Święta to czas, kiedy dobre rzeczy zdarzają się częściej. Ludzie stają się życzliwsi, a świat trwa w oczekiwaniu na przemianę. Czy i tym razem zdarzy się świąteczny cud? Zbiór opowieści z najróżniejszych zakątków świata łączy ten sam motyw, ale realizacje są zaskakująco nieoczywiste – niektóre pełne nostalgii, przekornych puent, inne prosto spod ciemnej gwiazdki. Srogie, śnieżne zimy mieszają się tutaj ze świętami spędzanymi w gorętszym klimacie. Jest też miejsce na nieoczekiwane prezenty, rozbłyskujące tu i ówdzie światełka i wzruszenie, które niespodziewanie ściska za gardło. Małe świąteczne cuda przeplatają się z chwilami, które na zawsze zapadają w pamięć. Bo do odkrycia magii świąt nie zawsze potrzeba mnóstwa prezentów. Czasem wystarczy samotny spacer. Opowiadania pozwalają odkryć klasyków literatury na nowo – od Hansa Christiana Andersena i Antoniego Czechowa, przez Elizabeth Bowen i Dylana Thomasa, po Tove Jansson i Grace Paley. Choć autorzy posługują się różnymi językami, to łączy ich jedno – patrzą na świat oczami wiecznie zaciekawionego dziecka, pełnego zachwytu i zdziwienia, choć świat wokół zdaje się coraz bardziej szalony.

A dark retelling of the Brothers Grimm's Goose Girl, rife with secrets, murder, and forbidden magic Cordelia knows her mother is unusual. Their house doesn’t have any doors between rooms, and her mother doesn't allow Cordelia to have a single friend—unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t sorcerers. After a suspicious death in their small town, Cordelia’s mother insists they leave in the middle of the night, riding away on Falada’s sturdy back, leaving behind all Cordelia has ever known. They arrive at the remote country manor of a wealthy older man, the Squire, and his unwed sister, Hester. Cordelia’s mother intends to lure the Squire into marriage, and Cordelia knows this can only be bad news for the bumbling gentleman and his kind, intelligent sister. Hester sees the way Cordelia shrinks away from her mother, how the young girl sits eerily still at dinner every night. Hester knows that to save her brother from bewitchment and to rescue the terrified Cordelia, she will have to face down a wicked witch of the worst kind.

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

A new gothic dark fantasy coming in 2024 Only the banished know what lies beyond the woods ... There are whispers about what lurks in Witch Knell—the forest where sinners go to die. The villagers call it The Eating Woods because what’s taken is never given back. Only those who’ve lost their senses would dare to go near it. Or the banished. Maevyth Bronwick knows better than to breach the misty labyrinth of trees, but a tragic turn of events compels her beyond the archway of bones, to a boundary no mortal has crossed before. One that cloaks a dark and fantastical world that’s as dangerous as it is alluring. It’s there that he dwells, the cursed lord of Eidolon. The one tasked to keep her hidden from the magehood that seeks to crucify her in the name of an arcane prophesy. Zevander Rydainn, known to his prey as The Scorpion, is the coldest, most calculated assassin in all of Aethyria and he’d sooner toss his feisty ward to a pack of vicious fyredrakes than keep her safe. If only he could. Maevyth’s blood is the key to breaking his despised curse and vanquishing the slumbering evil in Witch Knell. Unfortunately for Lord Rydainn, fate has other plans for the irresistible little enchantress. And his growing obsession with her threatens to destroy everything. Including himself.

Lesson One of the Scholomance: Learning has never been this deadly. A Deadly Education is set at Scholomance, a school for the magically gifted where failure means certain death (for real) — until one girl, El, begins to unlock its many secrets. There are no teachers, no holidays, and no friendships, save strategic ones. Survival is more important than any letter grade, for the school won’t allow its students to leave until they graduate… or die! The rules are deceptively simple: Don’t walk the halls alone. And beware of the monsters who lurk everywhere. El is uniquely prepared for the school’s dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out millions. It would be easy enough for El to defeat the monsters that prowl the school. The problem? Her powerful dark magic might also kill all the other students.