It was Vera's idea to buy the Itza. The "world's most advanced smart speaker!" didn't interest Thiago, but Vera thought it would be a bit of fun for them amidst all the strange occurrences happening in the condo. It made things worse. The cold spots and scratching in the walls were weird enough, but peculiar packages started showing up at the house—who ordered industrial lye? Then there was the eerie music at odd hours, Thiago waking up to Itza projecting light shows in an empty room. It was funny and strange right up until Vera was killed, and Thiago's world became unbearable. Pundits and politicians all looking to turn his wife's death into a symbol for their own agendas. A barrage of texts from her well-meaning friends about letting go and moving on. Waking to the sound of Itza talking softly to someone in the living room... The only thing left to do was get far away from Chicago. Away from everything and everyone. A secluded cabin in Colorado seemed like the perfect place to hole up with his crushing grief. But soon Thiago realizes there is no escape—not from his guilt, not from his simmering rage, and not from the evil hunting him, feeding on his grief, determined to make its way into this world. A bold, original horror novel about grief, loneliness and the oppressive intimacy of technology, This Thing Between Us marks the arrival of a spectacular new talent.

Revenant-X is the terrifying second novel in a new trilogy of survival and exploration in deep space, from Clarke Award-nominated author David Wellington. FEAR THE DARK. The crew of the Artemis - led by Firewatch agent Alexandra Petrova - have survived the furious onslaught of the Basilisk and broken through the space blockade around Paradise-1. Now they can pursue their original mission and investigate why Earth's first deep space colony has fallen silent. The answer seems the site is deserted. Or so they think. Some of the colonists remain. They're no longer human. Petrova and her crew now face a desperate struggle to survive as they attempt to uncover the mystery of what has befallen the colony. If they fail, the darkness that has fallen over Paradise-1 will consume them.

If you find one, he’s already found you. A psychopath is terrorizing Copenhagen. His calling card is a “chestnut man”—a handmade doll made of matchsticks and two chestnuts—which he leaves at each bloody crime scene. Examining the dolls, forensics makes a shocking discovery—a fingerprint belonging to a young girl, a government minister’s daughter who had been kidnapped and murdered a year ago. A tragic coincidence—or something more twisted? To save innocent lives, a pair of detectives must put aside their differences to piece together the Chestnut Man’s gruesome clues. Because it’s clear that the madman is on a mission that is far from over. And no one is safe.

*PRE-ORDER NOW! THE INTERNATIONALLY BESTSELLING AUTHOR OF THE CHESTNUT MAN IS BACK WITH A BLOCKBUSTER NEW THRILLER, SOON TO BE A MAJOR NETFLIX ADAPTATION*'A full-throttle thriller in the tradition of classic Stieg Larsson, drenched in atmosphere and charged with adrenaline. I loved this book' A. J. Finn'A cracking ending that left me STUNNED' 5***** Reader Review ---- Count to one, count to two…A strange voice from inside the woods, repeating a child’s counting rhyme.Count to four, count to five… A body discovered in the water.You’re trying to go home. Will you make it alive? Thirty years later, a woman is haunted by a string of anonymous text messages, repeating that same counting rhyme. Counting down.Found you.Detectives Naia Thulin and Mark Hess are charged with finding the missing woman. But when they uncover links to a decades-old cold case, their investigation takes a terrifying turn.A twisted killer is on the loose. Can they catch them, before they strike again?----Praise for Søren Sveistrup'The Stieg Larsson comparisons seem unfair - on Sveistrup. He is quite simply in another league' Metro'If you're pining for a dose of Jo Nesbo-style Scandi noir, The Chestnut Man should hit the spot' The Times'Has success written all over it' Daily Express'Creepy, clever and packed with tension' Sun

A savage, hypnotic dive into the lives and deaths of a coven of vampires living in 19th Century Paris, perfect for fans of Silvia Moreno-Garcia, Laura Purcell and Elizabeth Kostova Paris, 1869. The Théâtre Saint-Siméon is the place to be, if you can get in. The black slips of paper that guarantee entry are rare and highly desired, and given only to certain persons. The actors on stage are magnetic and ageless, performing only at midnight and never seen during the day… Arnault and his clan of vampires have survived for as long as they have by observing a rigid set of rules. At night, they perform on stage at the Théâtre Saint-Siméon, picking off just enough people in the audience to survive. But they understand the city, and how to live in it without being noticed. Their peace is shattered first with a visit from Béatrice, a witch who forms a strange connection to Arnault; then with the arrival of Victor de Rouvray and his sister Françoise, vampires from a very different world. And, as Arnault grows closer and closer to the beautiful, enigmatic Victor, he risks becoming distracted from the constant bickering of his immortal friends, from the daily running of the theatre, and worse, from the premonitions of blood, death and starvation that he receives at night. For a terrible change is on the horizon, revolt and revolution are brewing in the streets and soon, the city, and Arnault will never be the same again.

A broke vampire’s last ditch effort to escape the blood sucking monster of capitalism through an ill-conceived multi-level marketing scheme. James Sugre has never been this broke before in his centuries of living. Down and out, he’s had a terrible string of luck investing in companies crippled by fraud and always late to the next crypto-fad. He spends most of his time in his coffin, too broke to go out in public. As the video game industry reaches record-breaking heights, Sugre tries his luck one more time with his own game studio. When he encounters a game developer and self-professed fan of vampire lore named Lauren, Sugre becomes hopeful that his luck might finally be on the up-and-up. But the market is rocky, and nothing is as stable as "un-death." Sugre learns the hard way that a dollar is worth more than a drop of blood. Trading immortality for cash, Sugre and Lauren create a—not entirely legal—business of turning humans into vampires for a fee. The business expands, but Vampire Nation has to protect their own investments, and Sugre learns the hard truth of the system he can’t escape.

Brian Isaac's powerful debut novel All the Quiet Places is the coming-of-age story of Eddie Toma, an Indigenous (Syilx) boy, told through the young narrator's wide-eyed observations of the world around him. It's 1956, and six-year-old Eddie Toma lives with his mother, Grace, and his little brother, Lewis, near the Salmon River on the far edge of the Okanagan Indian Reserve in British Columbia's Southern Interior. Grace, her friend Isabel, Isabel's husband Ray, and his nephew Gregory cross the border to work as summer farm labourers in Washington state. There Eddie is free to spend long days with Gregory exploring the climbing a hill to watch the sunset and listening to the wind in the grass. The boys learn from Ray's funny and dark stories. But when tragedy strikes, Eddie returns home grief-stricken, confused, and lonely. Eddie's life is governed by the decisions of the adults around him. Grace is determined to have him learn the ways of the white world by sending him to school in the small community of Falkland. On Eddie's first day of school, as he crosses the reserve boundary at the Salmon River bridge, he leaves behind his world. Grace challenges the Indian Agent and writes futile letters to Ottawa to protest the sparse resources in their community. His father returns to the family after years away only to bring chaos and instability. Isabel and Ray join them in an overcrowded house. Only in his grandmother's company does he find solace and true companionship. In his teens, Eddie's future seems more secure—he finds a job, and his long-time crush on his white neighbour, Eva, is finally reciprocated. But every time things look up, circumstances beyond his control crash down around him. The cumulative effects of guilt, grief, and despair threaten everything Eddie has ever known or loved. All the Quiet Places is the story of what can happen when every adult in a person's life has been affected by colonialism; it tells of the acute separation from culture that can occur even at home in a loved familiar landscape. Its narrative power relies on the unguarded, unsentimental witness provided by Eddie.