On a six-mile hike on the Maine-New Hampshire branch of the Appalachian Trail, nine-year-old Trisha McFarland quickly tires of the constant bickering between her older brother, Pete, and her recently divorced mother. But when she wanders off by herself and then tries to catch up by attempting a shortcut, she becomes lost in a wilderness maze full of peril and terror. As night falls, Trisha has only her ingenuity as a defense against the elements, and only her courage and faith to withstand her mounting fears. For solace, she tunes her Walkman to broadcasts of Boston Red Sox baseball games and follows the gritty performances of her hero, relief pitcher Tom Gordon. And when her radio's reception begins to fade, Trisha imagines that Tom Gordon is with her - protecting her from an all-too-real enemy who has left a trail of slaughtered animals and mangled trees in the dense, dark woods...

Life in a small town takes a dark turn when mysterious footage begins appearing on VHS cassettes at the local Video Hut Jeremy works at the counter of Video Hut in Nevada, Iowa. It’s a small town—the first “a” in the name is pronounced ay—smack in the center of the state. This is the late 1990s, pre-DVD, and the Hollywood Video in Ames poses an existential threat to Video Hut. But there are regular customers, a predictable rush in the late afternoon. It’s good enough for Jeremy: It’s a job; it’s quiet and regular; he gets to watch movies; he likes the owner, Sarah Jane; it gets him out of the house, where he and his dad try to avoid missing Mom, who died six years ago in a car wreck. But when Stephanie Parsons, a local schoolteacher, comes in to return her copy of Targets, starring Boris Karloff—an old movie, one Jeremy himself had ordered for the store—she has an odd complaint: “There’s something on it,” she says, but doesn’t elaborate. Two days later, Lindsey Redinius brings back She’s All That, a new release, and complains that there’s something wrong with it: “There’s another movie on this tape.” So Jeremy takes a look. And indeed, in the middle of the movie the screen blinks dark for a moment and She’s All That is replaced by a black-and-white scene, shot in a barn, with only the faint sounds of someone breathing. Four minutes later, She’s All That is back. But there is something profoundly disturbing about that scene; Jeremy’s compelled to watch it three or four times. The scenes recorded onto Targets are similar, undoubtedly created by the same hand. Creepy. And the barn looks a lot like a barn just outside of town. Jeremy doesn’t want to be curious. In truth, it freaks him out, deeply. This has gone far enough, maybe too far already. But Stephanie is pushing, and once Sarah Jane takes a look and becomes obsessed, there’s no more ignoring the disturbing scenes on the videos. And all of a sudden, what had once been the placid, regular old Iowa fields and farmhouses now feels haunted and threatening, imbued with loss and instability and profound foreboding. For Jeremy, and all those around him, life will never be the same . . .

Food critic Dorothy Daniels loves what she does. Discerning, meticulous, and very, very smart, Dorothy's clear mastery of the culinary arts make it likely that she could, on any given night, whip up a more inspired dish than any one of the chefs she writes about. Dorothy loves sex as much as she loves food, and while she has struggled to find a long-term partner that can keep up with her, she makes the best of her single life, frequently traveling from Manhattan to Italy for a taste of both. But there is something within Dorothy that's different from everyone else, and having suppressed it long enough, she starts to embrace what makes Dorothy uniquely, terrifyingly herself. Recounting her life from a seemingly idyllic farm-to-table childhood, the heights of her career, to the moment she plunges an ice pick into a man's neck on Fire Island, Dorothy Daniels show us what happens when a woman finally embraces her superiority. A satire of early foodieism, a critique of how gender is defined, and a showcase of virtuoso storytelling, Chelsea G. Summers' A Certain Hunger introduces us to the food world's most charming psychopath and an exciting new voice in fiction.

Once upon a time, in the middle of the forest, there was a lonely child with only his older sister for company. So his sister made him a playmate – Daye, a girl woven from carefully selected flowers and words. And finally, this boy, Rory, had a friend.Rory is finally, gloriously happy, until he learns that Daye is a seasonal creature. At the end of each season, she must be woven back together or fall gruesomely apart. And when, one autumn, his sister fails to return home from university in time, Rory has no choice but to watch his best friend slowly crumble, not knowing until the last second if she can still be pieced together again.Realizing he can no longer rely on his sister to keep Daye alive, Rory determines he must leave home to learn how to do it himself. And the more he learns the more he starts to Why can’t Daye survive more than one season? Can he do anything to break this cycle of bloom and decay? But as Rory grows older his thoughts turn darker too . . .While Rory sinks deeper into research and experiments, ensconced in libraries and hunched in university labs, Daye is left to wait for his return. Alone. Sometimes, the silence seems to seep all the way to her branch-bones. Sometimes, the company of birds is the only thing to remind her that she is still alive. And as Rory keeps pushing his experiments further and further, Daye starts to wonder – how far is too far?A feminist Frankenstein with flowers, Honeysuckle is a deliciously dark and twisted, horror-tinged fairytale with rot at its heart . . .

Two women, connected across time, edge toward transgression in pursuit of their desires.A Mississippi woman pushes through the ruin of the Roman Colosseum, searching for plants. She has escaped her life, apprenticed herself to catalog all the species growing in this place. Crawling along the stones, she wonders how she has landed here, a reluctant botanist amid a snarl of tourists in comfortable sandals. She hunts for a scientific agenda and a direction of her own.In 1855, a woman pushes through the jungle of the Roman Colosseum, searching for plants. As punishment for her misbehavior, she has been indentured to the English botanist Richard Deakin, for whom she will compile a flora. She is a thief, and she must find new ways to use her hands. If only the woman she loves weren’t on a boat, with a husband. But love isn’t always possible. She logs 420 species.Through a list of seemingly minor plants and their uses—medical, agricultural, culinary—these women calculate intangible threats: a changing climate, the cost of knowledge, and the ways repeated violence can upend women’s lives. They must forge their own small acts of defiance and slip through whatever cracks they find. How can anyone survive?Lush, intoxicating, and teeming with mischief, Katy Simpson Smith’s The Weeds is a tense, mesmerizing page-turner about science and survival, the roles women are given and have taken from them, and the lives they make for themselves.

A dazzling and deeply moving story about humans turning into trees - for fans of Love and Other Thought Experiments and Never Let Me GoWhat makes a person want to be a tree?Bren and his partner Caelyn are feeling at a standstill in their lives. One day they come across a video of people in the forest who believe that if they stand still for long enough they will transform into trees. The idea is absurd. But it's spreading. Soon, people start to go missing and trees appear in unlikely places.As cities decay and the world becomes greener, Caelyn becomes more and more convinced that arborescence is exactly what will save the planet from human destruction. Bren isn't so sure. Drifting apart, Bren and Caelyn are forced to question what it really means to be human - and if they are ready to stand still.'A dazzling blend of cosmic eco-horror and arthouse sci-fi... one of the most profound and beautiful books you'll ever read' Chris Flynn, author of Orpheus Nine'Original, mind-bending and uplifting' Inga Simpson, author of The Thinning'Reads like a thriller but has the tenderness and insight of poetry' Ben Rawlence, author of The Treeline

In The Power the world is a recognizable place: There's a rich Nigerian boy who lounges around the family pool; a foster kid whose religious parents hide their true nature; an ambitious American politician; and a tough London girl from a tricky family. But then a vital new force takes root and flourishes, causing their lives to converge with devastating effect. Teenage girls now have immense physical power: They can cause agonizing pain and even death. With this small twist of nature, the world drastically resets.

When she fell asleep, the world was doomed. When she awoke, it was dead. In the wake of a fever that decimated the earth’s population—killing women and children and making childbirth deadly for the mother and infant—the midwife must pick her way through the bones of the world she once knew to find her place in this dangerous new one. Gone are the pillars of civilization. All that remains is power—and the strong who possess it. A few women like her survived, though they are scarce. Even fewer are safe from the clans of men, who, driven by fear, seek to control those remaining. To preserve her freedom, she dons men’s clothing, goes by false names, and avoids as many people as possible. But as the world continues to grapple with its terrible circumstances, she’ll discover a role greater than chasing a pale imitation of independence. After all, if humanity is to be reborn, someone must be its guide.

When she fell asleep, the world was doomed. When she awoke, it was dead. In the wake of a fever that decimated the earth’s population—killing women and children and making childbirth deadly for the mother and infant—the midwife must pick her way through the bones of the world she once knew to find her place in this dangerous new one. Gone are the pillars of civilization. All that remains is power—and the strong who possess it. A few women like her survived, though they are scarce. Even fewer are safe from the clans of men, who, driven by fear, seek to control those remaining. To preserve her freedom, she dons men’s clothing, goes by false names, and avoids as many people as possible. But as the world continues to grapple with its terrible circumstances, she’ll discover a role greater than chasing a pale imitation of independence. After all, if humanity is to be reborn, someone must be its guide.

Melanie is a very special girl. Dr. Caldwell calls her "our little genius." Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant Parks keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don't like her. She jokes that she won't bite, but they don't laugh. Melanie loves school. She loves learning about spelling and sums and the world outside the classroom and the children's cells. She tells her favorite teacher all the things she'll do when she grows up. Melanie doesn't know why this makes Miss Justineau look sad. The Girl with All the Gifts is a sensational thriller, perfect for fans of Stephen King, Justin Cronin, and Neil Gaiman.