of others. When fire destroys their compound, Lauren’s family is killed and she is forced out into a world that is fraught with danger. With a handful of other refugees, Lauren must make her way north to safety, along the way conceiving a revolutionary idea that may mean salvation for all mankind.

Barbara Crain Major and Joseph Barndt bring ninety combined years of experience as community organizers, teachers, and anti-racism trainers in community and church settings to this book. In Deconstructing Racism, they propose the deconstruction of racism's roots within systems and institutions that have been created, both structurally and legally, to serve white people. The authors propose that the deconstruction of racism must take place through the reconstruction of these systems and institutions. The authors seek to unmask the complexities of racism and the invisible patterns that keep it in place. There is no quick fix, but they believe racism can be deconstructed and undone. In order to do this, they identify and address race-based identity, history, and cultural issues rooted in current systems. Three chapters specifically address societal systems and provide anti-racism strategies for community organizers. Three chapters address racism as rooted in systems in the church and challenge people of faith to seek racial healing through understanding, honest confession, true reconciliation, and reconstructed church institutions. A final chapter outlines a way forward to and through a new era of anti-racist reconstruction. This way forward includes a new anti-racist mission statement, a new model of decision-making power, and new processes for accountability.

Giận, là cuốn sách tập hợp những bài giảng của Thiền sư Thích Nhất Hạnh về những giải pháp kì diệu để “tiêu thụ sân hận”, “dập tắt lửa giận”chuyển hóa cơn giận bằng “tiếng nói của yêu thương chân thật”, bằng “truyền thống của tâm từ bi” và “tâm kinh” của bản thân mỗi cá nhân. Để làm được điều đó, mỗi chúng ta nhất định phải biết “ôm ấp cơn giận bằng chánh niệm”. Khi đã đạt được “hơi thở chánh niệm” thì việc “phục hồi tịnh độ” giúp ta có được niềm hạnh phúc trong cuộc sống là điều không còn khó khăn nữa.

Fiction. Asian & Asian American Studies. KONA WINDS is a hard-boiled noir murder mystery set in Honolulu in 1953, when Hawai'i was changing from a racially stratified, near-feudal plantation colony to the multi-ethnic 50th State. This debut novel by Japanese American author Scott Kikkawa was written with the firm belief that Hawai'i is more than just a pretty backdrop for the mischief of tourists. It can be, and was, a terrifying, sodden place whose social realities were ugly not so long ago and continue in some respect to go unresolved. In addition, the novel provides a glimpse into the police work of postwar Honolulu, which has been rarely written in this way before.

A call to action for therapists to politicize their practice through an emotional decolonial lens. An essential work that centers colonial and historical trauma in a framework for healing, Decolonizing Therapy illuminates that all therapy is―and always has been― inherently political. To better understand the mental health oppression and institutional violence that exists today, we must become familiar with the root of disembodiment from our histories, homelands, and healing practices. Only then will readers see how colonial, historical, and intergenerational legacies have always played a role in the treatment of mental health. This book is the emotional companion and guide to decolonization. It is an invitation for Eurocentrically trained clinicians to acknowledge privileged and oppressed parts while relearning what we thought we knew. Ignoring collective global trauma makes delivering effective therapy impossible; not knowing how to interrogate privilege (as a therapist, client, or both) makes healing elusive; and shying away from understanding how we as professionals may be participating in oppression is irresponsible. 15 black-and-white figures; 2 tables

One in five people in the United States lives with a disability. Some disabilities are visible, others less apparent—but all are underrepresented in media and popular culture. Now, just in time for the thirtieth anniversary of the Americans with Disabilities Act, activist Alice Wong brings together this urgent, galvanizing collection of contemporary essays by disabled people. From Harriet McBryde Johnson’s account of her debate with Peter Singer over her own personhood to original pieces by authors like Keah Brown and Haben Girma; from blog posts, manifestos, and eulogies to Congressional testimonies, and beyond: this anthology gives a glimpse into the rich complexity of the disabled experience, highlighting the passions, talents, and everyday lives of this community. It invites readers to question their own understandings. It celebrates and documents disability culture in the now. It looks to the future and the past with hope and love.

In this groundbreaking history of the modern American metropolis, Richard Rothstein, a leading authority on housing policy, explodes the myth that America’s cities came to be racially divided through de facto segregation—that is, through individual prejudices, income differences, or the actions of private institutions like banks and real estate agencies. Rather, The Color of Law incontrovertibly makes clear that it was de jure segregation—the laws and policy decisions passed by local, state, and federal governments—that actually promoted the discriminatory patterns that continue to this day. Through extraordinary revelations and extensive research that Ta-Nehisi Coates has lauded as "brilliant" (The Atlantic), Rothstein comes to chronicle nothing less than an untold story that begins in the 1920s, showing how this process of de jure segregation began with explicit racial zoning, as millions of African Americans moved in a great historical migration from the south to the north. As Jane Jacobs established in her classic The Death and Life of Great American Cities, it was the deeply flawed urban planning of the 1950s that created many of the impoverished neighborhoods we know. Now, Rothstein expands our understanding of this history, showing how government policies led to the creation of officially segregated public housing and the demolition of previously integrated neighborhoods. While urban areas rapidly deteriorated, the great American suburbanization of the post–World War II years was spurred on by federal subsidies for builders on the condition that no homes be sold to African Americans. Finally, Rothstein shows how police and prosecutors brutally upheld these standards by supporting violent resistance to black families in white neighborhoods. The Fair Housing Act of 1968 prohibited future discrimination but did nothing to reverse residential patterns that had become deeply embedded. Yet recent outbursts of violence in cities like Baltimore, Ferguson, and Minneapolis show us precisely how the legacy of these earlier eras contributes to persistent racial unrest. “The American landscape will never look the same to readers of this important book” (Sherrilyn Ifill, president of the NAACP Legal Defense Fund), as Rothstein’s invaluable examination shows that only by relearning this history can we finally pave the way for the nation to remedy its unconstitutional past.

Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others—in which a newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a search that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of Tehran in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the Angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed. Electrifying, funny, wholly original, and profound, Martyr! heralds the arrival of a blazing and essential new voice in contemporary fiction.