Hemingway’s classic novel of post-war disillusionment—the emblematic novel of the Lost Generation—now available for the first time from Penguin Classics, in a beautiful Graphic Deluxe Edition featuring flaps, deckled edges, and specially commissioned cover art by R. Kikuo Johnson and a new introduction by Amor Towles, the multimillion-copy bestselling author of The Lincoln Highway, A Gentleman in Moscow, and Rules of Civility A Penguin Classics Graphic Deluxe Edition It's the early 1920s in Paris, and Jake, a wounded World War I veteran working as a journalist, is hopelessly in love with charismatic British socialite Lady Brett Ashley. Brett, however, settles for no an independent, liberated divorcée, all she wants out of life is a good time. When Jake, Brett, and a crew of their fellow expatriate friends travel to Spain to watch the bullfights, both passions and tensions rise. Amid the flash and revelry of the fiesta, each of the men vies to make Brett his own, until Brett’s flirtation with a confident young bullfighter ignites jealousies that set their group alight. An indelible portrait of what Gertrude Stein called the Lost Generation—the jaded, decadent youth who gave up trying to make sense of a senseless world in the disaffected postwar era— The Sun Also Rises, Ernest Hemingway’s beloved first novel, is a masterpiece of modernist literature and one of the finest examples of the distinctly spare prose that would become his legacy to American letters.

Santo Domingo de la Calzada, 1532. London, 1837. Boston, 2019. Three young women, their bodies planted in the same soil, their stories tangling like roots. One grows high, and one grows deep, and one grows wild. And all of them grow teeth.

« Pour Le Corps lesbien j’étais face à la nécessité d’écrire un livre entièrement lesbien dans sa thématique, son vocabulaire et sa texture, un livre lesbien du début à la fin, de la première à la quatrième de couverture. Je me trouvais par conséquent devant une double béance : celle de la page blanche que doivent affronter tous les écrivains lorsqu’ils commencent un livre, et une autre de nature différente : il n’existait aucun livre de ce genre. Jamais je n’ai relevé un défi aussi radical. Pouvais-je tenter cela ? En étais-je seulement capable ? Et quel serait alors ce livre ? J’ai gardé le manuscrit six mois dans un tiroir avant de le donner à mon éditeur. » Monique Wittig

When Anne Sexton took her own life in October 1974, she left behind a body of work which had already, in less than two decades of writing, won her the Pulitzer Prize for Poetry, established her as one of the foremost voices of her generation, and shocked America by breaking multiple taboos of subject matter, from insanity, depression and addiction to menstruation, adultery and the figure of the witch. Sexton's name is legendary. Her poetry is read around the world, translated into over thirty languages, and in her own country remains a touchstone for poets and readers looking for a rawness of perception, a vitality of expression, and a confessional frankness. Yet, incredibly, there has been no new UK edition of her work for decades. In Mercies, readers are provided with a resonant new selection from the writings of this natural phenomenon of a poet.

Mors vincit omnia. Death conquers all. London, 1883. The Veil between the living and dead has thinned. Violet-eyed mediums commune with spirits under the watchful eye of the Royal Speaker Society, and sixteen-year-old Silas Bell would rather rip out his violet eyes than become an obedient Speaker wife. According to Mother, he’ll be married by the end of the year. It doesn’t matter that he’s needed a decade of tutors to hide his autism; that he practices surgery on slaughtered pigs; that he is a boy, not the girl the world insists on seeing. After a failed attempt to escape an arranged marriage, Silas is diagnosed with Veil sickness—a mysterious disease sending violet-eyed women into madness—and shipped away to Braxton’s Sanitorium and Finishing School. The facility is cold, the instructors merciless, and the students either bloom into eligible wives or disappear. So when the ghosts of missing students start begging Silas for help, he decides to reach into Braxton’s innards and expose its rotten guts to the world—as long as the school doesn’t break him first.