*This limited deluxe edition comes with an ombre spine matching the rest of the series* A love that couldn't be broken, except by the truth. Lizzie Young has always felt she was too much everything. Diagnosed with bipolar disorder at a young age, she's never fit in with her family, her friends, her community. Lizzie wants to be accepted and understood, but with few family or friends in her corner, she's carries her burdens and her trauma on her own. But when she meets a kind boy on the school bus, things start to look bright for the first time in her life… Hugh Biggs has an old soul and the wisdom of someone far beyond his years. A young man with a sharp mind and a firm code of ethics, he sees something in Lizzie Young that he can't resist. He wants to be her everything and shoulder her burden. And Lizzie wants that too. Lizzie and Hugh's bond seems unbreakable — their chemistry is electric, their love is potent, and their connection is soul deep – but even the truest love can be shaken by forces beyond control.

She's the quintessential sunshine girl. He's the lovable class clown. But storm clouds are rolling in, and this Tommen boy is about to get serious. Tommen's cheeky lad, Gerard 'Gibsie' Gibson, is a comedian at heart, but underneath his happy-go-lucky-nature lurks a broken boy, tortured by the events of his past. Using humour to cope with his demons, Gibsie hides everything from the world. Only one person knows who he truly is on the inside. His friend's little sister. His Claire-bear. Enveloped in sunshine, Claire Biggs, has spent her whole life adoring the boy across the street. Her brother's friend. Seeing a side to Gerard that no one else sees, Claire is determined to tame her wild-at-heart childhood best friend. But when the unexpected occurs and lines are crossed, will Gibsie and Claire's friendship survive? Will it blossom into something more, or will they lose themselves in the riptide?

In Just Kids, Patti Smith's first book of prose, the legendary American artist offers a never-before-seen glimpse of her remarkable relationship with photographer Robert Mapplethorpe in the epochal days of New York City and the Chelsea Hotel in the late sixties and seventies. An honest and moving story of youth and friendship, Smith brings the same unique, lyrical quality to Just Kids as she has to the rest of her formidable body of work--from her influential 1975 album Horses to her visual art and poetry.