A raw and deeply moving memoir from the legendary author of The God of Small Things and The Ministry of Utmost Happiness that traces the complex relationship with her mother, Mary Roy, a fierce and formidable force who shaped Arundhati’s life both as a woman and a writer. Mother Mary Comes to Me, Arundhati Roy’s first work of memoir, is a soaring account, both intimate and inspirational, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to the extraordinary, singular mother she describes as “my shelter and my storm.” “Heart-smashed” by her mother Mary’s death in September 2022 yet puzzled and “more than a little ashamed” by the intensity of her response, Roy began to write, to make sense of her feelings about the mother she ran from at age eighteen, “not because I didn’t love her, but in order to be able to continue to love her.” And so begins this astonishing, sometimes disturbing, and surprisingly funny memoir of the author’s journey from her childhood in Kerala, India, where her single mother founded a school, to the writing of her prizewinning novels and essays, through today. With the scale, sweep, and depth of her novels, The God of Small Things and The Ministry of Utmost Happiness, and the passion, political clarity, and warmth of her essays, Mother Mary Comes to Me is an ode to freedom, a tribute to thorny love and savage grace—a memoir like no other.

2014: A great poem is read aloud and never heard again. For generations, people speculate about its message, but no copy has yet been found. 2119: The lowlands of the UK have been submerged by rising seas. Those who survive are haunted by the richness of the world that has been lost.Tom Metcalfe, an academic at the University of the South Downs, part of Britain’s remaining island archipelagos, pores over the archives of that distant era, captivated by the freedoms and possibilities of human life at its zenith. When he stumbles across a clue that may lead to the lost poem, a story is revealed of entangled loves and a crime that destroy his assumptions about people he thought he knew intimately well.What We Can Know is a masterpiece, a fictional tour de force that reclaims the present from our sense of looming catastrophe, and imagines a future world where all is not quite lost.

A raw and deeply moving memoir from the legendary author of The God of Small Things and The Ministry of Utmost Happiness that traces the complex relationship with her mother, Mary Roy, a fierce and formidable force who shaped Arundhati’s life both as a woman and a writer. Mother Mary Comes to Me, Arundhati Roy’s first work of memoir, is a soaring account, both intimate and inspirational, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to the extraordinary, singular mother she describes as “my shelter and my storm.” “Heart-smashed” by her mother Mary’s death in September 2022 yet puzzled and “more than a little ashamed” by the intensity of her response, Roy began to write, to make sense of her feelings about the mother she ran from at age eighteen, “not because I didn’t love her, but in order to be able to continue to love her.” And so begins this astonishing, sometimes disturbing, and surprisingly funny memoir of the author’s journey from her childhood in Kerala, India, where her single mother founded a school, to the writing of her prizewinning novels and essays, through today. With the scale, sweep, and depth of her novels, The God of Small Things and The Ministry of Utmost Happiness, and the passion, political clarity, and warmth of her essays, Mother Mary Comes to Me is an ode to freedom, a tribute to thorny love and savage grace—a memoir like no other.

Two graduate students must set aside their rivalry and journey to Hell to save their professor’s soul, perhaps at the cost of their own. Alice Law has only ever had one goal: to become one of the brightest minds in the field of Magick. She has sacrificed everything to make that a reality—her pride, her health, her love life, and most definitely her sanity. All to work with Professor Jacob Grimes at Cambridge, the greatest magician in the world—that is, until he dies in a magical accident that could possibly be her fault. Grimes is now in Hell, and she’s going in after him. Because his recommendation could hold her very future in his now incorporeal hands, and even death is not going to stop the pursuit of her dreams. Nor will the fact that her rival, Peter Murdoch, has come to the same conclusion.

Fifty-two weeks. That's all the time Mona has left to learn about beauty before she loses her eyesight forever. Fifty-two works of art. Every Wednesday, Mona's grandfather picks her up after school and takes her to see a great work of art. Fifty-two chapters. Together, on their visit to Paris' museums, Mona and her grandfather will experience enchantment and sadness. Above all, they will grow ever closer and learn to lean on each other. From Botticelli to Basquiat, Mona will discover not only the power of art, but also the meaning of generosity, doubt, melancholy, and loss. A profound, beautifully crafted novel about the fullness of life and an enthralling guide to the world's most renowned art, Mona's Eyes is a moving story about the bond between a young girl and her grandfather.

“Wise and heartbreaking” (Ann Napolitano), this captivating epic weaves the intimate lives of two Midwestern families across generations, from World War II to the late twentieth century.In the small Ohio town of Bonhomie, a stolen moment of passion, sparked in the exuberant aftermath of the Allied victory in Europe, binds Cal Jenkins, a man wounded not in war but by his inability to serve in it, to Margaret Salt, a woman trying to obscure her past. Cal’s wife, Becky, has a spiritual she is a seer who can conjure the dead, helping families connect with those whom they’ve lost. Margaret’s husband, Felix, is serving on a Navy cargo ship; she will soon learn that he may have perished in a predawn attack in the Philippine Sea. As the country reconstructs in the postwar boom, a secret grows in Bonhomie, but nothing stays buried forever in a small town. Twenty-five years later, as another war convulses America, the consequences of that long-ago encounter set in motion a series of events that will upend the next generation of both families as they head toward a new century.Sweeping yet intimate, rich with piercing observation and the warmth that comes from profound understanding of the human spirit, Buckeye captures the universal longing for love, and for goodness.

"Wonderfully ambitious.... Flournoy explores the complexity of friendship, family, and home in a voice that is expansive yet intimate, humorous yet devastating. I loved this book." — Brit Bennett, author of The Vanishing Half and The Mothers An era-defining novel about five Black women over the course of their twenty-year friendship, as they move through the dizzying and sometimes precarious period between young adulthood and midlife—in the much-anticipated second book from National Book Award finalist Angela Flournoy. Desiree, Danielle, January, Monique, and Nakia are in their early twenties and at the beginning. Of their careers, of marriage, of motherhood, and of big-city lives in New York and Los Angeles. Together, they are finding their way through the wilderness, that period of life when the reality of contemporary adulthood—overwhelming, mysterious, and full of freedom and consequences—swoops in and stays. Desiree and Danielle, sisters whose shared history has done little to prevent their estrangement, nurse bitter family wounds in different ways. January’s got a relationship with a “good” man she feels ambivalent about, even after her surprise pregnancy. Monique, a librarian and aspiring blogger, finds unexpected online fame after calling out the university where she works for its plans to whitewash fraught history. And Nakia is trying to get her restaurant off the ground, without relying on the largesse of her upper middle-class family who wonder aloud if she should be doing something better with her life. As these friends move from the late 2000’s into the late 2020’s, from young adults to grown women, they must figure out what they mean to one another—amid political upheaval, economic and environmental instability, and the increasing volatility of modern American life. The Wilderness is Angela Flournoy’s masterful and kaleidoscopic follow-up to her critically acclaimed debut The Turner House. A generational talent, she captures with disarming wit and electric language how the most profound connections over a lifetime can lie in the tangled, uncertain thicket of friendship.