Acclaimed author Jade Song (Chlorine) returns with her latest literary exploration: a lyrical, poignant, and heartfelt novel about the meaning of love, friendship, debt, depression, and death in New York City—a coming-of-age for a new generation, in the vein of Sally Rooney and Ottessa Moshfegh. For as far back as she can remember, Vicky has been fascinated and obsessed with death as the only inevitable thing in life. From living above a Chinatown funeral parlor to working at a celebrity start-up for bespoke urns, she has surrounded herself with death—in her home, in her work, and in her ever-growing collection of zhizha, paper creations meant to be burned for the dead, adorning the walls of her apartment. Yet, though living in Manhattan and working her dream job is all she ever wanted, she still struggles to have meaningful connections—or find any meaning at all—in her life. Too often she spends the day in bed, only drawn out from time to time by her best (and only) friend, Jen. That changes when a dating app leads her into a throuple with an artist and a labor organizer, who offer exactly the kind of love she needs. For some time, it’s perfect, but no one understands better than Vicky that all things must end. As doubts grow over the love in her life, her friendship with Jen, and her professional success, the oddly comforting abstraction of death starts becoming something else altogether. With everything beginning to feel hollow and temporary, Vicky must decide how to keep moving forward. To try and hold on to what she has, or to once again do what she does destroy.

Acclaimed author Jade Song (Chlorine) returns with her latest literary exploration: a lyrical, poignant, and heartfelt novel about the meaning of love, friendship, debt, depression, and death in New York City—a coming-of-age for a new generation, in the vein of Sally Rooney and Ottessa Moshfegh. For as far back as she can remember, Vicky has been fascinated and obsessed with death as the only inevitable thing in life. From living above a Chinatown funeral parlor to working at a celebrity start-up for bespoke urns, she has surrounded herself with death—in her home, in her work, and in her ever-growing collection of zhizha, paper creations meant to be burned for the dead, adorning the walls of her apartment. Yet, though living in Manhattan and working her dream job is all she ever wanted, she still struggles to have meaningful connections—or find any meaning at all—in her life. Too often she spends the day in bed, only drawn out from time to time by her best (and only) friend, Jen. That changes when a dating app leads her into a throuple with an artist and a labor organizer, who offer exactly the kind of love she needs. For some time, it’s perfect, but no one understands better than Vicky that all things must end. As doubts grow over the love in her life, her friendship with Jen, and her professional success, the oddly comforting abstraction of death starts becoming something else altogether. With everything beginning to feel hollow and temporary, Vicky must decide how to keep moving forward. To try and hold on to what she has, or to once again do what she does destroy.

For readers of Elizabeth Strout and Sigrid Nunez, a darkly funny and moving debut novel about the unforgettable Agatha, whose devotion to a widow with dementia (and an inconvenient attachment to her daughter’s grave) sparks a radical reckoning with life, loss, and love’s aftermath.Have we done a bad thing, Agatha? Not at all. We’ve been very brave. Agatha, a bristly painter fleeing her own darkness, decamps to rural New Mexico to live the reclusive life of a small-town curmudgeon. It is there she meets Alice, a mild widow with a deepening case of dementia who keeps steady vigil at her daughter’s backyard grave. Despite Agatha’s rough edges and fierce aversion to sentimentality, she surprises herself by falling in love, and her well-worn convictions begin to upend. As Alice’s condition worsens, Agatha hatches a plan for them to live together at her remote residence at Mesa Portales. But when Alice’s wayward son comes along with different ideas—and Alice suddenly goes missing—Agatha takes matters into her own hands with the help of a faithful twelve-year-old-neighbor, a pair of shovels, and her trusty pickup, embarking on an unusual mission that calls into question whether some secrets are better kept buried… Sharp, watchful, at once thrillingly perceptive and hidden from herself, Agatha is as imposing and full of feeling as the vast canyon her rustic adobe home overlooks. Loosely inspired by the life of Agnes Martin, I Am Agatha introduces us to this irascible, indelible character over the course of a strange, singular stretch of days—days during which she learns new ways to fathom life, death, and her own heart.

My father was a gardener. Now he is a garden. A man sits by his father's bedside and watches him die. Watches as his past begins to crack, leaving him buried in all its afternoons. The quietly collapsing afternoons of childhood. Because the end of our fathers is the end of a world. From the winner of the International Booker Prize, comes a novel about a father and a son, about the last month of a man's life, and the stories that make up a life.

For readers of Naomi Klein and Nicole Perlroth, a myth-dissolving exposé of what “artificial intelligence” really means, and a resounding argument for an equitable future of A.I. Silicon Valley has sold us the illusion that artificial intelligence is a frictionless technology that will bring wealth and prosperity to humanity. But hidden beneath this smooth surface lies the grim reality of a precarious global workforce of millions laboring under often appalling conditions to make A.I. possible. This book presents an urgent, riveting investigation of the intricate network that maintains this exploitative system, revealing the untold truth of A.I.Based on hundreds of interviews and thousands of hours of fieldwork over more than a decade, Feeding the Machine describes the lives of the workers deliberately concealed from view, and the power structures that determine their future. It gives voice to the people whom A.I. exploits, from accomplished writers and artists to the armies of data annotators, content moderators and warehouse workers, revealing how their dangerous, low-paid labor is connected to longer histories of gendered, racialized, and colonial exploitation.A.I. is an extraction machine that feeds off humanity's collective effort and intelligence, churning through ever-larger datasets to power its algorithms. This book is a call to arms that details what we need to do to fight for a more just digital future.

When a Victorian fossil hunter discovers a baby pterodactyl, she vows to protect him with the help of a fellow scholar—her former fiancé—in this enchanting and transporting historical fantasy.Mary Anning wants to be a geomagician—a paleontologist who uses fossils to wield magic—but since the Geomagical Society of London refuses to admit women, she’s stuck selling her discoveries to tourists instead. When an ancient egg hatches in her hands, revealing a loveable baby pterodactyl Mary names Ajax, she knows this is the kind of scientific find that could make her career—if she’s strategic.Mary contacts the Society about her discovery, and they demand to take possession of Ajax. Their emissary is none other than Henry Stanton, a distinguished (and infuriatingly handsome) scholar... and the man who once broke Mary's heart.Henry claims he believes in the brilliant Mary, and that he only wants to help her obtain the respect she deserves. She knows she can't trust her fellow scholars, who want to discredit her and claim Ajax for their own—but can she even trust Henry, who seems intent on winning Mary back?Now Mary has a new mystery to solve that's buried deeper than any dinosaur She must uncover the secrets behind the Society and the truth about Henry. As her conscience begins to chafe against her ambition, Mary must decide what lengths she’s willing to go to finally belong—and what her heart really wants.

For readers of Elizabeth Strout and Sigrid Nunez, a darkly funny and moving debut novel about the unforgettable Agatha, whose devotion to a widow with dementia (and an inconvenient attachment to her daughter’s grave) sparks a radical reckoning with life, loss, and love’s aftermath.Have we done a bad thing, Agatha? Not at all. We’ve been very brave. Agatha, a bristly painter fleeing her own darkness, decamps to rural New Mexico to live the reclusive life of a small-town curmudgeon. It is there she meets Alice, a mild widow with a deepening case of dementia who keeps steady vigil at her daughter’s backyard grave. Despite Agatha’s rough edges and fierce aversion to sentimentality, she surprises herself by falling in love, and her well-worn convictions begin to upend. As Alice’s condition worsens, Agatha hatches a plan for them to live together at her remote residence at Mesa Portales. But when Alice’s wayward son comes along with different ideas—and Alice suddenly goes missing—Agatha takes matters into her own hands with the help of a faithful twelve-year-old-neighbor, a pair of shovels, and her trusty pickup, embarking on an unusual mission that calls into question whether some secrets are better kept buried… Sharp, watchful, at once thrillingly perceptive and hidden from herself, Agatha is as imposing and full of feeling as the vast canyon her rustic adobe home overlooks. Loosely inspired by the life of Agnes Martin, I Am Agatha introduces us to this irascible, indelible character over the course of a strange, singular stretch of days—days during which she learns new ways to fathom life, death, and her own heart.

For readers of Elizabeth Strout and Sigrid Nunez, a darkly funny and moving debut novel about the unforgettable Agatha, whose devotion to a widow with dementia (and an inconvenient attachment to her daughter’s grave) sparks a radical reckoning with life, loss, and love’s aftermath.Have we done a bad thing, Agatha? Not at all. We’ve been very brave. Agatha, a bristly painter fleeing her own darkness, decamps to rural New Mexico to live the reclusive life of a small-town curmudgeon. It is there she meets Alice, a mild widow with a deepening case of dementia who keeps steady vigil at her daughter’s backyard grave. Despite Agatha’s rough edges and fierce aversion to sentimentality, she surprises herself by falling in love, and her well-worn convictions begin to upend. As Alice’s condition worsens, Agatha hatches a plan for them to live together at her remote residence at Mesa Portales. But when Alice’s wayward son comes along with different ideas—and Alice suddenly goes missing—Agatha takes matters into her own hands with the help of a faithful twelve-year-old-neighbor, a pair of shovels, and her trusty pickup, embarking on an unusual mission that calls into question whether some secrets are better kept buried… Sharp, watchful, at once thrillingly perceptive and hidden from herself, Agatha is as imposing and full of feeling as the vast canyon her rustic adobe home overlooks. Loosely inspired by the life of Agnes Martin, I Am Agatha introduces us to this irascible, indelible character over the course of a strange, singular stretch of days—days during which she learns new ways to fathom life, death, and her own heart.

For readers of Elizabeth Strout and Sigrid Nunez, a darkly funny and moving debut novel about the unforgettable Agatha, whose devotion to a widow with dementia (and an inconvenient attachment to her daughter’s grave) sparks a radical reckoning with life, loss, and love’s aftermath.Have we done a bad thing, Agatha? Not at all. We’ve been very brave. Agatha, a bristly painter fleeing her own darkness, decamps to rural New Mexico to live the reclusive life of a small-town curmudgeon. It is there she meets Alice, a mild widow with a deepening case of dementia who keeps steady vigil at her daughter’s backyard grave. Despite Agatha’s rough edges and fierce aversion to sentimentality, she surprises herself by falling in love, and her well-worn convictions begin to upend. As Alice’s condition worsens, Agatha hatches a plan for them to live together at her remote residence at Mesa Portales. But when Alice’s wayward son comes along with different ideas—and Alice suddenly goes missing—Agatha takes matters into her own hands with the help of a faithful twelve-year-old-neighbor, a pair of shovels, and her trusty pickup, embarking on an unusual mission that calls into question whether some secrets are better kept buried… Sharp, watchful, at once thrillingly perceptive and hidden from herself, Agatha is as imposing and full of feeling as the vast canyon her rustic adobe home overlooks. Loosely inspired by the life of Agnes Martin, I Am Agatha introduces us to this irascible, indelible character over the course of a strange, singular stretch of days—days during which she learns new ways to fathom life, death, and her own heart.

For readers of Elizabeth Strout and Sigrid Nunez, a darkly funny and moving debut novel about the unforgettable Agatha, whose devotion to a widow with dementia (and an inconvenient attachment to her daughter’s grave) sparks a radical reckoning with life, loss, and love’s aftermath.Have we done a bad thing, Agatha? Not at all. We’ve been very brave. Agatha, a bristly painter fleeing her own darkness, decamps to rural New Mexico to live the reclusive life of a small-town curmudgeon. It is there she meets Alice, a mild widow with a deepening case of dementia who keeps steady vigil at her daughter’s backyard grave. Despite Agatha’s rough edges and fierce aversion to sentimentality, she surprises herself by falling in love, and her well-worn convictions begin to upend. As Alice’s condition worsens, Agatha hatches a plan for them to live together at her remote residence at Mesa Portales. But when Alice’s wayward son comes along with different ideas—and Alice suddenly goes missing—Agatha takes matters into her own hands with the help of a faithful twelve-year-old-neighbor, a pair of shovels, and her trusty pickup, embarking on an unusual mission that calls into question whether some secrets are better kept buried… Sharp, watchful, at once thrillingly perceptive and hidden from herself, Agatha is as imposing and full of feeling as the vast canyon her rustic adobe home overlooks. Loosely inspired by the life of Agnes Martin, I Am Agatha introduces us to this irascible, indelible character over the course of a strange, singular stretch of days—days during which she learns new ways to fathom life, death, and her own heart.

A lyrical and suspenseful debut novel about a mysteriously gifted Korean family confronting the brutality of the Japanese empire, Honey in the Wound is an epic tale of survival and the reclamation of power.A sister disappears and returns as a tiger. A mother’s voice compels the truth from any tongue. A granddaughter divines secrets in others’ dreams. These women are all of one lineage—a Korean family split across decades and borders by Japanese imperialism. At this saga’s heart is Young-Ja, a girl who infuses food with her emotions. She revels in her gift for cooking, nourishing the people she loves with her cheerfulness. But her sunny childhood comes to an end in 1931 when Japanese soldiers crush her family’s defiance against the Empire. Young-Ja is cast adrift, her food turning increasingly bitter with grief. When a Korean rebel fighter notices her talents, however, she is whisked off to Manchuria to join a secretive sisterhood of beautiful teahouse spies. There, Young-Ja finds a new sense of belonging and starts using her abilities for the resistance. But the Imperial Army is not yet finished with her… Decades later, Young-Ja lives alone in Seoul, withdrawn from the world until her Tokyo-born granddaughter Rinako bursts into her life with the ability to see into dreams. In cultivating a tentative bond, they confront the long-buried past in a stunning emotional climax. As an unforgettable family perseveres in the long shadow of colonialism, Honey in the Wound transports readers to mountain forests where tiger-girls stalk, to Manchurian teahouses and opium dens where charming smiles veil secrets, and to the modern metropolises of Tokyo and Seoul where restless ghosts stir. This debut novel is a tender yet powerful multi-generational drama that shines light onto the twentieth century’s darkest corners and gives voice to those who bore witness.

A lyrical and suspenseful debut novel about a mysteriously gifted Korean family confronting the brutality of the Japanese empire, Honey in the Wound is an epic tale of survival and the reclamation of power.A sister disappears and returns as a tiger. A mother’s voice compels the truth from any tongue. A granddaughter divines secrets in others’ dreams. These women are all of one lineage—a Korean family split across decades and borders by Japanese imperialism. At this saga’s heart is Young-Ja, a girl who infuses food with her emotions. She revels in her gift for cooking, nourishing the people she loves with her cheerfulness. But her sunny childhood comes to an end in 1931 when Japanese soldiers crush her family’s defiance against the Empire. Young-Ja is cast adrift, her food turning increasingly bitter with grief. When a Korean rebel fighter notices her talents, however, she is whisked off to Manchuria to join a secretive sisterhood of beautiful teahouse spies. There, Young-Ja finds a new sense of belonging and starts using her abilities for the resistance. But the Imperial Army is not yet finished with her… Decades later, Young-Ja lives alone in Seoul, withdrawn from the world until her Tokyo-born granddaughter Rinako bursts into her life with the ability to see into dreams. In cultivating a tentative bond, they confront the long-buried past in a stunning emotional climax. As an unforgettable family perseveres in the long shadow of colonialism, Honey in the Wound transports readers to mountain forests where tiger-girls stalk, to Manchurian teahouses and opium dens where charming smiles veil secrets, and to the modern metropolises of Tokyo and Seoul where restless ghosts stir. This debut novel is a tender yet powerful multi-generational drama that shines light onto the twentieth century’s darkest corners and gives voice to those who bore witness.

A true-crime obsessed young artist is drawn into the lives of an obscenely wealthy family in this fantastically entertaining thriller from Calla Henkel, author of Other People’s Clothes Recently dumped and stuck with a mortgage, artist Esther Ray wants to burn the world, but instead, she reluctantly accepts a scrapbooking job from the deliriously wealthy Naomi Duncan. The scrapbooks, a secret birthday gift for Naomi’s husband, Bryce, trace the Duncan’s 25-year marriage. The Esther must include every piece of paper she’s been sent, must sign an NDA, and must only contact Naomi using the burner phone provided. Otherwise she’ll spoil the surprise. As Esther binges true-crime podcasts and works through the near-200 boxes of Duncan detritus, she finds herself infatuated with the gilded family—until, mid-project, Naomi dies suspiciously. When Esther becomes convinced the husband killed her, she uses the scrapbooks’ trove of information to insert herself into the Duncans’ lives to prove it. But the more Esther investigates, the further she is dragged back to the scorched earth of her past and the famous artist who paid her to disappear. Laced with pitch-black humor and conspiratorial unease, Scrap is a razor-sharp examination of wealth and power, art and truth, of the line between justice and revenge—and who gets to cross it.

A true-crime obsessed young artist is drawn into the lives of an obscenely wealthy family in this fantastically entertaining thriller from Calla Henkel, author of Other People’s Clothes Recently dumped and stuck with a mortgage, artist Esther Ray wants to burn the world, but instead, she reluctantly accepts a scrapbooking job from the deliriously wealthy Naomi Duncan. The scrapbooks, a secret birthday gift for Naomi’s husband, Bryce, trace the Duncan’s 25-year marriage. The Esther must include every piece of paper she’s been sent, must sign an NDA, and must only contact Naomi using the burner phone provided. Otherwise she’ll spoil the surprise. As Esther binges true-crime podcasts and works through the near-200 boxes of Duncan detritus, she finds herself infatuated with the gilded family—until, mid-project, Naomi dies suspiciously. When Esther becomes convinced the husband killed her, she uses the scrapbooks’ trove of information to insert herself into the Duncans’ lives to prove it. But the more Esther investigates, the further she is dragged back to the scorched earth of her past and the famous artist who paid her to disappear. Laced with pitch-black humor and conspiratorial unease, Scrap is a razor-sharp examination of wealth and power, art and truth, of the line between justice and revenge—and who gets to cross it.