The iconic New Yorker and Vittles food writer asks: Why do we eat the way we eat now?Being into food - following and making it, queuing for it and discussing it - is no longer a subculture. It's become mass culture.The food landscape is more expansive and dizzying by the day. Recipes, once passed from hand to hand, now flood newspaper supplements and social media. Our tastes are engineered in food factories, hacked by supermarkets and influenced by Instagram reels.Ruby Tandoh's startlingly original analysis traces this extraordinary transformation over the past seventy-five years, making sense of this electrifying new era by examining the social, economic, and technological forces shaping the foods we hunger for today.Exploring the evolution of the cookbook and light-speed growth of bubble tea, the advent of TikTok critics and absurdities of the perfect dinner party, Tandoh's laser-sharp investigation leaves her questioning: how much are our tastes, in fact, our own?Discover All Consuming Bubble Tea | Critics | Recipes | Martha Stewart | Mob | Fast food | Hype queues | Nara Smith | Tiktok | Viennetta | Weekend supplements | Wife Guys | Cookbooks | Lobster | Influencers | Wellness elixirs | Entertaining | Keith Lee | Wimpy with Ruby Tandoh this autumn.

The Devil Wears Rothko charts the explosive demise of Knoedler Gallery, New York’s oldest and most prestigious art galleries with detailed and salacious insight into one of the world’s largest art frauds. From the moment an eccentric woman walked into the Knoedler Gallery with a Mark Rothko painting, everyone was fooled. For the next ten years, she—along with a group out of Hollywood central casting—ran a $80 million forgery ring through Knoedler Gallery, selling or consigning forty expertly crafted counterfeits they claimed to be the works of Robert Motherwell, Jackson Pollock, and Mark Rothko, and others. The acclaimed documentary, Made You Look (2020), attests to the explosive investigative work and storytelling of Avrich. The Devil Wears Rothko utilizes these talents all the more effectively, featuring new information, evidence, and inside stories on how an eccentric art dealer, master forger, and two cunning con artists managed to fool the world of art over a period of ten years. Among these individuals were billionaire art collectors, journalists, and esteemed art appraisers. By the time the house of cards finally fell, the Hammer family owned Knoedler Gallery and a dozen collectors had been conned into buying over $80 million in fake art. As the world continues to be intrigued by this case, The Devil Wears Rothko exposes such an unimaginable cast of characters and villains that even Hollywood would struggle to invent.

Greta liked knowing people's secrets. That wasn't a problem. Until she met Big Swiss. Big Swiss. That's Greta's nickname for her - she is tall, and she is from Switzerland. Greta can see her dressed top to toe in white, that adorable gap between her two front teeth, her penetrating blue eyes. She's a including the heads of infants and dogs. Well that's how Greta imagines seeing her; they haven't actually ever met in person. Nor has Greta actually ever been to Switzerland. Greta and Big Swiss are not in the same room, or even the same building. Greta is miles away, sitting at a desk in her own house, wearing only headphones, fingerless gloves, a kimono, and legwarmers, transcribing this disembodied voice. What Greta doesn't know is that she's about to bump into Big Swiss in the local dog park. A new - and not entirely honest - relationship is going to be born. A relationship that will transform both of their lives.

A groundbreaking exploration of gendered oppression—its origins, its histories, our attempts to understand it, and our efforts to combat it For centuries, societies have treated male domination as natural to the human species. But how would our understanding of gender inequality—our imagined past and contested present—look if we didn’t assume that men have always ruled over women, if we saw inequality as something more fragile that has had to be constantly remade and reasserted? In The Patriarchs: The Origins of Inequality, award-winning science journalist Angela Saini explores the roots of what we call patriarchy, uncovering a complex history of how it first became embedded in societies and spread across the globe from prehistory into the present. She travels to the world’s earliest known human settlements, analyzes the latest research findings in science and archaeology, and traces cultural and political histories from the Americas to Asia. In the 19th and 20th centuries, philosophers, historians, anthropologists, and feminists began to actively question what patriarchy meant as part of the attempt to understand the origins of inequality. In our own time, despite the pushback against sexism, abuse, and discrimination, even revolutionary efforts to bring about equality have often ended in failure and backlash. But The Patriarchs: The Origins of Inequality is a hopeful book—one that reveals a multiplicity to human arrangements that undercuts the old grand narratives and exposes male supremacy as no more, and no less, than an ever-shifting element in systems of control.

Superior tells the disturbing story of the persistent thread of belief in biological racial differences in the world of science. After the horrors of the Nazi regime in WWII, the mainstream scientific world turned its back on eugenics and the study of racial difference. But a worldwide network of eugenicists founded journals and funded research, providing the kind of shoddy studies that were ultimately cited in Richard Hernstein's and Charles Murray's 1994 title, The Bell Curve, which purported to show differences in intelligence among races. Whether you think of racist science as bad science, evil science, alt-right science, or pseudoscience, why would any contemporary scientist imagine that gross inequality is a fact of nature, rather than of political history? Angela Saini's Superior connects the dots, laying bare the history, continuity, and connections of modern racist science, some more subtle than you might think.

What should have been a family celebration of Chinese New Year descends into chaos when longtime foes crash the party in this hilariously entertaining novel by Jesse Q. Sutanto, bestselling author of Dial A for Aunties. After an ultra-romantic honeymoon across Europe, Meddy Chan and her husband Nathan have landed in Jakarta to spend Chinese New Year with her entire extended family. Chinese New Year, already the biggest celebration of the Lunar calendar, gets even more festive when a former beau of Second Aunt’s shows up at the Chan residence bearing extravagant gifts—he’s determined to rekindle his romance with Second Aunt and the gifts are his way of announcing his courtship.   His grand gesture goes awry however, when it’s discovered that not all the gifts were meant for Second Aunt and the Chans—one particular gift was intended for a business rival to cement their alliance and included by accident. Of course the Aunties agree that it’s only right to return the gift—after all, anyone would forgive an honest mistake, right? But what should have been a simple retrieval turns disastrous and suddenly Meddy and the Aunties are helpless pawns in a decades-long war between Jakarta’s most powerful business factions. The fighting turns personal, however, when Nathan and the Aunties are endangered and it’s up to Meddy to come up with a plan to save them all.  Determined to rescue her loved ones, Meddy embarks on an impossible mission—but with the Aunties by her side, nothing is truly impossible…

This is a story about you. It is the history of who you are and how you came to be. It is unique to you, as it is to each of the 100 billion modern humans who have ever drawn breath. But it is also our collective story, because in every one of our genomes we each carry the history of our species births, deaths, disease, war, famine, migration, and a lot of sex. Since scientists first read the human genome in 2001, it has been subject to all sorts of claims, counterclaims, and myths. In fact, as Adam Rutherford explains, our genomes should be read not as instruction manuals, but as epic poems. DNA determines far less than we have been led to believe about us as individuals, but vastly more about us as a species. In this captivating journey through the expanding landscape of genetics, Adam Rutherford reveals what our genes now tell us about history, and what history tells us about our genes. From Neanderthals to murder, from redheads to race, dead kings to plague, evolution to epigenetics, this is a demystifying and illuminating new portrait of who we are and how we came to be."